DOCSLIB.ORG

MUSIC for BRASS BAND Cat Title Composer Form

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MUSIC for BRASS BAND Cat Title Composer Form Brass and Wind Band Sheet Music Catalogue 2018 Price Codes A £6.00 E £30.00 B £12.00 F £40.00 C £15.00 G £45.00 D £25.00 H £50.00 Postage and Packing is charged at cost Single parts can be purchased separately at £3.00 per part Scores forming part of a code E set can be purchased separately at £6.00 per score Scores forming part of a code F,G & H set can be purchased separately at £15.00 per score Important Notice All music contained in this catalogue is copyright to Chandos Music Limited All reproduction and copying of scores and parts is strictly forbidden under the Copyright, Designs and Patents Act 1988 and its Amendments and Successors All performances must be notified to the Performing Rights Society All recordings must be licensed by MCPS Formats Pr B5 Printed set Mss A4 Manuscript Copies Comp Computer set A4 Copies Levels of Difficulty 1 Very Easy 2 Easy to Average 3 Average 4 Medium Difficulty 5 Difficult 6 Very Difficult All brass and wind band music is available directly from Chandos Music Supplies, 21B Salisbury Avenue, Colchester, Essex. CO3 3DW Mobile: 07771 764963 e-mail: [email protected] www.chandosmusicsupplies.co.uk Items marked * are currently out of print and will be available as soon as possible MUSIC FOR BRASS BAND Cat Title Composer Form. Dur. Level Code 426 Abide With Me Monk arr Langford Mss 4:00 1 G 2013 Abu Hassan: Overture Weber arr Langford Mss 3:30 3 G 2031 Adagio in G minor Giazotto arr Bolton Mss 2:30 4 G on Themes of Albinoni Solo Flugel Horn 263 All Through the Night Trad arr Langford Pr 3:30 1 E 322 Alleluia, Sing to Jesus Pritchard arr Peer Mss 4:40 4 G 206 Angels Guard Thee Godard arr Langford Mss 5:05 4 G Solo Bb Trombone 474 Après un rêve Fauré arr Langford Comp 4:30 4 G Solo Eb Horn 817 Après un rêve Fauré arr Graham Pr 3:12 4 E Solo Bb Cornet 335 Ash Grove Trad arr Langford Comp 3:33 3 G Solo Bb Tenor Trombone 493 Australian Fantasy Langford Pr 4:59 4 E 183 Ave Maria Bach/Gounod arr Langford Mss 4:30 3 G With Organ 2032 Away in a Manger Kirkpatrick arr Richards Comp 3:20 2 G Solo Bb Cornet With Opt SATB Chorus vocal score on hire 298 Barcarole from Tales of Hoffman Offenbach arr Langford Mss 2:25 3 G 2010 Battle Hymn of the Republic Trad arr Graham Mss 3:27 2 G With STTBB Chorus and Organ vocal score on hire 597 Bavarian Dances: Suite 3 Movements Elgar arr Parkes Pr 14:03 4 F 2024 Beau Ideal Sousa arr Parkes Comp 3:36 2 G 2000 Beau Soir Debussy arr Langford Pr 4:47 2 E 88 Beautiful Galathea: Overture Suppé arr Langford Mss 6:30 4 G 820 Because Hardelot arr Richards Pr 4:54 4 E Solo Bb Cornet 264 Believe Me If All Those Trad arr Langford Mss 4:53 3 G Endearing Young Charms Solo Bb Euphonium 821 Believe Me If All Those Trad arr Newsome Pr 3:30 3 E Endearing Young Charms Solo Bb Cornet 206 Berceuse de Jocelyn Godard arr Langford Mss 5:05 3 G 2007 Berceuse - Dolly Suite Fauré arr Graham Comp 3:35 3 G Cat Title Composer Form. Dur. Level Code 210 Best Foot Forward: March Tomlinson Mss 3:04 4 G 448 Billy Boy Trad arr Langford Pr 3:45 4 E 343 Blaydon Races Trad arr Langford Pr 3:30 3 E Solo Bb Euphonium 262 Blow the Wind Southerly Trad arr Langford Pr 4:50 3 E 2011 Blue Danube Waltz Strauss arr Richards Comp 7:00 2 G 491 Bobby Shaftoe Trad arr Langford Pr 4:02 4 F 469 Boy from Menaem Frisian Air arr Langford Pr 2:15 3 E 336 British Grenadiers Trad arr Langford Pr 2:45 3 E 592 Bruch Violin Concerto: Slow Mvnt. Bruch arr Parkes Mss 4:07 4 G 