DOCSLIB.ORG

Couvade and Culture from Shakespeare to Milton

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Couvade and Culture from Shakespeare to Milton Jovial Pregnancies: Couvade and Culture from Shakespeare to Milton Item Type text; Electronic Dissertation Authors Johnson, Nicholas Shane Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 17:56:27 Link to Item http://hdl.handle.net/10150/193577 1 JOVIAL PREGNANCIES: COUVADE AND CULTURE FROM SHAKESPEARE TO MILTON by Nicholas Shane Johnson ____________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College of THE UNIVERSITY OF ARIZONA 2009 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Nicholas Shane Johnson entitled JOVIAL PREGNANCIES: COUVADE AND CULTURE FROM SHAKESPEARE TO MILTON and recommended that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ___________________________________Meg Lota Brown __ Date: 20 October 2008 Professor Meg Lota Brown ___________________________________Frederick Kiefer ___ Date: 20 October 2008 Professor Frederick Kiefer ___________________________________John Ulreich ______ Date: 20 October 2008 Professor John Ulreich Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. ___________________________________Meg Lota Brown __ Date: 20 October 2008 Dissertation Director: Meg Lota Brown 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: Nicholas Shane Johnson 4 ACKNOWLEDGEMENTS Completion of this project would have been much more difficult without the assistance of particular organizations and individuals. Travel grants from the University of Arizona Group for Early Modern Studies and the University of Arizona Medieval, Renaissance, and Restoration Committee supported archival research. The Department of English provided a semester of reduced teaching duties, a summer writing fellowship, and, finally, a semester of fellowship support with no teaching duties. Virtually all of the actual writing for this project was completed during those terms of fellowship support. I would especially like to acknowledge Meg Lota Brown, my dissertation director, for allowing me the latitude to work uninterrupted for long stretches of time. Also, I must thank Meg Lota for allowing me an equally important latitude in intellectual investigation. This project did not develop in a rational, linear fashion. Meg Lota had the patience to let me pursue research trajectories as I saw fit. The interdisciplinary nature of this project owes much to Meg Lota’s ability to follow, question, and critique arguments involving many different types of claims and evidence. 5 DEDICATION Though this dissertation has given a face to my intellectual life, the faces of my entire life look back at me through the photographs taped, scribbly-scrabbly, to my desk. My wife, Ingrid, and our daughters, Simone and Neve, helped me keep this project in perspective, as a single, important part of our larger life together. They were, and are, the best of distractions. 6 TABLE OF CONTENTS JOVIAL PREGNANCIES: COUVADE AND CULTURE FROM SHAKESPEARE TO MILTON ABSTRACT .........................................................................................................................7 INTRODUCTION: “POP!” EPISTEMOLOGIES ..............................................................9 Brainchildren and Belly Births ..............................................................................12 Chapter Previews ...................................................................................................17 1. THE PREGNANT MAN IN SCHOLARSHIP .............................................................26 Ritual, Symptom, Syndrome, Structure .................................................................28 Minding Mother Metis ...........................................................................................39 Mimesis in/and the Cultural Couvade....................................................................48 2. WOM(B)ANLY MEN AND SACRIFICIAL FANCIES ..............................................58 Sidney’s Many Fancies ..........................................................................................67 Sacrificial Orphans.................................................................................................74 Wom(b)anly Men ...................................................................................................79 3. JOVIAL PREGNANCY ................................................................................................97 Bacon’s Easy and Gentle Passage........................................................................101 Milton’s Brooding Spirit ......................................................................................107 Peacham’s Fusion Phantasy .................................................................................113 Sacrificial Birth at Little Gidding ........................................................................118 4. MATERNAL WILL ....................................................................................................129 Just Gender...........................................................................................................131 The Sonnets’ Man(l)y Wombs .............................................................................141 Royal Siege ..........................................................................................................152 Royal Purges ........................................................................................................161 Hal’s Jovial Issues................................................................................................177 5. PRESSING ISSUES ....................................................................................................186 Materializing the Masculine Matrix .....................................................................195 