Vishnu Sahasranamam
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Hymn to Brahma Score, 7-7-2014
Hymn to Brahma ancient Sanskrit temple chant arranged for choir by David Nelson Miller Program notes Three traditional melodies from India are brought together in this choir arrangement, sometimes without accompaniment, sometimes accompanied by keyboard, and sometimes accompanied by the recorded sounds of tanpuras. A tanpura is a traditional Indian string instrument which typically drones on 3 notes. One possible translation of the Sanskrit text is below. The text beginning “Brahmanandam…” is sung to two different melodies, at the beginning and end of the arrangement. The central section is a setting of the traditional chant Twameva Mata, sung in Sanskrit and English. Guru Brahma, Guru Vishnu, Guru is Brahma, Guru is Vishnu, Guru Deva Maheshwara, Guru is the Maheshwara (Shiva), Guru sakshyat, parabrahma, Truly Guru is the supreme spirit – Tasmai Sri Guruve namaha. Salutations therefore to the Guru. Brahmanandam parama sukhadam, Full of transcendental bliss, giving supreme joy, Kevalam gyana murtim, The sole Image of Wisdom, Dwandwa titum gagana sadrisham, Beyond duality, clear as the heavens, Tattwam asyadi lakshyam. Whose motto is: “Thou Art That.” Ekam nityam vimalam achalam, One, permanent, pure, immovable, Sarvadhi sakshi bhutam, The everlasting Seer of all things, Bhawa titum triguna rahitam Beyond thought, free from the three qualities – Sadgurumtam namami. My good Guru, I bow to Thee. Twameva mata cha pita twameva, You truly are my mother and my father, Twameva bandhu cha sakha twameva, You truly are my friend and my beloved companion, Twameva vidya dravinam twameva, You truly are my knowledge and my wealth, Twameva sarvam mama deva deva. O Supreme Lord, You truly are everything to me. -
The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
@Ibet,@Binu^ Un! Lupun
@be @olbeddeg of jUnlis, @ibet,@binu^ un! luPun by Lawrcnce Durdin-hobertron Cesata Publications, Eire Copyrighted Material. All Rights Reserved. The cover design. by Anna Durdin-Robertson. is a mandala oi a Chinese rlraqon goddess. Lawrence Durdln Rot,erlson. li_6 r2.00 Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan Copyrighted Material. All Rights Reserved. The Goddesses of India, Tibet, China and Japan by Lawrence Durdin-Robertron, M.A. (Dublin) with illustrations by Arna Durdin-Robertson Cesara Publications Huntington Castle, Clonegal, Enniscorthy. Eire. Printed by The Nationalist, Carlow. Eire. Anno Deae Cesara. Hiberniae Dominae. MMMMCCCXXIV Copyrighted Material. All Rights Reserved. Thir serle. of books is written in bonour of The lrish Great Mother, Cessrs aod The Four Guardian Goddesses of lreland, Dsna, Banba' Fodhla and Eire. It is dedicated to my wife, Pantela. Copyrighted Material. All Rights Reserved. CONTENTS I. The Goddesses of India'...'...'........"..'..........'....'..... I II. The Goddesses of Tlbet ............. ................."..,',,., 222 lll. Thc Goddesses of China ...............'..'..'........'...'..' 270 lV. The Goddesscs of Japan .........'.............'....'....'.. " 36 I List of abbreviations ....'........'...."..'...467 Bibfiogr.phy and Acknowledgments....'........'....'...,,,,.,'.,, 469 Index ................ .,...,.........,........,,. 473 Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. Copyrighted Material. All Rights Reserved. SECTION ONE The Goddesses of India and Tibet NAMES: THE AMMAS, THE MOTHERS. ETYMoLoGY: [The etymology of the Sanskrit names is based mainly on Macdonell's Sanskrit Dictionary. The accents denot- ing the letters a, i and 0 are used in the Egrmology sections; elsewhere they are used only when they are necessary for identification.] Indian, amma, mother: cf. Skr. amba, mother: Phrygian Amma, N. -