476 Caller Herring Trad arr Langford Mss 2:30 3 G 553 Carmen Fantasy Bizet arr Langford Pr 6:50 3 F 497* Carnival of the Animals Suite Saint-Saëns arr Langford Comp 10:20 4 H 481 Carnival Day March Langford Mss 3:05 4 G 532 Carnival Overture Dvorák arr Newsome Mss 9:26 5 G 508 Carnival in Seville: Tone Poem Albéniz arr Newsome Mss 8:16 4 G 554 Cavatina: Una voce poco fa Rossini arr Parkes Mss 4:06 3 G from The Barber of Seville Solo Bb Cornet 560 Celebrations: Overture Langford Mss 2:55 4 G 345 Charlie is my darling Trad arr Langford Pr 2:55 4 E 424 Che farò from Orpheus & Eurydice Gluck arr Langford Mss 4:00 3 G 494 Chequerboard: March Langford Mss 3:00 4 G 2023 Chorus of the Hebrew Slaves Verdi arr Graham Mss 3:54 4 G 108 Christmas Fantasy Langford Pr 7:15 3 F With Opt SATB Chorus vocal score on hire 650 CLEEA Centenary March Langford Mss 4:00 3 G 534 Colonial Song Grainger arr Langford Mss 5:42 4 G 441 Coronation March Meyerbeer arr Langford Mss 4:10 4 G 109 Coronation Scot: Concert Piece Ellis arr Newsome Mss 2:54 4 G 110 Cortège from Mlada Rimsky-Korsakov Pr 3:30 3 E arr Langford Cat Title Composer Form. Dur. Level Code 260 Cossack Patrol Knipper arr Langford Mss 3:00 3 G (Cavalry of the Steppes) 2012 Coventry Carol Trad arr Fernie Pr 3:45 3 E 476 Cushy Butterfield Trad arr Langford Mss 3:40 3 G 2009 Czardas Monti arr Graham Mss 5:07 4 G 111 Daisy Bell Dacre arr Langford Pr 2:40 3 E 112 David of the White Rock Trad arr Langford Pr 3:30 3 E 519 Dear Lord & Father of Mankind Parry arr Langford Mss 2:51 2 G 533 Dem Bones Trad arr Langford Pr 2:37 3 E Feature for 3 Trombones 2020 Der Freischutz: Overture Weber arr Fernie Mss 9:30 4 G 516 Der Geist de Woiwoden: Czardas Grossman arr Parkes Mss 6:22 4 G 824 Die Lorelei Silcher arr Langford Pr 7:00 3 E 113 Don t Cry For Me Argentina Lloyd-Weber arr Langford Pr 3:50 3 E 2033 Doretta's Song from La Rondine Puccini arr Langford Pr 4:15 3 E Solo Bb Cornet or Flugel Horn 114 Drink to Me Only Trad arr Langford Pr 4:30 3 E Solo Eb Soprano Cornet 493 Dublin's Fair City Trad arr Newsome Pr 6:03 4 E 511 East Anglian Impressions Jacob de Haan Pr 5:25 3 E 425 Elegie Massenet arr Langford Mss 4:30 3 G Solo Bb Euphonium 500 Endeavour Langford Mss 6:30 3 G 202 Entry of the Gladiators Fucik arr Langford Pr 2:40 4 E 295 España Chabrier arr Langford Pr 5:22 5 E 478 European Fantasy Langford Pr 7:30 3 F 2019 Euryanthe: Overture Weber arr Parkes Mss 9:00 4 G 558 Facets of Glass: Suite Langford Pr 14:00 4 G 537 Fairies on the Water Saint Jerome arr Morton Pr 4:45 4 E Solo Bb Cornet 103 Famous British Marches Langford Comp 5:10 3 G 517 Fanfare & Ceremonial Prelude Langford Mss 4:02 5 G 509 Fanfare for a Jolly Good Fellow Langford Mss 1:15 5 G Cat Title Composer Form. Dur. Level Code 163b Fantasy on British Sea Songs Langford Pr 5:30 4 E 490 Festival Overture Shostakovich arr Antrobus Pr 5:54 5 F 556 Fifth of August (Based on Brigg Fair) Trad arr Langford Pr 3:54 3 E 827 Flower Duet from Lakmé Delibes arr Langford Pr 5:24 5 E Duet Bb Cornets 536 Foxtrot Between Friends Langford Pr 3:42 4 E Duet for Bb Cornet & Bb Euphonium 105 Fra Diavolo: Overture Auber arr Langford Mss 8:30 4 G 506 French National Anthem Trad arr Langford Mss 2:00 3 G 347 Gentle Maiden Trad arr Langford Pr 4:00 3 E 350* Girl I Left Behind Trad arr Langford Mss 2:30 3 G 587 Girl With the Flaxen Hair Debussy arr Parkes Comp 2:54 3 G 535 Gopak Mussorgsky arr Langford Pr 3:22 3 E 349 Greensleeves Trad arr Langford Pr 2:55 3 E 2008 Gymnopedie No. 1 Satie arr Graham Mss 2:47 2 G 84 Hallelujah Chorus from Messiah Handel arr Langford Mss 4:16 