Prisons and Floods in the United States Interrogating Notions of Social and Spatial Control
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Law Journal for Social Justice Sandra Day O’Connor College of Law Arizona State University
LAW JOURNAL FOR SOCIAL JUSTICE SANDRA DAY O’CONNOR COLLEGE OF LAW ARIZONA STATE UNIVERSITY Volume 11 Spring 2019 CONTENTS Beyond Impressionistic Analysis: An Empirical Evaluation of 21st Century Non-lawyer Courts .................................................................................. Alisa Smith, PhD, JD 1 Evacuating the Incarcerated: The Intricacies of Keeping Prisoner’s Eighth Amendment Rights Intact During Natural Disasters .............................. Meghan Vumback, JD 57 Eternal Sins: The Case for Extending Statutes of Limitation Regarding Childhood Sexual Abuse Nationwide ................................................................ Katelyn Ringrose, JD 82 Cultural Resources in a Developing World ................................ Alysha Green, JD 95 Law Journal for Social Justice is supported by the Sandra Day O’Connor College of Law at Arizona State University. The Law Journal for Social Justice mailing address is: Law Journal for Social Justice, 111 E. Taylor Street, Phoenix, AZ 85004. The Law Journal for Social Justice Email address is: [email protected]. Subscription: Law Journal for Social Justice is an online journal. Editions are accessible through the URL: http://www.law.asu.edu/ljsj/, and http://www.ljsj.wordpress.com/journal Copyright: © Copyright 2019 by Law Journal for Social Justice. All rights reserved except as otherwise provided. Cite as 11 L. J. SOC. JUST. __ (2019). LAW JOURNAL FOR SOCIAL JUSTICE SANDRA DAY O’CONNOR COLLEGE OF LAW ARIZONA STATE UNIVERSITY Volume 11 Spring 2019 EXECUTIVE BOARD EDITOR-IN-CHIEF Katherine Nelson MANAGING EDITOR Corinne Merdegia SENIOR ARTICLES EDITOR Alysha Green ONLINE MEDIA EDITOR Austin Poe SYMPOSIUM EDITOR Shannon Brien EDITORIAL BOARD ARTICLES EDITORS Victoria Comeaux Ashley Fitzwilliams Verity Kang Kaitlin Secker Kristen Shortley ASSOCIATE EDITORS Nicholas Bustamante Jaren Martineau Pablo Castellanos Lila Mayson Jorge Coss Ortega Mackenzie Moore Brian Cuevas Lily Pederson Paul Davis Earvin Poon Francis Espiritu David Riahi Ashley Fitzgibbons Rachel Richman Brian Garcia Lea Shapiro J. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
“Do You Know What It Means to Miss New Orleans?” the Use of Popular Music After Hurricane Katrina
Syracuse University SURFACE Dissertations - ALL SURFACE August 2016 “Do You Know What It Means To Miss New Orleans?” The use of popular music after Hurricane Katrina Jennifer Billinson Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Billinson, Jennifer, "“Do You Know What It Means To Miss New Orleans?” The use of popular music after Hurricane Katrina" (2016). Dissertations - ALL. 650. https://surface.syr.edu/etd/650 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract This single-case study explores the use of popular music in response to the destruction of New Orleans by Hurricane Katrina in August, 2005. Using research in sociology of disaster and uses and gratifications theory in mass communication, data collected included original music written in response to the hurricane, major benefit concerts that aired in the wake, and re-appropriated music that developed new meaning when used in conjunction to the case. Analysis yielded that popular music was used to raise awareness, raise funds, and express emotion following the disaster. Common themes throughout include the impact of genre on how this was accomplished and the messages it yielded, the power of collective effervescence, and the importance of space and place when dealing with tragedy through music. ‘DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS?’ THE USE OF POPULAR MUSIC AFTER HURRICANE KATRINA by Jennifer Billinson B.A., Indiana University, 2006 M.A., Syracuse University, 2009 Dissertation Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Mass Communications Syracuse University August 2016 Copyright © Jennifer Billinson 2016 All Rights Reserved Table of Contents Chapter 1: Introduction p. -
