Newsletter – 15 April 2010 ISSN: 1178-9441
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A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Staff Publications List
Staff Publications 1998 Published by the Research Policy Office Victoria University of Wellington PO Box 600 Wellington, New Zealand ISSN 1174-121X CONTENTS FACULTY OF COMMERCE AND ADMINISTRATION 3 Accounting and Commercial Law, School of 3 Business and Public Management, School of 5 Communications and Information Systems Management, School of 11 Economics and Finance, School of 13 FACULTY OF HUMANITIES AND SOCIAL SCIENCES 16 Anthropology 16 Art History 17 Asian Languages 18 Classics 19 Criminology, Institute of 20 Education, School of 22 Institute for Early Childhood Studies 24 English, Film and Theatre, School of 25 European Languages 32 History 33 Linguistics and Applied Language Studies, School of 36 Maori Studies: Te Kawa a Maui, School of 41 Music, School of 41 Nursing and Midwifery 43 Philosophy 45 Political Science and International Relations, School of 46 Sociology and Social policy 47 Women’s Studies 49 FACULTY OF LAW 51 FACULTY OF SCIENCE 54 Architecture, School of 54 Biological Sciences, School of 58 Chemical and Physical Sciences, School of 63 Earth Sciences, School of 65 Mathematical and Computing Sciences, School of 70 Psychology, School of 80 UNIVERSITY INSTITUTES AND CENTRES 82 Centre for Continuing Education/Te Whare Pukenga 82 Health Services Research Centre 83 Institute of Policy Studies 84 University Teaching Development Centre 85 Centre for Strategic Studies 85 Stout Research Centre 86 2 1998 Staff Publications FACULTY OF COMMERCE AND ADMINISTRATION ACCOUNTING AND COMMERCIAL LAW 3. Articles/Chapters/Conference Papers Articles Anderson, Gordon, ‘Interpreting the Employment Contracts Act: Are the Courts Undermining the Act?’, California Western International Law Journal, 28 (1997), pp. -
Allegory in the Fiction of Janet Frame
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. ALLEGORY IN THE FICTION OF JANET FRAME A thesis in partial fulfIlment of the requirements for the degree of Doctor of Philosophy in English at Massey University. Judith Dell Panny 1991. i ABSTRACT This investigation considers some aspects of Janet Frame's fiction that have hitherto remained obscure. The study includes the eleven novels and the extended story "Snowman, Snowman". Answers to questions raised by the texts have been found within the works themselves by examining the significance of reiterated and contrasting motifs, and by exploring the most literal as well as the figurative meanings of the language. The study will disclose the deliberate patterning of Frame's work. It will be found that nine of the innovative and cryptic fictions are allegories. They belong within a genre that has emerged with fresh vigour in the second half of this century. All twelve works include allegorical features. Allegory provides access to much of Frame's irony, to hidden pathos and humour, and to some of the most significant questions raised by her work. By exposing the inhumanity of our age, Frame prompts questioning and reassessment of the goals and values of a materialist culture. Like all writers of allegory, she focuses upon the magic of language as the bearer of truth as well as the vehicle of deception. -
PNZ 47 Digital Version
Poetry NZNEW ZEALAND 47 featuring the poetry of 1 Harry Ricketts comment by Jack Ross & Bill Sutton Poetry NZ Number 47, 2013 Two issues per year Editor: Alistair Paterson ONZM Submissions: Submit at any time with a stamped, self-addressed envelope (and an email address if available) to: Poetry NZ, 34B Methuen Road, Avondale, Auckland 0600, New Zealand or 1040 E. Paseo El Mirador, Palm Springs, CA 92262-4837, USA Please note that overseas submissions cannot be returned, and should include an email address for reply. Postal subscriptions: Poetry NZ, 37 Margot Street, Epsom, Auckland 1051, New Zealand or 1040 E. Paseo el Mirador, Palm Springs, CA 92262-4837, USA Postal subscription Rates: US Subscribers (by air) One year (2 issues) $30.00 $US24.00 Two years (4 issues) $55.00 $US45.00 Libraries: 1 year $32.00 $US25.00 Libraries: 2 years $60.00 $US46.00 Other countries One year (2 issues) $NZ36.00 Two years (4 issues) $NZ67.00 Online subscriptions: To take out a subscription go to www.poetrynz.net and click on ‘subscribe’. The online rates are listed on this site. When your subscription application is received it will be confi rmed by email, and your fi rst copy of the magazine will then be promptly posted out to you. 2 Poetry NZ 47 Alistair Paterson Editor Puriri Press & Brick Row Auckland, New Zealand Palm Springs, California, USA September 2013 3 ISSN 0114-5770 Copyright © 2013 Poetry NZ 37 Margot Street, Epsom, Auckland 1051, New Zealand All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photo copying, recording or otherwise without the written permission of the publisher. -
Mandy Hager Wins the Prestigious Storylines Margaret Mahy Medal
