Dubuque City Council Sets Next Year's Goals

Total Page:16

File Type:pdf, Size:1020Kb

Dubuque City Council Sets Next Year's Goals In the last edition of the Inkubator, I told a story Moving on... about coming to the end of the supply of magi- cal apple wood my dad bequeathed to me when We have the fattest little mouse in 365 World he gave me his meat smoker. Since then I have Headquarters. It’s not the only one over the past been blessed with the gift of free apple wood few months, but it’s the first one Tim and Mike from a number of sources. Thank you to every- got a good look at. The first ones perished in one who gave me the mojo. So, I have enough the D-Con twirling disc of doom. Some kind of the lovely lumber to keep me smokin’ well of spring loaded device trips inside the round into ‘08. That being said, I’d like to take this mo- hockey puck shaped device and it spins, do- ment to point out that I am also very, very low ing unseen, but surely unspeakable, things to on my supply of magical beer. the creature inside. Once it snaps shut you can’t see anything inside. But if it’s heavier than We took our wood to the Throwdown on the when you put it down, bingo, tell ‘em what River BBQ Cook-Off at the Grand Harbor over they’ve won, Gene! Now I’ve got a liking for Labor Day Weekend. We were definitely the peanut M&Ms. It was when I didn’t finish them novices in the event. Some of the competitors and put the package, closed, mind you, into my had massive rigs made of diamond plate and rolling industrial tool chest / desk drawers, that the little bastards showed themselves. We soon dispatched them ... and the practice of leav- ing any chocolate until tomorrow. That is, until my girl gave me a bag of Reese’s Mini Peanut Butter Cups to bring to the office. Poor thing. She got the bag to take to a movie (not that anyone would ever sneak candy into a movie theater) and, in horror at the first taste in the dark, discovered that she had acciden- tally bought the new Elvis Reese’s with the built into massive banana flavor in them. (You thought I was tricked-out mo- gonna say there was a mouse in the bag, tor homes. It was didn’t you?) No, this was apparently worse. crazy. Some of the top 10 competitive BBQ So she gave me the remnants to bring in and see cooks in the nation were there. As promised, if anyone wanted them. Needless to say, after we talked to some zen masters and picked up a week or two in the office and a few days in what knowledge we could. We took ridicule for the infamous drawer of rodent residence, they using Kingsford charcoal. Our rigs weren’t big still went uneaten ... until Labor Day weekend. enough to hold the loin we had to smoke for We have not purchased new traps yet. Now that the People’s Choice competition, and we didn’t Tim and Mike have taken to naming the little even have a clever name for our team like “Car- cass Cookers” or “The Porkcrastinators.” Oh, snap! We need to work on that. I thought we could be Team Limp Brisket next year. We left poor Chris Puetz to stoke the fires of our pa- thetic little smokers alone from 4 a.m. to 6:30 a.m. while we slept ... sort of. In the end, these smokin’ newbies did not finish last. In fact, two of our meats finished in the top half of the 28 entries. Our top finisher, the pulled pork, which we basted with Mike’s special BBQ sauce made guy, I’m torn about letting him slip from this from Stone Cliff’s Sweet Cherry Wine, was the mortal coil. Not that torn, really. He’s toast. But only kind of meat none of us had ever cooked Rosie Hightower is his / her name. Mike and before. Go figure. I guess we’re a bunch of Tim decided whatever fictitious name the next idiot savants. But without one of those mas- unwanted porn-spam e-mail came from would sive smoke rigs, which I think secretly run on be the beast’s name. So Rosie Hightower