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SYDNEY SYMPHONY UNDER the STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair
SYDNEY SYMPHONY Photo: Photo: Jamie Williams UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM Dmitri Shostakovich (Russian, 1906–1975) SYDNEY Festive Overture SYMPHONY John Williams (American, born 1932) Hedwig’s Theme from Harry Potter UNDER THE Wolfgang Amadeus Mozart (Austrian, 1756–1791) Finale from the Horn Concerto No.4, K.495 STARS Ben Jacks, horn SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA THE CRESCENT Hua Yanjun (Chinese, 1893–1950) PARRAMATTA PARK Reflection of the Moon on the Lake at Erquan 8PM, 19 JANUARY 120 MINS John Williams Highlights from Star Wars: Imperial March Benjamin Northey conductor Cantina Music Diana Doherty oboe Main Title Ben Jacks horn INTERVAL Sydney Symphony Orchestra Gioachino Rossini (Italian, 1792–1868) Galop (aka the Lone Ranger Theme) from the overture to the opera William Tell Percy Grainger (Australian, 1882–1961) The Nightingale and the Two Sisters from the Danish Folk-Song Suite Edvard Grieg (Norwegian, 1843–1907) Highlights from music for Ibsen’s play Peer Gynt: Morning Mood Anitra’s Dance In the Hall of the Mountain King Ennio Morricone (Italian, born 1928) Theme from The Mission Diana Doherty, oboe Josef Strauss (Austrian, 1827–1870) Music of the Spheres – Waltz Pyotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEYSYDNEY SYMPHONY SYMPHONY UNDER UNDER THE STARS THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY DIANA DOHERTY CONDUCTOR OBOE Principal Oboe, John C Conde AO Chair Benjamin Northey is Chief Conductor of the Christchurch Diana Doherty joined the Sydney Symphony Orchestra as Symphony Orchestra and Associate Conductor of the Principal Oboe in 1997, having held the same position with Melbourne Symphony Orchestra. -
Kaapo Johannes Ijas B
CV Kaapo Johannes Ijas b. 26.07.1988 Solvikinkatu 13 C 38 00990 Helsinki +358 44 5260788 [email protected] www.kaapoijas.com Kaapo Ijas (b.1988) is the Mills Williams Junior Fellow in Conducting at the Royal Northern College of Music. He has been fiercely interested in composing, performance, drama, group dynamics and the orchestra itself for all his life. In 2012 it lead him to conducting studies first in Sibelius Academy then Zürcher Hochschule der Künste and ultimately Royal College of Music in Stockholm where he graduated from in spring of 2017. His teachers during his studies and masterclasses include Jorma Panula, Johannes Schlaefli, Jaap van Zweden, Riccardo Muti, Esa-Pekka Salonen, David Zinman, Neeme and Paavo Järvi and Atso Almila. Ijas has conducted i.a. Tonhalle-Orchester Zürich, Norrköping SO, South Jutland SO, Musikkollegium Winterthur, Gävle Symfoniorkester, Kurpfälzisches Kammerorchester (Mannheim), Hradec Kralove Philharmonia, KMH Symphony Orchestra, Seinäjoki City Orchestra, KammarensembleN, Norrbotten NEO, Swedish Army Band, Helsinki Police band and numerous other project ensembles and choirs during masterclasses and in concerts. Ijas has been invited to various prestigious masterclasses including Gstaad Menuhin Festival 2018 with Jaap van Zweden, Riccardo Muti Opera Academy 2017 in Ravenna, the 8th Tonhalle-Orchester Zürich masterclass with David Zinman in 2017 and Järvi Academy with Paavo and Neeme Järvi in 2016. He was semifinalist in Donatella Flick Conducting Competition 2016 after invited to the competition with 2 weeks notice and among the top 7 in Cadaqués Conducting Competition 2017. In 2018 Ijas was selected as 24 conductors from 566 applicants to take part in Nikolai Malko competition in Copenhagen and won the 3rd prize in Jorma Panula Conducting Competition in Vaasa. -
The Conductor As Part of a Creative Process
Kurs: DG1007 Examensarbete 15 hp (2016) Konstnärligt kandidatprogram i dirigering (Orkester) 180 hp Institutionen för komposition, dirigering och musikteori Handledare: B. Tommy Andersson Markus Luomala The conductor as part of a creative process Case: Students composing for a student orchestra Skriftlig reflektion inom självständigt arbete Det självständiga, konstnärliga arbetet finns dokumenterat på inspelning: xxx Table of contents Background ........................................................................................................... 1 Examination concert........................................................................................ 