50S 60S 70S.Txt 10Cc - I'm NOT in LOVE 10Cc - the THINGS WE DO for LOVE
50s 60s 70s.txt 10cc - I'M NOT IN LOVE 10cc - THE THINGS WE DO FOR LOVE A TASTE OF HONEY - OOGIE OOGIE OOGIE ABBA - DANCING QUEEN ABBA - FERNANDO ABBA - I DO I DO I DO I DO I DO ABBA - KNOWING ME KNOWING YOU ABBA - MAMMA MIA ABBA - SOS ABBA - TAKE A CHANCE ON ME ABBA - THE NAME OF THE GAME ABBA - WATERLOU AC/DC - HIGHWAY TO HELL AC/DC - YOU SHOOK ME ALL NIGHT LONG ACE - HOW LONG ADRESSI BROTHERS - WE'VE GOT TO GET IT ON AGAIN AEROSMITH - BACK IN THE SADDLE AEROSMITH - COME TOGETHER AEROSMITH - DREAM ON AEROSMITH - LAST CHILD AEROSMITH - SWEET EMOTION AEROSMITH - WALK THIS WAY ALAN PARSONS PROJECT - DAMNED IF I DO ALAN PARSONS PROJECT - DOCTOR TAR AND PROFESSOR FETHER ALAN PARSONS PROJECT - I WOULDNT WANT TO BE LIKE YOU ALBERT, MORRIS - FEELINGS ALIVE N KICKIN - TIGHTER TIGHTER ALLMAN BROTHERS - JESSICA ALLMAN BROTHERS - MELISSA ALLMAN BROTHERS - MIDNIGHT RIDER ALLMAN BROTHERS - RAMBLIN MAN ALLMAN BROTHERS - REVIVAL ALLMAN BROTHERS - SOUTHBOUND ALLMAN BROTHERS - WHIPPING POST ALLMAN, GREG - MIDNIGHT RIDER ALPERT, HERB - RISE AMAZING RHYTHM ACES - THIRD RATE ROMANCE AMBROSIA - BIGGEST PART OF ME AMBROSIA - HOLDING ON TO YESTERDAY AMBROSIA - HOW MUCH I FEEL AMBROSIA - YOU'RE THE ONLY WOMAN AMERICA - DAISY JANE AMERICA - HORSE WITH NO NAME AMERICA - I NEED YOU AMERICA - LONELY PEOPLE AMERICA - SISTER GOLDEN HAIR AMERICA - TIN MAN Page 1 50s 60s 70s.txt AMERICA - VENTURA HIGHWAY ANDERSON, LYNN - ROSE GARDEN ANDREA TRUE CONNECTION - MORE MORE MORE ANKA, PAUL - HAVING MY BABY APOLLO 100 - JOY ARGENT - HOLD YOUR HEAD UP ATLANTA RHYTHM SECTION - DO IT OR DIE ATLANTA RHYTHM SECTION - IMAGINARY LOVER ATLANTA RHYTHM SECTION - SO IN TO YOU AVALON, FRANKIE - VENUS AVERAGE WHITE BD - CUT THE CAKE AVERAGE WHITE BD - PICK UP THE PIECES B.T. -
98 Degrees I Do Adele Rolling in the Deep Allman Brothers Melissa
98 Degrees I Do Adele Rolling In The Deep Allman Brothers Melissa Allman Brothers One Way Out Allman Brothers Midnight Rider American Authors Best Day Of My Life Amy Winehouse Valerie Aretha Franklin Respect Average White Band Pick Up The Pieces Avici Wake Me Up B-52's Love Shack Backstreet Boys I Want It That Way Band, The Cripple Creek Band, The Ophelia Band, The The Weight Band, The Atlantic City Bangles, The Walk Like An Egyptian Beatles, The Come Together Beatles, The Got To Get You Into My Life Beatles, The In My Life Beatles, The Ob La Di Ob La Da Beatles, The Saw Her Standing There Beatles, The Something Beatles, The Twist and Shout Beatles, The Mother Nature's Son Beatles, The Hey Jude Beatles, The Get Back Ben E. King Stand By Me Beyonce Crazy In Love Beyonce Love On Top Bill Haley and The Comets Rock Around The Clock Bill Withers Use Me Billy Joel Movin' Out Billy Joel Only The Good Die Young Blind Melon No Rain Blink 182 All The Small Things Bob Carlisle Butterfly Kisses Bob Dylan Forever Young Bob Marley Could You Be Loved Bob Marley I Shot The Sheriff Bob Seger Hollywood Nights Bon Jovi Living On A Prayer Britney Spears Hit Me Baby One More Time Bruce Springsteen Dancing In The Dark Bruce Springsteen Jersey Girl Bruce Springsteen Rosalita Bruce Springsteen Tenth Avenue Freeze Out Bruce Springsteen Glory Days Bruce Springsteen Born To Run Bruno Mars Locked Out Of Heaven Bruno Mars Treasure Bruno Mars Uptown Funk Bruno Mars 24K Magic Bryan Adams Summer Of '69 Cake The Distance Cee Lo Green Forget You Chicago 25 or 6 to 4 Cold -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
“Ain't Gonna Worry No More”: Depictions of the American South In
