STATEMENT NO. 8 2015-16.Xlsx

Total Page:16

File Type:pdf, Size:1020Kb

STATEMENT NO. 8 2015-16.Xlsx Pay & Accounts office Ministry of Culture STATEMENT NO. 8(16 August -15 October 2015) Principal Accounts Office/ CCA Office Ministry of Culture Department of Culture Telephone No.23389540 Statement of Transfers to PSUs, Autonomous Bodies etc. ( In Crores) Sl.No. Scheme Plan Progressive till 15th (Provisional)# Non-Plan Progressive till 15th Grant Loan Equity Total Grant Loan Equity Total A PSUs B Autonomous Bodies 1 ALLAHABAD MUSEUM SOCIETY 0 0 0 2.64 0 0 0 2.6 2 INDIRA GANDHI RASHTRIYA MANAV SANGRAHALAYA SAMITI 0 0 0 7.75 0 0 0 2.79 3 NATIONAL MUSEUM INSTITUTE OF HISTORY OF ART CONSERVATION 0 0 0 18.06 0 0 0 0.19 & MUSEOLOGY 4 INDIAN MUSEUM KOLKATA 0 0 0 7.02 0 0 0 8.11 5 GANDHI SMRITI & DARSHAN 0 0 0 12.34 0 0 0 3.57 SAMITI 6 NATIONAL COUNCIL OF SCIENCE 4.50 0 0 31.19 0 0 0 34.5 MUSEUM 7 MAULANA ABUL KALAM AZAD 0.92 0 0 5.45 0 0 0 1.09 INSTITUTE OF ASIAN STUDIES 8 SALAR JUNG MUSEUM 0 0 0 10.11 0 0 0 8.47 9 CENTRAL INSTITUTE OF HIGHER TIBETAN STUDIES / CENTRAL 0 0 0 5.04 0 0 0 2.98 UNIVERSITY OF TIBETAN STUDIES 10 LALIT KALA AKADEMI 0 0 0 6.87 0 0 0 8.37 11 KALAKSHETRA FOUNDATION 0.19 0 0 1.56 0 0 0 4.95 12 CENTRAL INSTITUTE OF BUDDHIST STUDIES LEH 0 0 0 3.97 0 0 0 5.96 13 RAMPUR RAZA LIBRARY 0 0 0 3.25 0 0 0 1.87 14 DELHI PUBLIC LIBRARY 0 0 0 4.48 0 0 0 13.34 15 RAJA RAM MOHUN ROY LIBRARY FOUNDATION KOLKATA 0 0 0 31.24 0 0 0 4.08 16 NAVA NALANDA MAHAVIAHRA 0 0 0 10.16 0 0 0 3.89 17 KHUDA BAKHSH ORIENTAL PUBLIC LIBRARY 0 0 0 0 0 0 0 2.44 18 CENTRE INSTITUTE OF HIMALAYAN CULTURE STUDIES (CHGS) 0 0 0 0.13 0 0 0 9.19 19 CENTRE FOR CULTURAL RESOURCES 0 0 0 16.99 0 0 0 1.19 AND TRAINING 20 THE ASIATIC SOCIETY KOLKATA 1.30 0 0 1.55 0 0 0 12.60 21 VICTORIA MEMORIAL HALL 1.87 0 0 30.38 0 0 0 4.83 KOLKATA 21 SANGEET NATAK AKADEMI DELHI 1.26 0 0 34.45 0 0 0 9.55 22 SAHTIYA AKADEMI DELHI 0 0 0 11.93 0 0 0 7.33 23 NATIONAL SCHOOL OF DRAMA 0 0 0 31.58 0 0 0 10.09 24 INDIRA GANDHI NATIONAL 14.00 0 0 39.76 0 0 0 0 CENTRE FOR THE ARTS DELHI 25 CENTRE FOR BUDDHIST CULTURAL 0 0 0 1.26 0 0 0 0 STUDIES 26 ZCC 6.00 0 0 48.17 0 0 0 0 27 Nehru Memorial Museum and 0 0 0 0 0 0 0 12.95 Library TOTAL 30.04 0 0 377.33 0 0 0 176.93 C NGOs 1 SUDHAAYA DANCE FOUNDATION (HARYANA ) 0.06 0 0 0.07 0 0 0 0 2 KALAIKOODAM (DELHI ) 0 0 0 0.01 0 0 0 0 3 KALAASHISH (NEW DEHI ) 0 0 0 0.01 0 0 0 0 4 MANOSRI TARUN BANI MANDIR ( 0 0 0 0.01 0 0 0 0 WEST BENGAL) 5 PANCHTHUPI UDAYAN 0 0 0 0.06 0 0 0 0 (WEST BENGAL) 6 KERALA PEOPLES ARTS CLUB 0 0 0 0.05 0 0 0 0 (KPAC) (KERLA ) 7 N 0 0 0 0.02 0 0 0 0 8 SUFI KATHAK FOUNDATION 0 0 0 0.01 0 0 