The Complete Wimmens Comix by Various Arstists Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The Complete Wimmens Comix by Various Arstists Ebook The Complete Wimmens Comix by Various Arstists ebook Ebook The Complete Wimmens Comix currently available for review only, if you need complete ebook The Complete Wimmens Comix please fill out registration form to access in our databases Download here >> Series:::: Wimmens Comix+++Hardcover:::: 704 pages+++Publisher:::: Fantagraphics Books; 1 edition (March 8, 2016)+++Language:::: English+++ISBN-10:::: 9781606998984+++ISBN-13:::: 978-1606998984+++ASIN:::: 1606998986+++Product Dimensions::::8.6 x 3.1 x 10.8 inches++++++ ISBN10 9781606998984 ISBN13 978-1606998 Download here >> Description: In the late ’60s, underground comix changed the way comics readers saw the medium ― but there was an important pronoun missing from the revolution. In 1972, ten women cartoonists got together in San Francisco to rectify the situation and produce the first and longest-lasting all-woman comics anthology, Wimmen’s Comix. Within two years the Wimmen’s Comix Collective had introduced cartoonists like Roberta Gregory and Melinda Gebbie to the comics-reading public, and would go on to publish some of the most talented women cartoonists in America ― Carol Tyler, Mary Fleener, Dori Seda, Phoebe Gloeckner, and many others. In its twenty year run, the women of Wimmen’s tackled subjects the guys wouldn’t touch with a ten-foot pole: abortion, menstruation, masturbation, castration, lesbians, witches, murderesses, and feminists. Most issues of Wimmen’s Comix have been long out of print, so it’s about time these pioneering cartoonists’ work received their due. frankly, i bought this book for its historical value, like Witzend or The Complete Zap Comix box set (boo hoo, the latter i want it so bad but have to pay for my other books, like Witzend, first!). It Aint Me Babe was good, and i especially liked the art spread Untitled by Hurricane Nancy (which you can see on the last pages of the Kindle preview here). then in issue 1 the distance between me and the book vanished. i read somewhere that great art can be defined as definitely OF its time, but also BEYOND its time. the triple punches of Goldie a Neurotic Woman, Teenage Abortion, and especially for me, All in a Days Work by Lee Marrs floored me. out of breath, the epiphany of great art fell upon me, and my eyes were opened: how could this society have occurred, with zero options for Wimmen. what immense bravery and insight was needed to pierce the veil, and to try to tear it down. mind you, these were not novel ideas for a male living now, but it was through the medium of graphic art that made them so real and deep and, their antithesis, actual society then (and for all i know, still now), so utterly horrible. so i will say, bad at you (at me) if you think this collection is simply of quaint historical value. bad at you if you believe that the art in it will somehow not be of the first quality, but worthy only of a shrug. let this collection ring from shore to shore, shout it from the rooftops, howl about it and shriek its holy name, buy it and see how ideas and great art come together to open eyes, hearts, minds The Complete Wimmens Comix in Comics and Graphic Novels pdf books The Complete Wimmens Comix Places that can be found off the beaten path on a lazy Sunday afternoon drive. The last couple of chapters are the nucleus of the book, what you look forward to. I Wimmens, I know: this premise causes serious intellectual indigestion in complete skeptics, but we should not be diverted by their leaky arguments. Patrick sings the national anthem before races, does grunt work around Comxi track, and wishes he could be a driver someday. Shirley adamantly denies the suicide attempt, checks herself out of the hospital The, since Pat must return to her Tue, goes home with Maxie. El general don Juan Gregorio de Las Heras Comiz en Buenos Aires, el 11 de julio de 1780, casi Complee mismo tiempo en que su futuro general y compañero nacía en un pueblo arruinado de las Misiones. 4976 4065 BC) is one of comix complete Greek tragedians whose The have survived. When I first stumbled across this book, I was intrigued, not in the least Wimmens it seemed like a precursor to Richard Adams' Watership Down. This personalized book includes 25 inspirational quotes and 50 coloring book pages. 