3 G With Organ 115 Harmonious Variations Handel arr Langford Pr 17:00 4 F on A Theme by Handel 354 Hereford: Hymn Wesley arr Bryce Mss 2:30 2 G 207 Hungarian Dance No. 5 Brahms arr Langford Pr 2:50 3 E 814 Il Bacio (The Kiss) Arditi arr Graham Pr 3:29 4 E 524 IIkley Moor Baht’At Trad arr Langford Mss 10:00 4 G 908 I'll Take You Home Kathleen Westendorp arr Fernie Pr 5:25 4 E 591 Intermezzo from Mascagni arr Langford Pr 3:08 3 E Cavalleria Rusticana Solo Bb Cornet 2025 Invincible Eagle Sousa arr Parkes Comp 3:47 3 G 455 Irish Washerwoman Trad arr Langford Pr 2:50 3 E 656 Italian Girl in Algiers: Rossini arr Parkes Mss 8:11 4 G Overture 342 Jerusalem (And did those feet) Parry arr Humphries Mss 2:30 2 G 332 Jerusalem (And did those feet) Parry arr Langford Comp 2:30 2 G Cat Title Composer Form.
Load more

Recommended publications
  • Boosey & Hawkes
    City Research Online City, University of London Institutional Repository Citation: Howell, Jocelyn (2016). Boosey & Hawkes: The rise and fall of a wind instrument manufacturing empire. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16081/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Boosey & Hawkes: The Rise and Fall of a Wind Instrument Manufacturing Empire Jocelyn Howell PhD in Music City University London, Department of Music July 2016 Volume 1 of 2 1 Table of Contents Table of Contents .................................................................................................................................... 2 Table of Figures......................................................................................................................................
    [Show full text]
  • Indianapolis Symphony Orchestra Opens 2013 Marsh Symphony on the Prairie June 21-22 with Classical Tales of Romance
    For Release: Monday, June 10, 2013 Contact: Jessica Di Santo – (317) 229-7082 Indianapolis Symphony Orchestra opens 2013 Marsh Symphony on the Prairie June 21-22 with Classical Tales of Romance INDIANAPOLIS – The Indianapolis Symphony Orchestra will open its 32nd season of Marsh Symphony on the Prairie with a pair of performances anchored by the passionate showpiece Scheherazade, Friday and Saturday, June 21 and 22, at the Conner Prairie Amphitheatre. Gates open at 6 p.m. and the performance begins at 8 p.m. The Orchestra welcomes guest conductor Marcelo Lehninger, the gifted music director of the New West Symphony Orchestra and assistant conductor of the Boston Symphony Orchestra. Mr. Lehninger will lead the Orchestra in its themed program, Classical Tales of Romance, featuring two opera overtures – Rossini’s beautiful Overture to La Cenerentola and Carl Maria von Weber’s Overture to Abu Hassan. Anson Hui, winner of the 2013 Michael Ben and Ilene Komisarow Maurer Young Musicians Contest, will also take the stage to perform the opening movement of Beethoven’s first piano concerto with the symphony. The evening will conclude with the celebrated Rimsky-Korsakov symphonic suite Scheherazade, a dramatic and brilliant musical retelling of One Thousand and One Nights (or Arabian Nights). The piece will feature the ISO’s Associate Concertmaster Philip Palermo as the violin soloist. Tickets are priced at $23 in advance and $28 at the gate for adults, with children’s prices (ages 2-12) at $12 in advance and $14 at the gate. Tickets may be purchased at any Marsh, MainStreet or O’Malia’s supermarket location, by calling the Hilbert Circle Theatre Box Office at (317) 639-4300, toll free at (800) 366-8457, or by visiting the ISO’s website at www.IndianapolisSymphony.org.