0 0 (DELHI) 9 RENUKADEVI WOMEN'S AND CHILDERN CULTURE WELFARE 0 0 0 0.01 0 0 0 0 DEVELOPMENT FOUNDATION ( KARNATAKA ) 10 M.A NARASIMHACHAR MUSIC 0 0 0 0.01 0 0 0 0 FOUNDATION (KARNATAKA) 11 CHATRAPATI SHIVAJI MAHARAJ VASTU SANGRAHALAYA MUMBAI 0 0 0 0.05 0 0 0 0 (MAHARASHTRA ) 12 DRAUPADI TRUST (DELHI) 0 0 0 0.04 0 0 0 0 13 THEATRE CENTRE MANIPUR 0 0 0 0.01 0 0 0 0 ( MANIPUR ) 14 CENTRE FOR ARTS MEDIA AND 0 0 0 0.09 0 0 0 0 SOCIAL WELFARE (TELANGANA ) 15 STAGE INDIA PERFORMIN ARTS AND RESEARCH CNETRE (KERALA ) 0 0 0 0.08 0 0 0 0 16 NAV GUJARAT LIK SEVA 0 0 0 0.01 0 0 0 0 CHARITABLE TRUST 17 RASADHWANI TRUST GUJARAT 0 0 0 0.01 0 0 0 0 18 SANGEETAM ( HARYANA) 0 0 0 0.02 0 0 0 0 19 THE LITTLE GROUP CLUB 0 0 0 0.01 0 0 0 0 HIMACHAL PRADESH 20 NATIONAL BAND THEATRE JAMMU 0 0 0 0.01 0 0 0 0 21 SANGAM THEATRE GROUP JAMMU 0.01 0 0 0.03 0 0 0 0 22 CNETRAL RESORT FOR HUMAN 0 0 0 0.02 0 0 0 0 ORGANISATION JHARKHAND 23 YUVA RANG MANCH JHARKHAND 0 0 0 0.02 0 0 0 0 24 BABA BHUVANESHWARA KALA 0 0 0 0.01 0 0 0 0 SANGHA ® KARNATAKA 25 BANGALORE CLUB FOR KALHAKALI AND THE ARTS KARNATAKA 0 0 0 0.02 0 0 0 0 26 BHARITYA SAMAGANA SABHA 0 0 0 0.02 0 0 0 0 KARNATAKA 27 KADAMBA SENE ® BIDAR 0 0 0 0.01 0 0 0 0 KARNATAKA 28 KALPASHREE PERFORMING ARTS CENTRE TRUST KARNATAKA 0 0 0 0.02 0 0 0 0 29 NATYASARASWATHI (KARNATAKA 0 0 0 0.01 0 0 0 0 ) 30 SHAMBHAVI SCHOOL OF DANCE 0 0 0 0.02 0 0 0 0 KARNATAKA 31 SANJALI CENTRE FOR ODISSI 0 0 0 0.01 0 0 0 0 DANCE KARNATAKA 32 SHRISTI CENTRE OF PERFORMING ARTS AND INSTITUTE OF DANCE 0.01 0 0 0.02 0 0 0 0 THERAPY KARNATAKA 33 SRI SHARADHA SANGEETHA SABHA 0 0 0 0.02 0 0 0 0 TRUST KARNATAKA 34 SRI SINDHURA NRTHYA KALA 0 0 0 0.01 0 0 0 0 ACADEMY ® KARNATAKA 35 VIDWAN R.K. SRIKANTAN TRUST ® 0 0 0 0.02 0 0 0 0 KARNATAKA 36 ABINASWAR GOSTHI ASSAM 0.02 0 0 0.03 0 0 0 0 37 GHUNGURU DANCE ACADEMY 0 0 0 0.02 0 0 0 0 ASSAM 38 SANSKAR BHARTI POORVOTTAR 0.10 0 0 0.21 0 0 0 0 ASSAM 39 SUR SADHANA ASSAM 0 0 0 0.01 0 0 0 0 40 LAIRENKABI YOUTH DRAMATIC 0 0 0 0.02 0 0 0 0 UNION MANIPUR 41 MANIPURI JAGOI MARUP 0.16 0 0 0.17 0 0 0 0 MANIPUR 42 MANIPUR NAT SANGEET ASHRAM 0 0 0 0.01 0 0 0 0 MANIPUR 43 PERFORMING ORGANISATION OF ARTS AND CULTURE MANIPUR 0 0 0 0.01 0 0 0 0 44 WOMEN'S ARTS AND CULTURAL ASSOCIATION (WACA) MANIPUR 0 0 0 0.01 0 0 0 0 45 YENNING PERFORMING ARTS 0 0 0 0.01 0 0 0 0 CENTRE MANIPUR 46 BHARATHAM KERALA 0 0 0 0.09 0 0 0 0 47 NATANA KAIRALI KERALA 0 0 0 0.03 0 0 0 0 48 RANG VIDUSHAK MADHYA 0.11 0 0 0.13 0 0 0 0 PRADESH 49 SAMPRESHNA NATYA MANCH 0 0 0 0.01 0 0 0 0 MADHYA PRADESH 50 USTAD ALAUDDIN KHAN SANGEET EVAM KALA ACADEMY MADHYA 0 0 0 0.02 0 0 0 0 PRADESH 51 DR. PRABHA ARTE FOUNDATION 