THE MENTOR 77, January 1993
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Hugo Award -- Britannica Online Encyclopedia
10/10/2017 Hugo Award -- Britannica Online Encyclopedia Hugo Award Hugo Award, any of several annual awards presented by the World Science Fiction Society (WSFS). The awards are granted for notable achievement in science �ction or science fantasy. Established in 1953, the Hugo Awards were named in honour of Hugo Gernsback, founder of Amazing Stories, the �rst magazine exclusively for science �ction. Hugo Award. This particular award was given at MidAmeriCon II, in Kansas City, Missouri, on August … Michi Trota Pin, in the form of the rocket on the Hugo Award, that is given to the finalists. Michi Trota Hugo Awards https://www.britannica.com/print/article/1055018 1/10 10/10/2017 Hugo Award -- Britannica Online Encyclopedia year category* title author 1946 novel The Mule Isaac Asimov (awarded in 1996) novella "Animal Farm" George Orwell novelette "First Contact" Murray Leinster short story "Uncommon Sense" Hal Clement 1951 novel Farmer in the Sky Robert A. Heinlein (awarded in 2001) novella "The Man Who Sold the Moon" Robert A. Heinlein novelette "The Little Black Bag" C.M. Kornbluth short story "To Serve Man" Damon Knight 1953 novel The Demolished Man Alfred Bester 1954 novel Fahrenheit 451 Ray Bradbury (awarded in 2004) novella "A Case of Conscience" James Blish novelette "Earthman, Come Home" James Blish short story "The Nine Billion Names of God" Arthur C. Clarke 1955 novel They’d Rather Be Right Mark Clifton and Frank Riley novelette "The Darfsteller" Walter M. Miller, Jr. short story "Allamagoosa" Eric Frank Russell 1956 novel Double Star Robert A. Heinlein novelette "Exploration Team" Murray Leinster short story "The Star" Arthur C. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Mumblings from Munchkinland 14
LABOURS OF LOVE As predicted, it has been a while since the last Mumblings -- three and a half years, in fact. Numerous factors have conspired to delay this issue and most of these will become evident as you read. One which will not occurred late last year and caused me to consider rewriting much of what I had ready by then. But labours of love cannot be denied and I've decided to save the bad news for the next issue. For now, without further ado, I give you...a brief aside. If you get a feeling of deja vu whilst reading this issue, don't be surprised. The issue before last (#12) opened with the birth of a baby, continued with a trip report (of sorts) featuring an On-line conference in Sydney, included material on early Aussie fanhistory, ran some letters, and ended with scenes of Thylacon, the sf convention in Hobart. Over the past few years, all of the above has happened again, as you will see. In order of importance, we begin with a real labour of love. The new baby, Lauren Aphra Nelson-Lee, was born on October 8, 1998. That's her on the cover, of course, and opposite*. Cute, ain't she? She's a great kid and Ella is chuffed to be a big sister. The circumstances of their births were quite different. Lauren's actually occurred pretty much according to the "plan" we'd had in mind for Ella's -- inasmuch as these things can be planned. We did plan the support crew for the birth. -
Complete Dissertation
VU Research Portal Common Genomes Deibel, F.H.J. 2009 document version Publisher's PDF, also known as Version of record Link to publication in VU Research Portal citation for published version (APA) Deibel, F. H. J. (2009). Common Genomes: on open source in biology & critical theory beyond the patent. Vrije Universiteit. General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. E-mail address: [email protected] Download date: 04. Oct. 2021 Common Genomes on open source in biology & critical theory beyond the patent AMSTERDAM: At the request of Critical Technology Construction ; Department of Social Sciences, Wageningen University & the Athena Institute for research on innovation, communication in health and life sciences; Vrije Universiteit Amsterdam – MMIX Common Genomes: on open source in biology & critical theory beyond the patent Copyleft 2009 by Eric Deibel. Some rights reserved. This work is licensed under a Creative Commons license: “attribution-noncommercial-share alike 3.0 Netherlands”. -
THE MENTOR 81, January 1994
THE MENTOR AUSTRALIAN SCIENCE FICTION CONTENTS #81 ARTICLES: 27 - 40,000 A.D. AND ALL THAT by Peter Brodie COLUMNISTS: 8 - "NEBULA" by Andrew Darlington 15 - RUSSIAN "FANTASTICA" Part 3 by Andrew Lubenski 31 - THE YANKEE PRIVATEER #18 by Buck Coulson 33 - IN DEPTH #8 by Bill Congreve DEPARTMENTS; 3 - EDITORIAL SLANT by Ron Clarke 40 - THE R&R DEPT - Reader's letters 60 - CURRENT BOOK RELEASES by Ron Clarke FICTION: 4 - PANDORA'S BOX by Andrew Sullivan 13 - AIDE-MEMOIRE by Blair Hunt 23 - A NEW ORDER by Robert Frew Cover Illustration by Steve Carter. Internal Illos: Peggy Ranson p.12, 14, 22, 32, Brin Lantrey p.26 Jozept Szekeres p. 39 Kerrie Hanlon p. 1 Kurt Stone p. 40, 60 THE MENTOR 81, January 1994. ISSN 0727-8462. Edited, printed and published by Ron Clarke. Mail Address: PO Box K940, Haymarket, NSW 2000, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted). Contributions, if over 5 pages, preferred to be on an IBM 51/4" or 31/2" disc (DD or HD) in both ASCII and your word processor file or typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAE anyway, for my comments. Contributions are not paid; however they receive a free copy of the issue their contribution is in, and any future issues containing comments on their contribution. -