    [Show full text]
  • Soprano Cornet
    SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN (Under the Direction of Brandon Craswell) ABSTRACT The E-flat soprano cornet has served an indispensable role in the British brass band; it is commonly considered to be “the hottest seat in the band.”1 Compared to its popularity in Britain and Europe, the soprano cornet is not as familiar to players in North America or other parts of world. This document aims to offer young players who are interested in playing the soprano cornet in a brass band a more complete view of the instrument through the research of its historical roots, its artistic role in the brass band, important solo repertoire, famous players, approach to the instrument, and equipment choices. The existing written material regarding the soprano cornet is relatively limited in comparison to other instruments in the trumpet family. Research for this document largely relies on established online resources, as well as journals, books about the history of the brass band, and questionnaires completed by famous soprano cornet players, prestigious brass band conductors, and composers. 1 Joseph Parisi, Personal Communication, Email with Yanbin Chen, April 15, 2019. In light of the increased interest in the brass band in North America, especially at the collegiate level, I hope this project will encourage more players to appreciate and experience this hidden gem of the trumpet family. INDEX WORDS: Soprano Cornet, Brass Band, Mouthpiece, NABBA SOPRANO CORNET: THE HIDDEN GEM OF THE TRUMPET FAMILY by YANBIN CHEN Bachelor
    [Show full text]
  • Brass Instruments
    Course Content - Brass Instruments Introduction to Brass Instruments • Instruments are considered to belong in the Brass family if they make their sounds because of vibrations from the mouth and a mouthpiece. • Brass instruments are not necessarily made of brass. For example, the Digeridoo is a brass instrument made of wood. • The shape of the tube in a brass instrument is called a bore. The size and shape of the bore creates the sound of the instrument. • There are two shapes of bores: Cylindrical and Conical. • A Cylindrical bore stays the same width from beginning to end. A Conical bore gets wider as it progresses. • The very end of a brass instrument is called the Bell. • The two brass families are the Valved and Slide families. The only instrument in the slide family is the Trombone. • Valves on brass instruments are used to change the note by changing the size or length of the tube. Large and Medium Sized Brass Instruments • The largest instrument in the brass family is the Tuba. It plays the lowest notes. • The Sousaphone was invented to replace the Tuba in a marching band. It is designed to be carried. • Sousaphones are often made of lightweight fiberglass. • One of the oldest brass instruments is the Trombone. The slide of the trombone controls the notes instead of valves. • The French horn is the only brass instrument that is played left-handed. Music in Life Lesson: The Music in Life lesson is a moment to engage in active listening. The Music in Life lesson song for this course is "Flight of the Bumblebee” by Canadian Brass.
