Navigating Cook 3 April 26Th to May 23Rd 2020
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The Death of Captain Cook in Theatre 224
The Many Deaths of Captain Cook A Study in Metropolitan Mass Culture, 1780-1810 Ruth Scobie PhD University of York Department of English April 2013 i Ruth Scobie The Many Deaths of Captain Cook Abstract This thesis traces metropolitan representations, between 1780 and 1810, of the violent death of Captain James Cook at Kealakekua Bay in Hawaii. It takes an interdisciplinary approach to these representations, in order to show how the interlinked texts of a nascent commercial culture initiated the creation of a colonial character, identified by Epeli Hau’ofa as the looming “ghost of Captain Cook.” The introduction sets out the circumstances of Cook’s death and existing metropolitan reputation in 1779. It situates the figure of Cook within contemporary mechanisms of ‘celebrity,’ related to notions of mass metropolitan culture. It argues that previous accounts of Cook’s fame have tended to overemphasise the immediacy and unanimity with which the dead Cook was adopted as an imperialist hero; with the result that the role of the scene within colonialist histories can appear inevitable, even natural. In response, I show that a contested mythology around Cook’s death was gradually constructed over the three decades after the incident took place, and was the contingent product of a range of texts, places, events, and individuals. The first section examines responses to the news of Cook’s death in January 1780, focusing on the way that the story was mediated by, first, its status as ‘news,’ created by newspapers; and second, the effects on Londoners of the Gordon riots in June of the same year. -
Encountering Oceania: Bodies, Health and Disease, 1768-1846
Encountering Oceania: Bodies, Health and Disease, 1768-1846. Duncan James Robertson PhD University of York English July 2017 Duncan Robertson Encountering Oceania Abstract This thesis offers a critical re-evaluation of representations of bodies, health and disease across almost a century of European and North American colonial encounters in Oceania, from the late eighteenth-century voyages of James Cook and William Bligh, to the settlement of Australia, to the largely fictional prose of Herman Melville’s Typee. Guided by a contemporary and cross-disciplinary analytical framework, it assesses a variety of media including exploratory journals, print culture, and imaginative prose to trace a narrative trajectory of Oceania from a site which offered salvation to sickly sailors to one which threatened prospective settlers with disease. This research offers new contributions to Pacific studies and medical history by examining how late-eighteenth and early-nineteenth century concepts of health and disease challenged, shaped and undermined colonial expansion in Oceania from 1768-1846. In particular, it aims to reassess the relationship between contemporary thinking on bodies, health and disease, and the process of colonial exploration and settlement in the period studied. It argues that this relationship was less schematic than some earlier scholarship has allowed, and adopts narrative medical humanities approaches to consider how disease and ill-health was perceived from individual as well as institutional perspectives. Finally, this thesis analyses representations of bodies, health and disease in the period from 1768-1846 in two ways. First, by tracing the passage of disease from ship to shore and second, by assessing the legacy of James Cook’s three Pacific voyages on subsequent phases of exploration and settlement in Oceania. -
DAVID SAMWELL Journal, 1776-79 Reel M1583
AUSTRALIAN JOINT COPYING PROJECT DAVID SAMWELL Journal, 1776-79 Reel M1583 The British Library Great Russell Street London WC1B 3DG National Library of Australia State Library of New South Wales Filmed: 1982 BIOGRAPHICAL NOTE David Samwell (1751-1798) was born in Nantglyn in north Wales, where his father was the vicar. He was educated at one of the local grammar schools, probably Ruthin. In 1775 he gained his certificate as a second mate from the Court of Examiners at the Royal College of Surgeons. He was apprenticed to John Crosier, who had been surgeon on HMS Dolphin on its Pacific voyage in 1764-66. In 1776 Crosier secured Samwell’s appointment as surgeon’s mate on HMS Resolution, commanded by James Cook. Following the death of the Surgeon William Anderson in August 1778, Cook promoted Samwell to the position of surgeon on HMS Discovery, commanded by Charles Clerke. Both Cook and Clerke died in 1779 and Lieutenant James King commanded HMS Discovery on the return voyage to England in 1780. Samwell served under King on HMS Crocodile in 1780-81 and later on HMS Kite. He retired on half- pay in 1786 and established a medical practice in London. He had provided some assistance to King on the publication of the official account of Cook’s third voyage. In 1786, encouraged by Andrew Kippis, he published A narrative of the death of Captain James Cook, much of which was incorporated in the major biography published by Kippis in 1788. Samwell returned to sea in 1793 on the outbreak of war with France and served on HMS Marlborough and HMS Unicorn. -