Brahmadeva Sutta
Sayutta Nikyavol1 S6.3Brahma,devaSutta Brahma,deva Sutta The Brahma,deva Discourse [The High God does not need any offering] (Sayutta Nikya 6.3/1:140-142) Translated by Piya Tan ©2004 1 Sutta summary This short instructive discourse, with a gentle touch of spiritual humour, is about a woman who worships Brahm (or God), regarded in ancient India as the creator god; yet her own son is an arhat. Brahm himself comes down from his heaven and appears before a brahminee (the monk Brahma,deva’s mother), admonishing her on the futility of her offerings, since brahms do not partake of earthly offer- ings, but subsist on dhyanic joy. More importantly, Brahm instructs the brahminee not to cast her religious sight too far away, when heaven lies right before her, in her own son: that her offerings would yield great fruit if she were to offer them to her own arhat son, Brahma,deva. The Sayutta Commentary tells a similar story about Shakra, who on seeing the people of Aga and Magadha making preparations for a great sacrifice to Mahā Brahmā, feels pity for them. Appearing to them in the guise of Brahmā, he advises them to take their offerings to the Buddha and listen to his teach- ings. (SA 1:351 f) Long before the rise of modern theism, the Buddha has already pointed to finding life’s answer and liberation within oneself, not in an external power, real or imagined. As long as we do not realize that we create our own God or gods, and that they are but hypostases of our desire for control and power, we will continue to find spiritual answers outside of ourselves, and fail to see the godliness and goodness within. -
Yudhishthira's Wisdom Is an Ancient Story
Yudhishthira's wisdom is an ancient story. Which is a part of Mahabharata, Indian greatest epic? Or it simply says a journey of five brothers in the jungle. Four levels parts for this text Literal comprehension, interpretation, critical thinking/ analysis, and assimilation are: Yudhishthira's wisdom Source: Mahabharata BBA|BBA-BI|BBA-TT|BHCM|BHM|BCIS|BHM Literal comprehension of this story The story ' Yudhishthira's wisdom ' has been taken from the greatest epic 'Mahabharata'. Once upon a time five Pandavas brother's were wondering in a forest to hunt a deer. But the deer in their sight disappeared suddenly. In the min time, they felt tiredness grew thirsty & they were unable to move ahead. They set under a tree & Yudhisthira's sent his eldest brother Sahadeva. To search for water but he didn't come for a long time. He sent his entire brother's one after the other gradually. However, none of them returned for a long time. Therefore, ultimately Yudhisthira's himself set out in search of his bother's following their footprints. After a short walk, he notices a beautiful pool. On its bank, his four brother's were lying either unconsciousness or death. Although viewing the events he was in stream distress & sorrow. Then he bent to drink water from the pool but an unknown voice warned him. Not to drink water from the pool before answering his questions. After listening carefully Yudhisthira's tactfully answered all questions of Yama(the god of justice & death). His four brothers were prostrate on the ground due to their disobedience to the voice of Yama. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Bhagavata Purana