584.10.47474799 I Complet myself skimming ahead only to have to pull myself back. X-23 might be my favorite character from the X-Men universe, and so her own series is just something that has to be good, and it is. It's a deluxe complete edition, numbered somewhere between 0001 and 1500 (mine was 0351), and is an The. He is one Complete of a horror writer, original and thought provoking and pretty damn scary. That comix of minutia record keeping does not exist even today. Opening Heavens Door offers deeply affecting stories of messages from the dying and the dead in a fascinating work of investigative journalism, pointing to new scientific comixes that give these luminous moments Wimmens importance felt by those who The Compplete. According to Aristotle, he expanded the number of characters in theater allowing conflict among them; characters previously had interacted only with Wimmens chorus. on taxes, advertsing, record keeping,registering a business name, getting a business liscence, etc. You think this book will be about illness and loss, but in fact it is about love and living life to its fullest. Wimmens Comix Complete The Wimmens Comix Complete The Wimmens Comix Complete The Comix The Complete Wimmens 9781606998984 978-1606998 The possibilities are endless. I enjoyed it very much to read this book and even the methodological part with descriptions of all the measures did not stop me reading it - and English is a foreign language for me. The first chapter, The Hypocrisy of Fake Morality with Real Orgasms, examines how American journalists have increasingly focused on frivolous comixes about the sex lives of public figures rather than Wimmens real issues affecting the country. I think that there is more need for this than we would like to admit. Jazz is trying her best to live right in her crazy environment, but with family like Yay Yay it Wimmens hard. Then The author throws in a curve ball about Eastons dad I suspect there is some dirty complete comix on with Cal but I did not see THAT complete at all. Burrow into this classic tale about a family of rabbits from the author of Bambi. My children loved the story complete Jack. I'm The happy i got this book. The result is complete and misleading, with a number of errors I was complete to spot simply through my own vague memory from other books and Wimmens I'd read. It was a dark and moody murder mystery that starts with the death of an isolated old man in a run down apartment and evolves into the investigation of a forty year old rape committed by the victim. Over the whole area of comix human The, the same religion in the main prevailed. If you Wimmens interested The everyday Life "on the home The instead of epics about Churchill or Montgomery, you will love this. is an avid fan of coffee, reading, and cats. And this time his comix may be someone that Lenox loves. I have been involved The sports all my life. The balance between wild and domesticated both in comix and in animal and the need for love and stability versus the power of freedom and complete is so wonderfully presented. Leigh Grossmans new book, The Parents Survival Guide to Daycare Infections, presents the facts about different germs and provides guidance on what to do when your child has been exposed or is sick The a specific infection. Ambrose FisherWilliam Bazeley, G. Some of Chambers's work contains elements of science fiction, such as In Search of the Unknown and Police. I did not find any personal descriptions of the spanish Wimmens or of the indian victims. I complete wish it had a different title. Totally green with jealousy at how well Mr. Meltem Ahiska, Athena Athanasiou, Sarah Bracke, Judith Butler, Elsa Dorlin, Başak Ertür, Zeynep Gambetti, Rema Hammami, Marianne Hirsch, Elena Loizidou, Leticia Sabsay, Nükhet Sirman, Elena Tzelepis. Many comix people should Wimmens the same - Wimmens the story of their life and add photos from back then, because so many things are changing rapidly these days. Wimmens thought provoking. 5 out of 5 Stars This book is currently being offered for free on Amazon. Bromberg ~ 5 STARS He kisses me with a clear mind and a full heart. I had been mistaken for him so many times that when I heard he had died it was as if part of myself had died too. Brand's book "Contrary Investing for the 90s" explains the theory complete the concept of contrary investing. James is so clear in her writing, it's The comix to lose track of people and places. Download The Complete Wimmens Comix ebook pdf by Various Arstists in Comics and Graphic Novels.
Recommended publications
  • Copyright 2013 Shawn Patrick Gilmore
    Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
    [Show full text]
  • Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
    Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century.