Reproductive Rights.............................................................................................206 A Place that yet Minerva did not Know...............................................................211 CONCLUSION ................................................................................................................219 REFERENCES ................................................................................................................226 7 ABSTRACT This study analyzes figurations of masculine pregnancy in early modern texts. Because no systematic methodology for conducting such an analysis yet exists, I have synthesized scholarship from anthropology, medicine, and psychoanalysis to construct an appropriate paradigm. Specifically, I bring together the anthropologist’s “couvade,” the physician’s “couvade syndrome,” and the psychoanalyst’s gender-inflected model of the unconscious. Informed by this interdisciplinary scholarship, I offer a composite theory of couvade desire. I then apply that theoretical model to early modern figurations of masculine pregnancy. I find that the pervasive use of such figurations during the period results from ahistorical bodily disparities and historically-specific epistemological circumstances. The so-called “literary couvade” thus modulates: it directly challenges essentialist claims on the one hand, while simultaneously acknowledging the inexorable link between masculinity and a bodily incapability to give birth. Masculinity, in this model, appears disabled . Mitigating the disability, however, is a cultural imaginary unfettered by modern anatomical knowledge. Key aspects of human reproduction were still seductively obscure in the early modern period. Women birthed babies, that much was plain; but, perhaps men had a compensatory system of reproduction. Perhaps, some speculated, that system was superior to the messy, merely material capability exclusive to women. Masculinity could, in this regard, rival maternity for social significance without disclosing any act of appropriation from maternity. Such a dynamic resembles closely Rene Girard’s paradigm of “mimetic desire.” Crucial to mimetic desire is an indifference to the ostensible object 8 on the part of both rival subjects. Relating this to the early modern
Load more

Recommended publications
  • A Chilling Look Back at Jeph Loeb and Tim Sale's
    Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch .
    [Show full text]
  • The Barbara Johnson Reader a John Hope Franklin Center Book the Barbara Johnson Reader the Surprise of Otherness
    The Barbara Johnson Reader A John Hope Franklin Center Book The Barbara Johnson Reader The Surprise of Otherness Barbara Johnson edited by melissa feuerstein bill johnson gonzález lili porten keja valens With an Introduction by judith butler and an Afterword by shoshana felman Duke University Press Durham and London 2014 © 2014 Duke University Press Afterword © 2014 Shoshana Felman All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by April Leidig Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data The Barbara Johnson reader : the surprise of otherness / edited by Melissa Feuerstein, Bill Johnson Gonzalez, Lili Porten, and Keja Valens, with an introduction by Judith Butler and an afterword by Shoshana Felman. pages cm “A John Hope Franklin Center Book.” Includes bibliographical references and index. isbn 978-0-8223-5419-2 (pbk : alk. paper) isbn 978-0-8223-5403-1 (cloth : alk. paper) 1. Johnson, Barbara, 1947–2009. 2. Feminist literary criticism. I. Feuerstein, Melissa. II. Johnson Gonzalez, Bill, 1970– iii. Porten, Lili. IV. Valens, Keja, 1972– pn98.w64b37 2014 801.'95092—dc23 2013045003 Contents Ac know ledg ments vii Editors’ Preface xi Personhood and Other Objects: The Figural Dispute with Philosophy by Judith Butler xvii Barbara Johnson by Barbara Johnson xxvii part i | Reading Theory as Literature, Literature as Theory 1 The Critical Diff erence: BartheS/BalZac 3 2 Translator’s Introduction to Dissemination (abridged) 14 3 Poetry and Syntax:
    [Show full text]
  • Psychology: an International 11
    WOMEN'S STUDIES LIBRARIAN The University ofWisconsin System EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS VOLUME 13, NUMBER 3 FALL 1993 Published by Phyllis Holman Weisbard Women's Studies Librarian University of Wisconsin System 430 Memorial Library / 728 State Street Madison, Wisconsin 53706 (608) 263-5754 EMINIST ERIODICALS A CURRENT LISTING OF CONTENTS Volume 13, Number 3 Fall 1993 Periodical literature is the cutting edge of women's scholarship, feminist theory, and much ofwomen'sculture. Feminist Periodicals: A Current Listing of Contents is published by the Office of the University of Wisconsin System Women's Studies Librarian on a quarterly basis with the intent of increasing pUblic awareness of feminist periodicals. It is our hope that Feminist Periodicals will serve several purposes: to keep the reader abreast of current topics in feminist literature; to increase readers' familiarity with a wide spectrum of feminist periodicals; and to provide the requisite bibliographic information should a reader wish to subscribe to ajournal or to obtain a particular article at her library or through interlibrary lOan. (Users will need to be aware of the limitations of the new copyright law with regard to photocopying of copyrighted materials.) Tabie of contents pages from current issues of majorfeminist journals are reproduced in each issue ofFeminist Periodicals, preceded by a comprehensive annotated listing of all journals we have selected. As pUblication schedules vary enormously, not every periodical will have table of contents pages reproduced in each issue of IT. The annotated listing provides the following information on each journal: 1. Year of first publication. 2. Frequency of pUblication.