it is. nitrous oxide, I’m not sure we can play ball. We’re considering trapping it and making it the But what a fun weekend it was for manliness in office mascot. That\ sounds like a considerable general. I should mention that the two old sages amount of work, though. I think I need a smell- we talked to about how to cook smoked meat proof chocolate lock-box. Do they make those? better ... yeah, we beat them both in the overall I guess it’s called Tupperware. But I prefer lock- rankings. Who’s your smoke daddy? box. I’ll bet Al Gore has one. The 365ink crew... faces you already know! Tim Brechlin Mike Ironside Tanya Graves Ellen Goodmann Kelli Kerrigan Ralph Kluseman Gary Olsen Matt Booth L.A. Hammer Chris Wand Pam Kress-Dunn Joey Wallis In This Issue of 365ink ISSUE # 38 ... SEPTEMBER 6 - 19 Warehouse District: 4 Community Events: 5 - 7 Arts & Culture Voices III: 8 : 6 - 11 100 Years of Broadway: 11 Motown Greats @ UWP: 12 Riverfest: 13 Legends of New York City: 14 Live Music Listings: 16-17 Wando’s Movie Reviews: 18 Mayor Roy Buol: 20 Giving Voice: Pam Kress-Dunn: 21 Bob’s Book Reviews: 22 Mattitude: 23 Eating Healthy: 25 The A Factor: Crossword / 26Sudoku: 27 Trixie Kitch: 28 Dr. Skrap’s Horoscopes: 28 Comedy: 30 The Inkwell Publisher: Bryce Parks ([email protected]) Editor: Tim Brechlin ([email protected]) Advertising: Kelli Kerrigan ([email protected]) 563-451-9365 Ad Design: Tanya Graves ([email protected]) Photography: Mike Ironside, Joey Wallis, Ron TIgges, Bryce Parks Writers & Content: Mike Ironside, Tim Brechlin, Ellen Goodmann, Bryce Parks, L.A. Hammer, Chris Wand, Mayor Roy Buol, Matt Booth, Robert Gelms, Angela Koppes, Pam Kress-Dunn Graphic Design & Layout: Bryce Parks, Mike Ironside, Tim Brechlin Special thank you to: Jim Heckmann, Bob & Fran Parks, Kay Kluseman, Bob Johnson, Todd Locher,Dave Blake, Everett Buckardt, Julie Steffen, Sheila Castaneda, Tom Miller, Renae Gabrielson, Christy Monk, Katy Brechlin, Ron & Jennifer Tigges and all the 365 friends and advertisers for all your support. You are all 365. Dubuque365 • 210 West 1st Street, Dubuque, IA, 52001 Office Phone or Music/Events/Movie Hotline 365 @(563) 588-4365 All contents (c) 2007, Community, Incorporated. All rights reserved. Roy Buol Ron Tigges Robert Gelms Brad Parks Angela Koppes Bryce Parks We’ve hidden 365’s WANDO somewhere in this issue of Dubuque365ink. Can you find the master of movies buried within these pages? Hint: He’s tiny and could be anywhere ! Good Luck! Win ners get a free warm fuzzy felling in your belly! - THERE’S MORE THAN JUST DUST IN OUR WAREHOUSES! 4 SEPTEMBER 6 - 19 “For a lot of people, especially those who friends at the Tri-State Sports Look maga- are somewhat new to town, they discover zine, recently entered its new digs in the Warehouse District almost by acci- the warehouse with a 3,500-square-foot dent,” she says. “You know, you’re driv- build-out as part of the project. ing around downtown looking for Place A or Place B, and then you find yourself all Business already in the District is thriv- turned around and you’re lost ... and then ing, too. Restoration Warehouse, the en- you’re in this cool district that you didn’t terprise owned by Bob Johnson, Bethany even know existed, and then you forget Golombeski and David Blake, is getting about your original destination. The Ware- bigger seemingly every day under the house District is cool, once you’re actually guidance of Kyle Fitzgerald. Fitzgerald and there ... that’s what we’re working on.” Golombeski, in fact, barely made it to the cover photo shoot for this issue, as they And they’re definitely working hard. The were so busy with work at the warehouse! Warehouse District Committee has met more than a dozen time, with countless “It’s good to be busy,” Golombeski said hours poured into the project from its with a smile as she