DOCSLIB.ORG

Dare to Be Different!

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dare to Be Different! TOURISM DESTINATION VISITOR APPEAL ASSESSMENT: LABRADOR REGION Labrador Tourism Destination Visitor Appeal Appraisal Dare to Be Different! Conducted by: Submitted by: Tourism Café Canada & Brain Trust Marketing & Communications (January 2015) TOURISM DESTINATION VISITOR APPEAL ASSESSMENT: LABRADOR REGION Map of Labrador Visitor Region Submitted by: Tourism Café Canada & Brain Trust Marketing & Communications (January 2015). TOURISM DESTINATION VISITOR APPEAL ASSESSMENT: LABRADOR REGION Executive Summary In 2009, the tourism industry and province of Newfoundland and Labrador (NL) released their vision to double tourism revenues to $1.58B by 2020. Titled Uncommon Potential: A Vision for Newfoundland and Labrador Tourism (Vision 2020) this document has been a blueprint growth in NL guided by seven strategic directions. Underpinning the vision is respect for home, residents, travellers, communities and profitability. Labrador is an emerging destination that has been described as the ‘last tourism frontier’ to be developed in North America. VISION STATEMENT Newfoundland and Labrador be a leading tourism destination, offering an authentic and exotic experience, through the ‘creativity brand pillars of people, culture and the natural environment’. Uncommon Potential Situated near the iconic Gros Morne National Park and the Viking Trail, which have had decades of investment and collaborative development, comparatively Labrador is in its infancy. As such, for tourism to be key economic driver of growth, building regional pride, and creating employment, it requires significant infrastructure investments such as roads and communications, but also requires building the human resource capacity and the depth, diversity and quality of authentic experiences that attract high- yield residents and non-resident travelers to experience “The Big Land.” Strategic directions #4 was product development aimed at ensuring NL delivers memorable, travel experiences to attract visitors from around the world. This is the key to delivering on the provincial brand promise and bringing the brand to life based on the assets and attributes of a diverse array of natural and cultural heritage combined with the colorful character of the people. To guide the regional strategic investments in product and destination development, Hospitality Newfoundland and Labrador (HNL) in partnership with the Department of Tourism, Culture and Recreation (TCR), commissioned a customized Tourism Destination Visitor Appeal Appraisal (TDVAA) to be completed in each region. Led by Tourism Café Canada and Brain Trust Marketing and Communications, the project team included HNL, TCR and Destination Labrador (DL). The over-arching goals were to create an understanding of what needs to be done to strengthen the ability to grow the tourism industry in ways that: 1) Resonate with travelers, reinforce the brand and increases the return on investment; 2) Continue to improve the visitor experience and visitor economy; and 3) Empower the Labrador Region to be a visible leader of responsible, sustainable tourism. Designed to take a visitor-centric approach, this study reviewed 193 documents, reports and studies combined, plus data from the Tourism Destination Management System (TDMS) and Restaurant Association of NL’s (RANL) e-dining databases. New variables were added to the primary data collection that was supported by DL and TCR. This 9-month process (October 2013 to June 2014) incorporated insights from an online stakeholder questionnaire and community stakeholder sessions in November 2013 to launch the project, and March 2015 to present and secure input on the preliminary findings. Finally, a parallel Nunatsiavut Tourism Refresh project, which leveraged the TDVAA, added additional insight from 26 interviews, a second advisory committee, plus community visits and in-person and online stakeholder meetings with a range of professionals from tourism operators, government employees, elected officials, heritage guides, Parks Canada staff and members of the artisan community. Submitted by: Tourism Café Canada & Brain Trust Marketing & Communications (January 2015). TOURISM DESTINATION VISITOR APPEAL ASSESSMENT: LABRADOR REGION Specifically, the TDVAA examined five dimensions using qualitative and quantitative data: 1. Reports, plans and research documents, and projects-in-the-pipeline. 