MEDIA RELEASE: 4 February 2019 - For immediate release Margaret Samuels for Storylines, [email protected], 0274177211 MANDY HAGER WINS THE PRESTIGIOUS STORYLINES MARGARET MAHY MEDAL Multi-award-winning Wellington-based author Mandy Hager is the winner of the 2019 Storylines Margaret Mahy Medal for life-time achievement and a distinguished contribution to New Zealand’s literature for young people. Best-known as a writer of young adult fiction, Mandy Hager has also written fiction and non-fiction for younger children, and for educational programmes. In 2017 she published her first adult novel, the historical novel Heloise, long-listed for New Zealand’s premier adult Ockham Book Awards. “We’re delighted to announce Mandy as the Storylines Margaret Mahy Medal winner. Over a 20-year-plus career she has written a succession of outstanding and thought-provoking young adult and children’s novels as well as film scripts and short stories,” says Christine Young, chair of the Storylines Children’s Literature Trust. “She is an outstanding writer, with many well-deserved accolades, and has acted as a role model for many younger writers, as well as an inspiring mentor to students in classrooms across the country and in her creative writing classes.” From the publication in 1995 of Tom’s Story for Mallinson Rendel, and for nearly every work of fiction since, Mandy Hager has achieved the unusual feat of winning a major award or being shortlisted. She has also been extensively published by major US publishers. Her awards include the LIANZA Book Awards for Young Adult fiction three times (Smashed, 2008; The Nature of Ash, 2013; Dear Vincent, 2014), the New Zealand Post Children’s Book Awards for YA fiction (The Crossing, 2010), USA’s Golden Wings Excellence Award (Juno Lucina, 2002), Golden Wings Award (Run For The Trees, 2003) and five Storylines Notable Book Awards. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
Clough and His Poetry, James Bertram 141
&& A New Zealand Qyarter!Jr VOLUME SEVENTEEN Reprinted with the permission of The Caxton Press JOHNSON REPRINT CORPORATION JOHNSON REPRINT COMPANY LTD. 111 Fifth Avenue, New York, N. Y. 10003 Berkeley Square House, London, W. 1 LANDFALL is published with the aid of a grant from the New Zealand Literary Fund. First reprinting, 196S, Johnson Reprint Corporation Printed in the United States of America A New Zealand Quarterly edited by Charles Brasch and published by The Caxton Press CON'I'EN'I'S 107 Against T e Rauparaha, Alistair Camp bell 108 Outback, Kenneth McKenney 111 Watching you drift in shallow sleep, Alan Roddick 112 A Descendant of the Mountain, Albert W endt 113 To One Born on the Day of my Death, Charles Doyle 118 Three Poems, Raymond Ward 119 Towards a Zealand Drama, Erle Nelson 122 Reconstructions, Kevin Lawson 134 Five Poems, Peter Bland 137 Clough and his Poetry, James Bertram 141 COMMENTARIES: Canadian Letter, George W halley 155 Using Zealand House, f. M. Thomson 162 The Opera Season, John Steele 165 Joseph Banks: the Endeavour Journal, Colin Beer 168 Richmonds and Atkinsons, W. H. Oliver 177 REVIEWS:, Zealand Poetry Yearbook, Owen Leeming 187 The Edge of the Alphabet, Thomas Crawford 192 The Last Pioneer, R. A. Copland 195 Auckland Gallery Lectures, Wystan Curnow 196 Inheritors of a Dream, W. f. Gardner 199 Correspondence, Stella Jones, L. Cleveland, R. A. Copland, Don Holdaway, f. L. Ewing, R. H. Lockstone, R. McD. Chapman 201 Paintings by Don Binney, Bryan Dew, Garth Tapper, Dennis Turner VOLUME SEVENTEEN NUMBER TWO JUNE 1963 Notes LANDFALL has neither printed nor sought stories and poems by writers in other countries; not out of insularity, but on the ground that its limited space ought to be kept for the work of New Zealand writers, who had, and have, few means of publishing at home. -
Newsletter – 21 November 2011 ISSN: 1178-9441
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯utahi Tuhi Auaha o te Ao Newsletter – 21 November 2011 ISSN: 1178-9441 This is the 175th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email modernletters. 1. A real e-book ........................................................................................................... 1 2. Making Baby Float ................................................................................................. 2 3. Bernard Beckett ....................................................................................................... 2 4. A possible Janet Frame sighting? ........................................................................... 2 5. A poetry masterclass ................................................................................................ 3 6. Awards and prizes ................................................................................................... 3 7. Eric Olsen meets the muse ..................................................................................... 3 8. The expanding bookshelf......................................................................................... 4 9. Best New Zealand Poems ....................................................................................... 4 10. Peter Campbell RIP ............................................................................................. 4 11. Gossipy bits ........................................................................................................... -
Seeing Ourselves on Stage
Seeing Ourselves on Stage: Revealing Ideas about Pākehā Cultural Identity through Theatrical Performance Adriann Anne Herron Smith Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Otago 2010 Acknowledgements Thanks to my Kaitiaki Rangimoana Taylor My Supervisors: Henry Johnson, Jerry Jaffe, Erich Kolig (2004-July 2006), Martin Tolich (July 2007 onwards) Thanks to my children Ruth Kathryne Cook and Madeline Anne Hinehauone Cook for supporting me in this work. Thanks also to Hilary Halba and Alison East for their help, encouragement and invigorating discussion; to friend and poet Roma Potiki who offered the title for this thesis and also engaged in spirited discussion about its contents; to Monika Smith, Adrienne Jansen, Geesina Zimmermann, Annie Hay Mackenzie and to all of my friends who have supported this project; Thanks to Louise Kewene, Trevor Deaker, Martyn Roberts and Morag Anne Baillie for technical support during this project. Thanks to all of the artists who have made this work possible: Christopher Blake, Gary Henderson, Lyne Pringle, Kilda Northcott, Andrew London and to Hilary Norris, Hilary Halba, Alison East and Lisa Warrington who contributed their time, experience and passion for the work of Aotearoa/New Zealand to this endeavour. ii Abstract This is the first detailed study of New Zealand theatrical performance that has investigated the concepts of a Pākehā worldview. It thus contributes to the growing body of critical analysis of the theatre Aotearoa/New Zealand, and to an overall picture of Pākehā New Zealander cultural identity. The researcher‘s experience of being Pākehā has formed the lens through which these performance works are viewed. -