1 Introduction........................................................................................................... 3 Work with student orchestras .......................................................................... 3 Shared leadership ............................................................................................ 4 Creativity......................................................................................................... 6 The Project ............................................................................................................ 8 1 Working with the composition students....................................................... 8 The schedule for the composers..........................................................................................9 Student A.............................................................................................................................9 -
Bezrodny (Moscow Conservatoire, Sibelius Academy) / Loeng Ja Video Igor Bezrodnyst (Moskva Konservatoorium, Sibeliuse Akadeemia) Mari Tampere- Bezrodny
EUROOPA KEELPILLIÕPETAJATE ÜHINGU 34. rahvusvaheline konverents 8.–13. august 2006 Tallinn EESTI Dear friends! The annual ESTA conference is an event looked forward to with anticipation by many European musicians. It is also an event that requires an enormous amount of work of those who have undertaken the organizing and are responsible for it. We are pleased and honoured to have been invited by ESTA ESTONIA to the city of Tallinn for the conference 2006. This event means very much to the participants but it must be a matter of special pride for your country that hosting such an international and versatile occasion is nowadays possible. It is a great pleasure for me personally to act for the first time as president and I am greatly looking forward to it. I want to thank our friends from ESTA ESTONIA and hope that we will have a fruitful and happy time together. Edith Peinemann, President of ESTA Head sõbrad! Iga-aastane ESTA konverents on paljude Euroopa riikide muusikutele kauaoodatud suursündmus. Samas tähendab see ürituse korraldajatele pikka ettevalmistusaega, rasket tööd ja suurt vastutust. Meil on suur rõõm ja au olla EESTI ESTA külalisteks 2006. aasta konverentsil Tallinnas. Kindlasti rikastab see kõiki osavõtjaid, kuid sedavõrd mitmekesise, suurejoonelise ja rahvusvahelise ürituse korraldamine teeb kahtlemata au kogu teie riigile. Olen väga rõõmus, et osalen tänavusel konverentsil esmakordselt ESTA presidendina ning ootan seda sündmust pikisilmi. Soovin tänada meie EESTI ESTA sõpru ning loodan, et veedame üheskoos viljaka ja toreda nädala. Edith Peinemann, ESTA president The Estonian Academy of Music and Theatre is pleased and honoured to greet the participants of the 34th ESTA conference here in Tallinn. -
“EL ESCORIAL”. SAN LORENZO DEL ESCORIAL (MADRID-SPAIN); 2017, JULY 3Rd-16Th with Prof
VI INTERNATIONAL CONDUCTORS MASTERCLASS “EL ESCORIAL”. SAN LORENZO DEL ESCORIAL (MADRID-SPAIN); 2017, JULY 3rd-16th with Prof. JORMA PANULA & ATSO ALMILA 1. General information Jorma Panula is one of the most recognized and admired teaching conductors today. Known as “maestro of maestros”, he trained several famous conductors, such as Esa-Pekka Salonen, Jukka-Pekka Saraste, Osmo Vänska, Petri Sakari, Sakari Oramo, Atso Almila, among others. Maestro Panula has been a professor of Sibelius Academy and the Copenhagen Royal Academy. Today Jorma Panula is a guest conductor and a professor of conducting courses all over the world, in places such as Tanglewood, Aspen, Vaasa (Finland), Moscow, Paris, Australia, Holland and Spain. Atso Almila is composer, conductor, professor of Conducting and Orchestra Schooling. Jorma Panula's student at the Sibelius-Academy 1974-77. Almila has been worked as Music Chief of the Finnish National Theatre, Conductor of Tampere Philharmonic, of Joensuu Orchestra, of Kuopio Orchestra and principal guest of Seinäjoki Orchestra. Teacher of conducting at the Sibelius-Academy 1991-2010 and Professor of Conducting and Orchestral Education from August 2013. Furthermore, he usually teaches Master Classes in China, Finland, Ireland and Switzerland. The masterclass will take place in the Hotel Miranda & Suizo, located in the historic center of San Lorenzo del Escorial (Madrid – Spain), in front of the emblematic Monastery built by Philip the Second at the end of the XVIth century (see http://www.mirandasuizo.com/portada). There will be two sessions with two different groups of participants, in each of which will be worked with one of the teachers: Group A) July 3rd-9th, with Atso Almila Group B) July 10th-16th, with Jorma Panula Conditions and schedule for each session will be developed in the same terms (please see schedule below), while the requirement level will be higher in the Group B. -