Who Or What Is Gaia? Blood Music – the Earth from Myth to Movement
FACT SHEET NUMBER #2 WHO OR WHAT IS GAIA? BLOOD MUSIC – THE EARTH FROM MYTH TO MOVEMENT John Croft Update 1st April 2014 This Factsheet by John Croft is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License. Permissions beyond the scope of this license may be available at [email protected]. ABSTRACT: The realisation that the Earth is not just a passive home for life, but has many properties as a living system, enables us to connect modern science and ancient spiritualities, into an ethic for a common social movement. The care of the whole is thus deeply connected to the care of each part. TABLE OF CONTENTS WHO OR WHAT IS GAIA? .................................................................................................................................. 2 GAIA THEORY AND THE ORIGIN OF LIFE .................................................................................................. 20 GAIA AND INDUSTRIAL CULTURE .............................................................................................................. 24 GAIA AS A MOVEMENT .................................................................................................................................. 41 CONCLUSION .................................................................................................................................................... 43 __________________________________________________________________________________________ Dragon Dreaming Factsheet Number #2 Page 1 of 51 THE REDISCOVERY OF GAIA Viewed from -
SF COMMENTARY 81 40Th Anniversary Edition, Part 2
SF COMMENTARY 81 40th Anniversary Edition, Part 2 June 2011 IN THIS ISSUE: THE COLIN STEELE SPECIAL COLIN STEELE REVIEWS THE FIELD OTHER CONTRIBUTORS: DITMAR (DICK JENSSEN) THE EDITOR PAUL ANDERSON LENNY BAILES DOUG BARBOUR WM BREIDING DAMIEN BRODERICK NED BROOKS HARRY BUERKETT STEPHEN CAMPBELL CY CHAUVIN BRAD FOSTER LEIGH EDMONDS TERRY GREEN JEFF HAMILL STEVE JEFFERY JERRY KAUFMAN PETER KERANS DAVID LAKE PATRICK MCGUIRE MURRAY MOORE JOSEPH NICHOLAS LLOYD PENNEY YVONNE ROUSSEAU GUY SALVIDGE STEVE SNEYD SUE THOMASON GEORGE ZEBROWSKI and many others SF COMMENTARY 81 40th Anniversary Edition, Part 2 CONTENTS 3 THIS ISSUE’S COVER 66 PINLIGHTERS Binary exploration Ditmar (Dick Jenssen) Stephen Campbell Damien Broderick 5 EDITORIAL Leigh Edmonds I must be talking to my friends Patrick McGuire The Editor Peter Kerans Jerry Kaufman 7 THE COLIN STEELE EDITION Jeff Hamill Harry Buerkett Yvonne Rousseau 7 IN HONOUR OF SIR TERRY Steve Jeffery PRATCHETT Steve Sneyd Lloyd Penney 7 Terry Pratchett: A (disc) world of Cy Chauvin collecting Lenny Bailes Colin Steele Guy Salvidge Terry Green 12 Sir Terry at the Sydney Opera House, Brad Foster 2011 Sue Thomason Colin Steele Paul Anderson Wm Breiding 13 Colin Steele reviews some recent Doug Barbour Pratchett publications George Zebrowski Joseph Nicholas David Lake 16 THE FIELD Ned Brooks Colin Steele Murray Moore Includes: 16 Reference and non-fiction 81 Terry Green reviews A Scanner Darkly 21 Science fiction 40 Horror, dark fantasy, and gothic 51 Fantasy 60 Ghost stories 63 Alternative history 2 SF COMMENTARY No. 81, June 2011, 88 pages, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough VIC 3088, Australia. -
The Mutual Influence of Science Fiction and Innovation
Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel. -
THE MENTOR 79, July 1993
THE MENTOR AUSTRALIAN SCIENCE FICTION CONTENTS #79 ARTICLES: 8 - THE BIG BOOM by Don Boyd 40 - WHAT IS SF FOR by Sean Williams COLUMNISTS: 14 - NORTHERN FEN by Pavel A Viaznikov 17 - A SHORT HISTORY OF RUSSIAN "FANTASTICA" by Andrei Lubenski 32 - SWORDSMAN OF THE SHEPHERD'S STAR by Andrew Darlington 45 - IN DEPTH #6 by Bill Congreve COMIC SECTION: 20 - THE INITIATE Part 2 by Steve Carter DEPARTMENTS; 2 - EDITORIAL SLANT by Ron Clarke 49 - THE R&R DEPT - Reader's letters 61 - CURRENT BOOK RELEASES by Ron Clarke FICTION: 4 - PREY FOR THE PREY by B. J. Stevens 23 - THE BROOKLYN BLUES by Brent Lillie Cover Illustration by Steve Carter. Internal Illos: Steve Fox p. 7, 39 Peggy Ranson p.11, 13, 44, 48 Sheryl Birkhead p. 49 Rod Williams p. 68 Julie Vaix p. 68 THE MENTOR 79, July 1993. ISSN 0727-8462. Edited, printed and published by Ron Clarke. Mail Address: THE MENTOR, c/- 34 Tower St, Revesby, NSW 2212, Australia. THE MENTOR is published at intervals of roughly three months. It is available for published contribution (Australian fiction [science fiction or fantasy]), poetry, article, or letter of comment on a previous issue. It is not available for subscription, but is available for $5 for a sample issue (posted). Contributions, if over 5 pages, preferred to be on an IBM 51/4" or 31/2" disc (DD or HD) otherwise typed, single or double spaced, preferably a good photocopy (and if you want it returned, please type your name and address) and include an SSAE anyway, for my comments. -
