PATHS "STANDARD" 10-In. Double-Sided Discs. JANUARY 1St, 1911

Total Page:16

File Type:pdf, Size:1020Kb

PATHS COMPLETE CATALOGUE PATHS "STANDARD" 10-in. Double-sided Discs. JANUARY 1st, 1911. PATHE FRERES COMPLETE CATALOGUE OF PATHE DOUBLE-SIDEDDISCS. "STANDARD" SPECIAL CATALOGUES OF PATHS EACH. "POPULAR" (81-in.) Double-Sided Discs, 1/6 "STANDARD" (10-in.) 2/- " GRAND OPERA " (11-in.) 4/- " DE LUXE " (11-in.) 4/- " CLASSIK " (14-in.) 6/- " MAJESTIK" (20-in.) 12/. will be forwarded free on application. Branches: LONDON. BERLIN. NEW YORK. MOSCOW. ST. PETERSBURG. ODESSA. VIENNA. BRUSSELS. AMSTERDAM. BARCELONA. MILAN. LISBON. etc., etc. Pathe Discs play without a Needle. "PATHE DISCS" are played with a Sapphire point sound box which does away entirely with the troublesome necessity of constantly changing the needle, as in other disc machines at present on the market. q " PATHE DISCS" are practically unwearable and everlasting. The reproduction is infinitely superior to any other disc on the market. The natural tone of the voice is preserved. " PATHS DISCS " must be played with our special sound box with sapphire point. 41 "PATHE DISCS" begin from the centre. No Needles required. The following Records were issued November and December, 1910, and January, 1911. The Imperial Orchestra. Noý No. _ (Conducted by Mr. Arthur Grudge.) { 78921 Selection from The Chocolate Soldier." No. I Oscar Straus 8296 78922 Selection from "The Chocolate Soldier." No. 2 Oscar Straus 78923 Waltz from "The Chocolate Soldier" Oscar Straus 8297 78924 Le Monastere. Waltz (with Bells) Jules Artz Laodamie. Valse Boston Crudge 8279 17875778760 Guiditti Mia Valse Cascella The "Glue" Orchestra. (Under the personal direction of Professor Gille, Batidnttaster to the Imperial and Royal Austrian Courts). 15123 Freundschafts March 8305 {15124 The Washington Post March The Patht Orchestra. 78658 Sweet Memories, Waltz Joyce 8252{786598289 Ä Jamais, Waltz Joyce 7823278235Christmas Waltz { Christmas Night Carol The Band of H.M. Scots Guards (Conducted by Mr. F. W. Wood) We play at Soldiers The Musical Clock of the Black Forest March Romaine Gounod 8316 { 78884 78885 Sabbath Morning on Parade (Christchurch Chimes) Ord Hume The Imperial Infantry Band. Hillier 8109 { 78817 Claremont March 78821 The Silver Wreath March Roberts ý 78183 An Irish Patrol Rimmer 8214 78191 Titania Mazurka Bidgood No. 8219 7820778208Scotch Melodies. 1 { Scotch Melodies. No. 2 Pirates Penzance. Selection I SullivanSullivan 8233 7821978224 of l Pirates of Penzance. Selection 2 j 78213 Sizilietta Waltz voa Blon 8281 178218 Remembrance Valse Joyce PATHS DISCS require NO NEEDLES. When ordering please quote Catalogue Number only. The following Records were issued November and December, 1910, and January, 1911. Cat Record No. No. BAND-4-4d The Pathe Military Band Juana Valse McIE Amoureuse Valse Allier SuppeSuppe Poet and Peasant Overture, Part I Poet and Peasant Overture. Part 2 PIANOFORTE SOLOS.Miss Lilian Bryant. Alice Ascher 82771788007880, 2nd Mazurka Godard CONCERTINA SOLOS.Mr. Alexander Prince, The Renowned Concertina Soloist. { 78804 Tout Passe Valse 8105 78805 Highland Schottische {78807788o6 The Blue Bells of Scotland 8293 The Lost Chord WHISTLING SOLOS-with Orchestral Accompaniment Mr. Joe Belmont. { 78518 Walk, Walk, Walk (with Singing) 8196 78519 The Mocking Bird XYLOPHONE SOLOS-with Orchestral Accompaniment. Mr. Carl Schmidt. 