arrived at the shoot. volunteers. Committee members and rep- “Then you realize that you have three resentatives from Dubuque Main Street days to do a week’s work and then you have traveled across the country to ware- don’t know where to start!” she quickly house districts in other locales, engaging added, laughing. by Tim Brechlin was targeted last year by Dubuque’s Envi- sion 2010 Commission, sponsored by the in fact-finding and research missions to best determine what works, what doesn’t Beyond the great shopping options at Res- There is a rumbling deep within our Dubuque Racing Association and spear- work, and what hasn’t been tried before. toration Warehouse (the desks at 365 are historic downtown Dubuque. It is the headed by the Dubuque Area Chamber of science lab tables from the University of rumbling of a district that, once thought Commerce and the Community Founda- The District is moving full speed ahead. Dubuque, dating back to the ‘60s -- no dormant, is now shouting to be seen tion of Greater Dubuque, which at the time The CRA / Caradco Building at 1000 joke!), there’s so much more down in and heard. It is Dubuque’s ever-historic said that it aimed to convert buildings into Jackson Street, also known as the Voices the Warehouse District: Marsha Scovel’s Warehouse District, a unique and in- multi-use structures for businesses, restau- Warehouse, received a huge boost in Hometiques, Phoenix Fitness, Mission stantly captivating part of our city that is rants, shops and residences, as well as de- March when Wilmac Properties, owned Creative, the oh-so-delicious burgers at quickly becoming one of the beacons of velop a registry, with information regarding by Tim McNamara, was awarded an Kalmes’ Breaktime ..
Recommended publications
  • Remaking Horror According to the Feminists Or How to Have Your Cake and Eat It, Too
    Représentations dans le monde Anglophone – Janvier 2017 Remaking Horror According to the Feminists Or How to Have your Cake and Eat It, Too David Roche, Université Toulouse Jean Jaurès Key words: horror, remake, feminist film theory, post-feminism, politics. Mots-clés : horreur, remake, théorie féministe, post-féminisme, politiques identitaires. Remakes, as Linda Hutcheon has noted, “are invariably adaptations because of changes in context” (170), and this in spite of the fact that the medium remains the same. What Robert Stam has said of film adaptations is equally true of remakes: “they become a barometer of the ideological trends circulating during the moment of production” because they “engage the discursive energies of their time” (45). Context includes the general historical, cultural, social, national and ideological context, of course, as well as the modes of production and aesthetic trends in the film and television industry. Studying remakes is, then, a productive way to both identify current trends and reconsider those of the past, as well as to assess the significance of a previous work into which the remake offers a new point of entry (Serceau 9), and this regardless of whether or not we deem the remake to be a “successful” film in itself. In this respect, remakes are especially relevant to film and television history and, more generally, to cultural history: they can teach us a lot about the history of production strategies, the evolution of genres, narrative, characterization and style, and of various representations (of an event, a situation, a group or a figure). In a recent article entitled “Zip, zero, Zeitgeist” [sic] posted on his blog (Aug 24, 2014), David Bordwell warns against the tendency of some journalists to see “mass entertainment” as “somehow reflect[ing] its society”: In sum, reflectionist criticism throws out loose and intuitive connections between film and society without offering concrete explanations that can be argued explicitly.