THE MENTOR 87 “The Magazine Ahead of Its Time”
THE MENTOR 87 “The Magazine Ahead of its Time” JULY 1995 page 1 offers the above-mentioned omul in all varieties. The hotel stands on the banks of the Angara, not far from the city centre. THE TRAVELLING They also provide excursions and Baikal picnics in summer. The city does have other things to boast of: old wooden MUSCOVITE #2 houses in the historical centre, the #3 picture gallery in Russia (after the Hermitage and Tretyakov Gallery). Baikalskaya vodka (made with the pure Baikal water) and good theatre. The bad thing for me was that I was there in November, and could not enjoy either bathing in the Baikal (for this, one should go there by Pavel Viaznikov in July or the first half of August) or enjoying ice and snow (December to March). But I still enjoyed it. ** ** ** The Number One item in the local SF news is the 3- month old story of the Strannik (Wanderer) Prize, which was supposed to be a writers’ prize to the best novel, best short story, best publishing house, etc. Many fans considered it “morally incorrect”, as the nominees were jury members, and the TERRA FANTASTICA publishing house, sponsor of the Do you know Kirgizstan - a republic in our (ie ex-Soviet) prize, was awarded the Best Publishing House award. Middle Asia? Find it on a map, please. Just look for Bishkek (it Now another event at the InterpressCon (St. used to be Frunze). Well, recently I talked to a guy whose Petersburg), where this and several other awards were brother s erved in... -
The British Film Catalogue: Fiction Film, 1895–1994
The British Film Catalogue Volume 1 3rd edition Denis Gifford FICTION FILM, 1895-1994 The British Film Catalogue Volume 1 3rd edition Denis Gifford FICTION FILM, 1895-1994 First published 1997 by FITZROY DEARBORN PUBLISHERS First edition 2001 Published 2017 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & francis Group, an informa business Copyright© Denis Gifford 1973, 1986, 2000 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data. A catalogue record for this book is available from the British Library A Cataloging-in-Publication record for this book is available from the Library of Congress Typeset by Tradespools Ltd, Frame, Somerset Cover designed by Sign ISBN 13: 978-1-57958-199-2 (hbk) ISBN 13: 978-1-57958-171-8 (two volume set) FOR FITZ and Pandora Jane They would have loved each other. CONTENTS page Preface ix How to Use the Catalogue xi Abbreviations and Other Indicators xvii Bibliography xx Acknowledgements xxi Denis Gifford, 1927-2000 xxii The British Film Catalogue: Fiction Film, 1895-1994 1 Index 1023 PREFACE This is the first complete catalogue of every British film ii) After the first day of December, nineteen hundred produced for public entertainment since the invention of and twenty-eight, the studio scenes must have cinematography over one hundred years ago. -
{PDF} Wavesong Ebook Free Download
WAVESONG PDF, EPUB, EBOOK Isobelle Carmody | 480 pages | 01 Jan 2009 | Random House USA Inc | 9780375857713 | English | New York, United States Wavesong PDF Book View 1 comment. Toggle navigation Budget Getaways. The Master bedroom offers full sea-views and has an en-suite bathroom with a separate bath and spacious shower. When guests stay at the property they check out how quiet the room is, how friendly the staff are and more. Getaway Map. It is actually pretty boring. When you buy a book, we donate a book. Explore other options in and around Leamington. Rate It. Value for money 9. Adina Rishe Gewirtz. Booking not found. Staff 9. It is a comfortable home with great views from the upstairs patio and it's close to the beach. Error: Please enter a destination to start searching. Sort reviews by: Recommended Date newer to older Date older to newer Score higher to lower Score lower to higher. There were some things I wish I remembered better, but my confusion was minimal. All credit cards are accepted when paying through Sleeping-OUT. That being: Elspeth finds many people who are sympathetic to her cause, who all have diverse in personalities and backgrounds, however anyone in opposition to her is seen as this generic bad person who has very few distinguishing features from Well, I really don't want to give this book two stars, but that's where it falls on my scale. If so, we'd love to hear all about it. Overall Rating. Product Details. Languages spoken: Afrikaans, English. The last scene is her on the back of a dolphin, which is called ship-fish, or something equally idiotic.