2. Visitor profile information and three customer engagement tools for tourism services and attractions and municipalities: Websites, Facebook and TripAdvisor. 3. Product and market dimensions which included primary and secondary demand generators, transportation and access, visitor information centers, accommodations, culture, heritage and nature based assets, trails and routes, recreational and man-made attractions, shopping and retail, culinary, food and beverage, conference, conventions and trade shows, activity-based tourism businesses (e.g. whale watching) and program based tourism businesses (e.g. festivals and events, guiding companies). 4. Sustainability dimensions which included human resources, sales and marketing practices, environmental and social practices, strategic planning and investment. 5. Measures of success against which progress is measured and new variables are considered that would enrich understanding and decision-making. Benefits of the Assessment “A successful visitor economy requires managing all of the components in an integrated and long-term way, with a clear focus on the needs of the visitors the destination is seeking to attract”1 The core benefit from the TDVAA is that it provides a Figure 1: The Tourism Experience Investment Cycle consolidated review and key findings to guide the strategic direction for optimizing the tourism investment cycle (Figure 1) and the tactical investments for destination development. In Labrador this is critical for tourism based projects, but also the many regional developmental initiatives that benefit people, communities and visitors alike such as the paving of the Trans-Labrador Hwy, replacing the aging ferries, improving telecommunications, and the Muskrat Falls resource development. All of these provincial initiatives will have an impact on tourism to greater or lesser degrees and have been considered in this Labrador TDVAA. 1 Culture Northwest (2006). Understanding the visitor economy. Downloaded from: http://culturehive.co.uk/wp- content/uploads/2013/04/Understanding-the-Visitor-Economy.pdf Submitted by: Tourism Café Canada & Brain Trust Marketing & Communications (January 2015). TOURISM DESTINATION VISITOR APPEAL ASSESSMENT: LABRADOR REGION Key Findings Seventeen aggregate key findings emerged from the analysis of the primary and secondary data sources (Chapter 4), and the iterative feedback process that ensured continual stakeholder input and validation throughout the nine months. Each key finding, detailed in Chapter 3, is supported by tactical actions that provide the foundation for operators, HNL, TCR, IBRD, Parks Canada, the Nunatsiavut Government (NG), Tourism Nunatsiavut (TN), and the Atlantic Canada Opportunities Agency (ACOA) to support implementation. Finding #1: Labrador is a jewel in the provincial tourism crown that has the potential to experience unprecedented growth and expansion over the next decade. Finding #2: Long-term success in driving new market share in Labrador requires a collective vision for product development, a commitment to competing on value, developing and consistently delivering high quality, market ready memorable visitor experiences, and shared investment and risk between government and the private sector. Finding #3: The support of local communities is essential for tourism to flourish in Labrador. Finding #4: The Nunatsiavut Government’s commitment to investing in tourism, in ways that strengthens the capacity of individuals, businesses and host communities, is starting to generate measurable results. Finding #5: User-friendly customer profiles will help operators better understand Labrador’s ideal guests. Finding #6: Labrador’s visitor experience has the potential to truly bring the “Uncommon Potential” brand of the Newfoundland and Labrador’s tourism experience to life. Finding #7: Nunatsiavut is taking a leadership role in developing capacity for an Artisan Network and an Experiential Providers Network to generate opportunity and raise the international profile of Labrador’s Inuit. Finding #8: Outfitters are a major asset to Labrador’s tourism industry; but their potential is not yet being fully realized. Finding #9: There’s an untapped opportunity to respond to niche market demand and further develop winter sports tourism in Labrador. Finding #10: The province has the potential to lead the way in Labrador with innovative visitor servicing in a northern Canadian