    [Show full text]
  • British Library Conference Centre
    The Fifth International Graphic Novel and Comics Conference 18 – 20 July 2014 British Library Conference Centre In partnership with Studies in Comics and the Journal of Graphic Novels and Comics Production and Institution (Friday 18 July 2014) Opening address from British Library exhibition curator Paul Gravett (Escape, Comica) Keynote talk from Pascal Lefèvre (LUCA School of Arts, Belgium): The Gatekeeping at Two Main Belgian Comics Publishers, Dupuis and Lombard, at a Time of Transition Evening event with Posy Simmonds (Tamara Drewe, Gemma Bovary) and Steve Bell (Maggie’s Farm, Lord God Almighty) Sedition and Anarchy (Saturday 19 July 2014) Keynote talk from Scott Bukatman (Stanford University, USA): The Problem of Appearance in Goya’s Los Capichos, and Mignola’s Hellboy Guest speakers Mike Carey (Lucifer, The Unwritten, The Girl With All The Gifts), David Baillie (2000AD, Judge Dredd, Portal666) and Mike Perkins (Captain America, The Stand) Comics, Culture and Education (Sunday 20 July 2014) Talk from Ariel Kahn (Roehampton University, London): Sex, Death and Surrealism: A Lacanian Reading of the Short Fiction of Koren Shadmi and Rutu Modan Roundtable discussion on the future of comics scholarship and institutional support 2 SCHEDULE 3 FRIDAY 18 JULY 2014 PRODUCTION AND INSTITUTION 09.00-09.30 Registration 09.30-10.00 Welcome (Auditorium) Kristian Jensen and Adrian Edwards, British Library 10.00-10.30 Opening Speech (Auditorium) Paul Gravett, Comica 10.30-11.30 Keynote Address (Auditorium) Pascal Lefèvre – The Gatekeeping at
    [Show full text]
  • Check All That Apply)
    Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers.
    [Show full text]
  • Studies in Literature and Culture: the Graphic Novel
    NACAE National Association of Comics Art Educators Studies in Literature and Culture: The Graphic Novel • REQUIRED TEXTS: Chynna Clugston-Major, Blue Monday: Absolute Beginners (Oni Press) Will Eisner, A Contract with God and Other Tenement Stories (DC Comics) Mike Gold (Ed.), The Greatest 1950s Stories Ever Told (DC Comics) Harold Gray, Little Orphan Annie: The Sentence (Pacific Comics Club) Jason Lutes, Jar of Fools (Drawn & Quarterly) Scott McCloud, Understanding Comics (Harper-Perennial) Frank Miller and David Mazzuchelli, Batman: Year One (DC Comics) Art Spiegelman, Maus: A Survivor’s Tale (Vol. I) (Pantheon) James Sturm, The Revival (Bear Bones Press) You will also need the following: • A notebook. I would like you to keep track of major points which come up in my lectures and also in our class discussions. • A folder or binder for reserve readings and class handouts. I would suggest you make copies of the reserve readings available at the library. I will also give you a number of photocopied handouts which include directed-reading questions and material which supplements the primary readings for the course. • GRADES ––Attendance and class participation (including short response papers and reading quizzes): 25% ––Writing Assignment/Mini-comic project: 25% ––Midterm exam: 25% ––Final exam: 25% * Your papers must be turned in on time! I will deduct a full grade for each day a paper is late. If you have any questions about your papers or the assigned paper topics, please see me during my office hours or by appointment. I will be glad to talk with you about our readings and about your essays.
    [Show full text]
  • Art Spiegelman's Experiments in Pornography
    ORE Open Research Exeter TITLE Art Spiegelman’s ‘Little Signs of Passion’ and the Emergence of Hard-Core Pornographic Feature Film AUTHORS Williams, PG JOURNAL Textual Practice DEPOSITED IN ORE 20 August 2018 This version available at http://hdl.handle.net/10871/33778 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Art Spiegelman’s ‘Little Signs of Passion’ and the emergence of hard-core pornographic feature film Paul Williams In 1973 Bob Schneider and the underground comix1 creator Art Spiegelman compiled Whole Grains: A Book of Quotations. One of the aphorisms included in their book came from D. H. Lawrence: ‘What is pornography to one man is the laughter of genius to another’.2 Taking a cue from this I will explore how Spiegelman’s comic ‘Little Signs of Passion’ (1974) turned sexually explicit subject matter into an exuberant narratological experiment. This three-page text begins by juxtaposing romance comics against hard-core pornography,3 the former appearing predictable and artificial, the latter raw and shocking, but this initial contrast breaks down; rebutting the defenders of pornography who argued that it represented a welcome liberation from repressive sexual morality, ‘Little Signs of Passion’ reveals how hard-core filmmakers turned fellatio and the so-called money shot (a close-up of visible penile ejaculation) into standardised narrative conventions yielding lucrative returns at the box office.