Sasha Mäkilä Conducting Madetoja Discoveries About the Art and Profession of Conducting
Estonian Academy of Music and Theatre Sasha Mäkilä Conducting Madetoja Discoveries About the Art and Profession of Conducting A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy (Music) Supervisor: Prof. Mart Humal Tallinn 2018 ABSTRACT Conducting Madetoja. Discoveries About the Art and Profession of Conducting For the material of my doctoral project, I have chosen the three symphonies of the Finnish composer Leevi Madetoja (1887–1947), all of which I have performed in my doctoral concerts during years 2012–2017. In my doctoral thesis, I concentrate on his first symphony, Op. 29, but to fully understand the context it would be beneficial to familiarize oneself with my doctoral concerts on the accompanying DVDs, as well as with the available commercial and archival recordings of Madetoja’s three symphonies. The aim of this thesis is to understand the effect of scholarly activity (in this case working with manuscripts and recordings) on the artistic and practical aspects of a conductor’s work; this is not a study on the music of Madetoja per se, but I am using these hitherto unknown symphonies as a case study for my research inquiries. My main research inquiry could be formulated as: What kind of added value the study of composer’s manuscripts and other contemporary sources, the analysis of the existing recordings of the work by other performers, and the experience gained during repeated performances of the work, bring to performing (conducting) the work, as opposed to working straightforwardly using only the readily available published edition(s)? My methods are the analysis of musical scores, manuscripts and recordings, critical reflection on my own artistic practices, and two semi-structured interviews with conductor colleagues. -
1485945431-BIS-9048 Booklet.Pdf
Disc 1 Playing Time: 80'00 SIBELIUS, Johan [Jean] Christian Julius (1865–1957) Kullervo, Op. 7 (1892) (Breitkopf & Härtel) 79'29 for soloists, male-voice choir and orchestra (text: Kalevala) 1 I. Introduction. Allegro moderato 12'46 2 II. Kullervo’s Youth. Grave 19'05 3 III. Kullervo and his Sister. Allegro vivace 25'55 4 IV. Kullervo Goes to War. Alla marcia [Allegro molto] – Vivace – Presto 9'41 5 V. Kullervo’s Death. Andante 11'19 2 Disc 2 Playing Time: 34'05 KORTEKANGAS, Olli (b. 1955) Migrations (2014) (Fennica Gehrman) 25'22 for mezzo-soprano, male voice choir and orchestra (text: Sheila Packa) Commissioned by the Minnesota Orchestra · Recorded in the presence of the composer 1 I. Two Worlds 3'40 2 II. First Interlude 2'57 3 III. Resurrection 5'10 4 IV. Second Interlude 3'27 5 V. The Man Who Lived in a Tree 2'19 6 VI. Third Interlude 3'29 7 VII. Music That We Breathe 4'20 SIBELIUS, Jean 8 Finlandia, Op. 26 (1899, rev.1900) (Breitkopf & Härtel) 8'19 with choir participation (text: V.A. Koskenniemi) TT: 114'05 YL Male Voice Choir Pasi Hyökki chorus-master Minnesota Orchestra Erin Keefe leader Osmo Vänskä conductor Lilli Paasikivi mezzo-soprano · Tommi Hakala baritone 3 Jean Sibelius: Kullervo · Finlandia The Kalevala, Finland’s national epic in fifty ‘runos’ (‘poems’), was assembled by Elias Lönnrot, a doctor, from Karelian folk originals and published in 1835; a revised edition followed in 1849. It would be difficult to overestimate the impact of this remark able work on Finnish culture at all levels, especially during the years when Finland, a Grand Duchy of the Russian Empire, found its autonomy under increasing threat – a period that broadly coincided with the early part of Sibelius’s active career as a composer. -
Sydney Symphony Under the Starssydney Symphony Under the Stars