context. Finding #11: The online presence for Labrador tourism businesses requires improvement; but keep it simple. Finding #12: There is an opportunity to improve the food and beverage options in Labrador, but the owners/operators face a number of challenges. Finding #13: Efforts to protect the natural environment and cultural tourism assets exist in large part because of the due diligence of Parks Canada, the Nunatsiavut Government and the non-government organizations in Labrador. Finding #14: “Tourism in Labrador is not just about sustainability, it’s about survivability.” Dare to be different with innovative projects and contract-based approaches to investing in tourism development. Finding #15: There is a rich resource of reports, plans
Load more

Recommended publications
  • Center for Performance Studies
    Sarah Bay-Cheng Sarah Bay-Cheng [pronounced Bay-JUNG, rhymes with “sung”] is the Dean of the School of the Arts, Media, Performance and Design at York University in Toronto, Canada. She was formerly Chair and Professor of Theater and Dance at Bowdoin College, teaching theater history and theory, dramatic literature, and intermedia performance. Her research focuses on the intersections among theater, performance, and media including cinema history, social media, and digital technologies in performance. Recent publications include Performance and Media Taxonomies for a Changing Field (2015) and Mapping Intermediality in Performance (2010) as well as essays in Theater, Contemporary Theatre Review, and Theatre Journal, among others. She edits the Palgrave book series, 1 of 4 Avant-Gardes in Performance and is a co-host for On TAP: A Theatre and Performance Studies podcast. Bay- Cheng frequently lectures internationally and in 2015 was a Fulbright Visiting Scholar at Utrecht University in the Netherlands. She has served on the boards of Performance Studies international and the Association for Theatre i Higher Education, and is currently a member of the Executive Committee for the American Society for Theatre Research (ASTR). Bay-Cheng has also worked as a director and dramaturg with particular interest in intermedial collaborations and a fondness for puppetry. Daphne A. Brooks (https://afamstudies.yale.edu/people/daphne- brooks) Daphne A. Brooks is William R. Kenan, Jr. Professor of African American Studies, American Studies, Women's, Gender, and Sexuality Studies & Music at Yale University. She is the author of two books: Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850-1910 (Durham, NC: Duke UP), winner of The Errol Hill Award for Outstanding Scholarship on African American Performance from ASTR, and Jeff Buckley's Grace (New York: Continuum, 2005).
    [Show full text]
  • Death and Life for Inuit and Innu
    skin for skin Narrating Native Histories Series editors: K. Tsianina Lomawaima Alcida Rita Ramos Florencia E. Mallon Joanne Rappaport Editorial Advisory Board: Denise Y. Arnold Noenoe K. Silva Charles R. Hale David Wilkins Roberta Hill Juan de Dios Yapita Narrating Native Histories aims to foster a rethinking of the ethical, methodological, and conceptual frameworks within which we locate our work on Native histories and cultures. We seek to create a space for effective and ongoing conversations between North and South, Natives and non- Natives, academics and activists, throughout the Americas and the Pacific region. This series encourages analyses that contribute to an understanding of Native peoples’ relationships with nation- states, including histo- ries of expropriation and exclusion as well as projects for autonomy and sovereignty. We encourage collaborative work that recognizes Native intellectuals, cultural inter- preters, and alternative knowledge producers, as well as projects that question the relationship between orality and literacy. skin for skin DEATH AND LIFE FOR INUIT AND INNU GERALD M. SIDER Duke University Press Durham and London 2014 © 2014 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by Heather Hensley Typeset in Arno Pro by Copperline Book Services, Inc. Library of Congress Cataloging- in- Publication Data Sider, Gerald M. Skin for skin : death and life for Inuit and Innu / Gerald M. Sider. pages cm—(Narrating Native histories) Includes bibliographical references and index. isbn 978- 0- 8223- 5521- 2 (cloth : alk. paper) isbn 978- 0- 8223- 5536- 6 (pbk. : alk. paper) 1. Naskapi Indians—Newfoundland and Labrador—Labrador— Social conditions.