    [Show full text]
  • Catriona Helen Miller
    Vlood Spirits A cjungian Approach to the Vampire JKyth Catriona Helen Miller Submitted for the degree of Doctor of Philosophy University of Stirling Stirling Scotland December 1998 r., 4. , Dedication To my parents, Irene and Jack Miller, without whom.... For all the support, guidance and encouragement above and beyond the call of parental duty. Your many favours can never be repaid. Acknowledgements I would like to thank Dr. John Izod for the skillful and unfailingly tactful supervision of this thesis, and for the companionshipon the j ourney. To Lari, for the chair; the commas and comments;the perpetual phone calls; and for going to Santa Cruz with me all those years ago. To everybody in the Late Late Service for sustenanceof various kinds. And everyone else who asked about my thesis and then listened to the answer without flinching. I also acknowledge the kind financial support of the Glasgow Society for Sons and Daughters of Ministers of the Church of Scotland, and, of course, my parents. Contents Page Acknowlegements i Abstract .v INTRODUCTION PART ONE APPROACH & CONTEXT 10 " The Study of Myth & the Cartesian/Newtonian Framework 11 " The Advent of Psychology 13 " Freud & the Vampire Myth 17 " Beyond Descartes & Newton: the New Paradigm 21 " Jung & the New Model 24 " Archetypes & the Collective Unconscious 31 " The Study of Myth After Freud & Jung 35 The Vampire Myth 40 " I " Jung & the Vampire Myth 41 " Symbols: A Jungian Definition 44 PART TWO ENCOUNTERS WITH SHADOW VAMPIRES 49 " Folklore & Fiction 49 " The Vampire in Folklore 51 " Vampirý Epidemics? 54 " The Shadow Archetype 57 " The Dead 58 " The Living Dead 61 " The Shadow Vampire in the Twentieth Century 65 " Nosferatu: A Symphony of Horror (Dir: F.
    [Show full text]
  • GO-May-13.Pdf
    Schedule Program Guide For TCN/GO Sun May 13, 2012 06:00 THUNDERBIRDS Repeat WS G Alias Mr. Hackenbacker Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS WB SUNDAY WS G Hosted by Lauren Phillips and Andrew Faulkner. 07:00 TAZ-MANIA Repeat G Heartbreak Taz/Just Be "Cuz" Problems arise when Constance Koala confides her love for Taz to Mr. Thickly, who tries to intervene on Constance's behalf. 07:30 ANIMANIACS Repeat G Hello Nice Warners/La Behemoth/Little Old Slappy Tells the story of what happens when the Warners siblings are cast in a new film by the comedy genius, Mr. Director. 08:00 THE LOONEY TUNES SHOW Repeat WS G Newspaper Thief When Daffy discovers his newspaper is missing, he accuses the neighbors of stealing it and sets out to catch "the thief" by setting an elaborate trap during Bugs' dinner party. 08:30 CAMP LAZLO Repeat WS G Scoop of the Day / Boxing Edward Lumpus becomes obsessed with reading Dave and Ping Pong newspaper even though it is "for campers only." 09:00 THUNDERCATS Repeat WS PG Song Of The Petalars Lizard assassins hunt the team. Cons.Advice: Mild Violence 09:30 YOUNG JUSTICE WS PG Misplaced Cons.Advice: Mild Violence, Supernatural Themes 10:00 BATMAN: THE BRAVE AND THE BOLD Repeat WS PG Sidekicks Assemble! Aqualad, Robin and Speedy have had it with being bossed around and demand a piece of the action, but they get more than they bargained for.
    [Show full text]
  • Horrorhound 33(C2c)(2012)(Re Em DCP)
    HOP Movie News « Comics « Action Figures « Biu-rays ^ GORE! Jan/Feb 2012 $6.99 THE HOME ORIGINAL AND r EHRAORDINARY FICTION IGHTMARE ICITY^ OR THESE AHD MAHY OTHER CLASSICS KOj^JtlS "At Samhain, we 're committed to bringingyou the very best in " horror every month. —Don D'Auria, Executive Editor JM iWWW.samhainhorroncom' HQRReR IS mmFi Till EXCLUSIVE INTERVIEW-. ' wi th \ OHfb^ C USA'C K w’ E'S E AND, J, AM K^CT;E EG u m -r ^ HORRORHOUND LTD. r.O. Box 710 Jlilforrt, OH 45150 Dear HorrorHound, "Monster Mash” on the radio, the Aurora Models and the HORROIUIOUND I would like to let you know that I’m a big fan of your newsstand invasion of monster magazines like Famous magazine. I have been a true fan of horror since I was 7 Monsters, Castle of Frankenstein, Horror Monsters and Publisher JEREjVry SHELDON years of age. I’m currently 29, and love horror even on and on. I’ve never lost my fascination for horror and more. My favorites are Halloween (1978), Halloween 2 fantasy films (despite the many turkeys I've been privi- Editor-iu-Chief NATHAN HANNE]\IAN (1981) and My Bloody Valentine (1981). Being a child leged to watch during the last five decades), and I’ve bom in 1982 during the era when slasher films ruled is bought and read most of the mags that have come and Managing Editor renting of AARON CROWELL quite interesting. I collect slasher films and was also writ- gone over the years, not to mention scads VHS ing to ask if you know of any establishments or Web sites tapes and DVDs since the video explosion in the '80s.
