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Dr. D. Travers Scott Curriculum Vitae – Updated Oct. 8, 2012 8 Adele 409 Strode Tower Greenville, SC 29609 Clemson, SC 29634-0533 [email protected] [email protected] 818-748-7697 864-656-5247 / 864 656 0599 (f) 3-year Summary Assistant Professor and Director of Graduate Studies, Department of Communication Studies, Clemson University Research • Blind peer-reviewed articles published in American Quarterly, Communication and Critical/Cultural Studies, and Feminist Media Studies. • Revise and resubmit for Music, Sound, and Moving Image. • Under review at Women’s Studies Quarterly, Angelaki, and Technocultures. • Blind peer-reviewed book in revision for NYU Press. • Invited articles and book chapters in Sounding Out, Sound Clash: Listening to American Studies, Communication Currents, The Long History of New Media: Technology, Historiography, and Newness in Context. • Co-edited theme issue in progress for International Journal of Communication. • Book review essays in International Journal of Communication (two). • Presentations at Association for Cultural Studies / Crossroads 2012, Society for Cinema and Media Studies 2012, Southern States Communication Assoc. 2012, International Communication Association 2010, 2011, 2012; National Communication Association 2011, Society for Social Study of Science (4S) 2011 Teaching • Taught COMM 803 Survey of Communication Technology Studies, COMM 874- 001 Communication Theory II, COMM 495 Senior Capstone Experience: Advertising & Society, COMM 809 Communication, Culture and the Social Net; COMM 366 Special Topics: Trends in New Media, COMM 495 Senior Capstone Experience: Cultures of New Media (two semesters), COMM 455 Gender Communication, COMM 315 Critical Discourse Theory • 92.6% response rate on student evaluations with “overall effectiveness of teacher” mean of 4.523, above discipline mean of 4.296 • Formal advising for 23 undergraduates, 9 graduate students, 2 PhD students. Service (current and previous) • Department: Graduate Committee (chair), Search and Screening (chair for one position), Faculty Advisory Committee, Curriculum Committee, Assessment Committee, Library Liaison; development support for CCIT, Dell Computing/Salesforce Radian6 Social Media Listening Center, Study Abroad, Erwin Penland advertising, Centers for Disease Control • College/University: Women’s Studies/Leadership Advisory Board, CAAH Arts & Humanities Council, Pearce Center Advisory Board, University Bookstore Advisory Board, SpeakOUT speakers Bureau, A Better Clemson, Media Relations expert, Dean’s Committee on Graduate Education • Discipline: Co-Chair, LGBT Special Interest group, Internal Communication Association. Co-organized pre-conference for ICA 2012. Funding and Awards • Top Paper, Intl. Communication Assoc., LGBT interest group 2010 • Humanities Advancement Board research support 2011, 2012 • Pearce Center research support, 2012 • Faculty Research Development Grant, 2012 Full Vitae EMPLOYMENT & Clemson University, Clemson, SC PROFESSIONAL Assistant Professor, Communication Studies, APPOINTMENT August 2010-present Director of Graduate Studies, Communication Studies, August 2011-present University of Southern California Annenberg School for Communication and Journalism, Los Angeles, CA Instructor of record, three classes Teaching Assistant, seven classes Research Assistant, four semesters August 2005-May 2010 Freelance Writing, Editing, Content Development Clients included Hospice of the Upstate, Rosa-Linda Fregoso, Pride of Greenville Men’s Chorus, Sarah Banet- Weiser, Netflix, Gateways Hospital, Boeing, Microsoft, Washington Mutual Bank, San Fernando Valley Community Mental Health, Landor Assoc., Seattle Public Schools, Low Cost Therapy Assoc., Minty magazine, Nordstrom, DreamWorks, St. Martin’s Press, Haworth Press, Eddie Bauer, Norm Thompson, individual artists; 1993-2009 WhiteRunkle Advertising, Seattle/Spokane, WA Senior Writer, 2001-2004 Peak Creative Media, Seattle, WA/Denver, CO Project Manager, Qwest website rebranding, 2000-01 WPMarket.com, Seattle, WA Content Editor, 2000 Center on Contemporary Art, Seattle, WA Project Mgr., New Prometheans Fire Art Festival, 1999 The Bon Marché, Seattle, WA Copywriter, 1996-1998 Meier & Frank, Portland, OR Copywriter, 1993-1996 D. Travers Scott - 2 Sears, Roebuck & Co. Catalog, Chicago, IL Copywriter, 1991-1993 Randolph St. Gallery, Chicago, IL Managing Editor, P-form Magazine International Arts Quarterly, 1989-91 EDUCATION University of Southern California, Los Angeles Annenberg School for Communication and Journalism Ph.D, Communication, 2010 Dissertation: “Killer Apps and Sick Users: Technology, Disease, and Differential Analysis” Director: Sarah Banet-Weiser Committee: Anne Balsamo, Josh Kun, Doug