    [Show full text]
  • Appendix D: Nunatsiavut Regional Impact Assessment
    Nunatsiavut Regional Impact Document ITK National Position Document on Canada-Wide Strategy for Management of Municipal Wastewater Effluent Draft January 29, 2008 Sikumiut Sikumiut Environmental Avatilgijingita Management Ltd. Kamajingit 1.0 Introduction and Overview Sikumiut Environmental Management Ltd. (Sikumiut) was retained by ITK to coordinate a review by the Nunatsiavut communities of the proposed Regulatory Framework for Wastewater Treatment. In compiling this response, information was collected through contact with the five Labrador Inuit communities which comprise Nunatsiavut, the portion of Labrador which was the subject of a recently settled Land Claims Agreement. Other sources of information included the Community Accounts website as well as the Municipal Plans for each community. The communities comprising Nunatsiavut (Figure 1) are all located on the North Coast of Labrador adjacent to salt water. There are no road connections. Each community is accessible by air, with twin otter aircraft providing regular service from Happy Valley- Goose Bay to gravel airstrips adjacent to each community. During open water season (July - October) a marine coastal service provides less expensive transport of passengers and goods. Snowmobile trails connect Rigolet, Makkovik and Postville with Upper Lake Melville and the town of Happy Valley-Goose Bay. The total population of the North Coast is approximately 2 500, ranging between approximately 200 (Rigolet and Postville) and 1,000 (Nain). The communities are dominantly (90 – 95%) Inuit. The economies of the communities are based on renewable resources generally (fishing, hunting, wood harvesting) however mining and quarrying have become important contributors in recent years. Tourism is at a modest level, but is expected to grow, especially for Nain with respect to the Torngat Mountains National Park Reserve.
    [Show full text]
  • Heather Igloliorte, Ed. Sakkijâjuk: Art and Craft from Nunatsiavut Charlotte Jones
    Document generated on 09/29/2021 3:16 p.m. Newfoundland and Labrador Studies Heather Igloliorte, ed. SakKijâjuk: Art and Craft from Nunatsiavut Charlotte Jones Volume 33, Number 2, 2018 URI: https://id.erudit.org/iderudit/1058082ar DOI: https://doi.org/10.7202/1058082ar See table of contents Publisher(s) Faculty of Arts, Memorial University ISSN 1719-1726 (print) 1715-1430 (digital) Explore this journal Cite this review Jones, C. (2018). Review of [Heather Igloliorte, ed. SakKijâjuk: Art and Craft from Nunatsiavut]. Newfoundland and Labrador Studies, 33(2). https://doi.org/10.7202/1058082ar All Rights Reserved ©, 2019 Newfoundland and Labrador Studies This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ book reviews Heather Igloliorte, ed. SakKijâjuk: Art and Craft from Nunatsiavut. Fredericton, NB: Goose Lane Editions, and St. John’s: The Rooms Corporation of Newfoundland and Labrador, Provincial Art Gallery Division, 2017. ISBN 978-0-86492-974-7 SakKijâjuk: Art and Craft from Nunatsiavut was published as a cata- logue to accompany the exhibition of the same name at The Rooms Provincial Art Gallery from October 2016 to January 2017 (currently on view at the Art Gallery of Nova Scotia and touring across the country).
    [Show full text]
  • Labrador Inuit Constitution
    THE LABRADOR INUIT CONSTITUTION 1 TABLE OF CONTENTS CHAPTER 1 .................................................................................................................................................. 7 FOUNDING PROVISIONS ...................................................................................................................... 7 Part 1.1 The Labrador Inuit Constitution ........................................................................................... 7 Part 1.2 Amendment of the Labrador Inuit Constitution and Effective Date .................................... 10 Part 1.3 Nunatsiavut, the Nunatsiavut Government and the Institutions of Labrador Inuit Self- Government ....................................................................................................................... 13 Part 1.4 Labrador Inuit Rights of Participation in the Nunatsiavut Government .............................. 13 Part 1.5 Capital of Nunatsiavut ....................................................................................................... 14 Part 1.6 Languages ......................................................................................................................... 15 Part 1.7 Nunatsiavut Flag ............................................................................................................... 16 Part 1.8 Nunatsiavut Anthem .......................................................................................................... 16 CHAPTER 2 ...............................................................................................................................................
