Musicology and Its Future in Times of Crises
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St. Stošija Church, Puntamika Zadar – Croatia
ST. STOŠIJA CHURCH, PUNTAMIKA ZADAR – CROATIA Management handbook 03/2020 1 Management plan for church of St. Stošija, Puntamika (Zadar) was compiled by ZADRA NOVA and City of Zadar as part of the activities of the RUINS project, implemented under Interreg Central Europe Programme 2014 – 2020. https://www.zadra.hr/hr/ https://www.grad-zadar.hr/ 2 Content PART 1 – DIAGNOSIS 1. FORMAL DESCRIPTION OF THE PROPERTY …. 7 1.1. Historical analysis of the property …. 7 1.1.1. Historical context of the property – Puntamika area …. 7 1.1.2. History of the church St. Stošija on Puntamika …. 11 1.2. Formal description of the property …. 15 1.2.1. Location …. 15 1.2.2. Short description of the church's premises …. 17 1.2.3. Boundaries …. 19 1.2.4. The purpose of the property and the ownership …. 21 1.3. Conclusions and recommendations …. 22 2. ANALYSIS OF THE VALUE OF THE PROPERTY …. 23 2.1. Analysis of the features crucial for establishing a comparative group …. 23 2.1.1. Location and the surrounding area …. 23 2.1.2. Composition layout of the church's premises and internal historical form of the structure …. 26 2.1.3. Materials, substances and the structure …. 28 2.1.4. Decoration inside the church and the church inventory; original elements being preserved and additional museum exhibits …. 31 2.1.5. Function and property …. 31 2.2. Defining the type of the property and selecting comparative group …. 32 2.3. Valuing criteria and value assessment of the property, based on the reference group …. 34 2.4. -
Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
1 Damir Očko Zagreb, 1977
Damir Očko Zagreb, 1977 EDUCATION AND RESIDENCIES 2011 Temple Bar Gallery & Studios, Dublin, Ireland 2010 Nordic Art Center Dale, Norway Künstlerresidenz Blumen, Leipzig, Germany 2008-2009 Akademie Schloss Solitude, Stuttgart, Germany 2007 HIAP, Helsinki, Finland KulurKontakt, Vienna, Austria Tirana Institute of Contemporary Art, Tirana, Albania 1997-2003 Academy of Fine Arts, Zagreb, Croatia SELECTED SOLO EXHIBITIONS 2015 Photon - Centre for Contemporary Photography. Ljubljana, Slovenia Studies on Shivering, Gallery Kasia Michalski, Warsaw, Poland 2014 Studies on Shivering, Temple Bar Gallery & Studios, Dublin, Ireland Damir Očko: PST, APOTEKA, Vodnjan, Croatia Studies on Shivering, Künstlerhaus Halle für Kunst & Medien, Graz, Austria (cat.) 2013 Kabinett - ArtBasel Miami (with Yvon Lambert), Miami, US Damir Očko: FILMS, Gallery Tiziana di Caro, Salerno, Italy Psst, TRAPEZ, Budapest, Hungary The Body Score, Yvon Lambert Gallery (project space), Paris, France 2012 Damir Ocko: The Kingdom of Glottis, Palais de Tokyo, Paris, France On Ulterior Scale, FIAC (with Gallery Tiziana di Caro), Paris, France On Ulterior Scale, MultiMedia Center Luka, Pula, Croatia Očko/Tadić, Galerie de l’ESAM, Caen, France (With M. Tadić) We saw nothing but the uniform blue of the Sky, Gallery Tiziana di Caro, Salerno, Italy 2011 On Ulterior Scale, Kunsthalle Dusseldorf, Dusseldorf, Germany (cat.) Jedinstvo Hall - Gallery Močvara, 26th Music Biennale, Zagreb, Croatia 2010 Castle & Elephant, Coventry, UK Event Horizon, Kunstverein Leipzig, Leipzig, Germany The Age of Happiness, Tiziana di Caro Gallery, Salerno, Italy Screening Room, Blumen, Leipzig, Germany 2009 The Age of Happiness, Lothringer13 Städtische Kunsthalle München, Munich, Germany (cat.) The Age of Happiness, Akademie Schloss Solitude, Stuttgart, Germany 2007 The End of the World, Miroslav Kraljević Gallery, Zagreb, Croatia Why does Gravity make things fall?, Tirana Institute of Contemporary Art, Tirana, Albania (With N. -
Syllabus of Dance Descriptions