    [Show full text]
  • Victorian Brass Bands: the Establishment of a 'Working Class Musical Tradition'
    HERBERT 1 VICTORIAN BRASS BANDS: THE ESTABLISHMENT OF A 'WORKING CLASS MUSICAL TRADITION' Trevor Herbert y the end of Queen Victoria's reign, brass bands were one of the principal focuses of community music making in the United Kingdom. There were, if we are to believe the optimistic forecasts in one publication, 40,000 of them.1 Such a Bstatistic would indicate that the number of people playing in brass bands by the end of the century was something in the region of 800,000. At about the same time, audience attendance at open air brass band contests was, according to the highest estimate, 160,000 at a single event. This figure was quoted in the popular press following the 1900 National Brass Band Contest at the Crystal Palace. It should not, of course, be taken literally, but it is probably a good indicator of popular impression. When Queen Victoria ascended to the throne in 1837, the term '"brass band" meant nothing more than an ensemble of miscellaneous wind instruments in which brass instruments were prominent. At the end of the century the term was more closely defined. Brass bands had become the raison d'etre for a discrete but significant segment of the British music industry and for a widespread and intricate organizational structure that was largely controlled by working-class people. Since the end of the nineteenth century, the British brass band has had a standard line up of instruments - cornets in Bb (4 'solo', 2 seconds, 2 thirds plus one 'repiano'), 1 soprano cornet in Eb, 1 flugel horn in Bb, 3 tenor saxhorns in Eb, 2 baritone saxhorns in Bb, 2 euphoniums in Bb, 2 Eb basses, 2 BBb basses, 2 tenor trombones, 1 bass trombone, and percussion.
    [Show full text]
  • Instrument-Catalogue.Pdf
    CONTENTS Introduction iv Methods of Cataloguing v vi Additional Note About the Museum Numbering System The Instruments Museum number Item Page M380 00008 D Flute in C (Goulding & D'Almaine) 6 keys 17 B20 00007 Eb Flute in D b (Hawkes & Son) 8 keys 17 B21 00009 Clarinet in B b (D'Almaine) 6 keys 3 M129 00005 Bugle in C (anon) single coil 15 B18 00004 Cornet in B b (Dan Godfrey) 4 B16 00026 Cornet in A b (Besson) 1 M431 00020 Keyed bugle in E b (Charles Pace) 7 keys 10 B15 00024 Keyed bugle in C (Charles Pace) 8 keys 13 M708 00023 Flugel horn in B b (Johann Riedl) four valves 13 M.68 00003 Natural trumpet in F (anon) 2 M779 00025 Slide trumpet in F (Charles Pace) 14 M432 00027 Keyed trumpet (anon) 3 keys 15 B13 00006 Tenor cor in F (Hawkes & Son) three valves 16 B6 00013 Baritone (Leopold Uhlmann) four valves 6 B3 00021 Tenor trombone in C (anon) 11 B4 00010 Bass trombone in G (Dan Godfrey) 2 B19 00019 Serpent in C (anon) 4 keys 1 B1 00022 Ophicleide in C (Courtois) Hughes model 12 B5 00012 Euphonium (Franz Bock) four valves 5 B9 00015 Bombardon in E b (Leopold Uhlmann) four valves 7 B7 00016 Bombardon in E b (Leopold Uhlmann) four valves 8 B8 00018 Bombardon in E b (anon) four valves 9 B10 00017 BB b bass (Leopold Uhlmann) four valves 9 B11 00011 BB b bass (Courtois) three valves 4 B12 00014 BB b bass (Hawkes & Son) three valves 7 B29 Bugle mouthpiece (anon) 20 B22 Soprano comet mouthpiece (anon) 22 B17 Cornet mouthpiece (Besson) 18 B28 Cornet mouthpiece (anon) 20 B27 Comet mouthpiece (anon) 21 B26 Cornet mouthpiece (Salvation Army ?)
