DOCSLIB.ORG

Ing the Art O Hi R

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ing the Art O Hi R FREE.WEEKLY. VOLUME VOLUME 71 // ISSUE 25 // MAR 23 TimaTe n he art o i inG t f s lor hi s exp Ba k T r o i n dininG out with Golden key BudGet cut special diets p8 questions p15 quandary p18 The official s TudenT newspaper of The universiTy of winnipeg CDI_Winnipeg_Uniter_Feb2017_ACSW.pdf 1 2017-03-01 10:44 AM ASK ABOUT OUR EVENING CLASSES! The UniTer // March 23, 2017 3 on the cover emma Bedard began taking part in shibari when she moved from a northern Manitoba community less than a year ago. WHAT’S IN A JOB? an addictions & We’re hiring another position for the fall – and per- haps some of you are wondering, “Why does The Uniter hire so often? Is there some nasty secret here in the basement of the Bulman Centre that C community drives aspiring writers and journalists away?” M There is one specific reason why we seem Y services worker to hire more often (and have staff changing positions more often) than other news outlets. It CM all comes back to our role as a learning paper. MY We’re here to help build careers, not to CY TUITION SCHOLARSHIP* $3,000 sustain them for years upon years. We hold CMY professional standards and collaborate with each other to help meet them. But the end goal isn’t K Want to become an addictions support worker? CDI to have a super-experienced crew who can do perfect journalism, if such a thing even exists. College’s Winnipeg campus is offering a $3,000 tuition Our positions are created specifically so scholarship* for the Addictions & Community Services writers, editors and visual creatives can learn Worker program. Apply today! and grow in them. And of course, inevitably, that means that our best and brightest will also grow out of them and move on. And that’s okay, too. A few of our positions – like the managing editor and business manager – were created to lend some stability to the paper. We’re here all year, and then for another year, and another. But there’s a little bit more fluidity built into the rest of our staff. Each position has its own 1.800.675.4392 skill set and learning opportunities, and most STUDYACSW.CDICOLLEGE.CA apply far beyond the realm of news media. Right now, we’re hiring a volunteer coordi- Financial assistance may be available to qualified applicants. | *Certain restrictions apply. Contact campus for more info. nator. It’s an opportunity to mentor new writers, but it's also a great way to hone and develop leadership skills and to practice working with volunteers, which is a pretty awesome thing to have on a resume. If this intrigues you, check out uniter.ca/jobs for more info. The secret to what we do here in the basement of the Bulman Centre – and in homes and coffee shops across Winnipeg – is that it’s a labour of love and a place to grow. We each get what we put into these roles, and after seeing the work that this year’s team has put into The Uniter, I’m pretty confident that we’ve all gained a lot. $5 after 5 – Anastasia Chipelski #AtCMHR follow us Get engaged with Canada’s ongoing on social media human rights story. Right now, that might be just what we all need. @ThEUniter @ThEUniter fAcEbOOk.cOM/ $5 admission from 5 – 9 pm Theuniter on paid Wednesdays. laura garinger was voted in as the new UWSA president for 2017-18. photo By keeley Braunstein-Black humanrights.ca UNITER STAFF cOnTRIbutors cOnTAcT us SUbmissionS MAnAgIng Editor STAFF PHOTOgRAPHER VOlUnTEER WRITERS gEneral Inquiries Submissions of articles, letters, graphics anastasia chipelski » [email protected] callie Morris » [email protected] Murat ates 204.988.7579 and photos are encouraged, however BUSIness MAnAgER STAFF PHOTOgRAPHER Jesse doerksen [email protected] all new contributors (with the exception charmagne de Veer » [email protected] keeley Braunstein-Black » [email protected] denise Macdonald www.uniter.ca of letters to the editor) must attend sam swanson a 45-minute volunteer orientation Creative director STAFF Illustrator Advertising workshop to ensure that the volunteer Bryce creasy » [email protected] Gabrielle funk » [email protected] volUnteer Illustrators 204.786.9790 understands all of the publication’s basic ARTS & CUlTURE EDITOR Features REPORTER Matthew dyck Room ORM14 guidelines. Volunteer workshops take place Meg crane » [email protected] thomas pashko » [email protected] Bram keast University of Winnipeg Wednesdays from 12:30 to 1:20 in room 515 Portage Avenue ORM14. Please email [email protected] for CITy EDITOR Arts Reporter more details. Deadline for advertisements alana trachenko » [email protected] Melanie dahling » [email protected] Winnipeg, Manitoba