John Ledyard Revisited
roger c. smith “ We Shall Soon See the Consequences of Such Conduct”: John Ledyard Revisited Only someone who has approached the Big Island of Hawai‘i by sea can imagine the unbridled exhilaration experienced by a crew of eighteenth-century British seamen who had spent the previous seven months searching the frigid waters of Alaska’s Arctic Ocean for the fabled Northwest Passage. The nearly fourteen thousand foot sum- mits of Mauna Ke‘a and Mauna Loa strained the necks of anyone gaz- ing high into the tropical skies to soak up the splendor of the twin volcanoes. The lush fl ora and foliage were in full view for all the weary sailors to behold as they sailed around the island; the smell of rich soil, fresh water, and exotic tropical vegetation enticed their senses to the edge of reasonable restraint. The expedition had anchored off the island of Kaua‘i just ten months prior and the adoring inhabit- ants indulged both offi cers and crew with succulent feasts and ful- fi lled their lavish desires. For Captain James Cook and the crews of his ships, Resolution and Discovery, paradise was a frequent port of call in their South Pacifi c explorations. The Big Island was no exception. But within one month the relationship with the indulgent islanders became deadly, leaving admirers and historians to struggle with the terrible turn of events. Since the day Cook’s expedition returned to Roger Smith attends graduate school at the University of Florida where he focuses on Ameri- can and British Colonial Studies. -
Constable # Crescent Moon # Otto
constable • crescent constable moon • otto dix artonview issUe no.45 autumn 2006 artonview ISSUE No.45 AUTUMN 2006 NATIONAL GALLERY OF AUSTRALIA WAR The Prints of Otto Dix National Gallery of Australia, Canberra 24 February – 28 May 2006 Principal sponsor Supported by National Gallery of Australia, Canberra 17 December 2005 – 30 April 2006 Organised by the National Gallery of Australia in partnership with the Art Gallery of South Australia Otto Dix Sturmtruppe geht unter Gas vor [Stormtroops advancing under a gas attack] plate 12 from the portfolio Der Krieg [War] 1924 etching, aquatint National Gallery of Australia, Canberra © Otto Dix, Licensed by VISCOPY, Australia Yogyakarta, Central Java, Indonesia Serat Dewi Ruci 1886 European paper, ink, pigment, gold leaf Presented by the Friends of the Gallery Library in memory of Tina Wentcher, 1982 National Gallery of Victoria, Melbourne contents artonview Publisher National Gallery of Australia 2 Director’s foreword nga.gov.au 4 Director’s vision Editor Eve Sullivan 10 Constable: impressions of land, sea and sky Designer Sarah Robinson 16 Constable: the ecstasy of stormy elements Photography Eleni Kypridis 21 Australia and Constable Barry Le Lievre Brenton McGeachie 22 Crescent moon: Islamic art and civilisation in Southeast Asia Steve Nebauer John Tassie 32 War: the prints of Otto Dix Designed and produced in Australia by the National Gallery of Australia 38 New acquisitions Printed in Australia by Pirion Printers, Canberra 50 Collection focus: Aboriginal and Torres Strait Islander Art artonview ISSN 1323-4552 54 Conservation: restoring the glow to Afterglow Published quarterly: Issue no. 45, Autumn 2006 56 Kenneth Tyler at the National Gallery of Australia © National Gallery of Australia Print Post Approved 58 Tribute: Jimmy Wululu pp255003/00078 60 Faces in view All rights reserved. -
Pacific Voyages
PAcific voyAges Peter Harrington london Peter Harrington 1 We are exhibiting at these fairs: 12 –14 July 2019 melbourne Melbourne Rare Book Fair Wilson Hall, University of Melbourne www.rarebookfair.com 7–8 September brooklyn Brooklyn Expo Center 72 Noble St, Brooklyn, NY 11222 www.brooklynbookfair.com 3–6 October frieze masters Regent’s Park, London www.frieze.com/fairs/frieze-masters 5–6 October los angeles Rare Books LAX Proud Bird 11022 Aviation Blvd Los Angeles, CA https://rarebooksla.com 12–13 October seattle Seattle Antiquarian Book Fair 299 Mercer St, Seattle, WA www.seattlebookfair.com 2–3 November chelsea (aba) Chelsea Old Town Hall King’s Road, London sw3 5ee www.chelseabookfair.com 15–17 November boston Hynes Convention Center 900 Boylston St, Boston, MA 02115 http://bostonbookfair.com 22–24 November hong kong China in Print Hong Kong Maritime Museum Central Pier No. 8 www.chinainprint.com VAT no. gb 701 5578 50 Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London sw19 7jy. Registered in England and Wales No: 3609982 Cover illustration from Louis Choris, Vues et paysages des régions équinoxiales, item 67. Design: Nigel Bents. Photography: Ruth Segarra. Peter Harrington 1969 london 2019 catalogue 154 PACIFIC VOYAGES mayfair chelsea Peter Harrington Peter Harrington 43 dover street 100 FulHam road london w1s 4FF london sw3 6Hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 www.peterharrington.co.uk usa 011 44 20 7591 0220 PACIFIC VOYAGES Earlier this year we took a trip to the South Maui home of Cook’s last voyage (1784), inscribed from Cook’s ex- of the legendary book dealer Louis (Lou) Weinstein, for- ecutors to Captain William Christopher, a distinguished merly of Heritage Book Shop Inc. -