    [Show full text]
  • Proquest Dissertations
    Seeking Unanimous Consent Consensus Government in the Northwest Territories By Stephen J. Dunbar, B.A.H. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts Department of Political Science Carleton University Ottawa, Ontario Canada © Stephen J. Dunbar, 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-43456-7 Our file Notre reference ISBN: 978-0-494-43456-7 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non­ sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation.
    [Show full text]
  • Annual Report, 2015-2016
    Image used with permission from Rae Hutton, Design by Lauren Bosc THINKING THROUGH THE MUSEUM: DIFFICULT KNOWLEDGE IN PUBLIC Annual Report SSHRC Partnership Development Grant March 25, 2015 – April 30, 2016 Prepared by Lauren Bosc (Project Coordinator) This research was supported by the Social Sciences and Humanities Research Council of Canada. 2015-2016 THINKING THROUGH THE MUSEUM page 2 RESEARCH TEAM & ASSISTANTS: The Research Team includes: • Dr. Angela Failler (Project Director, University of Winnipeg) • Dr. Heather Igloliorte (Concordia University) • Dr. Erica Lehrer (Concordia University) • Dr. Monica Patterson (Carleton University) • Lauren Bosc (Project Coordinator, University of Figure 1: Research Team members (L to R): Erica Lehrer, Angela Failler, Winnipeg) Heather Igloliorte, and Monica Patterson. (photo credit: Lauren Bosc) The Research Assistants on this project for the reporting period include: • Michelle K. Barron (MA student, Carleton University) • Sylvia Dreaver (Dueck) (BA Hons. student, University of Winnipeg) • Anna Huard (MA student, University of Winnipeg) • Alexandra Nahwegahbow (PhD student, Carleton University) • Amy Prouty (MA student, Carleton University) • Jordana Starkman (BA student, Concordia University) • Travis Wysote (PhD student, Concordia University) 2015-2016 THINKING THROUGH THE MUSEUM page 3 PARTNERSHIP DEVELOPMENT ACTIVITIES: Research Meetings/Workshops Inaugural Team Meeting (Winnipeg, August 8-10, 2015) From August 9-12, 2015, the PDG team met in Winnipeg, Manitoba to launch “Thinking Through the Museum: Difficult Knowledge in Public.” The four-day meeting involved collaborators and research assistants, and included a field trip to Shoal Lake 40 First Nation’s Museum of Canadian Human Rights Violations, a visit with curators and researchers at the Canadian Museum for Human Rights, and a visioning session for the project.
    [Show full text]
  • Newfoundland & Labrador's
    NEWFOUNDLAND & LABRAdor’s VitalSigns® A province-wide check-up of quality of life in Newfoundland & Labrador communities for 2016. A collaboration between the Community Foundation of Newfoundland & Labrador and Memorial University’s Harris Centre. instead of Corner Brook, Parson’s Pond the 2016 national report explores how Cana- VitalSigns instead of Paradise. dian communities make their members feel So in this year’s report, we’re focusing included and what we can do to build strong on what it means to live in both urban and and lasting relationships with our neigh- BONAvistA rural areas of this province. To dig deep bours. Visit vitalsignscanada.ca to download into the differences between these types the national report. of communities, we’ve enlisted the help of How we as a country understand and Alvin Simms and Jamie Ward, promote belonging is all the more im- whose work on functional portant as we invite new Cana- economic regions gives dians to our shores. On page us a way to break the 14 of this report you’ll province down based find a story of what on population and one region is doing to how far residents make Syrian refugees have to travel for We’re focusing on feel at home and how services. You may what it means to live they see welcoming be surprised to in both urban and new immigrants as an learn where your rural areas of this important investment Welcome. community fits in and province. in the future for rural what other places you parts of the province. have the most in common We would like to From Paul McDonald, Chair, Community Foundation of Newfoundland and Labrador with: your community’s thank TC Media, our media and Rob Greenwood, Executive Director, Harris Centre.