0 0 0 0.02 0 0 0 0 MUMBAI 52 KALA KRITI KENDRA MUMBAI 0 0 0 0.01 0 0 0 0 53 KUMAR GANDHARVA 0 0 0 0.03 0 0 0 0 FOUNDATION MUMBAI 54 NEW AGE FOUNDATION PUNE 0 0 0 0.02 0 0 0 0 55 NRITYA ARADHANA RESEARCH 0 0 0 0.01 0 0 0 0 CENTRE MUMBAI 56 SOOR ACADEMY MUMBAI 0 0 0 0.01 0 0 0 0 57 THURBOO 9TH MILE BOUDDHA 0 0 0 0.01 0 0 0 0 BIKASH KENDRA WEST BENGAL 58 MANJUSHREE CENTRE OF TIBETAN CULTURE WEST BENGAL 0 0 0 0.02 0 0 0 0 59 MIRIK TAMANG BUDDHIST ASSOCIATION, ZAMBUILING 0 0 0 0.02 0 0 0 0 GUMBA WEST BENGAL 60 RANGBULL RIGZEN SHERAB CHOELING GONPA WEST BENGAL 0 0 0 0.01 0 0 0 0 61 DONGAG CHHOIING SARBAJANIK BOUDHA GUMBA WEST BENGAL 0 0 0 0.01 0 0 0 0 62 SANGEET NATYA KALA MANDAL (SOOR VIHAR SANGEET NATYA 0 0 0 0.04 0 0 0 0 KALA MANDAL ) GUJARAT 63 SAHACHETANA NAATYALAYA 0 0 0 0.02 0 0 0 0 KARNATAKA 64 SADGURU KABIR SMARK SEVA 0 0 0 0.03 0 0 0 0 SAMITY MADHYA PRADESH 65 VASANTRAO ACHAREKAR SANSKRITIK PRATISHTHAN 0 0 0 0.02 0 0 0 0 MAHARASHTRA 66 SUNAAD DELHI 0 0 0 0.03 0 0 0 0 67 MATHA PERAMBRA PERFORMING ARTS CENTRE KERALA 0 0 0 0.01 0 0 0 0 68 INDIA INTERNATIONAL RURAL 0 0 0 0.01 0 0 0 0 CULTURAL CENTRE DELHI 69 NIRMAN KALA MANCH BIHAR 0.17 0 0 0.19 0 0 0 0 70 PRASTUTI DELHI 0.01 0 0 0.02 0 0 0 0 71 SHAH-E-JAHAN AHMED BHAGAT 0 0 0 0.01 0 0 0 0 JAMMU AND KASHMIR 72 THUBTEN CHAIKHORLING 0 0 0 0.01 0 0 0 0 MONASTERY WEST BENGAL 73 ALL INDIA TAMANG BUDDHIST 0 0 0 0.01 0 0 0 0 ASSOCIATION WEST BENGAL 74 MAHABODHI MAITRI MANDALA 0.15 0 0 0.65 0 0 0 0 ARUNCHAL 75 ASSOCIATION FOR GLOBAL RURAL 0 0 0 0.02 0 0 0 0 ALERT ANDHRA PRADESH 76 BIHAR ART THEATRE BIHAR 0 0 0 0.04 0 0 0 0 77 DIVINE SOCIAL DEVELOPMENT 0.01 0 0 0.09 0 0 0 0 ORGANIZATION BIHAR 78 NIRMAN KALA MANCH BIHAR 0 0 0 0.04 0 0 0 0 79 PRANGAN BIHAR 0.08 0 0 0.12 0 0 0 0 80 ASSITEJ INDIA DELHI 0 0 0 0.04 0 0 0 0 81 COMMUNE GLOBUS ART 0 0 0 0.01 0 0 0 0 FOUNDATION DELHI 82 DASTKARI HAAT SAMITI NEW 0 0 0 0.04 0 0 0 0 DELHI 83 THE GATI DANCE FOURM DELHI 0 0 0 0.02 0 0 0 0 84 HIMALYAN BUDDHIST CULTURAL 0 0 0 0.02 0 0 0 0 ASSOCIATION DELHI 85 MRIGNAYANI SANSKRITIK AVOM 0 0 0 0.02 0 0 0 0 SAMAJIK SANSTHA DELHI 86 SAMIR FOUNDATION DELHI 0 0 0 0.03 0 0 0 0 87 SOPORI ACDEMY OF MUSIC AND 0 0 0 0.04 0 0 0 0 PERFOMING ART DELHI 88 NATAKAMANE KARNATAKA 0.17 0 0 0.18 0 0 0 0 89 RANGA SRI LITTLE BALLET TROUPE TRUST MADHYA PRADESH 0 0 0 0.14 0 0 0 0 90 SHIIVAKUMAR THIMMALAPURA 0 0 0 0.01 0 0 0 0 KARNATAKA 91 GOVINDARAJU KARNATAKA 0 0 0 0.01 0 0 0 0 92 KARNATAKA SAHASA KALA 0.14 0 0 0.17 0 0 0 0 ACADEMY 93 NATYA VRIKSHA DELHI 0 0 0 0.07 0 0 0 0 94 CHILDERNS ART THEATRE WEST 0 0 0 0.01 0 0 0 0 BENGAL 95 TOTO FUNDS THE ARTS 0 0 0 0.01 0 0 0 0 KARNATAKA 96 