SYDNEY SYMPHONY Photos: Victor Photos: Frankowski UNDER THE STARS SYDNEY SYMPHONY ORCHESTRA I AUSTRALIA PROGRAM SYDNEY Ludwig van Beethoven (German, 1770–1827) SYMPHONY Fidelio: Overture Bedřich Smetana (Czech, 1824–1884) UNDER THE Má Vlast: Vltava (The Moldau) STARS John Williams (American, born 1932) SYDNEY SYMPHONY ORCHESTRA AND Theme from Schindler's List PARRAMATTA PARK TRUST | AUSTRALIA Sun Yi, violin THE CRESCENT PARRAMATTA PARK Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 18 JANUARY The Nutcracker: Three Dances 120 MINS Alexander Borodin (Russian, 1833–1887) Benjamin Northey conductor Prince Igor: Polovtsian Dances Sun Yi violin Leah Lynn cello INTERVAL Sydney Symphony Orchestra Giuseppe Verdi (Italian, 1813–1901) The Force of Destiny: Overture Aram Khachaturian (Armenian, 1903–1978) Spartacus: Adagio of Spartacus and Phrygia Camille Saint-Saëns (French, 1835–1921) (orch. Vidal) Carnival of the Animals: The Swan Leah Lynn, cello Jacques Offenbach (German-French, 1819–1880) (arr. Binder) Orpheus in the Underworld: Can-Can Piotr Ilyich Tchaikovsky (Russian, 1840–1893) 1812 – Festival Overture SYDNEY SYMPHONY UNDER THE STARSSYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS SYDNEY SYMPHONY UNDER THE STARS BENJAMIN NORTHEY SUN YI CONDUCTOR VIOLIN Associate Concertmaster Benjamin Northey is Chief Conductor of the Christchurch Sun Yi was born in Hunan, China. He attended the Symphony Orchestra and Associate Conductor of the Shanghai Conservatory of Music from 1988 to 1993 Melbourne Symphony Orchestra. He was previously where he was the Concertmaster for the Youth Orchestra Resident Guest Conductor of the Australia Pro Arte and Chamber Orchestra. In 1990, he won the third Chamber Orchestra (2002–2006) and Principal prize for the senior section in the China National Violin Conductor of the Melbourne Chamber Orchestra (2007– Competition, and also participated in the International 2010). -
Trailer Vimeo.Com/302877016 P/W: C0nduct1v1ty2018 20 Mins
Trailer vimeo.com/302877016 p/w: C0nduct1v1ty2018 20 mins - Rough cut vimeo.com/302877713 p/w: C0nduct1v1tyR0ugh © Anna-Karin Grönroos / Tuffi Films Oy Documentary film, feature length and 52 min cutdown 4th version of manuscript, 26th November 2018 Sales agents North America: Jason Ishikawa / Cinetic Media T: (212) 204 7979 E: [email protected] ROW: Vesna Cudic / MetFilm Sales T: +44 20 8280 9117 E: [email protected] LOGLINE Sibelius Academy in Finland is the training ground for the future superstar conductors. What does it take to lead an orchestra and who’s got what it takes? SYNOPSIS Conductivity is a film about creative leadership and growing to become a leader. The three main characters are I-Han Fu from Taiwan, Emilia Hoving from Finland and James Kahane from France. They study orchestral conduction in the Sibelius Academy in Helsinki, Finland. We follow their journey from being a student to world class artist during three years. It’s a rocky road, where tension, social fears and elements out of their control can create insurmountable obstacles. Our French student James is focused on networking and getting to know people in the industry. During his studies at the Academy he becomes more and more confident, to the point that he gets in trouble for his arrogant style. However, most of the time this feature works in his favour. He is a bit of an opportunist and knows it himself. Our Finnish student Emilia decided to study conducting because she wanted to work with people. But now she has understood, that the work of a conductor is in many ways very lonely. -
Elisa Talvitie Biography Conductor
ELISA TALVITIE BIOGRAPHY CONDUCTOR (917) 783-0797 [email protected] elisatalvitie.com Finnish-American, New York based conductor, ELISA TALVITIE, has gained recognition among orchestras for her dedicated artistry and dynamic leadership. Her detailed musical crafts- manship and broad scholarly perspective to the art form have inspired professionals, concert audiences and aspiring student musicians in Finland, around Europe and in the United States. Elisa Talvitie will make her recording and performance debut with Tacoma Symphony Chamber Orchestra in June 2021. The program consists of newly commissioned compositions by young American and international composers. Before Covid Pandemic halted all performance activities in the U.S. and elsewhere, Elisa Talvitie had received invitations to work with Fargo- Moorhead Symphony Orchestra, ND professional ensemble, and with Concordia College Orchestra, MN, as well as Lake Geneva Symphony Orchestra, WI. These collaborations have been postponed to spring 2022 while Elisa is currently actively engaging herself with the newly forged online music community, holding virtual performances and participating in online seminars, master classes and conferences with colleagues from around the world. Two-time featured guest conductor at Multicultural Sonic Evolution (MuSE), New York City musician and performing artist collective supporting contemporary performance practices and interaction between different fields of art, Elisa Talvitie engaged with the non-profit’s Musikapiphany Orchestra at Sounds of Arts Festival in Queens, NY, and at their 2019 annual concert in Manhattan. In summer 2018 she lead a performance of Stravinsky’s L’Oiseau de Feu Suite with Music in the Alps Festival Orchestra in Austria, and worked as assistant conductor in the festival production of Carl Orff’s Carmina Burana, supporting the work of Grammy nominated maestro Kenneth Kiesler. -