    [Show full text]
  • À La Cinémathèque Française 5 DÉCEMBRE 2012 – 4 MARS 2013 Retrouvez Les Plus Grands fi Lms De L’Histoire Du Cinéma Américain
    rétrospective Universal 100 ans - 100 films à La Cinémathèque française 5 DÉCEMBRE 2012 – 4 MARS 2013 Retrouvez les plus grands fi lms de l’histoire du cinéma américain. SAMEDI 8 DÉCEMBRE - 14H30 UNIVERSAL, 100 ANS DE CINÉMA Table ronde animée par Jean-François Rauger, avec Joël Augros et Pierre Berthomieu Précédée de la projection d’Une balle signée X de Jack Arnold. Rétrospective réalisée en partenariat avec HORAIRES + PROGRAMME SUR cinematheque.fr La Cinémathèque française - musée du cinéma è 51, rue de Bercy Paris 12 Crédit : Les Oiseaux d’Alfred Hitchcock (1963) © Universal Studios. DR Grands mécènes de La Cinémathèque française pub_catalogue_belford.indd 1 24/10/2012 09:47:43 Kōji Wakamatsu (1936-2012) « Lorsque dans les années 2000, les films de Kōji Wakamatsu se remirent à circuler, nous découvrîmes des images d’une pureté bouleversante : une femme nue crucifiée devant le mont Fuji et un homme en pleurs à ses pieds, une vierge éclatant de rire sous le soleil, des amants révolutionnaires dont l’orgasme embrasait Tokyo ; et des jaillissements écarlates de jouissance et de violence et des monochromes bleus, fragiles souvenirs du paradis perdu. Kōji Wakamatsu donnait une voix aux étudiants japonais, mais plus encore à tous les proscrits et les discriminés : les sans-abri de Tokyo, les combattants palestiniens, les adolescents assassins, rendus fous par une société aliénante, et les femmes qu’il désignait, de façon définitive, comme les prolétaires d’une classe masculine féodale et cruelle. Même dans les copies sans sous-titres des Anges violés et Shojo Geba Geba, nous comprenions tout : l’amour fou et la révolution, la haine du pouvoir et l’apologie du plaisir et surtout le romantisme d’une jeunesse prête à tout sacrifier pour son idéal.
    [Show full text]
  • The Contemporary American Horror Film Remake, 2003-2013
    RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake.