PRATIBIMB KALA DARPAN DELHI 0.08 0 0 0.09 0 0 0 0 97 NINGOMBRAM JADUMANI SINGH 0 0 0 0.01 0 0 0 0 IMPAL 98 ACADEMY OF INDIGENOUS MUSIC 0.03 0 0 0.04 0 0 0 0 (AIM) MANIPUR 99 NATIONAL CENTRE FOR THE 0 0 0 2.04 0 0 0 0 PERFORMING ARTS MUMBAI 100 KRI FOUNDATION NEW DELHI 0 0 0 0.01 0 0 0 0 101 ASSOCIATION FOR THE PROMOTON OF THE PUPPETRY IN 0 0 0 0.01 0 0 0 0 ANDHRA PRADESH (APPA) 102 ANGAN BELGHARIA-2003 WEST 0.05 0 0 0.09 0 0 0 0 BENGAL 103 SAMAYAK SHIKSHAN SANSTHA 0 0 0 0.01 0 0 0 0 MUMBAI 104 ASSOCIATION OF ALL KIDS OF AQARENESS SERVICES FOR HUMAN 0 0 0 0.02 0 0 0 0 BEING (AAKASH ) 105 RAJINI MANUSCRIPTS & RARE 0 0 0 0.01 0 0 0 0 BOOKS LIBRARY JAMMU 106 BEADON STREET SUBHAM WEST 0 0 0 0.01 0 0 0 0 BENGAL 107 HERITAGE TRANSPORTATION TRUST PROMOTERS OF HERITAGE 0 0 0 0.02 0 0 0 0 TRANSPORT MUSEUM 108 THEKCHEN CHOLING MANI GONPA 0 0 0 0.01 0 0 0 0 WEST BENGAL 109 AAKSASH GANGA RANG CHOUPAL 0 0 0 0.02 0 0 0 0 ASSOCIATION BIHAR 110 TYAG BIHAR 0 0 0 0.01 0 0 0 0 111 BHARITYAM BIHAR 0 0 0 0.02 0 0 0 0 112 ACTORS THEATRE RAJASTHAN 0.02 0 0 0.04 0 0 0 0 113 KHALISANI SANGEETA MUSIC 0 0 0 0.01 0 0 0 0 COLLEGE WEST BENGAL 114 BARADIGHIRDHAR YUGER YATRI 0 0 0 0.01 0 0 0 0 WEST BENGAL 115 GAYESHPUR SANGLAP WEST 0.01 0 0 0.02 0 0 0 0 BENGAL 116 SOOTRADHAR BIHAR 0 0 0 0.08 0 0 0 0 117 YAKSHADEGULA KARNATAKA 0.13 0 0 0.26 0 0 0 0 118 SRI SHIVA KUMARA KALA SANGHA 0 0 0 0.07 0 0 0 0 KARNATAKA 119 RANGA SAMSTHANAN 0 0 0 0.03 0 0 0 0 KARNATAKA 120 SHREE BHARATH KALARI 0 0 0 0.08 0 0 0 0 121 NATA BUNDELE MADHYA PRADESH 0 0 0 0.12 0 0 0 0 122 PADATIK WEST BENGAL 0.23 0 0 0.42 0 0 0 0 123 HA-ZA-BA-RA-LA WEST BENGAL 0.09 0 0 0.16 0 0 0 0 124 THAKURNAGAR MIME ACADEMY OF CULTURE WEST BENGAL 0 0 0 0.06 0 0 0 0 125 CREATIVE DANCE WORKSHOP 0 0 0 0.03 0 0 0 0 WEST BENGAL 126 DIVINE ODISHA
Recommended publications
  • Complete List of Books in Library Acc No Author Title of Book Subject Publisher Year R.No
    Complete List of Books in Library Acc No Author Title of book Subject Publisher Year R.No. 1 Satkari Mookerjee The Jaina Philosophy of PHIL Bharat Jaina Parisat 8/A1 Non-Absolutism 3 Swami Nikilananda Ramakrishna PER/BIO Rider & Co. 17/B2 4 Selwyn Gurney Champion Readings From World ECO `Watts & Co., London 14/B2 & Dorothy Short Religion 6 Bhupendra Datta Swami Vivekananda PER/BIO Nababharat Pub., 17/A3 Calcutta 7 H.D. Lewis The Principal Upanisads PHIL George Allen & Unwin 8/A1 14 Jawaherlal Nehru Buddhist Texts PHIL Bruno Cassirer 8/A1 15 Bhagwat Saran Women In Rgveda PHIL Nada Kishore & Bros., 8/A1 Benares. 