Bologna Book Fair 2021
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The Impact of Animated Books on the Vocabulary and Language Development of PreschoolAged Children in Two School Settings
The Impact of Animated Books on the Vocabulary and Language Development of PreschoolAged Children in Two School Settings Amy D. Broemmel, Mary Jane Moran, and Deborah A. Wooten University of Tennessee Abstract With the emergence of electronic media over the past two decades, young children have been found to have increased exposure to video games, computerbased activities, and electronic books (ebooks). This study explores how exposure to animated ebooks impacts young children’s literacy development. A stratified convenience sample (n = 24) was selected from four mixedage classrooms at two sites: a Head Start center and a university learning center. Each site included one experimental classroom using both electronic books and traditional picture books and one control classroom using only traditional picture books. The authors noted children’s increased use of new related vocabulary after multiple exposures to the books, whether participants were in the control or the experimental group. Children’s comprehension scores also improved after multiple exposures to books in both groups. However, children’s use of “book language,” (that is, retelling with language patterns that mirror those used in the book’s text) showed variations based on school site rather than control or experimental group. Researchers noted that in some cases, the ebooks themselves seemed to mediate the children’s interactions with the text similarly to the way adults facilitate interactions with traditional picture books. Overall, results suggest that animated electronic books have the potential to positively affect the literacy development of young children. Introduction During the past two decades, young children’s exposure to technology and electronic narratives has increased exponentially (Roberts & Foehr, 2008). -
Commercial Radio Awards (Acras), Announced This Evening at the Royal International Convention Centre in Brisbane
MEDIA RELEASE 19 October 2019 Jonesy & Amanda win Best On-Air Team FM at Radio Awards Successful WSFM breakfast hosts Jonesy and Amanda (Brendan Jones and Amanda Keller), have been crowned Best On- Air Team (Metro FM category) at the 31st Australian Commercial Radio Awards (ACRAs), announced this evening at the Royal International Convention Centre in Brisbane. The win caps off a great year for the much-loved duo, who have notched up 14 years on air together and previously won the coveted award in 2012 and 2014. 2GB’s drive time host Ben Fordham won Best Talk Presenter for the fifth time and 2GB morning presenter Ray Hadley was awarded Best Current Affairs Presenter, bringing his career tally of ACRAs to 33 across all categories. The Best On-Air Team (Metro AM) was won by Afternoons with Erin Molan & Natalie Peters, the first female duo to host a news/talk show on 2GB and the first all-female team to win this award in ACRAs history. NOVA’s popular drive show Kate, Tim & Marty won Best Networked Program and Best Syndicated Australian Program. Best Entertainment Presenter went to Triple M funny man Lawrence Mooney, while Rebecca Morse, half of Hit107 Adelaide’s new breakfast duo Bec & Cosi, won Best Newcomer On-Air. Winners of other major awards included: Best Sports Presenter – Peter Sterling (Triple M, Sydney) Best Music Presenter – Kent “Smallzy” Small, Nova Network Best Community Service Project – Kennedy Molloy’s trip to Yuendumu for Red Dust, Triple M. Best News Presenter (Metro AM) – Mel Usher, FIVEaa, Adelaide Best News Presenter (Metro FM) – Ange Anderson, Nova 106.9 Brisbane Brian White Award for Radio Journalism - Matthew Pantelis, FIVEaa, Adelaide Best Music Special - Carrie Bickmore & Tommy Little, Southern Cross Austereo Best Original Podcast (Unbranded) – Hamish & Andy, PodcastOne Australia. -
Commercial Radio
MEDIA RELEASE 20 AUGUST 2017 Digital radio finalists announced for 2017 Radio Awards The finalists in the 29th annual Australian Commercial Radio Awards (ACRAs) were announced today and Coles Radio (NOVA Entertainment), Buddha Radio (Southern Cross Austereo), Oldskool (Southern Cross Austereo) and Elf Radio (Australian Radio Network) are in the running for the Best Digital Radio Format award. The biggest names in radio will battle it out for the hotly contested Best On Air Team in both the AM and FM (Metro) categories. Last year’s winners in the FM category Kate, Tim and Marty (Kate Ritchie, Tim Blackwell & Marty Sheargold, Nova Entertainment) are amongst the finalists that include, five-time winners Kyle Sandilands and Jackie Henderson, (The Kyle and Jackie O Show, KIIS 1065, Sydney); three-time winners Hamish Blake and Andy Lee, who have announced they are leaving radio at the end of 2017 (The Hamish & Andy Show, Hit Network); Fifi, Dave, Fev & Byron (Fifi Box, Dave Thornton, Brendan Fevola & Byron Cooke, Fox