R3B 2E9 is noon Friday, six days prior to publication. COMMEnTS EDITOR News Reporter Treaty One Territory The Uniter reserves the right to refuse to tim runtz » [email protected] talula schlegel » [email protected] Homeland of the Metis nation print material submitted by volunteers. The Uniter will not print submissions that COPy & STylE EDITOR CAMPUS REPORTER danielle doiron » [email protected] Justin luschinski » [email protected] are homophobic, misogynistic, racist or libellous. We also reserve the right to edit PHOTO EDITOR VOlUnTEER COORDInATOR MOUSElAnD Press Board OF Directors: kent davies (interim chair), anifat olawoyin, Jack for length/style. daniel crump » [email protected] stephanie Berrington » [email protected] walker, dylan chyz-lund, Victoria king and nikki riffel » For inquiries email: [email protected] 4 The UniTer // March 23, 2017 ARTS The UniTer // March 23, 2017 5 THIS TIME, IT’S PERSONAL whose FOR ALEXA DIRKS Songwriter confronts nerves and projects confidence with Begonia Murat ates @Wpgmurat house? volunteer staff photo By adaM kelly Alexa Dirks, the soulfully self-conscious After a Juno award-winning career as Alexa Dirks performs for Begonia's EP release on March 3 at the West End Cultural Centre. MALAIKAH’S singer at the heart of Begonia, is following part of Chic Gamine, Dirks says she feels a up her sold-out March 3 EP release by writ- heightened sense of vulnerability striking is the wrong word because, like, I remem- “Sometimes being lost, being almost HOUSE ing music for her first full-length album. out on her own. She recalls paralyzingly ber that feeling. It was fucking scary.” 30, that’s kind of confusing. Figuring She says she wants it to be as personal fierce anxiety striking her on the day of Similarly, when Dirks reflects on her yourself out and figuring out where you photos By callie Morris as possible. Begonia’s first rehearsal. sold-out EP release, she confides, “It just fit in as a woman in a society that’s pretty “When you’re honest about things and “I was so nervous, I was vomiting. And felt like the most personal – like I was patriarchal and tells you that you should other people see that, then they can be this is something that I’ve done a million walking on stage with no clothes on and be a certain way or look a certain way or thoMas Pashko @thomaspashko more honest with themselves. My goal is times. I’ve been to a rehearsal 10,000 just being like, ‘What’s up? Check it out! have children at a certain age or marry at just to be as myself as possible, so that times,” Dirks says. “I can’t even count on What do you think?’” a certain age … I don’t know. I just want features reporter people can relate to that.” all of the fingers and toes that I have how She laughs before adding, “And then women to feel good about themselves.” Dirks says that being herself means many times I’ve been in a rehearsal space. crying and running off stage, like ‘No! The next chance to see Begonia in It’s instantly clear when walking into accepting the awkward parts. It’s not like this is a new thing for me.” Don’t tell me anything! I don’t want to Manitoba will be this summer at the Malaikah Rang’inya’s home that she has “I know I’m not a cookie-cutter woman Dirks says if she felt uniquely afraid, it know!’” Winnipeg Folk Festival. a passion for décor. The writer and poet’s in the pop world. And I’m not trying to was because Begonia is uniquely import- Making music as Begonia is not all discover more from Begonia at hellobegonia.com. front door opens into a bright pink and tan- be. I just feel like I want to speak for the ant to her. about feeling naked and overcoming fear. gerine living room, populated with objects woman who maybe doesn’t always feel “I hold this project so closely … Like, Quite often, it is also about empowerment. and antiques that have been either selected comfortable with themselves but is pow- I want to project this confident person, “I feel a responsibility now – if I’m or repainted to fit the colour scheme. ering through … (and) trying to do good, but inside it’s like, ‘Oh my gosh.’ I felt going to contribute something, I want it “Each room in the apartment has its even if they feel awkward sometimes.” paralyzed, which now seems – laughable to mean something,” Dirks says. 1 2 3 own theme,” Rang’inya says. “I try to imbue each space with a type of energy. This room, for example, is my pastel pink room. I just think, ‘Would a twelve-year- old girl dressing up as a princess think it’s cool? Yes? It’s sparkly and has crazy colours? It belongs in this room.’” Rang’inya also says that her constant repainting and redecorating of the home serves a self-care purpose.