8199 { 78015 Laughing Billie 78016 The Bro sh Empire March Pretty 8200 78017 Polly Perkins 1 78018 Erin's Pride CORNET & POST HORN SOLOS-with Orchestral Accompaniment. Mr. Peter Anderson. 75651 Two Eyes of Grey ;Cornet Solo) Daisy :llcGeooh 8282 l 73652 Post Horn Galop (Post Horn Solo) Koenig PATHS DISCS require NO NEEDLES. When ordering please quote Catalogue Number only. The following Records were issued November and December, 1910, and January, 1911. Cat. Record No. No. VOCAL-with Orchestral Accompaniment. Miss M. Green, Miss C. Herwin, Mr. J. Hildreth, and Mr. A. George. (78910 My Hero from "The Chocolate Soldier" (Air & Waltz Song) Oscar Straus (Miss Mabel Green, Soprano) 82981 Sympathy Duet from "The Chocolate Soldier" Oscar Straus 178911 (Miss Mabel Green, Soprano, and Mr. Arthur George, Baritone) (78912 The Chocolate Soldier Duet Oscar Straus I (Miss Mabel Green, Soprano, and Mr. J. Hildreth, Tenor) 8299-789t3 The Waltz Finale, Act 2. from "The Chocolate Soldier Oscar Straus (Miss Mabel Green, Soprano, Miss Carrie Herwin. Contralto, Mr. J. Hildreth, Tenor, and Mr. Arthur George, Baritone) With Solos and Chorus. Miss Jennie Taggart, Soprano. 78740 Waltz Song from "Tom Jones" Edward German 8266 l 78742 April Morn Robert Batten Mr. George Baker, Baritone. The Holy City. Part I (With Stephen Adams 8275 78749 orchestra and organ) 78749 The Holy City. Part 2 (With orchestra and organ) Stephen Adams Mr. Arthur George, Baritone. Seagull Collins 8090 I `7881378822 1 wonder if you miss me sometimes (I wonder if you care) Bennett Scott kissing her Howard 8290 1 78811 1 wonder whö s now 1 78812 Beautiful Garden of Roses Schmid My Moon PeIissierBattenHarris The Harvest Dance Nobody knows, Nobody Starlight Maid from "Thecares Merry Monarchs Manuel Klein Mr. Walter Field, Baritone. 78g36 In Cherry-blossom time in Japan Pettier 8306 Wright 78937 Qteen of the Sea Mr. Thomas Howell, Bass. The Bandolero Leslie Stuart Davies King of the Elves Mr. T. F. Kinniburgh, Bass. The Ould Plaid Shawl Battison Haynes Father O'Flynn Villiers Stanford PATHS DISCS require NO NEEDLES. When ordering please quote Catalogue Number only. The following Records were issued November and December, 1910, and January, 1911. Cat. Record No. No. VOCAL- continued SERIO-COMIC-with Orchestral Accompaniment. Miss Madge Temple, The Popular Comedy Queen. Kiss, Kiss, Kiss Hermann E. Darewski, Junr. 8278 178745 78746 In the Days gone by Hermann E. Darewski, Junr. Miss Mabel Green, The Popular Musical Comedy Artiste. f 78949 Good-bye, Everybody's Girlie I Edgar, Walter and Lawrence 8320 (78950 The Sunny Engadine Miss Yolande Noble. f What d'ye Molly Molloy? Bennett Scott 8303 1 78841 say, 78844 Put on your tat-ta, little Girlie ! Leigh j I lost Georgie in Trafalgar Square Castling Collins 8323 78840 and 78864 And just then he fell out of bed Greenfield HUMOROUS-with Orchestral Accompaniment. Mr. Will Evans, London's Popular Eccentric Comedian. Bees George Arthur, 8259 { 78704 Keeping 78705 A (K)Night in Armour Mark Lorne Lament Celisse & Evans 8319 { 78918 The Mermaid's 78919 The Whole of the Chorus Mr. Billy Merson. The Popular Comedian. She'll her Soldier Boy Merson 8301 j 78874 think of i 78875 The Lighthouse Keeper Merson Mr. Sammy Shields, The Football Comedian. Football Referee Shields 8272 17877678775 The English Football Cup, 1910, Newcastle v. Barnsley Shields Mr. Arthur Leslie. The Mimic, The Doorkeeper Frightley's, I'm here David Arthurs 8321 at or standing