    [Show full text]
  • Title ID Titlename D0043 DEVIL's ADVOCATE D0044 a SIMPLE
    Title ID TitleName D0043 DEVIL'S ADVOCATE D0044 A SIMPLE PLAN D0059 MERCURY RISING D0062 THE NEGOTIATOR D0067 THERES SOMETHING ABOUT MARY D0070 A CIVIL ACTION D0077 CAGE SNAKE EYES D0080 MIDNIGHT RUN D0081 RAISING ARIZONA D0084 HOME FRIES D0089 SOUTH PARK 5 D0090 SOUTH PARK VOLUME 6 D0093 THUNDERBALL (JAMES BOND 007) D0097 VERY BAD THINGS D0104 WHY DO FOOLS FALL IN LOVE D0111 THE GENERALS DAUGHER D0113 THE IDOLMAKER D0115 SCARFACE D0122 WILD THINGS D0147 BOWFINGER D0153 THE BLAIR WITCH PROJECT D0165 THE MESSENGER D0171 FOR LOVE OF THE GAME D0175 ROGUE TRADER D0183 LAKE PLACID D0189 THE WORLD IS NOT ENOUGH D0194 THE BACHELOR D0203 DR NO D0204 THE GREEN MILE D0211 SNOW FALLING ON CEDARS D0228 CHASING AMY D0229 ANIMAL ROOM D0249 BREAKFAST OF CHAMPIONS D0278 WAG THE DOG D0279 BULLITT D0286 OUT OF JUSTICE D0292 THE SPECIALIST D0297 UNDER SIEGE 2 D0306 PRIVATE BENJAMIN D0315 COBRA D0329 FINAL DESTINATION D0341 CHARLIE'S ANGELS D0352 THE REPLACEMENTS D0357 G.I. JANE D0365 GODZILLA D0366 THE GHOST AND THE DARKNESS D0373 STREET FIGHTER D0384 THE PERFECT STORM D0390 BLACK AND WHITE D0391 BLUES BROTHERS 2000 D0393 WAKING THE DEAD D0404 MORTAL KOMBAT ANNIHILATION D0415 LETHAL WEAPON 4 D0418 LETHAL WEAPON 2 D0420 APOLLO 13 D0423 DIAMONDS ARE FOREVER (JAMES BOND 007) D0427 RED CORNER D0447 UNDER SUSPICION D0453 ANIMAL FACTORY D0454 WHAT LIES BENEATH D0457 GET CARTER D0461 CECIL B.DEMENTED D0466 WHERE THE MONEY IS D0470 WAY OF THE GUN D0473 ME,MYSELF & IRENE D0475 WHIPPED D0478 AN AFFAIR OF LOVE D0481 RED LETTERS D0494 LUCKY NUMBERS D0495 WONDER BOYS
    [Show full text]
  • Fragile Bodies in Stephenie Meyer's Twilight Series
    Cultivating Perspectives: Fragile Bodies in Stephenie Meyer’s Twilight Series by Heather Simeney MacLeod A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English Department of English and Film Studies University of Alberta © Heather Simeney MacLeod, 2014 ABSTRACT This dissertation project exposes the troubling engagement with classifications of materiality within text and bodies in Stephenie Meyer’s contemporary American vampire narrative, the Twilight Series (2005-2008). It does so by disclosing the troubling readings inherent in genre; revealing problematic representations in the gendered body of the protagonist, Bella Swan; exposing current cultural constructions of the adolescent female; demonstrating the nuclear structure of the family as inextricably connected to an iconic image of the trinity— man, woman, and child; and uncovering a chronicle of the body of the racialized “other.” That is to say, this project analyzes five persistent perspectives of the body—gendered, adolescent, transforming, reproducing, and embodying a “contact zone”—while relying on the methodologies of new feminist materialisms, posthumanism, postfeminism and vampire literary criticism. These conditions are characteristic of the “genre shift” in contemporary American vampire narrative in general, meaning that current vampire fiction tends to shift outside of the boundaries of its own classification, as in the case of Meyer’s material, which is read by a diverse readership outside of its Young Adult categorization. As such, this project closely examines the vampire exposed in Meyer’s remarkably popular text, as well as key texts published in the late twentieth and early twenty-first centuries, such as Joss Whedon’s television series Buffy the Vampire Slayer (1997-2003), Alan Ball’s HBO series True Blood (2009-2014), Kathryn Bigelow’s Near Dark (1987) and Joel Schumacher’s The Lost Boys (1987).