Load more

Recommended publications
  • Constantly Evolving Music Business: Stay Independent Vs. Sign to a Label: Artist's Point of View
    Constantly Evolving Music Business: Stay Independent vs. Sign to a Label: Artist’s Point of View Sampo Winberg Bachelor’s Thesis Degree Programme in International Business 2018 Abstract Date 22.5.2018 Author(s) Sampo Winberg Degree programme International Business Report/thesis title Number of pages Constantly Evolving Music Business: Stay Independent vs. Sign to and appendix pages a Label: Artist’s Point of View 58 + 6 The mark of an artist making it in music industry, throughout its relatively short history, has always been a record deal. It is a ticket to fame and seen as the only way to make a living with your music. Most artist would accept a record deal without hesitating. Being an artist myself I fall into the same category, at least before conducting this research. As we know record labels tend to take a decent chunk of artists’ revenues. Goal of this the- sis is to find out ways how a modern-day artist makes money, and can it be done so that it would be better to remain as an independent artist. What is the difference in volume that artist needs without a label vs. with a label? Can you get enough exposure and make enough money that you can manage without a record label? Technology has been and still is the single most important thing when it comes to the evo- lution of the music industry. New innovations are made possible by constant technological development and they’ve revolutionized the industry many times. First it was vinyl, then CD, MTV, Napster, iTunes, Spotify etc.
    [Show full text]
  • Government .Shuts Down 40-Billion
    - � HARPERNEws HARPER HUB 11:=.. , tn harbinger.harpercollege.edu Monday,October 7, 2013 46THYEAR . ISSUETHREE I FREE Government .Shuts Down 40-billion­ By Michelle Czaja a Hanan Aqull one key duty in the Constitution, four years ago, yet Republicans shutdown over Obamacare is New_sEditor & OfficeManager to pass spending bills that fund are trying to revoke the law. unnecessary. Wion states, "The dollar c.ut the. government. If it does not, According to CNN, "The Patient purpose of Obamacare is to America facesthe biggest ordeal most functions of government, Protection and Affordable Care expand coverage and lower cost yet, as the government shuts from funding agencies to paying Act, the actual name of the law, for consumers and the country. on food down.People all around the world out small business loans and requites ·au Americans to have It does expand coverage but it is are puzzled as the government processing passport requests health insurance." For the first debatable as to whether it lowers shut down on Tuesday morning, grind to a halt. Some services year, citizens will be taxed $95. For cost." stamps Oct. 1. like Social Security, air traffic every consecutive year, the tax will Harper students are not Republicans and Democrats control and active military 'pay, continue to increase. affected greatly by the shutdown. By Juan Cervantes could not agree on a spending will continue to be funded, as the Americans question whether Social services such as passports Sta.ffWriter plan.for the fiscal year that started Congress still gets paid," according the government shutdown is are closed, however, unless you Tuesday as they wrangled over to CNN.