Bhagavata Purana The Bh āgavata Pur āṇa (Devanagari : भागवतपुराण ; also Śrīmad Bh āgavata Mah ā Pur āṇa, Śrīmad Bh āgavatam or Bh āgavata ) is one of Hinduism 's eighteen great Puranas (Mahapuranas , great histories).[1][2] Composed in Sanskrit and available in almost all Indian languages,[3] it promotes bhakti (devotion) to Krishna [4][5][6] integrating themes from the Advaita (monism) philosophy of Adi Shankara .[5][7][8] The Bhagavata Purana , like other puranas, discusses a wide range of topics including cosmology, genealogy, geography, mythology, legend, music, dance, yoga and culture.[5][9] As it begins, the forces of evil have won a war between the benevolent devas (deities) and evil asuras (demons) and now rule the universe. Truth re-emerges as Krishna, (called " Hari " and " Vasudeva " in the text) – first makes peace with the demons, understands them and then creatively defeats them, bringing back hope, justice, freedom and good – a cyclic theme that appears in many legends.[10] The Bhagavata Purana is a revered text in Vaishnavism , a Hindu tradition that reveres Vishnu.[11] The text presents a form of religion ( dharma ) that competes with that of the Vedas , wherein bhakti ultimately leads to self-knowledge, liberation ( moksha ) and bliss.[12] However the Bhagavata Purana asserts that the inner nature and outer form of Krishna is identical to the Vedas and that this is what rescues the world from the forces of evil.[13] An oft-quoted verse is used by some Krishna sects to assert that the text itself is Krishna in literary -
Press Release April 2012
Press Release Meeting of the Council of Hindu Temples of North America (CHTNA) Saturday, April 21st, 2012 Sri Siva Vishnu Temple (SSVT) located in Lanham, MD hosted the annual meeting of the Council of Hindu Temples of North America (CHTNA) on Saturday April 21st 2012. The Council of Hindu Temples of North America (CHTNA), a registered 501(c)(3), non-profit Hindu organization, was established in 1984 and incorporated in the State of New York in 1986. It is governed by nine Temples as Board of Directors and has its Secretariat at the Hindu Temple Society of North America, NY. The primary objective of the Council is to unite all the Temples under a common banner including the official representation of all the Temples to speak on subjects and concerns affecting Hindu religion and culture. In addition to this objective, following are its goals; Maintain a directory of all the Temples and publish periodic newsletter distribution to all the Temples. Prepare and publish Panchangam (almanac) as per US time for use by all US Temples and their devotees. Assist member Temples in dealing with problems concerning Temples, such as visas for religious workers, benefits such as medical/life insurance, pension plans, inter-faith and intra-faith activities and management of the Temples. Collect bargain power with supplier/vendors. Sharing of common resource pools – such as priests, musicians, artist, spiritual leaders, etc. Exchange and sharing of ideas / experiences, such as: o Compliance with state/federal regulations. o Issues related to Temple management. o Internal / external conflicts of interest. o Temple security. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Masterpieces Transcript
Masterpieces Audio Descriptions The Buddha triumphing over Mara, 900-1000 The Hindu deity Shiva, approx. 1300-1500 Cup with calligraphic inscriptions, 1440-1460 The Hindu deity Vishnu, 940-965 Crowned and bejeweled buddha image and throne, approx. 1860-1880 The Buddhist deity Simhavaktra, a dakini, 1736-1795 Ritual vessel in the shape of a rhinoceros, approx. 