FM, Melbourne); Chrissie, Sam & Browny (Chrissie Swan, Sam Pang, Jonathan Brown & Dean Thomas, Nova 100, Melbourne) and Hughesy & Kate (Dave Hughes & Kate Langbroek, KIIS Network, ARN). The Metropolitan Best On Air Team AM title will be a contest between last year’s winner, Nights with Steve Price (Steve Price & Andrew Bolt, 2GB, Sydney); The Big Sports Breakfast with Slats & TK (Michael Slater & Terry Kennedy, Sky Sports Radio, Sydney); Breakfast with Steve Mills & Basil Zempilas (6PR, Perth); The Continuous Call Team (Ray Hadley, Bob Fulton, Darryl Brohman, Erin Molan, David Morrow, Mark Riddell, Chris Warren & Mark Levy); 2GB, Sydney NSW, Macquarie Media Limited and Breakfast with David Penberthy & Will Goodings; (FIVEaa, Adelaide, NOVA Entertainment). -
Newsletter – 15 April 2010 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 15 April 2010 ISSN: 1178-9441 This is the 154th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected]. 1. Second trimester writing courses at the IIML ................................................... 2 2. Our first PhD ........................................................................................................ 2 3. Legend of a suicide author to appear in Wellington .......................................... 2 4. The Godfather comes to town .............................................................................. 3 5. From the whiteboard ............................................................................................ 3 6. Glyn Maxwell’s masterclass ................................................................................ 3 7. This and That ........................................................................................................ 3 8. Racing colours ....................................................................................................... 4 9. New Zealand poetry goes Deutsch ...................................................................... 4 10. Phantom poetry ................................................................................................. 5 11. Making something happen .............................................................................. -
THE MENTOR 77, January 1993
THE MENTOR Australian Science Fiction CONTENTS #77 - COLUMNISTS: 9 - FANTASY DOWNUNDER by Bill Congreve 22 - WARRIORS OF ANCIENT WORLDS by Andrew Darlington 36 - ARGENTINE SF HISTORY 2 by Claudio Omar Noguerol 44 - OUT OF OZ by Ron Clarke COMIC SECTION: 47 - FERAL KILLERS by Carter & Carcinogen FICTION: 2 - OBUNAGA'S FINGER by Mustafa Zahirovic 15 - GODDESS OF STONE by Sean Williams 31 - THE SALE OF YOUTH by George Ivanoff DEPARTMENTS: 56 - THE R&R DEPT. - Reader's Letters. 75 - REVIEWS by Ron Clarke Front Cover Art by Peggy Ranson. Interior Illos: Peggy Ranson p. 8, 21, 30, 74 Jozef Szekeres p. 14, 55. Kerrie Hanlon p.1 THE MENTOR 77, January 1993. ISSN 0727-8462. Edited, printed and published by Ron Clarke, 6 Bellevue Road, Faulconbridge, NSW 2776, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (fiction [science fiction or fantasy]), poetry, article, trade ( not with an APAzine), or substantial letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted) Contributions may be on an IBM ascii file or a known-brand world processor on disc or typed, single or double-spaced, preferably a good photocopy (and if you want it returned, please send a Stamped, Self Addressed Envelope of the appropriate size)! Contributions are not paid; THE MENTOR 77 page 1 however they receive a free copy of the issue their contribution is in, and any future issue containing comments on their contribution. Contents (C) Copyright 1992 for the Contributors THE MENTOR 77 page 2 OBUNAGA'S FINGER by Mustafa Zahirovic The first breath of life is the best breath. -
Chatterton 64 Ackroyd, Peter
Index Abacus 47, 62 Aussiecon 2 (World Science Baxter, Stephen: Traces 47 Broderick, Damien: Reading by Ace 46, 73 Fiction Convention, Baxter, Stephen: Voyage 47 Starlight 49 Acker, Cathy 49 Melbourne, September 1985) BCSFAzine 45 Broderick, Damien: ‘Signposts Ackroyd, Justin 14 36 Bear, Greg: Foundation and back to the Future’ 32–3 Ackroyd, Peter: Chatterton 64 Aussiecon 3 (World Science Chaos 63 Broderick, Damien, and Barnes, Ackroyd, Peter: Dan Leno and the Fiction Convention, Bear, Greg: Moving Mars 72–3 Rory: Zones 47 Limehouse Golem 64 Melbourne, September 1999) Bear, Greg: Slant 76 Brookmyre, Christopher: Boiling Ackroyd, Peter: Hawksmoor 64 13–14, 24, 32, 36, 43 Benford, Gregory 29 a Frog 43 Ackroyd, Peter: House of Doctor Australian 14, 32 Benford, Gregory: Foundation’s Brooks, Ned 43 Dee, The 64–5 Australian and New Zealand Fear 63 Brosnan, John 30, 33 Acnestis 12–14 Journal of Serials Librarianship Benford, Gregory: Matter’s End Brosnan, John: Damned and Adams, Douglas 49 48 74 Fancy 69 Adams, Phillip 12 Australian Literary Studies 48 Benford, Gregory: Timescape 16 Brosnan, John: Future Tense 30 Adelaide University Science Australian National University Benford, Gregory: ‘We Could Brosnan, John: Opoponax Fiction Association 39 48 Do Worse’ 74 Invasion, The 53 Aikin, Jim: Wall at the End of the Australian Science Fiction Berry, John 12 Brosnan, John: Primal Screen 29 World, The 73 Foundation 19 Bertrand, Frank 31 Brunner, John 12, 48 Airlie Beach convention 44 Australian Science Fiction Review Bester, Alfred 39 Brunner, John: Stand on Aldiss, Brian 15, 32, 48–9, 57–8, (ASFR) (first series) 12, 33 Bester, Alfred: Demolished Man, Zanzibar 11 61, 64 Avon Books 46, 52 The 34–5 Brust, Steven: To Reign in Hell Aldiss, Brian: ‘Foam’ 56 AvoNova Morrow 47 Bibby, James: Ronan the 21 Aldiss, Brian: ‘God Who Slept Bailey, K. -