Syllabus of Dance Descriptions STOCKTON FOLK DANCE CAMP – 2014 – Final – 08/03/2014 ` In Memoriam Susan Cashion 1942 – 2013 Susan Cashion, a former Stanford University dance director was a key figure in the development of the Mexican folkloric dance movement in California The Pasadena, California, native spent more than 30 years teaching Mexican, Latin American and modern dance at Stanford. She founded or helped found a string of folkloric companies in the San Francisco Bay Area that inspired similar organizations up and down the state. In 1969, Cashion and longtime partner Ramón Morones co-founded Los Lupeños de San José, which in its heyday in the 1970s enjoyed a reputation as the elite folkloric dance group in California, on par with professional companies in Mexico. In 1980 Cashion received an award from the Mexican government “for significant contributions to the culture and teaching of Mexican folklore in the United States of America.” Susan was on the Stockton Folk Dance Camp faculty five times – 1971, 1972, 1984, 1989 and 1990. Narcisco “Pampa” Cortés 1946 – 2014 At the beginning of the 1970s, Juan Carlos Copes, a big name in tango at that time, arrived one night at Caño 14 in Buenos Aires, one of the most famous places to hear and see tango. There he discovered Pampa Cortés. From that time on, Pampa was a member of his company and ultimately became the Assistant Choreographer. He was the youngest performer in all the companies in which he danced and he danced in many. In Argentina, he founded his own company, Ballet Pampa. -
Programska Knjižica
Prva hrvatska gradiona orgulja, harmonija i glasovira utemeljena 1849. godine Erste Kroatische Orgel-, Harmonien- und Klaviermanufaktur gegründet 1849 The first Croatian builders of organs, harmoniums and pianos established in 1849 Festival 2018. 2 3 PARTNERI FESTIVALA / DIE PARTNER DES FESTIVALS / FESTIVAL PARTNERS VARAŽDINSKE BAROKNE VEČERI Varaždinske barokne večeri zasnovane su 1968. godine na bogatoj tradiciji varaždinske barokne glazbe. Prvi festival održan je 1971. godine. Od tada se u mnoštvu dvoraca i crkava krajem rujna i početkom listopada, razliježe barokna glazba hrvatskih i svjetskih glazbenika i ansambala. Od 1992. taj je državni festival pod pokroviteljstvom predsjednika države, a organizira ga Koncertni ured Varaždin. Die Varaždiner Barockabende wurden 1968 ins Leben gerufen und basieren auf einer reichhaltigen Tradition der in Varaždin gepflegten Barockmusik. Das erste Festival fand 1971 statt. In mehreren Schlössern und Kirchen erklingt seither alljährlich Ende September und Anfang Oktober in dieser Gegend die Barockmusik, interpretiert von namhaften SolistInnen und Ensembles aus Kroatien und aus der ganzen Welt. Ab 1992 genießt dieses staatlich geförderte Festival die Schirmherrschaft des kroatischen Staatsoberhauptes. Organisatorisch wird das Festival vom Konzertbüro Varaždin betreut. Varaždin Baroque Evenings were founded in 1968 on the rich tradition of Varaždin Baroque music. The first festival was held in 1971. Since then, in late September and early October, the music of Croatian and international musicians and ensembles has been heard in many castles and churches. Since 1992, this national festival has been under the patronage of the President of the State, and is organized by Varaždin Concert Office. 4 5 PREGLED KONCERATA | 2. 9. 2018. u 20.30 sati 29. -
Call for the Masterclass for Composers