“Ain’t Gonna Worry No More”: Depictions of the American South in Randy Newman’s Good Old Boys Kate Coleman, B.A. Submitted in partial requirement for Special Honors in the Department of English The University of Texas at Austin May 2017 _____________________________________________________ Professor Coleman Hutchison Department of English Supervising Faculty _____________________________________________________ Professor Matthew Valentine Plan II Honors Second Reader Abstract Randy Newman’s album Good Old Boys (1974) is a southern concept album. Newman employs several narrators on the album in order to explore multiple perspectives and elements that illuminate southern identity. Newman’s observations result in a view of the South as disenfranchised, defeated not only by their regional prejudice and own mistakes, but by moral hypocrisy and abandonment from the rest of the United States. In implicating the rest of the country, Newman indicates that the struggles highlighted in the South and southern identity are not simply a result of regional dynamics, but indicative of larger American dynamics. What’s more, many of Newman’s observations and commentary withstand the test of time, and maintain relevance to political and social dynamics still present today. In providing biographical, historical, social, and musical context, as well as close-reading the album, the thesis not only explores Newman’s methods, but argues for his larger goals. Through analyzing and engaging with reviews of the album, both contemporary and modern, this thesis establishes Good Old Boys’ lasting relevance and legacy. i For my father, who not only taught me how to listen, but encouraged me to speak. ii Acknowledgements Never thought I’d make it, but I always do somehow. -
A Gateway for Everyone to Believe: Identity, Disaster, and Football in New Orleans
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Summer 8-6-2013 A Gateway for Everyone to Believe: Identity, Disaster, and Football in New Orleans Brandon D. Haynes University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Regional Sociology Commons, Sociology of Culture Commons, Sports Studies Commons, and the Urban Studies and Planning Commons Recommended Citation Haynes, Brandon D., "A Gateway for Everyone to Believe: Identity, Disaster, and Football in New Orleans" (2013). University of New Orleans Theses and Dissertations. 1712. https://scholarworks.uno.edu/td/1712 This Dissertation is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. A Gateway for Everyone to Believe Identity, Disaster, and Football in New Orleans A Dissertation Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Urban Studies by Brandon D. -
Late Night Jazz: America the Beautiful!
Late Night Jazz: America the Beautiful! Samstag, 09. September 2017, 22.05 - 24.00 Uhr SRF 2 Kultur Trotz 9/11, trotz eines merkwürdigen Präsidenten, trotz vielem, was wir Europäer an den USA schlecht verstehen sind die Vereinigten Staaten ein unglaubliches Land: Mit zwei Ozeanen, ehrfurchtgebietenden Bergen und unendlichen Weiten, mit brodelnden Metropolen und langweiligen Vorstädten, mit kultureller Einöde und überbordendem Leben, mit Gegensätzen so viel man will. Die Songschreiber haben es immer gewusst und ihre Faszination in Lieder gepackt! Redaktion: Beat Blaser Moderation: Annina Salis Ray Brown - Walk On (2003) Label: Telarc Jazz Track 01: America the Beautiful Chuck Loeb: In A Heartbeat (2001) Label: Shanachie Records Track 01: North, South, East & West Joey DeFrancesco: One For Rudy (2013) Label: HighNote Records Track 06: Way Out West Gerry Mulligan - The Final Recordings (1993) Label: Telarc Distribution Track 11: North Atlantic Run John Scofield: A Go Go (1997) Label: Verve Track 04: Southern Pacific In The Night - The George Shearing Quintet with Dakota Staton (1957) Label: Capitol Records Track 06: I Hear Music Lou Donaldson - Gravy Train (1961) Label: Blue Note Track 02: South of the Border Nicki Parrott: Dear Blossom. A Tribute to Blossom Dearie (2016) Label: Arbors Records Track 12: Rhode Island is Famous For You Cannonball Adderley's Finest Hour (1959) Label: Verve Track 14: Stars Fell on Alabama Grant Green - Shades of Green (1971) Label: Blue Note Track 05: California Green Jamison Ross: Jamison (2015) Label: Concord -
$65000000 Taxable Public Improvement Bonds, Issue Of