Tattoo in in Pursuit of Venus [Infected] and Les Sauvages De La Mer Pacifique Emily Cornish University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2016 Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique Emily Cornish University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons, and the Other History Commons Recommended Citation Cornish, Emily, "Gender Politics, Presence and Erasure: Tattoo in in Pursuit of Venus [infected] and Les Sauvages De La Mer Pacifique" (2016). Theses and Dissertations. 1130. https://dc.uwm.edu/etd/1130 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. GENDER POLITICS, PRESENCE AND ERASURE: TATTOO IN IN PURSUIT OF VENUS [INFECTED] AND LES SAUVAGES DE LA MER PACIFIQUE by Emily Cornish A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History at The University of Wisconsin-Milwaukee May 2016 ABSTRACT GENDER POLITICS, PRESENCE AND ERASURE: TATTOO IN IN PURSUIT OF VENUS [INFECTED] AND LES SAUVAGES DE LA MER PACIFIQUE by Emily Cornish The University of Wisconsin-Milwaukee, 2016 Under the Supervision of Professor Matthew Rarey This paper utilizes tattoo as a means for exploring the dialogue between contemporary Maori artist Lisa Reihana’s In Pursuit of Venus [infected] and Joseph Dufour’s nineteenth- century decorative wallpaper Les Sauvages de la Mer Pacifique. -
Voyages to Hawaii Before 1860
Voyages to Hawaii before 1860 Voyages to Hawaii before 1860 A Record, Based on Historical Narratives in the Libraries of the Hawaiian Mission Children’s Society and The Hawaiian Historical Society, Extended to March 1860 BERNICE JUDD enlarged and edited by HELEN YONGE LIND THE UNIVERSITY PRESS OF HAWAII for HAWAIIAN MISSION CHILDREN’S SOCIETY Honolulu Open Access edition funded by the National En- dowment for the Humanities / Andrew W. Mellon Foundation Humanities Open Book Program. Licensed under the terms of Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 In- ternational (CC BY-NC-ND 4.0), which permits readers to freely download and share the work in print or electronic format for non-commercial purposes, so long as credit is given to the au- thor. Derivative works and commercial uses require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Cre- ative Commons license described above does not apply to any material that is separately copyrighted. Open Access ISBNs: 9780824883928 (PDF) 9780824883935 (EPUB) This version created: 5 September, 2019 Please visit www.hawaiiopen.org for more Open Access works from University of Hawai‘i Press. This edition is a revision of that originally published in 1929 by the Hawaiian Mission Children’s Society. Copyright © 1974 by The University Press of Hawaii All rights reserved IN MEMORY OF BERNICE JUDD The earlier edition of this book, published in 1929, was written by Bernice Judd. She kept two interleaved copies in which she noted further entries during her thirty-three years’ work in the Hawaiian Mission Children’s Society library. -
The Cult of the Celebrity: Omai, the Exotic and Joshua Reynolds This
The Cult of the Celebrity: Omai, the Exotic and Joshua Reynolds This lecture I will look at the events that led up to Joshua Reynolds’s portrait of Omai becoming an emblematic and iconic image representing Britain at the very height of its imperial powers. To explore this famous moment from history when two worlds collided I will explore the key players in Omai’s story, his origins in Tahiti, his background and motivation to come to England, followed by his time in England and English society and his interaction therein. I will then go on to look at Joshua Reynolds’s ideas regarding his self image, his influences and how this related to his image of Omai. This will be followed by a look at what this portrait of Omai by Joshua Reynolds can tell us about 18th century English society, its perception or preconception of the Other or non-white European and how prevalent pseudo-scientific ideas in this period affected the way Omai was perceived and finally envisioned in Reynolds’s painting. I will then look at what happened when Omai returned to the South Seas and impact of going back; can one ever go back what is the impact of returning? Finally I will speak about the legacy of the image we call Omai, which has become an enigma in its own right. Short Reading list: House, John, Impressionism for England: Samuel Courtauld as Patron and Collector, (Yale University Press, 1994) Kaeppler, Adrianne L., Head Curator, James Cook and the Exploration of the Pacific, (Thames and Hudson, 2010) Rendle-Short, Francesca, (Ed), Cook & Omai: The Cult of the South Seas, (National Library of Australia, 2001) Postle, Martin, (Ed), Joshua Reynolds: The Creation of Celebrity, (Tate Publishing, 2005) 31/03/2009 - ©Leslie Primo Art First - www.primoartdiscoverytours.co.uk . -