CALL FOR THE MASTERCLASS FOR COMPOSERS About the Music Biennale Zagreb The Festival is dedicated to new music of all genres and has become an important part of the European cultural scene ever since it was founded in 1961. This year, from 6-13 April 2019, the Festival will focus on creating and presenting music / sound in relation to the idea of city / space. This way, the Music Biennale Zagreb turns to many more or less related fields, such as multimedia arts, sound engineering and acoustics on the one hand, and urbanism, architecture, philosophy on the other. The idea of city will be musically decomposed in various ways – from transforming the sound of a particular location into a site-specific contemporary composition to the problematization of different layers of socio-urban (sound) structures or the creation of an imaginary surrogate city. Along with top performers such as the London Sinfonietta or Cikada Ensemble, guest composers will include some legendary names such as Heiner Goebbels, Alvin Curran, Rolf Wallin, Vinko Globokar, Eivind Buene and Ivan Fedele. Plan of the course for composers Students will enlarge their creative understanding and hone their composing skills through a one-on- one approach at courses with prominent composers and open rehearsals with the resident ensemble. Mentor composers will select their students based on the applications received (see below for more information). Each composer is mentoring 3-4 students. The program of the masterclass for composers consists of: April 8-10 - Individual classes with the students: 2x2h in which applicable pieces will be discussed (or some of student’s pieces). -
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus
Music Review: "Bosnia: Echoes of an Endangered World", "King Ferus: Ferus Mustafov, Macedonian Wedding Soul Cooking", and "Gaida Orchestra: Bagpipe Music from the Rhodope Mountains" Lynn Maners Pima Community College/University of Arizona "Bosnia: Echoes of an Endangered World" Music Track eight returns to the sevdalinka form for a and Chant of the Bosnian Muslims." Smithsonian lovely unaccompanied performance of "II' je vedro, Folkways CD SF 40407 il' oblacno" ("Is it clear or cloudy?") This CD is an excellent compilation of the musical Tracks nine through eleven represent the Muslim performance, both religious and vernacular of the religious experience in Bosnia and Herzegovina. Muslim population of Bosnia and Herzegovina. Track nine is the ezan, or call to prayer, while tracks Using both commercial sources and field recordings ten and eleven are chanted excerpts from zikrs, or (from 1984-5), Ted Levin and Ankica Petrovic (the Sufi religious rites, in Bosnian dervish orders. latter formerly of the University of Sarajevo's Music Faculty) illustrate a variety of Bosnian musical The final selections on this CD, tracks twelve through forms, both urban and rural. Field recordings (1989- fourteen return us once again to that musical form 90) by Mirjana Lausevic, (currently a graduate most associated with Bosnia and Herzegovina, the student at Wesleyan), also appear in this collection. sevdalinka. Track twelve, "Saraieveski Pocetak/Sarhos Aljo", is a remnant of an older urban Tracks one and two are sevdalinkas, or love songs, style in which the singer is accompanied on saz, a and represent an urban Muslim musical style, based larger version of the more rural oriented sargija. -
Department of Slavic and Eurasian Languages and Literatures 1
Department of Slavic and Eurasian Languages and Literatures 1 Department of Slavic Placement Students may establish eligibility for enrollment in the second course in Polish, Russian, or Bosnian/Croatian/Serbian by having earned and Eurasian Languages college credit in the first course in that language or by having studied the language in high school. Students with previous study should contact the and Literatures department to arrange a consultation about enrollment at the appropriate level. The Department of Slavic and Eurasian Languages & Literatures offers a complete curriculum of language, culture, literature, and linguistics Retroactive Credit courses for students interested not only in Russian, but also in Polish, Students with no prior college or university Russian course credit are