and 1789517 952 Will you sing this Glee with me?or,Hail, Smiling Morn I David and Arthurs Mr. Harry Fay. "Betsy" Pride Battery B Hermann E. Darewski, Junr. 8265 78725 the of 78726 There s a little Black Cupid in the Moon Hermann E. Darewski, Junr. Top o Morning Bridget McCue H. Tilzer 8287 { 78763 the I von 78764 Follow Me, Girls Weston, Barnes & Scott PATHE DISCS require NO NEEDLES. When ordering please quote Catalogue Number only. The following Records were issued November and December, 1910, and January, 1911. Fall Bennett Scott 8104 { 788257 in and follow me 826 La-La-La-La. Sing this Chorus with me Rule and McGhee The Pretty little Girl from Nowhere John Neat 8292 788i878829 { Bertie the Bounder, from Our Miss Gibbs" Clarke When Lights low Hermann E. Darewski, Junr.Day 8308 { j8g,o the are Take your Girlie where the band is playing 7882778835Hi I Hi Hi I Mister McKie Letters and Murphy 8314 { Mister Owl Lawrence Mr. Arthur Peel. 8598 Bits of Humour 8226 l 7 599 Slaves DUETS. Messrs. Rich and Rich. We don't Girl 8322 + 78947 want a 178948 Jenny my own true Love The Black Diamond Minstrels. The Total Abstanuisance Man (My old Kentucky Home) 8178 178457 The Absent-Minded Preacher (Hard Times) The Tally Ho Trio. 817 9 J7845078451International Medley. No. I International Medley. No. 2 { Farmyard Medley 8180 7845278453 Billy had a dip The London Imperial Vocal Quartette. (With Organ Acconzpaninicut) 8262 f 78729 Come ye Lofty 17s730 A Virgin unspotted The Manger Throne 8288 7873178732 { A Cradle-song of the Blessed Virgin (unaccompanied) Barnby What Child is this? 8300 17873378734 The Seven Joys of Mary PATHS DISCS require NO NEEDLES. When ordering please quote Catalogue Number only. ALPHABETICAL INDEX TO RECORDS November & December, 1910, & January, 1911. Instrumental= The Blue Bells of Scotland, ............ a2 British Em&e March, To a2a2 Highland Schottische ..................... a2a2 Lost Chord, The ........................... a2= Mocking Bird, The ........................ a2= Pretty ý Walk, a2 Walk, Walk (wiiý inging) ... Pathe"Standard" Records BANDS.Serie, Record No. No. The Band of H.M. Scots Guards Thurban 8001 7750477555The Watermelon Fete The Grasshoppers' Dance Bucalossi { Weymouth Chimes Howgill 8012 4123541244 The Bells of St. Maio Rimmer { 4123841239The Whistler his Dog Pryor 8231 and Pinsuti Queen of the Earth (With Cornet Solo by Sergeant Leggett) The Band of H.M. King's Colonials 7767177672Caprice March 8015 { Chanson Arabe 8035 f 77720 Oh I Oh I Antonio 177704 A Merry Christmas Formby JJ 77867 Raymond Overture ThomasLinkeRubensRubensSousaSalabert 8066 177 69 AminaMiss Hook Holland No. I 8067 { 7788177882 of Selection Miss Hook of Holland Selection No. 2 1779387793Fine Lama 8076 Max0 { 7793577936Sole Mio E. di Capua 8077 PalomaGitana Corbin 7793977940 Spanish Dance HemmerleAndriet 8078 Malaga Spanish Dance {7788577893 Havana 1st Selection Leslie Stuart 8079 Havana 2nd Selection Leslie Stuart {7789077891 The Merry Widow Lobar 8080 Caryll Monckton The Girls of Gottenberg & { 7802778028 Territorial March BlankenburryPodmoreFrank 8091 The Chancellor March { 7803378034The Dashing Little Duke, Selection No. I Tours 8092 The Dashing Little Duke Selection No. 2 Frank Tours The Imperial Infantry Band Arranged by Karl Kap* 8121 ý781501 Carolina Brown Two-Step 78151 Strauss March Mezzacapo 78164 The Artisti Two-Step Bow 8122 The Hussars March Bois 7815278153Our Miss Gibbs Selection No.