Rare Books Auction 16 August 2017 186 187
RARE BOOKS AUCTION 16 AUGUST 2017 186 187 324 324 190 189 170 170 169 192 188 188 185 RARE BOOK AUCTION Wednesday 16th August 2017 at 12:00pm noon. John Turnbull Thomson VIEWING: Sunday 13th August 11:00am – 4:00pm Monday 14th August 9.00am – 5.00pm Tuesday 15th August 9.00am – 5.00pm The sale includes an important archive relating to John Turnbull Thomson [1821-1884] Chief Surveyor of Otago and the first Surveyor General of New Zealand, it features historical manuscripts, paintings and sketches concerning the early history of Otago, Southland and New Zealand. From 1856-1858 Thomson travelled extensively on horseback surveying and exploring large tracts of the interior of the South Island, documenting these journeys in his field books with sketches and maps, which he later used to complete watercolours. The papers also include historical photographs, scrapbooks and research material from F.W. Hall-Jones and John Hall-Jones historians, authors and explorers. Other major items Omai – A Native of the island of Utieta. A rare mezzotint after Sir Joshua Reynolds engraved by John Jacobi . London 1789. Two miniature paintings of William Mackworth attributed to his wife Juliet Valpy. William Mackworth was Colonial Administrator to the Hardwicke Settlement at Port Ross on the Auckland Islands. John & Elizabeth Gould [after] – Apteryx Australis [ with reference to Shaw] ca 1840. First editions of the New Zealand classics by Ernest Dieffenach, John Savage, J.S. Polack, Augustus Earle, John Liddiard Nicholas, E.J. Wakefield and others. Hawkesworth’s ‘An Account of the Voyages Undertaken…’ London 1785. A small but important collection of natural history books by Sir Walter Lawry Buller including first and second editions of ‘A History of the Birds of New Zealand’ and the Supplements. -
Travels Voyages
CATALOGUE THREE HUNDRED ONE Travels & Voyages WILLIAM REESE COMPANY 409 Temple Street New Haven, CT 06511 (203) 789-8081 A Note This catalogue is made up of travels and voyages throughout the world. Most of the items included here are recent acquisitions which have not appeared in previous catalogues. Of particular note is a beautiful copy of Linschoten’s masterpiece with original color (see the cover of this catalogue) [item 100]; a manuscript album for the H.M.S. Challenger Expedition [item 138]; a set of Thévenot with the famous Tasman map of Australia in two different states [item 149]; Eden’s collection of English voyages, published in 1577 [item 60]; the Rosser prints of the failed U.S. expedition to Japan in 1846 [item 133]; and many other important works from 1478 to 1942. Available on request or via our website are our recent catalogues 296 Rare Latin Ameri- cana, 297 Recent Acquisitions in Americana, 299 Western Americana, 300 One Hundred Rare Americanum, as well as bulletins 27 Images of Native Americans, 28 The Civil War, 29 Photographica, 30 Manuscripts, and many more topical lists. Some of our catalogues, as well as some recent topical lists, are now posted on the internet at www.reeseco.com. A portion of our stock may be viewed via links at www. reeseco.com. If you would like to receive e-mail notification when catalogues and lists are uploaded, please e-mail us at [email protected] or send us a fax, specifying whether you would like to receive the notifications in lieu of or in addition to paper catalogues. -
The Secret Journal of Captain Cook
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year The secret journal of captain Cook Mark McKirdy University of Wollongong McKirdy, Mark, The secret journal of captain Cook, Doctor of Creative Arts thesis, School of Creative Arts, University of Wollongong, 1994. http://ro.uow.edu.au/theses/960 This paper is posted at Research Online. h. n THE SECRET JOURNAL OF CAPTAIN COOK A thesis submitted in fulfilment of the requirements for the award of the degree DOCTOR OF CREATIVE ARTS from THE UNIVERSITY OF WOLLONGONG by MARK McKIRDY M.C.A, SCHOOL OF CREATIVE ARTS 1994 UNIVERSITY OF WOLLONGONQ LIBRARY DECLARATION The thesis. The Secret Journal of Captain Cook, and its accompanying annotations, have not been submitted for a degree to any other university or institution. ... ..S^.L.^'^^.'^j. Date _ft/f^J AC KNOWLEDGEMENT I wish to acknowledge the assistance given to me in the preparation of this thesis by the School of Creative Arts within the University of Wollongong. SUMMARY On the 26th of August, 1768, James Cook sailed from Plymouth in his ship, the Endeavour. It was the first of three great voyages by Cook, and part of his commission was to observe the Transit of Venus in Tahiti in June, 1769, and to then locate, if possible, the Great Southern Continent before returning to England. Cook completed the former, and on the 19th of April, 1770, he located the latter, sailing up the east coast of Australia till the Endeavour ran aground near Cape Tribulation on the 11th of June, 1770.