    [Show full text]
  • Linguistic Appropriation of Slang Terms Within the Popular Lexicon
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 4-1-2021 Who Said It First?: Linguistic Appropriation Of Slang Terms Within The Popular Lexicon Rachel Elizabeth Laing Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Communication Commons Recommended Citation Laing, Rachel Elizabeth, "Who Said It First?: Linguistic Appropriation Of Slang Terms Within The Popular Lexicon" (2021). Theses and Dissertations. 1385. https://ir.library.illinoisstate.edu/etd/1385 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. WHO SAID IT FIRST?: LINGUISTIC APPROPRIATION OF SLANG TERMS WITHIN THE POPULAR LEXICON RACHEL E. LAING 65 Pages Linguistic appropriation is an area of study that has been under-researched, even as it has become all the more relevant due to the rapid dissemination of slang and linguistic trends during the digital age. There are clear ties shown between individuals’ and groups’ identity and language. This study specifically examines the appropriation of African American Vernacular English (AAVE) and LGBT language by creating an Acceptability of Appropriation scale and assessing potential relationships between linguistic appropriation, intercultural tolerance, and LGBT tolerance. These results are then examined through the lens of the communication theory of identity (CTI) and potential identity gaps that may arise from groups using slang that does not belong to them. Implications of the study, limitations, and future research are discussed.
    [Show full text]
  • How Can Baylor Achieve BU Supporters
    INDIE FAvorite’s SECRET TO SUCCESS: BAylor’s big lead LATEST THROWS FAIR APPEALS TO STUDENTS, OFFERS TOO MUCH FOR CU TO OVERCOME PAGE 6 FANS CURVE PAGE 7 FREE BOOKS FOR SEMESTER PAGE 3 ROUNDING UP CAMPUS NEWS SINCE 1900 THE BAYLOR LARIAT WEDNESDAY, JANUARY 31, 2007 How can Baylor achieve BU supporters Unapproved department proposals defend grant for ’07-’08 total nearly $700 million 2012? Lilley, ambassadors “We go and talk to the con- By Jon Schroeder gressional staffers, asking them Staff writer lobby in Austin on to maintain the funding levels behalf of students (for the grant) and stress why When the dust settled from Baylor’s Dec. 15 strategic it is important to us that they planning deadline, the university had about 60 major By Melissa Limmer maintain that funding,” said proposals carrying a total price tag of about $700 mil- Staff Writer Phoenix sophomore and Baylor lion over the course of the next 10 years. Ambassador Cassidy Ford. That’s a “very rough” amount, said Dr. Larry Baylor President John Lil- “TEG is a really big deal be- Lyon, vice provost for institutional effectiveness, not- ley played a role other than the cause it is only for private in- ing that $700 million is only an estimate school’s leader last week when stitutions. It makes a huge dif- and that none of the proposals have he served as a lobbyist. Lilley ference to the students who do been evaluated yet by Baylor’s budget was in Austin on Jan. 23 speak- receive it,” Ford said.
    [Show full text]
  • The Free Press Vol. 38, Issue 1, 09-11-2006
    University of Southern Maine USM Digital Commons Free Press, The, 1971- Student Newspapers 9-11-2006 The Free Press Vol. 38, Issue 1, 09-11-2006 Angelique Carson University of Southern Maine Follow this and additional works at: https://digitalcommons.usm.maine.edu/free_press Recommended Citation Carson, Angelique, "The Free Press Vol. 38, Issue 1, 09-11-2006" (2006). Free Press, The, 1971-. 34. https://digitalcommons.usm.maine.edu/free_press/34 This Book is brought to you for free and open access by the Student Newspapers at USM Digital Commons. It has been accepted for inclusion in Free Press, The, 1971- by an authorized administrator of USM Digital Commons. For more information, please contact [email protected]. New grub hits Portland The jelly donut series: A Student responds to Good vibrations: The Shins’ campus PAGE 2 close look at Cuba PAGE 3 Manning controversy PAGE 3 must-hear album PAGE 6 Volume 38, Issue 1 September 11, 2006 USM closes cop killer’s exhibit Organizers voice disapproval of USM president’s decision JOEL C. THERIAULT have become misunderstood and like we’re entering into a police needlessly divisive.” state and entering into censorship CONTRIBUTING WRITER Levasseur is a political ac- of artists and of people’s free ex- tivist and Manning’s associate pression.” After seven days on display, during the l970’s and ‘80’s. Several members of a Woodbury Center art exhibit of During the press conference, Portland’s Victory Garden Project paintings by Thomas Manning, a Pattenaude said, “I do this with and at least one of the student art- convicted killer and bank robber, deep regret and disappointment,” ists whose work was displayed was shut down on Friday by order and, “This touched nerves and with Manning’s, Marie Follayttar, of University President Richard pain far, far beyond what anyone appeared at the press conference.