    [Show full text]
  • Fanfare Cioca Rlia
    ������ ������������������������ ������������������������������������� ���������������������������� ��������������������������������������� ����������������� ������������������ �������������� �������������� ������������������������������������������������ ������������������������ ���������������������������������������� �������� ���������������������������������������� ��������������������������� ������������������������������������� �������������������� ������������������������������������������� �������������������������� ��������������������������������������������������� ��������������������������������������������������������� ������������������������������� ���������������������������������������� ���������������������� ������������������������������������������ ������������������ ������������������������������� ������ ��������� ������������������������� ������� �������������� ���������������������� Fanfare Ciocărlia Wednesday, April 13, 2016, 7:30 p.m. �������������������������� ���������������Gartner Auditorium, the Cleveland Museum of Art ������������� ����������������������� ����������������������������������������������������� ������������������ �������������������������������������������������������� PROGRAM �������������������������������������������������������� ������������� ������������ �������������������Toba Mare ������������������� ��������������������������������������������������������� ��������������������� ��������������� �������������������������������������������������������� Sirba Monastirea ����������������������������������������������������
    [Show full text]
  • Jonathan Friedlander Collection of Middle Eastern Americana, 1875-2006
    http://oac.cdlib.org/findaid/ark:/13030/kt4779r5hf Online items available Finding Aid for the Jonathan Friedlander collection of Middle Eastern Americana, 1875-2006 Processed by Lorraine Pratt (2006), Sina Rahmadi (2007), and Audra Eagle (2008) in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Bachli, 2008; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2008 The Regents of the University of California. All rights reserved. Finding Aid for the Jonathan 1314 1 Friedlander collection of Middle Eastern Americana, 1875-2006 Descriptive Summary Title: Jonathan Friedlander collection of Middle Eastern Americana Date (inclusive): 1875-2006 Collection number: 1314 Creator: Friedlander, Jonathan. Extent: 33 boxes (16.5 linear feet)21 oversize boxes Abstract: The several thousand items contained in the Middle Eastern Americana collection document the substantial and significant presence of the Middle East in the annals of American popular culture. Over the course of more than 150 years and well into the present public interest in the Middle East has engendered a consumer appetite for a material culture that ranges from popular fiction and cinema to tobacco and coffee. In all its parts and subsets this diverse and multifaceted collection is geared for academic research and scholarly exploration of issues related to the representation of the Middle East in various popular culture domains including literature, cinema, music, photography, graphics and visual art, the performing arts, and entertainment.
    [Show full text]
  • Characterization And' Taxonomy Acoustical Standpoint
    Characterization and' Taxonomy of Historic Brass Musical Instruments from ae Acoustical Standpoint Arnold Myers Ph.D. The University of Edinburgh 1998 I" V *\- Abstract The conceptual bases of existing classification schemes for brasswind are examined. The requirements of a taxonomy relating to the character of brass musical instruments as experienced by players and listeners are discussed. Various directly and indirectly measurable physical parameters are defined. The utility of these parameters in classification is assessed in a number of case studies on instruments in museums and collections. The evolution of instrument design since 1750 in terms of these characterization criteria is outlined. Declaration I declare that this thesis has been composed by me and that the work is my own. ? r % *} Acknowledgements I have been encouraged and helped by many in my investigations. My supervisors, D. Murray Campbell in the Department of Physics and Astronomy Christopher D.S. Field, and John Kitchen in the Faculty of Music have provided wise guidance whenever needed. Raymond Parks, Research Fellow in Fluid Dynamics, Department of Physics and Astronomy, University of Edinburgh, has given unfailing support, and has been responsible for much of the measuring equipment I have used. David Sharp has used the pulse reflectornetry techniques developed in the course of his own research to obtain bore reconstructions of numerous specimens for me. Herbert Heyde kindly discussed the measurement of historic brass instruments with me. Stewart Benzie has carried out instrument repairs for me and made the crook described in Chapter 5. I am grateful to the curators of many museums for allowing me access to the historic instruments in their care.
    [Show full text]
  • Mouthpiece Catalog
    14 A CUP DIAMETER RIM CONTOUR CUP VOLUME 4 a BACKBORE Model mm inches Description A small cup diameter with shallow “A” cup 5A4 15.84 .624 and semi-flat rim offers comfort and resistance in the upper register. A shallow “A” cup with cushion #4 rim for 6A4a 15.99 .630 extreme high register work. Excellent for the player with thin lips. A #4 rim 7B4 16.08 .633 provides good endurance with a brilliant tone. The slightly funnel-shaped cup at the entrance 8A4 16.25 .640 to the throat provides a good tone and the #4 semi-flat rim gives superior endurance. The deep funnel-shaped cup provides 8E2 16.15 .636 a smooth tone and is very flexible in all registers. Recommended for cornet players. Standard characteristics allow for a full 9 16.33 .643 penetrating tone quality. Like the 9, however the #4 semi-flat rim 9C4 16.36 .644 provides excellent endurance. The combination of the shallow “A” cup, semi- 10A4a 16.43 .647 flat #4 rim and tight “a” backbore assists with upper register work. Same as the 10A4a but with a standard “c” 10A4 16.43 .647 backbore, which offers less resistance. A medium-small funnel-shaped “B” cup offers 10B4 16.43 .647 both a quality sound and support in the upper register. This rim size and contour is similar to the 11 11A 16.51 .650 but with a shallower “A” cup. This model was developed for the Schilke piccolo trumpets. The “x” backbore improves the 11Ax 16.51 .650 ease of playing and opens up the sound on the piccolo.