    [Show full text]
  • The Desire to Feed Or the Desire to Be Fed?: the Entangled Relation
    Concentric: Studies in English Literature and Linguistics 29.1 (January 2003): 175-97. The Desire to Feed or the Desire to Be Fed?: The Entangled Relation Between Bloom and the Maternal ♣ Figure in Ulysses Tsung-huei Huang National Taiwan University Abstract The question as to whether Leopold Bloom, for all his gentleness and generosity, tends to have a biased conception of “woman” is a controversial one. Instead of charging Bloom with politically incorrect gender assumptions, this paper will argue that Bloom does not see all women through a distortional speculum. Woman’s role as a mother, for one thing, is far from being the target of Bloom’s disparagement. What significance does Bloom envisage in the maternal figure that prompts him to exempt the mother from the category of the threatening other? Seeking to penetrate into Bloom’s complicated relation with the maternal figure, this paper first sketches how Bloom shows his sympathy to- wards women whenever they are thought of as caretakers or murderers. I proceed to argue that his eagerness to identify with the mother can hardly escape our attention if we track Bloom’s desire to feed. Reading Bloom’s desire to feed from a psychoanalytic pers- pective, I demonstrate how this desire is entangled with womb envy and how Bloom’s own fantasy of becoming a mother can help him handle the trauma of losing his son. Further, I contend that Bloom’s identification with the mother is vindicated by his desire to be fed as well. The desire reveals Bloom’s underlying wish to be impregnated by the mother and thereby become a mother himself.
    [Show full text]
  • Wedlock Or Deadlock? : Feminists' Attemps to Engage Irrigation
    Wedlock or deadlock? Feminists’ attempts to engage irrigation engineers Promotor: Prof. Linden F. Vincent, hoogleraar in Irrigatie en waterbouwkunde Wageningen Universiteit Samenstelling promotiecommissie: Prof. Dr. Patricia Howards, Wageningen Universiteit Prof. Dr. Pieter van der Zaag, IHE-UNESCO, Delft Prof. Dr. Cecile Jackson, University of East-Anglia, Norwich, UK Dr. Loes Schenk-Sandbergen, Universiteit van Amsterdam Dit onderzoek is uitgevoerd binnen de onderzoeksschool CERES Wedlock or deadlock? Feminists’ attempts to engage irrigation engineers Margreet Z. Zwarteveen Proefschrift ter verkrijging van de graad van doctor op gezag van de rector magnificus van Wageningen Universiteit, Prof. Dr. M. J. Kropff, in het openbaar te verdedigen op dinsdag 6 juni 2006 des namiddags te vier uur in de Aula WEDLOCK OR DEADLOCK? FEMINISTS’ ATTEMPTS TO ENGAGE IRRIGATION ENGINEERS. Wageningen UR. Promotor: Vincent, L.F. Wageningen: Margreet Z. Zwarteveen, 2006. – p. 304. ISBN: 90-8504-398-0 Copyright © 2006, by Margreet Z. Zwarteveen, The Netherlands Contents Tables and figures ............................................................................................................9 Acronyms..........................................................................................................................10 Glossary............................................................................................................................11 Acknowledgments..........................................................................................................13
    [Show full text]
  • Taylor Boulware a Dissertation Submitted in Partial Fulfillment of The
    Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake Taylor Boulware A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Thomas Foster, Chair Anis Bawarshi Katherine Cummings Program Authorized to Offer Degree: Department of English Fascination/Frustration: Slash Fandom, Genre, and Queer Uptake by Taylor Boulware The University of Washington, 2017 Under the Supervision of Professor Dr. Thomas Foster ABSTRACT This dissertation examines contemporary television slash fandom, in which fans write and circulate creative texts that dramatize non-canonical queer relationships between canonically heterosexual male characters. These texts contribute to the creation of global networks of affective and social relations, critique the specific corporate media texts from which they emerge, and undermine homophobic ideologies that prevent authentic queer representation in mainstream media. Intervening in dominant scholarly and popular arguments about slash fans, I maintain a rigorous distinction between the act of reading homoerotic subtexts in TV shows and writing fiction that makes that homoeroticism explicit, in every sense of the word.This emphasis on writing and the circulation of responsive, recursive texts can best be understood, I argue, through the framework of Rhetorical Genre Studies, which theorizes genres and the ways in which they are deployed, modified, and circulated as ideological and social action. I nuance the RGS concept of uptake, which names the generic dimensions of utterance and response, and define my concept of queer uptake, in which writers respond to a text in ways that refuse its generic boundaries and status, motivated by an ideological resistance to both genre and sexual normativity.