Relationships to the Bush in Nan Chauncy's Early Novels for Children
Relationships to the Bush in Nan Chauncy’s Early Novels for Children SUSAN SHERIDAN AND EMMA MAGUIRE Flinders University The 1950s marked an unprecedented development in Australian children’s literature, with the emergence of many new writers—mainly women, like Nan Chauncy, Joan Phipson, Patricia Wrightson, Eleanor Spence and Mavis Thorpe Clark, as well as Colin Thiele and Ivan Southall. Bush and rural settings were strong favourites in their novels, which often took the form of a generic mix of adventure story and the bildungsroman novel of individual development. The bush provided child characters with unique challenges, which would foster independence and strength of character. While some of these writers drew on the earlier pastoral tradition of the Billabong books,1 others characterised human relationships to the land in terms of nature conservation. In the early novels of Chauncy and Wrightson, the children’s relationship to the bush is one of attachment and respect for the environment and its plants and creatures. Indeed these novelists, in depicting human relationships to the land, employ something approaching the strong Indigenous sense of ‘country’: of belonging to, and responsibility for, a particular environment. Later, both Wrightson and Chauncy turned their attention to Aboriginal presence, and the meanings which Aboriginal culture—and the bloody history of colonial race relations— gives to the land. In their earliest novels, what is strikingly original is the way both writers use bush settings to raise questions about conservation of the natural environment, questions which were about to become highly political. In Australia, the nature conservation movement had begun in the late nineteenth century, and resulted in the establishment of the first national parks. -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
Picture Books for Older Readers in Public Libraries
Librarianship Is “E” really for everybody? Picture books for older readers in public libraries By Mikki Smith Abstract Picture books for older readers present challenges for libraries in terms of how best to provide access to them. These books often have an “E” on the spine to indicate that they are “easy” or for “everybody,” and share lower shelves with a far greater number of picture books geared for the preschool and primary grade audience. However, this classification by format might encourage older readers to pass over these materials. At the same time, questions remain about the effectiveness of housing these picture books with juvenile fiction, or of creating separate collections. This article looks at how the picture book as a format and picture book collections are defined, as well as the variety of ways in which a small sample of picture books for older readers are currently being managed in public libraries. Whether bedtime or cumulative stories, alphabet or range of five or six and up, it employs a rich vocabulary counting books, picture books help very young (“plantation,” “muslin,” “chokecherry”), and its context children to understand the world in which they live, to spans from slavery through the present day. On one develop a sense of the language and expand their spread, images of newspaper headlines and signs from the vocabularies, and to learn about expected behaviors. days of segregation (“Death to all race mixers!” and These books for young children are often synonymous “Heaven is crying for justice”) accompany the text. The with “picture books.” Take, for instance, the following fact that the book earned a Newbery Honor speaks to its description of picture books from Horning (1997): sophistication. -
Ideas for Your Classroom Year 1–2