Saaremaa Opera Days 2 0
SSaaremaaaaremaa OperaOpera DaysDays 2 0 1 2 TERE TULEMAST ARENSBURG BOUTIQUE WELCOME TO THE OPERA CAFÉ OF HOTEL & SPA OOPERIKOHVIKUSSE ARESBURG BOUTIQUE HOTEL & SPA KURESSAARE LOSSIHOOVIS! KURESSAARE CASTLE YARD! Ooperikohvik ootab Teid taas nautima The Opera café offers You delicious snacks maitsvaid suupisteid ning värskendavaid and drinks as well as excellent service jooke meeldivas atmosfääris. and pleasant atmosphere. Teie mugavamaks teenindamiseks on võimalik For Your comfort, drinks and snacks ette tellida suupisteid ja jooke. can be pre-ordered. Täpsem info ja broneerimine: Further information and pre-ordering: [email protected], tel+372 56352178 [email protected], ph.+372 56352178 Kohvik on avatud: Café is open: Teisipäev 17. juuli 18–24 Tuesday 17 July 18–24 Kolmapäev 18. juuli 14–24 Wednesday 18 July 14–24 Neljapäev 19. juuli 14–24 Thursday 19 July 14–24 Reede 20. juuli 18–24 Friday 20 July 18–24 Laupäev 21. juuli 18–24 Saturday 21 July 18–24 Pühapäev 22. juuli 13–24 Sunday 22 July 13–24 MENÜÜ MENU Suitsusingi quiche Quiche with smoked ham 5,00 € 5,00 € Kanasalat karrikastmega Chicken salad with curry sauce 6,00 € 6,00 € Suitsukana-maisi salatiga täidetud korvike Pastry filled with smoked chicken and corn salad 2,00 € 2,00 € Sibulalaevukesed creme fraiche ja kalamarjaga Onion snack with creme fraiche and caviar 3,00 € 3,00 € Juustuvalik Cheese platter 8,00 € 8,00 € Käsitöötrühvel Hand-made truffle 2,00 € 2,00 € Värsked maasikad Fresh strawberries 3,00 € 3,00 € Saaremaa pirukas Local pastry 2,00 € 2,00 € Saaremaa kook Home baked cake „Saaremaa“ 2,00 € 2,00 € VIP-laud 8 inimesele 190 € VIP table for 8 persons 190 € Ainult ettetellimisel Pre-ordering only Juustuvalik Cheese platter Värsked maasikad Fresh strawberries Suupistevalik Selection of snacks Valik koogikesi ja pirukaid Selection of pastry and cakes Moët & Chandon Brut Imperial 75 cl Moët & Chandon Brut Imperial 75 cl ··········· Saaremaa ooperipäevad 2012 ··········· 16.–22. -
Toccata Classics TOCC0174 Notes
P THE GLORIOUS, TRAGIC CAREER OF ERNST MIELCK by Kimmo Korhonen In late spring 1899 the composer Ernst Mielck was struck with a serious bout of tuberculosis of the jugular gland. He underwent an operation, but the doctors did not give him much hope of recovery. By July of that year Mielck’s condition showed signs of improvement, and in the middle of August he moved to the shores of Lago di Maggiore in Locarno, Switzerland, where he was to spend the following winter. Yet in spite of the encouraging prognosis, his condition took a turn for the worse: the illness spread to his lungs and Mielck died on 22 October. He was buried in Locarno two days later – on what would have been his 22nd birthday. Mielck’s sudden death marked the premature end of a career that promised great things. He had come to prominence only a few years earlier, first as a pianist, then as a composer. In his few years of creativity he composed a body of works that, though small, nonetheless demonstrated his extraordinary talent. His output includes the first fully fledged Finnish symphony (1897), composed two years before the First Symphony of Jean Sibelius. Contemporary musical circles even viewed him as a significant challenger to Sibelius. Mielck’s career reached its zenith in December 1898, when he became the first Finnish composer to hold a concert of his own works with the Berlin Philharmonic. In spite of this success, Mielck has remained something of an outsider in the history of Finnish music. At a time when young Finnish composers were increasingly turning their attentions to national themes and a post-Wagnerian musical language, Mielck took inspiration from central-European Romanticism and the traditional compositional forms of Mendelssohn, Schumann and Brahms.