15 Bhagwat Saran Upadhya Women in Rgveda LIT 9/B1 16 A.P. Karmarkar The Religions of India PHIL Mira Publishing Lonavla 8/A1 House 17 Shri Krishna Menon Atma-Darshan PHIL Sri Vidya Samiti 8/A1 Atmananda 20 Henri de Lubac S.J. Aspects of Budhism PHIL sheed & ward 8/A1 21 J.M. Sanyal The Shrimad Bhagabatam PHIL Dhirendra Nath Bose 8/A2 22 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam VolI 23 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vo.l III 24 J.M. Sanyal The Shrimad Bhagabatam PHIL Oriental Pub. 8/A2 25 J.M. Sanyal The Shrimad PHIL Oriental Pub. 8/A2 Bhagabatam Vol.V 26 Mahadev Desai The Gospel of Selfless G/REL Navijvan Press 14/B2 Action 28 Shankar Shankar's Children Art FIC/NOV Yamuna Shankar 2/A2 Number Volume 28 29 Nil The Adyar Library Bulletin LIT The Adyar Library and 9/B2 Research Centre 30 Fraser & Edwards Life And Teaching of PER/BIO Christian Literature 17/A3 Tukaram Society for India 40 Monier Williams Hinduism PHIL Susil Gupta (India) Ltd.
    [Show full text]
  • ANNIVERSARY SPECIAL Millenniumpost.In
    ANNIVERSARY SPECIAL millenniumpost.in pages millenniumpost NO HALF TRUTHS th28 NEW DELHI & KOLKATA | MAY 2018 Contents “Dharma and Dhamma have come home to the sacred soil of 63 Simplifying Doing Trade this ancient land of faith, wisdom and enlightenment” Narendra Modi's Compelling Narrative 5 Honourable President Ram Nath Kovind gave this inaugural address at the International Conference on Delineating Development: 6 The Bengal Model State and Social Order in Dharma-Dhamma Traditions, on January 11, 2018, at Nalanda University, highlighting India’s historical commitment to ethical development, intellectual enrichment & self-reformation 8 Media: Varying Contours How Central Banks Fail am happy to be here for 10 the inauguration of the International Conference Unmistakable Areas of on State and Social Order 12 Hope & Despair in IDharma-Dhamma Traditions being organised by the Nalanda University in partnership with the Vietnam The Universal Religion Buddhist University, India Foundation, 14 of Swami Vivekananda and the Ministry of External Affairs, Government of India. In particular, Ethical Healthcare: A I must welcome the international scholars and delegates, from 11 16 Collective Responsibility countries, who have arrived here for this conference. Idea of India I understand this is the fourth 17 International Dharma-Dhamma Conference but the first to be hosted An Indian Summer by Nalanda University and in the state 18 for Indian Art of Bihar. In a sense, the twin traditions of Dharma and Dhamma have come home. They have come home to the PMUY: Enlightening sacred soil of this ancient land of faith, 21 Rural Lives wisdom and enlightenment – this land of Lord Buddha.