TEACHER RESOURCES IDEAS FOR YOUR CLASSROOM YEAR 1–2 MONDAY 3 MAY 2021 YEARS 1–2 MONDAY 03 THE UNDERCROFT MAY SUBIACO ARTS CENTRE SESSION: TAKING FLIGHT 9.50AM – 10.35AM CURRICULUM LINKS: The smallest of things can thrive, all we need English: personal responses to literature, narrative writing, is a little imagination, patience and belief - a visual language truth that lies at the heart of Fremantle writer Design & Technology: designing ideas Meg McKinlay’s beautiful picture book How to Science: physical science, forces Make a Bird. In this delightful exploration of creativity from a favourite local storyteller, Health: feelings Meg shares her own creative process, following General capabilities: creative and critical thinking an idea from the very start to the moment it takes form in the world, and encouraging you to do the same. SESSION: ANIMAL TALES CURRICULUM LINKS: 11.00AM – 11.45AM Helen Milroy is Australia’s first Cross-curricular priorities: Aboriginal & Torres Strait Islander Indigenous doctor, the 2021 Western Australian (ATSI) histories & culture of the Year and a descendant of the Palyku English: literature & context, language features, people. Crafted in the Australian Aboriginal responding to texts tradition of teaching stories, her books Science: biological science, Australian animals encompass stars, whales, birds and bugs, but Themes: personal strengths, friendship, hope, belonging the themes of strength and friendship shine History & Geography: ATSI people are connected to places the brightest. Join Helen in celebrating the wonderful characteristics of Australia’s native fauna. SESSION: EVERY STONE HAS A STORY 12.30PM – 1.15PM Join Mark Greenwood, award CURRICULUM LINKS: winning author of The Book of Stone for a hands-on exploration of nature’s wonders - English: responding to literature, evaluating texts, purpose & from crystals, to fossils that hold clues to the audience of texts prehistoric past, birthstones and gemstones, to Science: earth science - geology meteorites from Mars and beyond. -
A Conference for Science Fiction Writers
#sci4scifi A Conference for Science Fiction Writers Proudly supported by the A Conference for Science Fiction Writers Sunday, 10th September, 2017 8:30am to 5:00pm The Royal Society of Victoria 8 La Trobe Street, Melbourne “I was in China in 2007, at the first party-approved science fiction and fantasy convention in Chinese history. And at one point I took a top official aside and asked him Why? SF had been disapproved of for a long time. What had changed?” “It’s simple, he told me. The Chinese were brilliant at making things if other people brought them the plans. But they did not innovate and they did not invent. They did not imagine. So they sent a delegation to the US, to Apple, to Microsoft, to Google, and they asked the people there who were inventing the future about themselves. And they found that all of them had read science fiction when they were boys or girls.” Neil Gaiman, Lecture for the Barbican in London, 14 October 2013 Our first ever “Science for Science Fiction” writers’ conference kicks off this year at the historic Royal Society of Victoria. We will provide current and aspiring authors with expert insights on the finer points of the writer’s craft from some of Australia’s finest SF authors and editors. Spend a day learning new techniques for honing your craft and learn to pitch your big idea to literary agents and publishers. In Chinese author Liu Cixin's “Three We will also get your imagination firing from a foundation of solid Body” trilogy, the entire solar system is flattened into a two-dimensional science. -
Mandy Hager Wins the Prestigious Storylines Margaret Mahy Medal
MEDIA RELEASE: 4 February 2019 - For immediate release Margaret Samuels for Storylines, [email protected], 0274177211 MANDY HAGER WINS THE PRESTIGIOUS STORYLINES MARGARET MAHY MEDAL Multi-award-winning Wellington-based author Mandy Hager is the winner of the 2019 Storylines Margaret Mahy Medal for life-time achievement and a distinguished contribution to New Zealand’s literature for young people. Best-known as a writer of young adult fiction, Mandy Hager has also written fiction and non-fiction for younger children, and for educational programmes. In 2017 she published her first adult novel, the historical novel Heloise, long-listed for New Zealand’s premier adult Ockham Book Awards. “We’re delighted to announce Mandy as the Storylines Margaret Mahy Medal winner. Over a 20-year-plus career she has written a succession of outstanding and thought-provoking young adult and children’s novels as well as film scripts and short stories,” says Christine Young, chair of the Storylines Children’s Literature Trust. “She is an outstanding writer, with many well-deserved accolades, and has acted as a role model for many younger writers, as well as an inspiring mentor to students in classrooms across the country and in her creative writing classes.” From the publication in 1995 of Tom’s Story for Mallinson Rendel, and for nearly every work of fiction since, Mandy Hager has achieved the unusual feat of winning a major award or being shortlisted. She has also been extensively published by major US publishers. Her awards include the LIANZA Book Awards for Young Adult fiction three times (Smashed, 2008; The Nature of Ash, 2013; Dear Vincent, 2014), the New Zealand Post Children’s Book Awards for YA fiction (The Crossing, 2010), USA’s Golden Wings Excellence Award (Juno Lucina, 2002), Golden Wings Award (Run For The Trees, 2003) and five Storylines Notable Book Awards.