    [Show full text]
  • Library 3398 Songs, 7.2 Days, 12.30 GB
    Library 3398 songs, 7.2 days, 12.30 GB Song Name Artist Album _Secret Agent - Guster Keep It Together – Celtic Twilight Loreena McKennitt '85 Radio Special Thank You They Might Be Giants Then: The Earlier Years (CD 1) 'Ama'ama Israel "IZ" Kamakawiwo'ole Facing Future 'Round Springfield (Medley) The Simpsons Songs In The Key Of Spring… 'S Wonderful Ella Fitzgerald The Best Of the Song Books 'Til Him The Producers "Badge OF Honor"- Jerry Goldsmith Jerry Goldsmith L.A. Confidential "Chief Wiggum, P.I." Main Title The Simpsons Go Simpsonic With The Sim… "Eye On Springfield" Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" End Credits Theme The Simpsons Songs In The Key Of Spring… "Itchy & Scratchy" Main Title Theme The Simpsons Songs In The Key Of Spring… "Kamp Krusty" Theme Song The Simpsons Go Simpsonic With The Sim… "Krusty The Clown" Main Title The Simpsons Go Simpsonic With The Sim… "Oh, Streetcar!" (The Musical) The Simpsons Songs In The Key Of Spring… "Quimby" Campaign Commercial The Simpsons Go Simpsonic With The Sim… "Scorpio" End Credits The Simpsons Go Simpsonic With The Sim… "Simpsoncalifragilisticexpiala(Annoyed Grunt)Cio… The Simpsons Go Simpsonic With The Sim… "Skinner & The Superintendent" Theme The Simpsons Go Simpsonic With The Sim… "The Itchy & Scratchy & Poochie Show" Theme The Simpsons Go Simpsonic With The Sim… "The Love-Matic Grampa" Main Title The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme The Simpsons Go Simpsonic With The Sim… "The Simpsons" End Credits Theme (Jazz Quartet
    [Show full text]
  • Marc A. Digeros Education 1998 University of Washington, Seattle
    Marc A. Digeros education 1998 University of Washington, Seattle, Washington M.F.A. 1995 University of Minnesota, Minneapolis, Minnesota B.F.A. professional experience 2001 to Model Shop Manager- Frank O. Gehry & Associates, Los Angeles, California present 2000 to Studio Artist- Los Angeles, CA present 1998 to Artist in Residence- Archie Bray Foundation, Helena, Montana 2000 Received first ever Taunt Fellowship during two year artist residence 1996 Internship with Professor Akio Takamori- University of Washington, Seattle, WA 1995-96 Studio Artist- University Street Studios, St. Paul Minnesota 1993-95 Studio assistant to ceramic artist Curtis Hoard- Minneapolis, MN solo exhibitions 2005 “Studies in Form and Pattern” Dubhe Carreno Gallery, Chicago, IL 2000 “Taunt Fellowship Exhibition” Archie Bray Foundation, Helena, MT 1998 “MFA Thesis Exhibition” University of Washington, Seattle, WA 1996 “Artist of the Month” Northern Clay Center, Minneapolis, MN 1995 “BFA Exhibition” University of Minnesota, Minneapolis, MN exhibitions 2015 “2015 Yunomi Invitational”, AKAR Gallery, Iowa City, IA “Colors Defined” Cohen Gallery, Alfred University, Alfred, NY 2014 “FORTIFY an exhibition to support CERF+” Schaller Gallery, St. Joseph, MI “American Teabowl” Studio Kotokoto, San Diego, CA “Adroit” Schaller Gallery, St. Joseph, MI “Lee Akins, Marc Digeros, Lilly Zuckerman” Santa Fe Clay, Santa Fe, NM 2013 “Exquisite Pots II: Red-Handed” Northern Clay Center, Minneapolis, MN “Plane & Solid: The Geometries of Marc Digeros, Mark Pharis, Alison Reintjes, and