Recommended publications
  • German Operetta on Broadway and in the West End, 1900–1940
    Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds.
    [Show full text]
  • Oscar Straus Beiträge Zur Annäherung an Einen Zu Unrecht Vergessenen
    Fedora Wesseler, Stefan Schmidl (Hg.), Oscar Straus Beiträge zur Annäherung an einen zu Unrecht Vergessenen Amsterdam 2017 © 2017 die Autorinnen und Autoren Diese Publikation ist unter der DOI-Nummer 10.13140/RG.2.2.29695.00168 verzeichnet Inhalt Vorwort Fedora Wesseler (Paris), Stefan Schmidl (Wien) ......................................................................5 Avant-propos Fedora Wesseler (Paris), Stefan Schmidl (Wien) ......................................................................7 Wien-Berlin-Paris-Hollywood-Bad Ischl Urbane Kontexte 1900-1950 Susana Zapke (Wien) ................................................................................................................ 9 Von den Nibelungen bis zu Cleopatra Oscar Straus – ein deutscher Offenbach? Peter P. Pachl (Berlin) ............................................................................................................. 13 Oscar Straus, das „Überbrettl“ und Arnold Schönberg Margareta Saary (Wien) .......................................................................................................... 27 Burlesk, ideologiekritisch, destruktiv Die lustigen Nibelungen von Oscar Straus und Fritz Oliven (Rideamus) Erich Wolfgang Partsch† (Wien) ............................................................................................ 48 Oscar Straus – Walzerträume Fritz Schweiger (Salzburg) ..................................................................................................... 54 „Vm. bei Oscar Straus. Er spielte mir den tapferen Cassian vor;
    [Show full text]
  • Philharmonic Au Dito R 1 U M
    LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living.
    [Show full text]
  • John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens
    2011 NATIONAL ENDOWMENT FOR THE ARTS 1100 Pennsylvania Avenue, NW Washington, DC 20506-0001 John Conklin • Speight Jenkins • Risë Stevens • Robert Ward John Conklin John Conklin Speight Jenkins Speight Jenkins Risë Stevens Risë Stevens Robert Ward Robert Ward NATIONAL ENDOWMENT FOR THE ARTS 2011 John Conklin’s set design sketch for San Francisco Opera’s production of The Ring Cycle. Image courtesy of John Conklin ii 2011 NEA OPERA HONORS Contents 1 Welcome from the NEA Chairman 2 Greetings from NEA Director of Music and Opera 3 Greetings from OPERA America President/CEO 4 Opera in America by Patrick J. Smith 2011 NEA OPERA HONORS RECIPIENTS 12 John Conklin Scenic and Costume Designer 16 Speight Jenkins General Director 20 Risë Stevens Mezzo-soprano 24 Robert Ward Composer PREVIOUS NEA OPERA HONORS RECIPIENTS 2010 30 Martina Arroyo Soprano 32 David DiChiera General Director 34 Philip Glass Composer 36 Eve Queler Music Director 2009 38 John Adams Composer 40 Frank Corsaro Stage Director/Librettist 42 Marilyn Horne Mezzo-soprano 44 Lotfi Mansouri General Director 46 Julius Rudel Conductor 2008 48 Carlisle Floyd Composer/Librettist 50 Richard Gaddes General Director 52 James Levine Music Director/Conductor 54 Leontyne Price Soprano 56 NEA Support of Opera 59 Acknowledgments 60 Credits 2011 NEA OPERA HONORS iii iv 2011 NEA OPERA HONORS Welcome from the NEA Chairman ot long ago, opera was considered American opera exists thanks in no to reside within an ivory tower, the small part to this year’s honorees, each of mainstay of those with European whom has made the art form accessible to N tastes and a sizable bankroll.