NEW MONEY ISSUE OFFICIAL STATEMENT RATINGS: BOOK-ENTRY ONLY Moody’s Insured: “A2” Moody’s Underlying: “A3" S&P Insured: “AA” S&P Underlying: “A-“ Fitch (Underlying Only): “A-” (See “BOND RATINGS” herein.) In the opinion of Co-Bond Counsel, under existing law, interest on the Bonds is not excluded from gross income for Federal income tax purposes. Bondholders should consult their tax advisors with respect to the inclusion of interest on the Bonds in gross income for federal income tax purposes. See “TAX MATTERS” herein. Under Louisiana law, the Bonds are exempt from all taxation for state, parish, municipal, or other purposes. $65,000,000 TAXABLE PUBLIC IMPROVEMENT BONDS, ISSUE OF 2015A CITY OF NEW ORLEANS, LOUISIANA Dated: Date of Delivery Due: December 1, 2016 to December 1, 2044 The referenced Taxable Public Improvement Bonds, Issue of 2015A (the “Bonds”) of the City of New Orleans, Louisiana (the “City” or “Issuer”) are being initially issued as fully registered bonds without coupons in denominations of $5,000 each, or any integral multiple thereof within a single maturity, and when issued will be registered in the name of Cede & Co., as nominee of The Depository Trust Company, New York, New York (“DTC”). DTC will act as securities depository for the Bonds. Purchasers of the Bonds will not receive certificates representing their interest in the Bonds purchased. Purchases of the Bonds may be made only in book-entry form in authorized denominations by credit to participating broker-dealers and other institutions on the books of DTC as described herein. Principal of and interest on the Bonds will be payable by U.S. -
The D.S.J.C. Newsletter
THE D.S.J.C. NEWSLETTER No. 168 February 2017 Patron: Bill Haesler OAM The Down South Jazz Club, PO Box 346 Merimbula, NSW 2548 www.downsouthjazzclub.org.au The Down South Jazz Club generally meets on the third Thursday of each month at 7.30 pm at Club Sapphire, Merimbula. Visitors are very welcome THE ESCALATORS Jenny Blunden – Vocals Lachlan Mackenzie – Guitar Bradley Parsons –Bass Hayden Moore – Drums Thursday 16 February 2017 at Club Sapphire, Merimbula Admission: Members $15, Visitors $20. Music starts at 7.30pm. Bistro opens 6.00pm. For table bookings ring Aileen or Kevin Walsh on 64959853 or email [email protected] Thursday 16 February Gig The Escalators featuring: Jenny Blunden – Vocals Lachlan Mackenzie – Guitar Bradley Parsons –Bass Hayden Moore – Drums On Thursday 16 February at Club Sapphire, the Down South Jazz Club will take pleasure in presenting swing and soul band The Escalators, comprising vocalist Jenny Blunden, guitarist Lachlan Mackenzie, bassist Bradley Parsons and drummer Hayden Moore. The Escalators’ stated modus operandi is ‘to cross-pollinate great jazz standards with groove- driven genres, and to graft original compositions onto their swing, soul and reggae roots.’ The band members have performed hundreds of shows together. This has developed confidence in their ability to ‘hold listeners spell-bound in a ‘hear a pin drop’ house concert, or have the floorboards of a School of Arts Hall heaving under the weight of unhinged dancing.’ Again quoting from the band’s promotional material – ‘The gorgeous tone of Jenny Blunden’s voice embraces you & steals your heart while Lachlan Mackenzie’s guitar weaves...through a rhythmic framework rich in interplay between Bradley Parson’s upright bass & the drum kit captained by Hayden Moore.’ The Escalators have released a number of recordings: ‘Felix’ (2014) comprised classic songs from the 1930s to the 1960s ‘infused with fresh flavours from all corners of their (the band’s) record collection...’. -
Downbeat.Com July 2010 U.K. £3.50
.K. £3.50 .K. u downbeat.com July 2010 2010 July DownBeat Victor Wooten // clauDio RoDiti // Frank Vignola // Duke RoBillarD // John Pizzarelli // henry ThreaDgill July 2010 JULY 2010 Volume 77 – Number 7 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg Sales Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Marga- sak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Nor- man Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Go- logursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer Odell, Dan Ouellette,