    [Show full text]
  • A Convergencia Dos Videos Musicias Na Web Social.Pdf
    Universidade de Aveiro Departamento de Comunicação e Arte 2014 JOÃO PEDRO A CONVERGÊNCIA DOS VÍDEOS MUSICAIS NA DA COSTA WEB SOCIAL: CONCEPTUALIZAÇÃO E ANÁLISE Universidade de Aveiro Departamento de Comunicação e Arte 2014 JOÃO PEDRO A CONVERGÊNCIA DOS VÍDEOS MUSICAIS NA WEB DA COSTA SOCIAL: CONCEPTUALIZAÇÃO E ANÁLISE Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Doutor em Informação e Comunicação em Plataformas Digitais, realizada sob a orientação científica do Prof. Doutor Rui Manuel de Assunção Raposo, Professor Auxiliar do Departamento de Comunicação e Arte da Universidade de Aveiro e da Prof.ª Doutora Rosa Maria Martelo, Professora Associada com Agregação do Departamento de Estudos Portugueses e Estudos Românicos da Faculdade de Letras da Universidade do Porto. O projecto de investigação foi financiado por uma bolsa de doutoramento atribuída pela Fundação para a Ciência e Tecnologia (ref. SFRH/BD/68728/2010). o júri presidente Prof.ª Doutora Celeste de Oliveira Alves Coelho professor catedrática da Universidade de Aveiro Prof. Doutor Luís Borges Gouveia professor associado com agregação da Faculdade de Ciências e Tecnologia da Universidade Fernando Pessoa Prof.ª Doutora Rosa Maria Martelo (co-orientadora) professora associada com agregação da Faculdade de Letras da Universidade do Porto Prof. Doutor Armando Malheiro da Silva professor associado da Faculdade de Letras da Universidade do Porto Prof. Doutor José Manuel Pereira Azevedo professor associado da Faculdade de Letras da Universidade do Porto Prof. Doutor Nelson Troca Zagalo professor auxiliar da Universidade do Minho Prof. Doutor Luís Francisco Mendes Gabriel Pedro professor auxiliar da Universidade de Aveiro Prof.
    [Show full text]
  • STARS Rapitalism
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Rapitalism Martin Smith University of Central Florida Part of the Sociology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Smith, Martin, "Rapitalism" (2006). Electronic Theses and Dissertations, 2004-2019. 747. https://stars.library.ucf.edu/etd/747 RAPITALISM by MARTIN D. SMITH B.S. University of Washington, 2003 A thesis proposal submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Sociology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2006 © 2006 Martin D. Smith ii ABSTRACT My paper questions the degree to which the hip hop subculture is oppositional to mainstream American society and its ideals. Toward that end, I examine the structure of the hip hop industry and its subculture. While the hip hop subculture in America consistently has projected images of rebellion and resistance to many of the mores, constraints and values of dominant society, the actual structure and organization of the hip hop subculture have mirrored, supported and promoted the values of the dominant culture in the United States. I begin by examining the structure of the main elements of the hip hop subculture: deejaying, breakdancing, emceeing and graffiti art, and the practices within each to demonstrate that the hip hop subculture has a structure which supports capitalistic practices.