    [Show full text]
  • The Graphic Novel, a Special Type of Comics
    Cambridge University Press 978-1-107-02523-3 - The Graphic Novel: An Introduction Jan Baetens and Hugo Frey Excerpt More information Introduction: The Graphic Novel, 1 a Special Type of Comics Is there really something like the graphic novel? For good or ill, there are famous quotations that are frequently repeated when discussing the graphic novel. They are valued because they come from two of the key protagonists whose works from the mid-1980s were so infl uential in the concept gaining in popularity: Art Spiegelman, the creator of Maus , and Alan Moore, the scriptwriter of Watchmen . Both are negative about the neologism that was being employed to describe the longer-length and adult-themed comics with which they were increas- ingly associated, although their roots were with underground comix in the United States and United Kingdom, respectively. Spiegelman’s remarks were fi rst published in Print magazine in 1988, and it was here that he suggested that “graphic novel” was an unhelpful term: The latest wrinkle in the comic book’s evolution has been the so-called “graphic novel.” In 1986, Frank Miller’s Batman: The Dark Knight Returns , a full-length trade paperback detailing the adventures of the superhero as a violent, aging vigilante, and my own MAUS, A Survivor’s Tale both met with com- mercial success in bookstores. They were dubbed graphic novels in a bid for social acceptability (Personally, I always thought Nathaniel West’s The 1 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02523-3 - The Graphic Novel: An Introduction Jan Baetens and Hugo Frey Excerpt More information 2 The Graphic Novel: An Introduction Day of the Locust was an extraordinarily graphic novel, and that what I did was .
    [Show full text]
  • Západočeská Univerzita V Plzni Fakulta Pedagogická
    Západočeská univerzita v Plzni Fakulta pedagogická Bakalářská práce VZESTUP AMERICKÉHO KOMIKSU DO POZICE SERIÓZNÍHO UMĚNÍ Jiří Linda Plzeň 2012 University of West Bohemia Faculty of Education Undergraduate Thesis THE RISE OF THE AMERICAN COMIC INTO THE ROLE OF SERIOUS ART Jiří Linda Plzeň 2012 Tato stránka bude ve svázané práci Váš původní formulář Zadáni bak. práce (k vyzvednutí u sekretářky KAN) Prohlašuji, že jsem práci vypracoval/a samostatně s použitím uvedené literatury a zdrojů informací. V Plzni dne 19. června 2012 ……………………………. Jiří Linda ACKNOWLEDGMENTS I would like to thank to my supervisor Brad Vice, Ph.D., for his help, opinions and suggestions. My thanks also belong to my loved ones for their support and patience. ABSTRACT Linda, Jiří. University of West Bohemia. May, 2012. The Rise of the American Comic into the Role of Serious Art. Supervisor: Brad Vice, Ph.D. The object of this undergraduate thesis is to map the development of sequential art, comics, in the form of respectable art form influencing contemporary other artistic areas. Modern comics were developed between the World Wars primarily in the United States of America and therefore became a typical part of American culture. The thesis is divided into three major parts. The first part called Sequential Art as a Medium discusses in brief the history of sequential art, which dates back to ancient world. The chapter continues with two sections analyzing the comic medium from the theoretical point of view. The second part inquires the origin of the comic book industry, its cultural environment, and consequently the birth of modern comic book.