    [Show full text]
  • Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
    oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani
    [Show full text]
  • 700 032 September 7, 2021 a D M I S S I O N B.A
    JADAVPUR UNIVERSITY KOLKATA – 700 032 September 7, 2021 A D M I S S I O N B.A. (HONOURS) COURSE IN POLITICAL SCIENCE SESSION 2021 - 2022 The Lists are provisional and are subject to: i. fulfilling the eligibility criteria as notified earlier. ii. verification of the equivalence of marks/degrees from other Boards/Councils to those of the West Bengal council of Higher Secondary Education /Other equivalent Board/Council, wherever applicable. iii. correction in the merit position due to error, if any. All admissions are provisional. As per the order of Govt. of West Bengal [order no: 706-Edn(CS)/10M-95/14 dated 13/7/2021], all the original documenmts of applicants will be verified when they report for classes at University campus. Provisional admission of a candidate will stand cancelled if the documents are found not in conformity with the declaration in the forms submitted on-line. If at the time of document verification, it is found by the university authority that a student does not satisfy the eligibility criteria, s/he will not be considered for admission, even if he/she is provisionally selected for admission. a student does not have completed result at +2 level, his/her application shall be cancelled even if he/she is provisionally selected for admission. a candidate has already graduated from a college with a Bachelors degree, her/his application shall be cancelled even if he/she is provisionally selected for admission, since s/he cannot enrol herself/himself for another Bachelors degree course. Those candidates who have
    [Show full text]
  • Hindi Theater Is Not Seen in Any Other Theatre
    NATYA SHODH SANSTHAN DISCUSSION ON HINDI THEATRE FROM THE COLLECTIONS OF NATYA SHODH SANSTHAN AUDIO LIBRARY THE PRESENT SCENARIO OF HINDI THEATRE IN CALCUTTA ON th 15 May 1983 AT NATYA SHODH SANSTHAN PARTICIPANTS PRATIBHA AGRAWAL, SAMIK BANDYOPADHYAY, SHIV KUMAR JOSHI, SHYAMANAND JALAN, MANAMOHON THAKORE SHEO KUMAR JHUNJHUNWALA, SWRAN CHOWDHURY, TAPAS SEN, BIMAL LATH, GAYANWATI LATH, SURESH DUTT, PRAMOD SHROFF NATYA SHODH SANSTHAN EE 8, SECTOR 2, SALT LAKE, KOLKATA 91 MAIL : [email protected] Phone (033)23217667 1 NATYA SHODH SANSTHAN Pratibha Agrawal We are recording the discussion on “The present scenario of the Hindi Theatre in Calcutta”. The participants include – Kishen Kumar, Shymanand Jalan, Shiv Kumar Joshi, Shiv Kumar Jhunjhunwala, Manamohan Thakore1, Samik Banerjee, Dharani Ghosh, Usha Ganguly2 and Bimal Lath. We welcome all of you on behalf of Natya Shodh Sansthan. For quite some time we, the actors, directors, critics and the members of the audience have been appreciating and at the same time complaining about the plays that are being staged in Calcutta in the languages that are being practiced in Calcutta, be it in Hindi, English, Bangla or any other language. We felt that if we, the practitioners should sit down and talk about the various issues that are bothering us, we may be able to solve some of the problems and several issues may be resolved. Often it so happens that the artists take one side and the critics-audience occupies the other. There is a clear division – one group which creates and the other who criticizes. Many a time this proves to be useful and necessary as well.
    [Show full text]
  • List of Empanelled Artist
    INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ
    [Show full text]
  • Rainfall, North 24-Parganas
    DISTRICT DISASTER MANAGEMENT PLAN 2016 - 17 NORTHNORTH 2424 PARGANASPARGANAS,, BARASATBARASAT MAP OF NORTH 24 PARGANAS DISTRICT DISASTER VULNERABILITY MAPS PUBLISHED BY GOVERNMENT OF INDIA SHOWING VULNERABILITY OF NORTH 24 PGS. DISTRICT TO NATURAL DISASTERS CONTENTS Sl. No. Subject Page No. 1. Foreword 2. Introduction & Objectives 3. District Profile 4. Disaster History of the District 5. Disaster vulnerability of the District 6. Why Disaster Management Plan 7. Control Room 8. Early Warnings 9. Rainfall 10. Communication Plan 11. Communication Plan at G.P. Level 12. Awareness 13. Mock Drill 14. Relief Godown 15. Flood Shelter 16. List of Flood Shelter 17. Cyclone Shelter (MPCS) 18. List of Helipad 19. List of Divers 20. List of Ambulance 21. List of Mechanized Boat 22. List of Saw Mill 23. Disaster Event-2015 24. Disaster Management Plan-Health Dept. 25. Disaster Management Plan-Food & Supply 26. Disaster Management Plan-ARD 27. Disaster Management Plan-Agriculture 28. Disaster Management Plan-Horticulture 29. Disaster Management Plan-PHE 30. Disaster Management Plan-Fisheries 31. Disaster Management Plan-Forest 32. Disaster Management Plan-W.B.S.E.D.C.L 33. Disaster Management Plan-Bidyadhari Drainage 34. Disaster Management Plan-Basirhat Irrigation FOREWORD The district, North 24-parganas, has been divided geographically into three parts, e.g. (a) vast reverine belt in the Southern part of Basirhat Sub-Divn. (Sundarban area), (b) the industrial belt of Barrackpore Sub-Division and (c) vast cultivating plain land in the Bongaon Sub-division and adjoining part of Barrackpore, Barasat & Northern part of Basirhat Sub-Divisions The drainage capabilities of the canals, rivers etc.