Bosnian/Croatian/Serbian, Slovene, Ukrainian, and Turkish languages eligible for retroactive credit according to this formula: and cultures. The department also offers occasional coursework and independent study in Czech and other East European languages. • 3 hours of retroactive credit are awarded to a student with 2 or 3 years of high school Russian who enrolls initially at KU in a third-level The department offers three degrees: the B.A., the M.A., and the Ph.D. Russian course (RUSS 204) and receives a grade of C or higher. The Bachelor of Arts degree program offers fundamental training in • 6 hours of retroactive credit are awarded to a student with 3 or 4 years language and culture, while graduate training at the Masters and Doctoral of high school Russian who enrolls initially at KU in a fourth-level levels focuses on Russian literature and culture, Slavic linguistics, and/ Russian course (RUSS 208) and receives a grade of C or higher. -
Croatia & Its Islands
Des Moines Area Community College presents… Croatia & Its Islands with Optional 2 -Night Dubrovnik Post Tour Extension August 30 – September 10, 2022 Book Now & Save $ 500 Per Person Upgradeto EliteAirfare! see inside for details For more information contact Collette 800-581-8942 Please refer to booking #1048810 Day 1: Tuesday, August 30, 2022 Overnight Flight Wander along medieval walls, marvel at enchanting waterfalls, and relax on sunny islands. From Zagreb to Dubrovnik, set out to experience the best of Croatia and the Adriatic Coast. Day 2: Wednesday, August 31, 2022 Zagreb, Croatia - Tour Begins Welcome to Zagreb, the capital of Croatia! Settle into your hotel amidst the vibrant cafes and cobblestone streets before meeting your fellow travelers over dinner featuring Continental and Istrian cuisine. (D) Day 3: Thursday, September 1, 2022 Zagreb - Šibenik Step right into the history and culture of everyday life in Zagreb as you tour the city with a local guide. Become acquainted with the city as you see the main sights of the capital, including the Croatian National Theater and Mimara Museum, the Croatian Parliament building the illustrious Zagreb Cathedral, and the legendary Stone Gate. Then, it’s off to Šibenik! Tonight, embrace the culture of Croatia and become captivated by traditional entertainment with dinner. (B, D) Day 4: Friday, September 2, 2022 Šibenik - Krka National Park - Šibenik Set off on a walking tour through the ancient alleyways and roads of Šibenik, where you’ll get a chance to see the Cathedral of St. James, a UNESCO World Heritage site. Then, venture to the breathtaking Krka National Park, where waterfalls tumble through dramatic gorges. -
The Concept of Formgiving As a Critique of Mass Production Fedja Vukiç
The Concept of Formgiving as a Critique of Mass Production Fedja Vukiç Introduction An article by Vjenceslav Richter entitled “The Basic Problems of Industrial Formgiving (industrijsko oblikovanje) in Our Country” was published in the 1966 book Twenty Years of Technology and Economy in Yugoslavia. Richter was an architect, designer, theoretician, and one of the founders of the art group EXAT 51, which began in 1951 in Croatia—one of the republics of the former Yugoslavia.1 Ten years later, another article, “On Applied Arts Issues and the Significance of the Initial Exhibition of the First Zagreb Triennale” by Bernardo Bernardi, an architect, theoretician, and another founder of EXAT 512 appeared. The titles of both articles stress the significance of the issues (i.e., the “problem”), while the texts discuss the phenomenon known in today’s Croatian language and culture as, “dizajn” (design). Since Bernardi establishes the concept of the “artist in industry” and Richter discusses how industrial design is still a new and vague notion to many, and even unknown to some, a comparison