    [Show full text]
  • Asbestos Fomd in St. Mary's Hall Approval Ofnew
    •*#^-— V '•Sji'-/'' Ill W, If Vol. ea. Mo. 1 VILLANOVA UNIVERSrrY. VILLANOVA. PA Seplembtr11,l987 <^»m By DAHff^i: SCALA Shriberg recommended that the University "work very hard to Villanova University has an demonstrate non alcoholic op- alcohol and drug problem which tions. ' He said that "Jake's l^iace," should be "v^rously attacked," a non-alcoholic pub open on an ' H according to A recent evaluation occasional basis in Connelly Cen- of the Student Life division. ter, should be open more often and *i^"YptMr resident tn^ staff will given more resources. tiil you case after c^9e of kids t hey Counseling and Career Center ait:Jiying to detoimy. They need Shriberg praised the Counseling h^iff^yTi^ health a^id counseling and Career Center's staff as "first resouwi^ need to he mobilized," class" and seemingly "well- said evaluator Dr. Arthur Shri- respected on campus." He ap- Iwifg of Xavief University in his peared especially impressed by report. the placement area of the center. Shribeiig fS part of a University However. Shriberg found the commissioned evaluation team Counseling Center lacking in which has been studying the several areas. For example, he University for the past three stated that the assistance of a years. His 27-page report praised psychiatrist is needed, and should many administrators and pro be available to aid students on grams but crilicized others, such medication. (Photo by Esposito) as the Couni^ng Center and Also, Shriberg criticized the Campus veterans welcome new freshmen to Villanova during Security. wijS^&g^ ••^' center for its policy of attempting the fint few days of college life.
    [Show full text]
  • Horrorhound.Com MOVIE NEWS; 30 Days of Night, Resident Evil 3, DVD NEWS: Halloween, Etc
    Winter 2007/2008 $6.95 A 25 Year BetrespectlMe BE A MONSTER! • MAKE A MONSTER! • ENLIST & UPLOAD! m MONSTERSTV.COM TO ENTER! WINTER 2007/08iiitineiR- www.horrorhound.com MOVIE NEWS; 30 Days of Night, Resident Evil 3, DVD NEWS: Halloween, etc. Featuring Grlndhouse, Tales from the Crypt, ' etc. SAN DIEGO COMIC-CON Coverage TOY NEWS: 30 Days of Night, Child's Play, Saw, Hezco Toys, etc. MUSICIANS in Horror! HALLOWEEN III Pull-Out Poster! HALLOWEEN III A HorrorHound Retrospective The History of HORROR ROCK COMIC BOOKS: Strangeland, Bump, of Army Darkness, Artist Spotlight: ON THE COVER: 30 Days of Nights makes Vampires scary again! Chucky, etc. MONTE WARD THIS ISSUE: The San Diego Comic-Con is the biggest geek- Horror’s fest of the year, and "horror geeks” luckily receive as much news and Hallowed suiprises from this annual event as anyone else: from revelations of Grounds: upcoming films to new comic announcements and video game titles. Halloween GOREHOUND; The most significant news from this year’s event is the onslaught of new action figure and collectibles due in stores over the next several Wizard of Gore months! Mezco Toys continues their line of “Cinema of Fear’ action fig- FANtasoi; ures with new additions: Leatherface from Texas Chainsaw Massacre Fan Art, Freddy 2, (based on his first film appearance) and Jason Voorhees Collector's from Frfc/ay fhe 13th Parts. On top of this. Gentle Giant has announced Spotlight Serial Killers: 2, a number of resin products from ‘Chainsaw ' 30 Days of Night and a RICHARD SPECK number of other horror comic titles! Check out page 21 for all the infor- mation concerning these announcements and many more! ROADKILL: Movie news this issue features our cover story; 30 Days of Night, HorrorHound in which we speak with Sam Raimi (producer), Josh Hartnett (star), Weekend November Steve Niles (creator) and David Slade (director): see page 8.