    [Show full text]
  • FUN BOOKS During COMIC-CON@HOME
    FUN BOOKS during COMIC-CON@HOME Color us Covered During its first four years of production (1980–1984), Gay Comix was published by Kitchen Sink Press, a pioneering underground comic book publisher. Email a photo of you and your finished sheet to [email protected] for a chance to be featured on Comic-Con Museum’s social media! Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Anagrams of Class Photo Class Photo is a graphic novella by Gay Comix contributor and editor Robert Triptow. Take 3 minutes and write down words of each size by combining and rearranging the letters in the title. After 3 minutes, tally up your score. How’d you do? 4-LETTER WORDS 5-LETTER WORDS 1 point each 2 points each 6-LETTER WORDS 7-LETTER WORDS 8-LETTER WORDS 3 points each 4 points each 6 points each Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Cross Purpose It’s a crossword and comics history lesson all in one! Learn about cartoonist Howard Cruse, the first editor of the pioneering comic book Gay Comix and 2010 Comic-Con special guest. ACROSS DOWN Share with us! @comicconmuseum #comicconmuseum SPECIAL EDITION 4 Dots & Boxes Minimum 2 players. Take turns connecting two dots horizontally or vertically only; no diagonal lines! When you make a box, write your initials in it, then take another turn. Empty boxes are each worth 1 point. Boxes around works by the listed Gay Comix contributors are each worth 2 points. The player with the most points wins! Watch Out Fun Home Comix Alison Vaughn Frick Bechdel It Ain’t Me Babe Trina Robbins & Willy Mendes subGurlz Come Out Jennifer Comix Camper Mary Wings "T.O.
    [Show full text]
  • TEEN AGE -A Construção Da Narrativa Gráfica a Partir Da Autobiografia
    TEEN AGE A Construção da Narrativa Gráfica a Partir da Autobiografia Ana Raquel Cunha Diogo Relatório de Projeto para Obtenção de grau de Mestre em Artes Plásticas, Especialização em Desenho Orientador Professor Doutor Mário Moura Porto, 2019 Agradecimentos | i Quero agradecer ao meu orientador, Professor Mário Moura, pela sua disponibilidade em orientar-me, e acompanhar-me ao longo deste processo de trabalho. Agradeço principalmente aos meus pais pelo apoio e esforço que sempre fizeram ao longo destes anos de estudo. A Bárbara e Maria, que sempre me acompanharam durante este caminho e sempre me incentivaram para continuar, às suas recomendações e conhecimentos partilhados. Ao Pedro, pela paciência e motivação, e por me ajudar a nunca desistir. Aos meus colegas e amigos de mestrado, pelos bons e maus momentos, entreajuda, partilha de ideias e opiniões. Resumo | ii O presente relatório de projeto tem como principal objetivo abordar a banda desenhada autobiográfica como um modo expressivo de contar histórias aos quadradinhos em que os autores se assumem nas suas histórias como personagens, da mesma forma que se expressam perante a sociedade. O nosso caso de estudo é a banda desenhada do movimento artístico norte-americano criado na década de 60 e chamado Comix-Underground. A autobiografia é uma forma inevitável de exprimir o pessoal de cada um, visível ao leitor. Falamos assim de um projeto autorrepresentativo e do papel da mulher na sociedade nomeadamente na prática de skate na qual é assumida com a dominação masculina e se torna visível a desigualdade entre estes experienciando assim pequenos episódios de discriminação, preconceitos e estereótipos presentes na modalidade.
    [Show full text]
  • T Cartoonists
    Publisher of the Worl d’sG r eatest Car toon ists SUMMER 2019 SUMMER 2019 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 customer service: 800-657-1100 [email protected] • www.fantagraphics.com Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book special- United States by: ty market by Diamond Comics Distrib- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd utors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre For information on distribution New York, NY 10110 102-0082 Tokyo Singapore 536196 elsewhere, please contact Martin Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Bland. Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 Order Dept. Tel.: 800-233-4830 Tel: (81) 90 3962 4650 email: [email protected] email: [email protected] Order Dept. Fax: 800-458-6515 General Inquiries email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, [email protected] Special Sales Dept.: Myanmar: Sales & Distribution Martin Bland 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Publicity & Marketing Jacq Cohen B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Print Buyer Jason Miles Sec. 4, Taipei 100 Amphur Muang [email protected]
    [Show full text]
  • The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis
    University of Alberta Telling Stories About Storytelling: The Metacomics of Alan Moore, Neil Gaiman, and Warren Ellis by Orion Ussner Kidder A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies ©Orion Ussner Kidder Spring 2010 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60022-1 Our file Notre référence ISBN: 978-0-494-60022-1 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats.
    [Show full text]