    [Show full text]
  • PDF Downloaden
    Volkswirtschaft und Theater: Ernst und Spiel, Brotarbeit und Zirkus, planmäßige Geschäftigkeit und Geschäftlichkeit und auf der anderen Seite Unterhaltung und Vergnügen! Und doch hat eine jahrhundertelange Entwicklung ein Band, beinahe eine Kette zwischen beiden geschaffen, gehämmert und geschmiedet. Max Epstein1 The public has for so long seen theatrical amusements carried on as an industry, instead of as an art, that the disadvantage of apply- ing commercialism to creative work escapes comment, as it were, by right of custom. William Poel2 4. Theatergeschäft Theater als Geschäft – das scheint heute zumindest in Deutschland, wo fast alle Theater vom Staat subventioniert werden, ein Widerspruch zu sein. Doch schon um 1900 waren für die meisten deutschen Intellektuellen Geschäft und Theater, Kunst und Kommerz unvereinbare Gegensätze. Selbst für jemanden, der so inten- siv und über lange Jahre hinweg als Unternehmer, Anwalt und Journalist mit dem Geschäftstheater verbunden war wie Max Epstein, schlossen sie einander letztlich aus. Obwohl er lange gut am Theater verdient hatte, kam er kurz vor dem Ersten Weltkrieg zu dem Schluss: „Das Theatergeschäft hat die Bühnenkunst ruiniert“.3 In Großbritannien hingegen, wo Theater seit der Zeit Shakespeares als private, kommerzielle Unternehmen geführt wurden, war es völlig selbstverständlich, im Theater eine Industrie zu sehen. Der Schauspieler, Direktor und Dramatiker Wil- liam Poel bezeugte diese Haltung und war zugleich einer der ganz wenigen, der sie kritisierte. Wie auch immer man den Prozess bewertete, Tatsache war, dass Theater in der Zeit der langen Jahrhundertwende in London wie in Berlin überwiegend kom- merziell angeboten wurde. Zwar gilt dies teilweise bereits für die frühe Neuzeit, erst im Laufe des 19.
    [Show full text]
  • Appendix 5 Selected Films in English of Operettas by Composers for the German Stage
    Appendix 5 Selected Films in English of Operettas by Composers for the German Stage The Merry Widow (Lehár) 1925 Mae Murray & John Gilbert, dir. Erich von Stroheim. Metro- Goldwyn-Mayer. 137 mins. [Silent] 1934 Maurice Chevalier & Jeanette MacDonald, dir. Ernst Lubitsch. MGM. 99 mins. 1952 Lana Turner & Fernando Lamas, dir. Curtis Bernhardt. Turner dubbed by Trudy Erwin. New lyrics by Paul Francis Webster. MGM. 105 mins. The Chocolate Soldier (Straus) 1914 Alice Yorke & Tom Richards, dir. Walter Morton & Hugh Stanislaus Stange. Daisy Feature Film Company [USA]. 50 mins. [Silent] 1941 Nelson Eddy, Risë Stevens & Nigel Bruce, dir. Roy del Ruth. Music adapted by Bronislau Kaper and Herbert Stothart, add. music and lyrics: Gus Kahn and Bronislau Kaper. Screenplay Leonard Lee and Keith Winter based on Ferenc Mulinár’s The Guardsman. MGM. 102 mins. 1955 Risë Stevens & Eddie Albert, dir. Max Liebman. Music adapted by Clay Warnick & Mel Pahl, and arr. Irwin Kostal, add. lyrics: Carolyn Leigh. NBC. 77 mins. The Count of Luxembourg (Lehár) 1926 George Walsh & Helen Lee Worthing, dir. Arthur Gregor. Chadwick Pictures. [Silent] 341 Downloaded from https://www.cambridge.org/core. IP address: 170.106.33.14, on 01 Oct 2021 at 07:31:57, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/9781108614306 342 Appendix 5 Selected Films in English of Operettas Madame Pompadour (Fall) 1927 Dorothy Gish, Antonio Moreno & Nelson Keys, dir. Herbert Wilcox. British National Films. 70 mins. [Silent] Golden Dawn (Kálmán) 1930 Walter Woolf King & Vivienne Segal, dir. Ray Enright.