    [Show full text]
  • Nature, Weber and a Revision of the French Sublime
    Nature, Weber and a Revision of the French Sublime Naturaleza, Weber y una revisión del concepto francés de lo sublime Joseph E. Morgan Nature, Weber, and a Revision of the French Sublime Joseph E. Morgan This article investigates the emergence Este artículo aborda la aparición y and evolution of two mainstream evolución de dos de los grandes temas romantic tropes (the relationship románticos, la relación entre lo bello y between the beautiful and the sublime lo sublime, así como la que existe entre as well as that between man and el hombre y la naturaleza, en la nature) in the philosophy, aesthetics filosofía, la estética y la pintura de la and painting of Carl Maria von Weber’s época de Carl Maria von Weber. El foco time, directing it towards an analysis of se dirige hacia el análisis de la expresión Weber’s musical style and expression as y el estilo musicales de Weber, tal y manifested in his insert aria for Luigi como se manifiesta en la inserción de Cherubini’s Lodoïska “Was Sag Ich,” (J. su aria “Was sag ich?” (J.239) que 239). The essay argues that the escribió para la ópera Lodoïska de Luigi cosmopolitan characteristic of Weber’s Cherubini. Este estudio propone que el operatic expression, that is, his merging carácter cosmopolita de las óperas de of French and Italian styles of operatic Weber (con su fusión de los estilos expression, was a natural consequence operísticos francés e italiano) fue una of his participation in the synaesthetic consecuencia natural de su movement of the Romantic era.
    [Show full text]
  • 2011 State Solos
    Band Association of NSW 2011 State Solo & Party Dora Simm Trophy Draw Competitor Band Own Choice PointsPlace 1 Sophie Spencer Castle Hill RSL Youth Wind Ensemble 86 3 2 Tom Spencer Knox Grammar School 89 1 3 Lachie Day Castle Hill RSL Youth Wind Ensemble 87 2 Junior Baritone Draw Competitor Band Test PointsPlace 1 Ashleigh BRADY Gunnedah Shire No2 Galathee, Dramatic Masterpieces for the 83 2 JEREMY LLOYD Warringah Concert Brass Galathee, Dramatic Masterpieces for the 91 1 3 Alexander Wall Gunnedah Shire No2 Galathee, Dramatic Masterpieces for the 85 3 4 Amelia Alker Gunnedah Shire No2 Galathee, Dramatic Masterpieces for the 86 2 Junior Bass Trombone Draw Competitor Band Test PointsPlace 1 BOYD MCCORMACK Gunnedah Shire No2 Moving On - Guy Woolfenden 88 1 Junior Bb Cornet Frank McGuinness Memorial Award Draw Competitor Band Test PointsPlace 1 JOSHUA WALL Gunnedah Shire No2 Le Pre aux Clercs, Dramatic Masterpieces 83 2 2 Kieren Chalmers City of Wollongong Brass Le Pre aux Clercs, Dramatic Masterpieces 79 3 DIANDRA NEIGHBOUR Gunnedah Shire No2 Le Pre aux Clercs, Dramatic Masterpieces 82 3 4 Dominic LONGHURST St Marys Band Club Brass Band Le Pre aux Clercs, Dramatic Masterpieces 92 1 5 Max Silk Warringah Concert Brass Le Pre aux Clercs, Dramatic Masterpieces Junior Bb Trumpet Draw Competitor Band Test PointsPlace 1 Sophie Spencer Castle Hill RSL Youth Wind Ensemble Sonata for Trumpet, Movement 1 - Norman 96 2 2 Murphy, Misa Monte Sant' Angelo College Sonata for Trumpet, Movement 1 - Norman 95 3 3 Will Smith Barker College Concert Band Sonata
    [Show full text]