    [Show full text]
  • Badal Sircar
    Badal Sircar Scripting a Movement Shayoni Mitra The ultimate answer [...] is not for a city group to prepare plays for and about the working people. The working people—the factory workers, the peasants, the landless laborers—will have to make and perform their own plays. [...] This process of course, can become widespread only when the socio-economic movement for emancipation of the working class has also spread widely. When that happens the Third Theatre (in the context I have used it) will no longer have a separate function, but will merge with a transformed First Theatre. —Badal Sircar, 23 November 1981 (1982:58) It is impossible to discuss the history of modern Indian theatre and not en- counter the name of Badal Sircar. Yet one seldom hears his current work talked of in the present. How is it that one of the greatest names, associated with an exemplary body of dramatic work, gets so easily lost in a haze of present-day ignorance? While much of his previous work is reverentially can- onized, his present contributions are less well known and seldom acknowl- edged. It was this slippage I set out to examine. I expected to find an ailing man reminiscing of past glories. I was warned that I might find a cynical per- son, an incorrigible skeptic weary of the world. Instead, I encountered an in- domitable spirit walking along his life path looking resolutely ahead. A kind old man who drew me a map to his house and saved tea for me in a thermos. A theatre person extraordinaire recounting his latest workshop in Laos, devis- ing how to return as soon as possible.
    [Show full text]
  • Times-NIE-Web-Ed-AUGUST 14-2021-Page3.Qxd
    CELLULAR JAIL, ANDAMAN & BIRLA HOUSE: Birla House is a muse- NICOBAR ISLANDS: Also known as um dedicated to Mahatma Gandhi. It ‘Kala Pani’, the British used the is the location where Gandhi spent CELEBRATING FREEDOM jail to exile political prisoners at the last 144 days of his life and was SATURDAY, AUGUST 14, 2021 03 this colonial prison assassinated on January 30, 1948 CLICK HERE: PAGE 3 AND 4 Pre-Independence slogans and its relevance in India today Slogans raised by leaders during the freedom movement set the mood of the nation’s revolution for its independence. They epitomised the struggle and hopes of millions of Indians. Author and former ad guru ANUJA CHAUHAN revisits these powerful slogans and explains their history and relevance in a contemporary India SATYAMEV JAYATE QUIT INDIA LIKE SWARAJ, KHADI IS (Truth alone triumphs) HISTORY: This slogan is widely associ- OUR BIRTH-RIGHT ated with Mahatma Gandhi (what he HISTORY: Inscribed at the base of started was the Quit India Movement India’s national emblem, this phrase is from August 8, 1942, in Bombay (then), a mantra from the ancient Indian scr- but the term ‘Quit India’ was actually ipture, ‘Mundaka Upanishad’, which coined by a lesser-known hero of was popularised by freedom fighter India’s freedom struggle – Yusuf Pandit Madan Mohan Malaviya during Meherally. He had published a booklet India’s freedom movement. titled ‘Quit India’ (sold in weeks) and got over a thousand ‘Quit India’ badges to give life to the slogan that Gandhi also started using and popularised. ‘YOUNGSTERS, DON’T QUIT INDIA’: Quit India was a powerful slogan and HISTORY: Mahatma Gandhi’s call to as a slogan) was written by Urdu the jingle of an epic movement meant use khadi became a movement for poet Muhammad Iqbal in 1904 for to drive the British away from our the indigenous swadeshi (Indian) children.