    [Show full text]
  • So Verliebt in Die Liebe
    STAATSOPERETTE #REVUE SO VERLIEBT IN DIE LIEBE SO VERLIEBT IN DIE LIEBE Eine Operetten-Revue mit Musik von FRANZ LEHÁR (1870 – 1948) und OSCAR STRAUS (1870 – 1954) TEAM MUSIKALISCHE LEITUNG JOHANNES PELL STAGING CORNELIA POPPE AUSSTATTUNG THORSTEN FIETZE CHOREOGRAPHIE MANDY GARBRECHT DIALOGE UND DRAMATURGIE JUDITH WIEMERS BESETZUNG CONFÉRENCIERS SILKE RICHTER ANDREAS SAUERZAPF SOLISTEN ELMAR ANDREE BASSBARITON CHRISTINA MARIA FERCHER SOPRAN STEFFI LEHMANN SOPRAN MATTHIAS KOZIOROWSKI / VACLAV VALLON TENOR NIKOLAUS NITZSCHE BARITON JEANNETTE OSWALD SOPRAN SILKE RICHTER MEZZOSOPRAN ANDREAS SAUERZAPF TENOR TIMO SCHABEL TENOR INGEBORG SCHÖPF SOPRAN GERD WIEMER BARITON BALLETT OLENA ANDRYEYEVA | ELITON DA SILVA DE BARROS | IZABELA TONEVITSKA | VLADISLAV VLASOV | JUDITH BOHLEN* | TILL GEIER* | JAROD RÖDEL* ORCHESTER DER STAATSOPERETTE *Doppelbesetzung: Die Abendbesetzung entnehmen Sie bitte den Aushängen im Foyer. 2 STUDIENLEITUNG NATALIA PETROWSKI MUSIKALISCHE EINSTUDIERUNG UND KORREPETITION ROBIN PORTUNE KORREPETITION BALLETT YOKO SUNAGAWA ABENDSPIELLEITUNG CORNELIA POPPE INSPIZIENZ KERSTIN SCHWARZER SOUFFLAGE ANNETT BRÄUER TECHNISCHE DIREKTION MARIO RADICKE TECHNISCHE EINRICHTUNG JÖRG GERATHEWOHL LICHT FRANK BASCHEK TON PAWEL LESKIEWICZ, FELIX HIRTHAMMER RASMUS LEUSCHNER, ANDREJS ZARENKOVS WERKSTATT-PRODUKTIONSLEITUNG MARCUS GROSSER MASKE THORSTEN FIETZE KOSTÜME KATRIN FALKENBERG REQUISITE AVGOUST YANKOV Die Dekorationen, Kostüme und Requisiten wurden in den Werkstätten der Staatsoperette unter der Leitung von Katrin Falkenberg und Annette
    [Show full text]
  • ARSC Journal
    THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success­ fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage­ ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first.