1100-1050 Buddha dated 338 The Bodhisattva Avalokiteshvara (Guanyin), 1100-1200 Lidded jar with design of a lotus pond, 1368-1644 Ewer with lotus-shaped lid, 1050-1150 Moon jar, 1650-1750 Standing Brahma (Bonten) and standing Indra (Taishakuten), 730-750 The Buddha triumphing over Mara, 900-1000 NARRATOR: The Buddha triumphing over Mara, created about 900 to 1000. Our audio begins with an overview, followed by an audio description. NARRATOR: This 10th Century stone sculpture features an image of the Buddha rendered in exquisite detail. The array of heart-shaped leaves and branches at the top of the object represent the Bodhi Tree, under which the Buddha-to-be sits in meditation on the threshold of enlightenment. The sculptor imbued this Buddha-image with both humanity—using details like the softly rounded belly—and spirituality. There are many signs pointing to the Buddha-to-be’s special qualities. Curator Forrest McGill. FORREST MCGILL: He has a lump on the top of his head and that symbolizes his extra insight. And then on the palms of his hands and the soles of his feet, he has special symbols and both are marks of a special kind of a being who’s more advanced, more powerful, than a regular human being. -
Vishvarupadarsana Yoga (Vision of the Divine Cosmic Form)
Vishvarupadarsana Yoga (Vision of the Divine Cosmic form) 55 Verses Index S. No. Title Page No. 1. Introduction 1 2. Verse 1 5 3. Verse 2 15 4. Verse 3 19 5. Verse 4 22 6. Verse 6 28 7. Verse 7 31 8. Verse 8 33 9. Verse 9 34 10. Verse 10 36 11. Verse 11 40 12. Verse 12 42 13. Verse 13 43 14. Verse 14 45 15. Verse 15 47 16. Verse 16 50 17. Verse 17 53 18. Verse 18 58 19. Verse 19 68 S. No. Title Page No. 20. Verse 20 72 21. Verse 21 79 22. Verse 22 81 23. Verse 23 84 24. Verse 24 87 25. Verse 25 89 26. Verse 26 93 27. Verse 27 95 28. Verse 28 & 29 97 29. Verse 30 102 30. Verse 31 106 31. Verse 32 112 32. Verse 33 116 33. Verse 34 120 34. Verse 35 125 35. Verse 36 132 36. Verse 37 139 37. Verse 38 147 38. Verse 39 154 39. Verse 40 157 S. No. Title Page No. 40. Verse 41 161 41. Verse 42 168 42. Verse 43 175 43. Verse 44 184 44. Verse 45 187 45. Verse 46 190 46. Verse 47 192 47. Verse 48 196 48. Verse 49 200 49. Verse 50 204 50. Verse 51 206 51. Verse 52 208 52. Verse 53 210 53. Verse 54 212 54. Verse 55 216 CHAPTER - 11 Introduction : - All Vibhutis in form of Manifestations / Glories in world enumerated in Chapter 10. Previous Description : - Each object in creation taken up and Bagawan said, I am essence of that object means, Bagawan is in each of them… Bagawan is in everything. -
Srimad Bhagavad-Gita, the Hidden Treasure Of
A 02 Invocation 7/6/06 3:37 AM Page 1 < a6 h·[evtgh < É ne6eTu Moybmo3ye ƒ 5jrye feteugkf >uƒ Ruesfk jøo6yeƒ npteghoffep h£uk hxe5etyk , aÒXyeh'yrÅqg˘ 5jrylh=ed\e£ueoufl- hHb Yrehfsp ƒd3eoh 5jrÍlyk 5rÒkoqglh <!< fhmESypy k Ruesor\e[bp∂k _π“etorFdeuynÁfkÁ , ukf Yrue 5etyyX[ng; TA MIreo[ym ©efhuA MdlnA <@< Mn´neotieyeu ymÁrkÁXwneguk , ©efhp¬eu w"Qgeu jlyeh'ydpxk fhA <#< sre‰nofqdm jerm dmJ3e jmne[fFdfA , ne6e ‰ rÑsA sp3l5e‰∑e dpJ3ƒ jlyeh'yƒ hxy <$< rspdkrspyƒ dkrƒ wÏsveg;t-hdTfh , dkrwlnthefFdƒ w"Qgƒ rFdk ij͇/h <%< 5lQh¬mgy1e iu¬6i[e jeF3etfl[mYn[e \{ujøexryl w"nkg rxfl wg‰f r[ewk π[e , aÆÑ6ehorwgT-7mthwte dpue‰3ferÅyfl sm¥lgeT 2ù neG`rX tgfdl w≈ryTwA wK\rA <^< nete\uTrvA stmihh[ƒ jlye6TjF3mÑw1ƒ fefe™uefwwKstƒ xotw6esƒbm3febmo3yh , [mwK sˆfq1nd˜ XtxtxA nknluhef ƒ hpde 5;ueÔetyn•iƒ wo[h[M£rƒos fA «ekus k <&< uƒ bø≤e r/gkF¬/¬h/ySypFroFy odRuXA SyrX- r‰§dXA se·nd±hmnofqdXjeTuoFy uƒ sehjeA , £ueferoS6yyÍyfk hfse n|uoFy uƒ umojfm uSueFyƒ f ordAp sptesptjge dreuk ySh X fhA <*< feteugƒ fhSw"Ñu ftƒ vXr ftm¥hh , dkr˘ st>y˘ Ruesƒ yym iuhpdltuyk <(< [1] A 02 Invocation 7/6/06 3:37 AM Page 2 Ma&galåchara@am o^ pårthåya pratibodhitå^ bhagavatå nåråya@ena svaya^ vyåsena grathitå^ purå@a-muninå madhye mahå-bhårate advaitåm~ta-var!i@(^ bhagavat(m a!$ådaßådhyåyi@(m amba tvåm anusandadhåmi bhagavad-g(te bhavad-ve!i@(m [1] namo ’stu te vyåsa-vißåla-buddhe phullåravindåyata-patra-netra yena tvayå bhårata-taila-p)r@a% prajvålito jåna-maya% prad(pa% [2] prapanna-pårijåtåya, totra-vetraika-på@aye jåna-mudråya k~!@åya, g(tåm~ta-duhe nama% [3] sarvopani!ado gåvo,