MODERN LETTERS Te P¯U Tahi Tuhi Auaha O Te Ao
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 27 October 2006 This is the 97th in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected] 1. Time to get writing........................................................................................... 1 2. The virtual lives of a bone person ................................................................... 2 3. An outbreak of book blogs .............................................................................. 2 4. Ghost doubles................................................................................................... 2 5. New travel writer competition......................................................................... 3 6. Calling tour guides from hell........................................................................... 3 7. Brand new Snorkel .......................................................................................... 3 8. From the whiteboard ....................................................................................... 4 9. In the ice of the beholder ................................................................................. 4 10. The expanding bookshelf............................................................................. 4 11. Brush up on your kid lit............................................................................... 4 12. Recent -
Études at Play : Narrative Identity in Adolescents with Chronic Illness
Études at play: Narrative Identity in Adolescents with Chronic Illness in Contemporary Young Adult Literature Volume 1 Exegesis Pamela Jane Harvey Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy in Communication (246AA) November 2018 Faculty of Arts & Design, University of Canberra - i - Abstract Storytelling gives voice to people’s experiences, assisting them in making meaning of their lives and their place in it. It is also integral to a person’s narrative identity and the sense of self created through these stories. Philosopher Paul Ricoeur asserts that narrative identity is not present at a story’s beginning but born in the telling, creating a future for the narrator. For some, the effects of ongoing illness complicate narrative identity and storytelling becomes an avenue to express what it is to live with the effects of disease and how it shapes self. The resultant stories are known as illness narratives. Illness narratives form a burgeoning category of autobiography but published texts are limited to mostly adult storytellers. This thesis examines contemporary young adult fictional illness narratives (‘illness fictions’) as a cohort of books that act as transformative texts in the interpretation and understanding of the illness experience. Sociologist Arthur Frank’s illness narrative typology, based on Paul Ricoeur’s idea of narrative identity and consisting of three categories, provides a lens through which to interrogate these texts and their narrative type. While Frank’s typology is a useful initial tool, its application to stories of ill adolescents is restrictive. This thesis extends the illness narrative typology to five categories in order to create a more nuanced framework for the investigation and creation of illness. -
Denis Glover
LA:J\(JJFA LL ' Zealam 'terly 'Y' and v.,,,.,,,,,,.,.,,," by 1 'On ,,'re CON'I'EN'TS Notes 3 City and Suburban, Frank Sargeson 4 Poems of the Mid-Sixties, K. 0. Arvidson, Peter Bland, Basil Dowling, Denis Glover, Paul Henderson, Kevin Ireland, Louis Johnson, Owen Leeming, Raymond Ward, Hubert Witheford, Mark Young 10 Artist, Michael Gifkins 33 Poems from the Panjabi, Amrita Pritam 36 Beginnings, Janet Frame 40 A Reading of Denis Glover, Alan Roddick 48 COMMENTARIES; Indian Letter, Mahendra Kulasrestha 58 Greer Twiss, Paul Beadle 63 After the Wedding, Kirsty Northcote-Bade 65 REVIEWS: A Walk on the Beach, Dennis McEldowney 67 The Cunninghams, Children of the Poor, K. 0. Arvidson 69 Bread and a Pension, MacD. P. Jackson 74 Wild Honey, J. E. P. T homson 83 Ambulando, R. L. P. Jackson 86 Byron the Poet, !an Jack 89 Studies of a Small Democracy, W. J. Gardner 91 Correspondence, W. K. Mcllroy, Lawrence Jones, Atihana Johns 95 Sculpture by Greer T wiss Cover design by V ere Dudgeon VOLUME NINETEEN NUMBER ONE MARCH 1965 LANDFALL is published with the aid of a grant from the New Zealand Literary Fund. LANDFALL is printed and published by The Caxton Press at 119 Victoria Street, Christchurch. The annual subscription is 20s. net post free, and should be sent to the above address. All contributions used will be paid for. Manuscripts should be sent to the editor at the above address; they cannot be returned unless accompanied by a stamped and addressed envelope. Notes PoETs themselves pass judgment on what they say by their way of saying it.