    [Show full text]
  • Ac Omparative Study of John Carpenter and Rob Zombie's Halloween
    BETWEEN TWO HALLOWEENS: A COMPARATIVE STUDY OF JOHN CARPENTER AND ROB ZOMBIE’S HALLOWEEN SOTIRIS PETRIDIS ARISTOTLE UNIVERSITY OF THESSALONIKI The main feature of slasher films is that evil is embodied by human nature, something that can be observed by the fact that their narratives revolve around a serial killer, usually male, who is spreading fear in the local community by killing innocent people. Nevertheless, usually a female character is the one who survives and confronts the serial killer. This essay compares and thoroughly analyzes two slasher films: John Car- penter’s Halloween (1978) and its 2007 remake directed by Rob Zombie. I claim that a significant differentiation of their narratives is based on the fact that the two films be- long to different cycles of the subgenre; Carpenter’s Halloween belongs to the classical cycle, in which the representation of sexual behaviors and the punishment of the sex- ual transgressors had a central role, whereas Zombie’s Halloween belongs to the ne- oslasher cycle, which is based on extensive stereotypical representations of social clas- ses. In my book, The Anatomy of the Slasher Film, I argue that three chronological cycles can be identified in the history of slasher films: the classical (1974-1993), the self-refer- ential (1994-2000), and the neoslasher cycle (2000-2013). The central thematic of the classical period is the punishment of the sexually active characters. According to Clo- ver (1992, 26-42), the killer is usually a male—often characterized by sex-related disor- ders as well—who engages in punishing the sexually active members of the commu- nity.
    [Show full text]
  • 'Halloween II' Review | Metromix Chicago 09/09/09 5:32 PM
    'Halloween II' review | Metromix Chicago 09/09/09 5:32 PM Location Get listed Advertise with us Weather Traffic Log in Sign up SEARCH: (e.g."sushi 60622" or "BYOB Italian") GO home restaurants bars & clubs events music movies theater style tv Home > Chicago Movies > Movie Review > 'Halloween II' review showtime listings 'Halloween II' review Movie theaters and showtimes for Halloween II in Rob Zombie’s return to Michael Myers is just too much Chicago. By Geoff Berkshire Narrow search by zipcode: Metromix Check Showtimes for Halloween II August 28, 2009 Today, September 09 Email Print View Share Add to Favorites Add to playlist Showtimes for Today, September 09 Critic's Rating: AMC Loews 600 North Michigan 9 600 N. Michigan Ave. - Chicago, IL 60611 Halloween II Wednesday, September 9 Running time: 105 minutes 2:45 | 5:30 | 8:15 | 11:00 Rated: R Map It | Buy Tickets | What's Nearby? Cast: AMC River East 21 Malcolm McDowell - Dr. Samuel Loomis Tyler Mane - Michael Myers 322 E. Illinois St. - Chicago, IL 60611 Sheri Moon Zombie - Deborah Myers Wednesday, September 9 Brad Dourif - Sheriff Brackett 11:05 | 12:05 | 1:50 | 2:50 | 4:40 | 5:40 | 7:30 | 8:30 | Scout Taylor-Compton - Laurie Strode 10:30 See full cast Map It | What's Nearby? Tyler Mane (Credit: Marsha LaMarca/Dimension) Director: Rob Zombie Kerasotes Chicago Webster Place 11 Genre: Horror Photos: Official Movie Web Site: http://www.halloween-themovie.com/ 1471 W. Webster Ave. - Chicago, IL 60614 Movie Trailer: View Trailer Wednesday, September 9 Overall User Rating: (3 ratings) 1:40 | 4:15 | 7:00 | 9:40 Be the first to review Map It | Buy Tickets | What's Nearby? This sequel to Rob Zombie’s 2007 “Halloween” remake picks up right where its Kerasotes Chicago City North 14 predecessor left off: Laurie Strode (Scout Taylor-Compton) has survived the 2600 N.
    [Show full text]