    [Show full text]
  • Written Submission to Special Senate Committee on the Arctic by Stephen Borys, Phd, MBA, Director & CEO, Winnipeg Art Gallery November 2018
    Written submission to Special Senate Committee on the Arctic by Stephen Borys, PhD, MBA, Director & CEO, Winnipeg Art Gallery November 2018 The Inuit Art Centre project at the Winnipeg Art Gallery As we build the new Inuit Art Centre at the Winnipeg Art Gallery, I am constantly thinking about – and rethinking – the idea of the museum; not just what it looks like, but how it functions, communicates, and what and who it stands for today. The Winnipeg Art Gallery houses the world’s largest collection of contemporary Inuit art with close to 14,000 carvings, drawings, prints, textiles, and new media. In addition, the Government of Nunavut has placed on long-term loan their entire fine art collection comprising almost 8,000 works. The WAG began collecting Inuit art in the 1950s when this art form was largely unknown in Canada’s south. Supported by an unparalleled record of exhibitions, publications, research, and outreach, this collection represents Inuit identity, culture, and history – and it lies at the heart of the Inuit Art Centre journey. To celebrate the art and to honour the people who have created these Inuit works, the WAG is building an Inuit Art Centre, the first of its kind in the world. This new 40,000 square foot structure, adjacent and connected to the Winnipeg Art Gallery, will be a centre for exhibitions and programs, research and learning, studio practice and artmaking. It will be a bridge, enabling peoples from the North and South to meet, learn, and work together. It will be a gathering place— a community hub for exploration and advancement—with the art serving as a lens on Canada’s Arctic.
    [Show full text]
  • Senate Committee on the Arctic
    May 3, 2019 Canada Research Coordinating Committee Senate Committee on the Arctic April 3rd Meeting Follow-up May 3, 2019 Canada Research Coordinating Committee SSHRC Materials Senate Committee on the Artic - Follow-up to April 3rd Meeting Materials included: 1. List of programs (new and existing) that are open to Indigenous communities, researchers and not for profits 2. List of research projects/programs funded under circumpolar collaboration 3. Number of northerners and Indigenous northerners on board of governors 4. Copy of the National Dialogue Summary Notes (SSHRC on behalf of the agencies) List of SSHRC programs (new and existing) open to Indigenous communities, researchers and not-for-profits Available Participant Roles Program Sub-program Indigenous Researchers Indigenous Communities Indigenous Not-for-profit Organizations Insight Research Insight grants Applicant (if affiliated with an Professional service providers Professional service providers eligible Canadian postsecondary institution) End-users or any other role other End-users or any other role other Co-Applicant (if affiliated with an than PI or Co-applicant or than PI or Co-applicant or eligible Canadian postsecondary collaborator collaborator institution) Collaborator- no restriction Insight Development grants Applicant (if affiliated with an eligible Canadian postsecondary institution) Co-Applicant (if affiliated with a postsecondary institution) Collaborator- no restriction Research Training and Talent Joseph-Armand Bombardier Canada Applicant (if undertaking master’s
    [Show full text]
  • Concordia University Detailed Faculty Information