    [Show full text]
  • Governing Bodies of 28 Delhi Government Sponsored Colleges Appendix-III Resolution No
    Appendix-III Resolution No. 42 E.C. dated 07/08.03.2018 Annexure- Ill I Governing Bodies of 28 Delhi Government Sponsored Colleges Appendix-III Resolution No. 42 E.C. dated 07/08.03.2018 Acharya Narendra Dev• College Delhi Government Nominee S.No. Name Profession Affiliation Residence Phone Email 1 Prof. Anwar Alam Ed ucationist JNU School of Language, · Literature and 9868319298 - Culture Studies, Jawahar Lal University, New Delhi - 67 2 Surender Jaglan Social Worker Former Teacher in Kendriya 0/59, 3rd Floor, Pandav Nagar, Delhi 8588833513 Vidhyalaya Delhi University Panel S.No. Name Profession Affiliation Residence Phone Email I Ms. Meena Mani Architect Mani Chowfla. Architects Consultants, 011-41327564 contact@manichowfla. com 5613 Friends Colony East, Delhi - 110065 2 Justice Usha Mehra Judge Delhi High Court B-57, Defence Colony 9818421144 j [email protected]. in New Delhi - II 0024 3 Dr. Madhavi Diwan Advocate 9, Nizamuddin East, New Delhi - 9873819504 110013 4 Prof. Atiqur Rahman Dept. of Geography, Plot No. 35, Flat No. 302, Zakir Nagar 9873115404 [email protected]. in Jamia Millia Tslamia !(West) New Delhi - II 0025 5 Tapas Sen Media specialist Executive Vice President 3rd Florr, Times Center, Plot No. 6, 9810301383 [email protected] Journalist Times of India Group & Sector 16A, Film City, Noida Chief Programming Officer, Radio Mirchi Appendix-III Resolution No. 42 E.C. dated 07/08.03.2018 Aditi Mahavidyalaya Delhi Government Nominee S.No. Name P'rofession Affiliation Residence . Phone Email I Prabhanjan Jha Educationist Delhi Atithi Shikshak Sangh 4498 A, B-1 10/10, Sant Nagar (Burari), 8447747601 Delhi -84 2 Dharam Veer Sharma Advocate Udbhos (NGO) B-4/205, Sector-7, Rohini, Delhi - 9810883384 110085.
    [Show full text]
  • The Crisis of Bengali Gentility in Calcutta
    The Crisis of Bengali Gentility in Calcutta Benoy Ghose The social scale and the paraphernalia of gentility are all rapidly and constantly changing, and it is becoming increasingly difficult for different income-groups of the Bengali middle-classes to keep pace with that change, particularly in urban centres like Calcutta. Bengali gentility is facing a really critical situation. And it has been made worse by the heavier influx of non-Bengalis in search of employment and almost impossible by the arrival of lakhs of Bengalis from East Pakistan who are largely concentrated in and around Calcutta. The concept of gentility moreover, is no less psychological than economic. And as the frontier of is changing and its scale is ascending, the struggle for climbing up to it and for preserving the status quo as well is becoming keener day by day. The crisis of Bengali gentility is therefore not only economic. It is a social and psychological crisis also, with all its ramifying consequences. The author is a well known writer in Bengali, and his recent study on the culture of West Bengal following his earlier survey of Bengal villages and towns, cultural and economic, is a pioneer work in the field bf Bengali letters. IT Is very difficult to locate , the access to the status of gentility. These are, more or less, material concept of "gentility" in a parti- The stigma of 'upstartism' is rubbed criteria of gentility, in so far as culair social sphere because it covers out in a generation or two, and the they are directly or Indirectly asso­ many, vague concepts.' The term descendants of the so-called 'igno­ ciated with the gaining of material "gentleman" however is purely Eng­ ble' upstarts become perfectly noble or economic status.
    [Show full text]
  • Minutes of the Meeting of the Expert Committee Held on 14Th, 15Th,17Th and 18Th October, 2013 Under the Performing Arts Grants Scheme (PAGS)
    No.F.10-01/2012-P.Arts (Pt.) Ministry of Culture P. Arts Section Minutes of the Meeting of the Expert Committee held on 14th, 15th,17th and 18th October, 2013 under the Performing Arts Grants Scheme (PAGS). The Expert Committee for the Performing Arts Grants Scheme (PAGS) met on 14th, 15th ,17thand 18th October, 2013 to consider renewal of salary grants to existing grantees and decide on the fresh applications received for salary and production grants under the Scheme, including review of certain past cases, as recommended in the earlier meeting. The meeting was chaired by Smt. Arvind Manjit Singh, Joint Secretary (Culture). A list of Expert members present in the meeting is annexed. 2. On the opening day of the meeting ie. 14th October, inaugurating the meeting, Sh. Sanjeev Mittal, Joint Secretary, introduced himself to the members of Expert Committee and while welcoming the members of the committee informed that the Ministry was putting its best efforts to promote, develop and protect culture of the country. As regards the Performing Arts Grants Scheme(earlier known as the Scheme of Financial Assistance to Professional Groups and Individuals Engaged for Specified Performing Arts Projects; Salary & Production Grants), it was apprised that despite severe financial constraints invoked by the Deptt. Of Expenditure the Ministry had ensured a provision of Rs.48 crores for the Repertory/Production Grants during the current financial year which was in fact higher than the last year’s budgetary provision. 3. Smt. Meena Balimane Sharma, Director, in her capacity as the Member-Secretary of the Expert Committee, thereafter, briefed the members about the salient features of various provisions of the relevant Scheme under which the proposals in question were required to be examined by them before giving their recommendations.
    [Show full text]