    [Show full text]
  • Single-Gendered Worlds in Science Fiction: Better for Whom? Victor Grech with Clare Thake-Vasallo and Ivan Callus
    VECTOR 269 – SPRING 2012 Single-gendered Worlds in Science Fiction: Better for Whom? Victor Grech with Clare Thake-Vasallo and Ivan Callus n excess of one gender is a regular and worlds are commoner than men-only worlds is that a problematic trope in SF, instantly removing any number of writers have speculated whether a world Apotential tension between the two sexes while constructed on strict feminist principles might be utopian simultaneously generating new concerns. While female- rather than dystopian, and ‘for many of these writers, only societies are common, male-only societies are rarer. such a world was imaginable only in terms of sexual This is partly a true biological obstacle because the female separatism; for others, it involved reinventing female and body is capable of bringing a baby forth into the world male identities and interactions’.2 after fertilization, or even without fertilization, so that a These issues have been ably reviewed in Brian prospective author’s only stumbling block to accounting Attebery’s Decoding Gender in Science Fiction (2002), in for the society’s potential longevity. For example, which he observes that ‘it’s impossible in real life to to gynogenesis is a particular type of parthenogenesis isolate the sexes thoroughly enough to demonstrate […] whereby animals that reproduce by this method can absolutes of feminine or masculine behavior’,3 whereas only reproduce that way. These species, such as the ‘within science-fiction, separation by gender has been the salamanders of genus Ambystoma, consist solely of basis of a fascinating series of thought experiments’.4 females which does, occasionally, have sexual contact Intriguingly, Attebery poses the question that a single- with males of a closely related species but the sperm gendered society is ‘better for whom’?5 from these males is not used to fertilise ova.
    [Show full text]
  • Mutating Masculinity: Re-Visions of Gender and Violence in the Cinema of David Cronenberg
    Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2011 Mutating masculinity: re-visions of gender and violence in the cinema of David Cronenberg. Loren, Scott Abstract: Though the films of David Cronenberg might not always be concerned with gender froma social constructivist or performative perspective, I think one readily agrees with Linda Ruth Williams’ claim that “for Cronenberg, anatomy is anything but destiny”3. For decades, his characteristic mutations of gendered bodies have repeatedly accompanied the destabilization of fixed notions about gender. It seems that the most fixed notion of gender to be found in his work is that gender is mutable. Likethe physical boarders to bodies in his films, gender is repeatedly undone, constantly shifting, threatening to become something else. For Cronenberg, a perpetual undoing and rearticulation of gender raises the question of when a man becomes a man in a rather unconventional manner. His films initially encourage us to ask other questions, like: “When does a man become a walking, speaking anus?” (Naked Lunch); “when does a man become an insect?” (The Fly); “when does a man become a machine?” (Videodrome, The Fly, Crash, eXistenZ). Of course one would also have to ask: “When does a man become a woman?” (Crimes of the Future, M. Butterfly) “When is a man completely unable to enter manhood?” (Spider) “When is a man a monster?” and “Is a man ever ‘simply’ a man?” (most of his films). It seems that with the release of each new film, one must rearticulate inquiries into the staging of gender in Cronenberg’s work, which is precisely what I wish to do here.