Thomas University of Washington, Seattle, WA Master of Communication in Digital Media, 2005 Thesis: “Pundits in Muckraker’s Clothing: Political Blogs and the 2004 U.S. Presidential Election” Director: David Domke Committee: Lance Bennett The School of the Art Institute of Chicago, Chicago, IL Bachelor of Fine Arts, Writing and Performance, 1991 Thesis: “Queer News Network” RESEARCH Critical/cultural and historic studies of new media and INTERESTS communication technologies, gender and sexuality studies, feminist theory, sound studies, visual culture, historiography, critical theory, discourse analysis, media studies, popular culture, pathology and medical culture. BOOK Scott, D. T. (revising per first round of peer review). Sickening Communication: Defining the User in Pathological Technoculture. New York University Press. PEER-REVIEWED Kendall, B. E. and D. T. Scott. (in progress). Automobility: ARTICLES Its relevance and potential for communication studies. Planned submission to Communication Theory. Scott, D. T. and D. Powers (Eds.). (in progress). Historiography as intervention. Special issue of International Journal of Communication. D. Travers Scott - 3 Scott, D. T. and D. Powers. (in progress). Editors’ Introduction: Historiography as intervention. Special issue of International Journal of Communication. Scott, D. T. (in progress). The feminist wedge: Historiographic discourses of gay men and feminist women. Planned submission to Discourse and Communication. Scott, D. T. (in progress). Technology, gender, and the Convulsions of Possessed. Planned submission to Cinema Journal. Scott, D. T. (under review). Engagement as entanglement: Processes of becoming on Headph0ne Phet1ish. Women’s Studies Quarterly. Scott, D. T. (under review). “Music to Moog By”: Gendering in Early Analog Synthesizers in the United States. Technocultures. Scott, D. T. (under review). Possession, not crisis: Masculinity and reproduction in techno-horror. Angelaki: Journal of the Theoretical Humanities. Scott, D. T. (revise and resubmit). Refining 'resonance' as sympathetic intertextual relations: Pet Shop Boys score Battleship Potemkin. Music, Sound and the Moving Image. Scott, D. T. (2011). Intimate threats and intersubjective users: Telephone training films, 1927-1962. American Quarterly, 63, 2, 487-507. Reprint in press: Sound Clash: Listening to American Studies. J. Kun and K. Keeling (Eds.), Johns Hopkins University Press. Scott, D. T. (2011). Contested kicks: Sneakers and gay masculinity, 1964-2008. Communication and Critical/Cultural Studies 8, 2, 146-164. Featured scholarship review in The Critical Lede cultural studies podcast. Scott, D. T. (2010). The postfeminist user: Feminism and media theory in two interactive media properties. Feminist Media Studies, 10, 4, 457-475. Scott, D. T. (2009). Bubble 2.0: Organized, online critique of “Web 2.0.” Rocky Mountain Communication Review, 6, 1, 32-39. Scott, D. T. (2005). Protest email as alternative media in the 2004 U.S. presidential campaign. Westminster Papers in Communication & Culture, 2, 1, 51-71. D. Travers Scott - 4 INVITED ARTICLES Scott, D. T. (2012, Aug.) Listening to #Occupy in the & BOOK CHAPTERS classroom. Sounding Out, Forum section. Scott, D. T. (2011). Free speech inside and outside of civil rights movements. Communication Currents, Sept. Scott, D. T. (2011). Sound studies for historians of new media. In D. Park, S. Jones, and N. Jankowski (Eds.), The Long History of New Media: Technology, Historiography, and Newness in Context (pp. 75-88). New York: Peter Lang. Scott, D. T. (2008). Tempests of the blogosphere: Presidential campaign stories that failed to ignite mainstream media. In M. Boler (Ed.), Digital Media and Democracy: Tactics in Hard Times (pp. 271-300). Cambridge, MA: The MIT Press. Scott, D. T. (2006). Pundits in muckrakers' clothing: Political blogs and the 2004 presidential election. In M. Tremayne (Ed.), Blogging, Citizenship & the Future of Media (pp. 39- 57). New York: Routledge. Scott, D. T. (2005). Blog invasion! What are they? Where did they come from? A short history of blogging. In D. Satish & R. Prabhakar, (Eds.), Blogs: Emerging Communication Media (pp. 44-54). Andhra Pradesh, India: ICFAI Univ Press. Scott, D. T. (1997). Reactions to near-simultaneous dance versions of alternative rock. Women & Performance: Staging Sound: Feminism & Re/production,18, 223-238. BOOK REVIEWS & ! Scott, D. T. (2011). From Identity Politics to Identification REVIEW ESSAYS Studies. Evelyn Fox Keller, The Mirage of a Space between Nature and Nurture. Jackie Stacey, The Cinematic Life of the Gene. Kelly A. Gates, Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance. International Journal of Communication 5, 915-920. Scott, D. T. (2011). Queer media studies in the age of e-