    Concordia University Detailed Faculty Information Year University Year Hired Departed Professor Gender B.A. BA (Country) M.A. MA (Country) Ph.D. Ph.D. (Country) Subfield Specialization Concordia University 1969 2010 Sandra Paikowsky female George William Canada Toronto Canada None CANADIAN Canadian art Concordia University 1970 1996 Donald F. P. Andrus male Toronto Canada Toronto Canada None MODERN modern Concordia University 1970 1996 Ellen James female Penn USA Columbia USA McGill Canada ARCHITECTURE architecture Concordia University 1971 2005 Joan Acland female Carleton Canada Concordia Canada Concordia Canada ARCHITECTURE architecture Concordia University 1975 1982 Gary Walters male Princeton USA Princeton USA Princeton USA MODERN modern/Renaissance Concordia University 1975 2001 Reesa Greenberg female McGill Canada Toronto Canada None MODERN modern Concordia University 1977 1989 Laurier Lacroix male Ottawa Canada Montreal Canada Laval Canada QUEBEC Canadian/Quebec Concordia University 1977 1997 Edwy F. Cooke male Toronto Canada Iowa (mfa) USA None UNKNOWN UNKNOWN Concordia University 1977 1997 Hardy George male Texas USA UCLA USA University of London UK 19TH CENTURY 19th c. European Concordia University 1977 2007 Warren Sanderson male Boston USA Boston USA NYU USA EARLY MODERN Renaissance Concordia University 1978 1980 J. Russell Harper male Toronto Canada Toronto Canada NSCAD Canada CANADIAN Canadian Concordia University 1979 2012 Jean Belisle male Montreal Canada Montreal Canada Paris France ARCHITECTURE Architecture Concordia
    [Show full text]
  • Pilimmaksarniq | Pijariuqsarniq Report 2
    INUIT FUTURES IN ARTS LEADERSHIP: THE PILIMMAKSARNIQ | PIJARIUQSARNIQ PROJECT INAUGURAL EVENT: OCTOBER 16 – 20, 2018 At OCAD University, Toronto, Ontario SSHRC Partnership Development Grant Hosted by Toronto partners; Indigenous Visual Culture at OCAD and Inuit Art Foundation Prepared by Adrienne Huard (Local Project Coordinator) This research was supported by the Social Sciences and Humanities Research Council of Canada. Page !1 of !14 INUIT FUTURES IN ARTS LEADERSHIP: THE PILIMMAKSARNIQ | PIJARIUQSARNIQ PROJECT INUIT LEADERSHIP GROUP •Reneltta Arluk (Akpik Theatre) •Alethea Arnaquq-Baril (Unikkaat Studios) •Dr. Heather Igloliorte (Concordia University) •Jessica Kotierk (Nunavut Film Development Corporation) •Taqralik Partridge (Independent Artist) •Jesse Tungilik (Government of Nunavut) PARTNERS •Stephen Borys (Winnipeg Art Gallery) •Sandra Dyck (Carleton University) •Britt Gallpen (Inuit Art Foundation) •Karine Gaucher (La Guilde) •Anna Hudson (York University) •Serena Keshavjee (University of Winnipeg) •Lindsay Lachance (National Arts Centre) •Jason Lewis (Concordia University) •Julie Nagam (University of Winnipeg) •Alysa Procida (Inuit Art Foundation) •Ryan Rice (OCAD University) •Carla Taunton (Nova Scotia College of Art and Design) •Katherine Wolforth (The Rooms Corporation) SECONDARY PARTNERS • RESEARCH ASSISTANTS •Adrienne Huard (OCAD University, MFA student) •Kathryn Florence Math (Concordia University, MA student) •Amanda Shore (Concordia University, MA student) •Emma Steen (Inuit Art Foundation, MA student at OCAD University) Page !2 of !14 INUIT FUTURES IN ARTS LEADERSHIP: THE PILIMMAKSARNIQ | PIJARIUQSARNIQ PROJECT PARTNERSHIP DEVELOPMENT ACTIVITIES: Preliminary Meeting - Inuit Leadership Group, OCAD University, 12-4pm (Toronto, October 16, 2018) Members from the Inuit Leadership Group gathered to set goals and objectives for the midway point of the grant (Year 4 - 2021-2122). They also discussed certain challenges that may arise and how to monitor and measure the success of the project.
    [Show full text]