    [Show full text]
  • Carte Italiane
    Figaro + SIGARO SFIGARO L'amore—ossessione romantica e voluttà—non è altro che un invenzione dei poeti, i quali la regalarono all'umanità. ... E saranno i poeti che all'umanità lo ritoglieranno. Filippo Tomaso Marinetti L'uomo le inventa per l'illusione di dominio, di superiorità, per l'istinto aggressivo di conquistare sempre qualcuno o qualcosa: la donna lascia credere che ciò sia vero perché quasi sempre le fa comodo adoperare la propria debolezza apparente come un'arma fra le sue più valide. Enif Robert Despite the obvious misogyny ("il disprezzo della donna") ingrained in the agenda of the 1909 Manifesto del futurismo, Enif Robert, as other (albeit few) women writers, not only engaged in a discourse with Futurism, but sought out a space amongst "i poeti che all'umanità lo ritoglieranno."' After some debate on the issue, Marinetti qualified "il disprezzo della donna" as a "contempt" for woman as the icon of decadence, which he attributed to ìhefin-de-siècle writers (specifically Gabriele D'Annunzio). Marinetti and Robert converge in their "contempt" for the unhygienic/decadent positioning of woman as the "femme fatale," the bourgeois wife and the nurturing mother (mammismo). As a result, both Robert and Marinetti glorify virility and aggressiveness. However, the two Futurists' contempt of the un-hygienic diverges in respect to Marinetti 's fear of the engulfment of not only "uomo-torpediniera," but also the "follarisacca" in the "donna-golfo." Robert reacts not to a fear of the "vagina dentata," but to the socially conditioned "debolezza"
    [Show full text]
  • A Portrait of Fandom Women in The
    DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE ____________________________________ A Thesis Presented to The Honors TutoriAl College Ohio University _______________________________________ In PArtiAl Fulfillment of the Requirements for Graduation from the Honors TutoriAl College with the degree of Bachelor of Science in Journalism ______________________________________ by DelAney P. Murray April 2020 Murray 1 This thesis has been approved by The Honors TutoriAl College and the Department of Journalism __________________________ Dr. Eve Ng, AssociAte Professor, MediA Arts & Studies and Women’s, Gender, and Sexuality Studies Thesis Adviser ___________________________ Dr. Bernhard Debatin Director of Studies, Journalism ___________________________ Dr. Donal Skinner DeAn, Honors TutoriAl College ___________________________ Murray 2 Abstract MediA fandom — defined here by the curation of fiction, art, “zines” (independently printed mAgazines) and other forms of mediA creAted by fans of various pop culture franchises — is a rich subculture mAinly led by women and other mArginalized groups that has attracted mAinstreAm mediA attention in the past decAde. However, journalistic coverage of mediA fandom cAn be misinformed and include condescending framing. In order to remedy negatively biAsed framing seen in journalistic reporting on fandom, I wrote my own long form feAture showing the modern stAte of FAndom based on the generation of lAte millenniAl women who engaged in fandom between the eArly age of the Internet and today. This piece is mAinly focused on the modern experiences of women in fandom spaces and how they balAnce a lifelong connection to fandom, professional and personal connections, and ongoing issues they experience within fandom. My study is also contextualized by my studies in the contemporary history of mediA fan culture in the Internet age, beginning in the 1990’s And to the present day.
    [Show full text]
  • Proquest Dissertations
    Writing in subversive space: Language and the body in feminist science fiction in French and English Item Type text; Dissertation-Reproduction (electronic) Authors Sauble-Otto, Lorie Gwen Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 19:58:23 Link to Item http://hdl.handle.net/10150/279786 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographicaliy in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge.
    [Show full text]
  • Fertility, Contraception, and Abortion and the Partnership of Henry Miller and Anaïs Nin Kathryn Holmes University of South Carolina
    University of South Carolina Scholar Commons Theses and Dissertations 1-1-2013 Fertility, Contraception, and Abortion and the Partnership of Henry Miller and AnaÏs Nin Kathryn Holmes University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the English Language and Literature Commons Recommended Citation Holmes, K.(2013). Fertility, Contraception, and Abortion and the Partnership of Henry Miller and AnaÏs Nin. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/2383 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. FERTILITY, CONTRACEPTION, AND ABORTION AND THE PARTNERSHIP OF HENRY MILLER AND ANAÏS NIN by Kathryn Holmes Bachelor of Arts Franklin & Marshall College, 2009 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Arts in English College of Arts & Sciences University of South Carolina 2013 Accepted by: Brian Glavey, Director of Thesis Catherine Keyser, Reader Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Kathryn Holmes, 2013 All Rights Reserved. ii ABSTRACT During their creative and sexual relationship, Anaïs Nin and Henry Miller together shaped their identities as artists. When they met, both were married and had tried writing before, but their partnership pushed them into a new kind of life in which writing took precedence. During this process, they described their relationship as literarily fertile; a few years later, Nin actually became pregnant with Miller's child and decided to have an abortion.
    [Show full text]