of these texts is worthwhile, especially because both authors belonged to the same cultural scene in Zagreb and Croatia during the 1950s and later.3 But while Bernardi set the foundations of the new perspec- tive of the applied arts in 1955, ten years later Richter claimed that industrial design had not yet acquired the full social meaning in the domestic environment. It also should be noted that, while the term “industrial formgiving” (industrijsko oblikovanje) is used in the title of Richter’s article, the term “industrial design” (industrijski dizajn) is used with the same meaning throughout the rest of the article. -
To Consignors Hip Color & No
Index to Consignors Hip Color & No. Sex Name, Year Foaled Sire Dam Barn 5 Consigned by Amende Place (Lee McMillin), Agent I Broodmare 3231 gr/ro. m. Onda Ray, 2000 On Target Double Down Eleven Barn 2 Consigned by Anderson Farms, Agent Broodmares 3055 b. m. Capacity, 1998 Capote Rare Opportunity 3287 ch. m. Selborne, 1999 French Deputy Duchess Zea Racing or broodmare prospect 3158 dk. b./br. f. It's Outta Here, 2002 Grand Slam De La Cat Weanling 3026 ch. c. unnamed, 2006 E Dubai Baraha Barn 2 Consigned by Anderson Farms, Agent for Sam-Son Farm Broodmare 2996 b. m. Windstruck, 2001 Smart Strike Wilderness Hush Barn 25 Consigned by Ashview Farm (Mr. and Mrs. Wayne G. Lyster III), Agent Broodmares 3420 ch. m. Blastoise, 1998 Mt. Livermore Jurupa 3604 b. m. Mambo Quest, 2002 Kingmambo Vindicate 3625 dk. b./br. m. Morning Splendor, 1995 Broad Brush There Are Rainbows Broodmare prospect 3511 dk. b./br. f. Flip Cat, 2004 Maria's Mon Selina Kyle Weanlings 3421 b. c. unnamed, 2006 Military Blastoise 3626 dk. b./br. f. unnamed, 2006 Hold That Tiger Morning Splendor Barn 26 Consigned by Asmussen Horse Center, Agent Broodmare prospect 3457 ch. f. Coronado Rose, 2002 Coronado's Quest Lakabi Racing or broodmare prospect 3458 ch. f. Coronado Swinger, 2004 Coronado's Quest My Swinger Racing or stallion prospect 3771 b. c. Primal Storm, 2002 Storm Boot Primistal Barn 9 Consigned by Aspendell, Agent Weanling 3276 dk. b./br. c. unnamed, 2006 Ocean Terrace Rezister Barn 24 Property of F. Gill Aulick (Cedar Point Farm) Weanling 3609 b. -
Ceremonia De Graduación De Alexander Hamilton High School Trinette H
2020–21 Ceremonia2 de junio de de 2021 Graduación • 7:30 p.m. UW – Milwaukee Panther Arena 400 W. Kilbourn Ave., Milwaukee, WI 53203 mpsmke.com/Graduation Alexander Hamilton High School Administración escolar Trinette H. Green, Directora James Dawson Allan Laird Francisco Paredones Joe Ricciardi Audrey Olscheske Director asistente Director asistente Director asistente Director asistente Supervisor de Servicios Especiales Maestros Freda Adogamhe Lauren Cruz (Kazinski) Cynthia Hayman Octavia Montgomery Ashley Schettl Maricela Aguilar Karen D’Agostino Maya Held Leah Moreau Kevin Schiebenes Monroy Kathleen Daly William Henderson Jason Morgan Eric Sego Omar Al Bassam Paul Dang Jeffrey Hoffman Darlene Moyle Jordan Sensibar Gayle Albers Linda Daniels Everette Houck Diane Mudgett Jose Serrano Naisha Alicea Coreen Dziewit Cindy Hughes Bramouse Muhammad Tammy Shalewski Brady Allen Neal Easterling Chasity Hunt Claudia Mulkerrins Jose Silva Fatima Alsharifi April Eckdahl Kathleen Irwin Demetrius Murrell Mae Smith Elliot Anderson Shacoda Erby Vicki Kachache Maria Navone Keondrae Speights Sharon Anich Karra Esenberg James Klein Kay Nichols Kellie Stacy Arrona Andrea Armstrong Laila Eslami Aleksandra Kovacevic John Pajot Pat Steiner Rosa Ana Avila Kenwauna Farrington Daphne Kozlicki Kenneth Palzewicz Corinne Steinhoff Julie Bast Jason Fellows Michelle Krawczyk Tulita Papke Yarwood Sarah Beck Martina Fernandez Robert Kreilkamp Craig Parkinson Dani Storey Rebecca Beeson Laura Fisher Carolyn Krueger Michelle Parr Donna Survillion Pat Bell John Fleissner