    [Show full text]
  • Zonophone Records Complete Catalogue 1919
    A. JL AL BITIRSH INSTITUTE OF RECORDED SOUND G r 3 tw t-F 1-Iqqqql91hýý°°ý' - - - - - - - - - - ýýýýý`;ý ý?`ý \`";ýýýýc ý ýýýý ti Double Si DiFY oröDiür3/Y 12 INCH ý/ 't f^y ItCI3 DOUBLEýSIiýFDýV/ ýý,Eiý:+iR1iYý E iiR1iY / SILED iýjýýCf3ý.+ CATALOGUE INDEX. Harry Lauder 2;Instrumental Selections (Contd.)- ... ... ... - Celebrity 3-4 Pianoforte 19 Grcýnd Opera and ... ... ... :rülitary Band Selections... 5---12f Piccolo 19 ... ... ... ... Urass Band Selections 5-121 Pipers and Drummers 19 ... ... ... ... f)r.'i Selections Tnbaphone I-20 estral ... ...12-151 ... ... ... instrumental Selections Ukulele 20 ...15-21 ... ... ... Accordion lS Violin 20--21 ... ... ... ... ... ... .. Bagpipes Iii Violin, 'Cello, Flute & Harp 21 ... ... ... ... ... Banjo Violin, 'Cello Piano 21 15 and ... Zither Banjo 21 Violin, Flute Harp 21 ... and ... Barrel Organ 15I Violin Mustel Organ 21 ... ... ... and ... Bassoor. I"ü Xylophone 21 ... .-. ... ... Bells 1<xiýAi i1 ... ... g ... ... ... ...21--22 Celeste... 161Ballads 2.--35 .. ... ... I Vocal Duets ... .. ... ...3537 Clarionet luiQuartettes, Rec. .., ... ... ...37--4t7 Concertina Hebrew ]records 40 ...... ...16--17 ... ... ... Cornet ... ... ...17--16iCcznedier nes ... ... ..10-__42 Fiittc ?3IComedians ... ... ... ... ...42-48 Hari lSlRecitations 48 ,., ... ... ... ... ... ... ... Melodeon... ; B'Sketcbes and Descriptive 48 ... ... Ocarina Liet 40-81 ... 18-I9'Alpbabetical ... ... .. mýi= =, ýýni - ý lýI lllE =EI _ __ __ _ Ter. Double . -Inch -Kc Stop yaar tlckl,ýY- A, Jock rlt'sjust like bvlný, at bame ,,4,f qton eý 634 lRoxning Laur,;, & JM.,,-jYeus,, (S"nd Advid"' (Me!WW & L"W)ýý In the Gloamin6s (Luýe.ie, rBreahfait iq bed In Morning 664, Barly the 1 Messaý%? Boy ,,6tnising, Harry Uauderý ýThe DWV ROMM LMAe WAMY Owl my "qfBMnM Hector Gxani- -ýThe ILereice I (Thhe Pll"n,ýy Stone I ft, & LiW& W191 The "me ns Iqq Amer dki Veto hi 547 since shiý was A.bý4bý,.
    [Show full text]
  • Curriculum Vitae
    8008 Bluebonnet Boulevard, Apt. 18-05 Baton Rouge, Louisiana 70810 Andre Chiang, baritone 251.786.1880 [email protected] Curriculum Vitae www.andrechiangbaritone.com EDUCATION Doctor of Musical Arts in Vocal Performance with a Minor in Arts Administration Louisiana State University (Baton Rouge, LA) August 2017 – May 2020 (anticipated graduation) Additional completed course work for a Minor in Vocal Pedagogy Final Project: Lecture Recital and Written Document entitled “A Performance Guide to Kurt Erickson’s Song Cycle Here, Bullet” 4.0 Grade Point Average Master of Music in Vocal Performance Manhattan School of Music (New York, NY) August 2008 – May 2010 3.942 Grade Point Average Bachelor of Music in Vocal Performance with a Minor in General Business University of South Alabama (Mobile, AL) August 2006 – May 2008 Summa Cum Laude 3.95 Grade Point Average Bachelor of Science in Accounting and Bachelor of Music in Vocal Performance (started) University of Alabama (Tuscaloosa, AL) August 2003 – May 2006 3.976 Grade Point Average ACADEMIC EMPLOYMENT and TEACHING Doctoral Teaching Assistant at Louisiana State University in Baton Rouge, LA Fall 2017 to Spring 2020 • Teach MUS 2130 and MUS 3130: Applied Voice Lessons, which involved assigning repertoire, weekly lessons, developing vocal technique in varying genres, informing lyric diction and preparing for jury evaluations, student sharing (splitting lesson time with a major professor at a half hour each), and student mentoring (bimonthly lessons at a half hour a piece); taught between