    [Show full text]
  • Templater Baru 2.Pdf
    The Viral of Anjay Word: Indonesia Slang (Literature Study of Slang) Thobias Sarbunan [email protected] https://orcid.org/0000-0001-8236-370X Art Music Education Department, Faculty of Art Religion, IAKN Ambon/Indonesia Abstract Slang uses referred to modernity, language assimilation, and language variety in social discourses; that underlined the background to the reason of young generation to assimilate and modification, as a tool for communicating also socialization. Importantly, slang even the outer level of young ages, will interpret as negative meanings, but they going to acquire in variety moment. That culture or we can appeal as language behave, promoting their boundaries as independent language user. In further slang became the symbol of freedom of speech, the popularity of zoom generation, a group of human class entity, and modern life. All perspective above, that grounded and interrelated to slang uses, was implicating to the use of Anjay word [as the representative or reflection of the various slang in Indonesia]. The word such Anjay, transported from negative meanings which rooting of [dog-word; in Bahasa Indonesia as Anjing] became one of popular slang that expressed of enthusiasm, adore, joke, love, and friendship to one object. Unpredictable and unthinkable, why, today, as researcher try to describe this topic, that word was problematic to the outer ages of young generation. We have to notice that, Anjay popularity have been using for years, and Indonesian known as one of our Prokem or in English call Slang. Besides that, the highest trend of the uses of that word was achieving in period of YouTube golden age likes in the mid of pandemic.
    [Show full text]
  • Bye, Bye, Miss American Pie? the Supply of New Recorded Music Since Napster
    NBER WORKING PAPER SERIES BYE, BYE, MISS AMERICAN PIE? THE SUPPLY OF NEW RECORDED MUSIC SINCE NAPSTER Joel Waldfogel Working Paper 16882 http://www.nber.org/papers/w16882 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 March 2011 The title refers to Don McLean’s song, American Pie, which chronicled a catastrophic music supply shock, the 1959 crash of the plane carrying Buddly Holly, Richie Valens, and Jiles Perry “The Big Bopper” Richardson, Jr. The song’s lyrics include, “I saw Satan laughing with delight/The day the music died.” I am grateful to seminar participants at the Carlson School of Management and the WISE conference in St. Louis for questions and comments on a presentation related to an earlier version of this paper. The views expressed in this paper are my own and do not reflect the positions of the National Academy of Sciences’ Committee on the Impact of Copyright Policy on Innovation in the Digital Era or those of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer- reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2011 by Joel Waldfogel. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster Joel Waldfogel NBER Working Paper No. 16882 March 2011 JEL No.
    [Show full text]
  • Utvalda Band
    Nummer 5 • 2007 Sveriges största musiktidning Hellacopters Dizzee Rascal Entombed Moneybrother The New Government -ANIC3TRE KINS ET0 MP RE 0U A G C IN H H E S R A S M 3 4 H E D $ E O I B T S M O T ( E N L % L S O N R G O S T A L % A S K Bonde do Role The Doits Bobby Baby Dennis Lyxzén Oh Laura Frida Selander Elsa Kultiration Rewind UTVALDA BAND: 5IF%PSB4UFJOT Fyra killar och en tjej från Göteborg och Stockholm bildar The Dora Steins. Låten Stay (You Don’t Have to Go) kan vara den bästa refrängen du hört i år. Grymt bra! &MTB Elsa är en rappare som bor i Stockholm. Hon skriver sitt eget material fast än hon råddes att inte göra det. På sin debut-EP bevisar hon att det var hon som hade rätt. 'SJEB4FMBOEFS Umeå i Västerbotten är Frida Selanders hem- stad. Frida sjunger pop- låtar med djup baryton. Fridas röst är fantastisk precis som hennes musik. Lyssna själv. 3FXJOE Fyra tjejer från Luleå som startade som ett skolprojekt. Rewind spe- lar tuff rock med massor av attityd. I höst kommer bandets första EP. Håll ögonen öppna. Coca-Cola och iTunes presenterar i samarbete med Ema Telstar Takeoff. Takeoff är en enastående chans för unga svenska band som drömmer om ett internationellt genombrott. 4XFEJTIGPS Alla talangfulla band och artister i alla tänkbara musikgenrer kan lägga upp sin musik på www.coke.com/music. Varje #FHJOOFST månad väljer en musikpanel, bestående av erfaret bransch- En poporkester som folk, ut de bästa svenska låtarna som sedan får chansen till är öst- och västkust på exponering i hela Europa, både på scen och på nätet.
    [Show full text]