    [Show full text]
  • EDWARD LYMAN BILL EDITOR a PUBLISHER 1 MADISON AVENUE, NEW YORK
    VOL. V. 10SINGLE CENTS COPIES 72 PAGES, INCLUDING SIDE LINE SECTION PER YEAR No. 4 ONE DOLLAR THE TALKING MACHINE WORLD EDWARD LYMAN BILL EDITOR a PUBLISHER_ 1 MADISON AVENUE, NEW YORK Entered as second -eau matter lifer2, I. at the poet omeeat New York,N.Y.,tinder theact of Co ogress THE TALKING MACHINE WORLD. mits .LeameardtaimiliMIMPINIMPIUMNINEP. ToI3usiness men in every line admit the value of good trade papers. Busin ess A trade paper must be origi nal-i tmust contain a Menvariety Of matter including news service-technical information-in fact it must crystallize the entire news of the special business world, and be a helpful adjunct to every department of trade. Scan the columns of The Talking Machine World closely and after you have completed an analysis of the contents of this publication see if you can duplicate its value in any othertrade! The World isa help to the talking machine business. It exerts an healthful optimism. It wields an influence for the good and every man who sells talking machines, no matter in what part of the universe he may be located, should receive this publication as regularly as it is issued.He is missing a vital business point, if he fails to do this. Thousands of dealers not only in the United States hut in every country on earth consult the pages of the World regularly. They draw from the World pleasure and profit. The talking machine business has a brilliant future, and this publication is doing much to enlarge the business horizon of every retail talking machine man in the world.
    [Show full text]
  • Music & Entertainment and Roger Thorne Collection (Part Three)
    Music & Entertainment and Roger Thorne Collection (Part Three) Wednesday 22 February 2012 10:00 Special Auction Services 81 Greenham Business Park Newbury RG19 6HW Special Auction Services (Music & Entertainment and Roger Thorne Collection (Part Three)) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Galli-Curci, Gluck, Dawson, Tetrazzini, Lloyd, Harrison, Dews Path&#233; Actuelle and Perfect, 10-inch needle-cut records: and others; 13 Aeolian-Vocalion, by Lenghi-Cellini, Gerhardt, 340, in three racks Pounds, Butterworth, Allan, Titterton and others; and 3 NGS, Estimate: £40.00 - £60.00 Peter Warlock (The Curlew), John Armstrong, cond. Constant Lambert (101) Estimate: £30.00 - £40.00 Lot: 2 Dance records, Regal, Zonophone and Regal-Zonophone: 124 by Gelder, Cotton, Kyte, Roy, Cyril Blake, Scott Wood, Bert Lot: 9 Firman, Rhythmic Eight, Swain, Jack Payne and others; and Dominion records, 10-inch: 87, mixed content, by Herman Columbia: 101 by Denza Dance Band, Reser, Herman, Wasserman, Godowsky, Savoy Orpheans, Jimmy O'Dea & Voorhees, Valee, Lentz, Selvin, Kahn, Carroll, Lombardo, Harry O'Donovan George Formby, Henry Hearty, Tom Burke, Charleston Chasers, Ellington, Henderson, Whidden, Kunz, Jay Wilbur, Frank Kamplain, Elsie Carlisle, Betty Brown, Al. Ralton and others (225, in 2 racks) Tiers, Lily Long, Margate Municipal Orchestra, Harry Hemsley, Estimate: £40.00 - £60.00 Tommy Handley, Charles Penrose, Sam Lanin and others, mainly dance, in a rack Estimate: £20.00 - £40.00 Lot: 3 10-inch acoustic Columbia, including Columbia Rena,
    [Show full text]