Four Star Films, Box Office Hits, Indies and Imports, Movies A

Total Page:16

File Type:pdf, Size:1020Kb

Four Star Films, Box Office Hits, Indies and Imports, Movies A Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 13 - 19, 2021 The Exorcist (1973) TMC Sat. 9 p.m. TMC Sun. 12:40 p.m. The Ghost Goes West (1936) TCM Tues. 3 a.m. The Godfather, Part II (1974) Paramount Sat. Noon Paramount Sat. 8:30 p.m. The Godfather (1972) Paramount Sat. 8 a.m. Paramount Sat. 4:30 p.m. His Girl Friday (1940) TCM Thur. 11 a.m. The Little Mermaid (1989) Freeform Tues. 8 p.m. Once (2006) Cinemax Fri. 12:19 p.m. Ordinary People (1980) EPIX Tues. 5:40 a.m. The Philadelphia Story (1940) TCM Wed. 1 p.m. Raiders of the Lost Ark (1981) Paramount Tues. 7 p.m. Saving Private Ryan (1998) AMC Sun. 10:58 a.m. AMC Fri. 2 a.m. AMC Fri. 4 p.m. The Shawshank Redemption (1994) AMC Sun. 2:57 p.m. AMC Fri. 11 p.m. AMC Sat. 2 p.m. The Silence of the Lambs (1991) AMC Sun. 8:28 a.m. The Southerner (1945) TCM Tues. Noon A Streetcar Named Desire (1951) TCM Wed. 5 p.m. Taxi Driver (1976) TMC Tues. 2:10 a.m. Terminator 2: Judgment Day (1991) BBC America Sun. 4:30 p.m. BBC America Sun. 10 p.m. Titanic (1997) Encore Wed. 5:42 p.m. Encore Thur. 6:51 a.m. Topkapi (1964) TCM Sun. 7:15 p.m. 12 Years a Slave (2013) Sundance Sat. 7 p.m. Sundance Sat. 11:45 p.m. The Untouchables (1987) TMC Fri. 2 p.m. Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z BRAVO, IFC & SUNDANCE IN PRIMETIME Bravo, IFC & Sundance in primetime, airing the week of the week of June 13 - 19, 2021 The Addams Family (1991) ★★ BBC America Tues. 8 p.m. BBC America Wed. 12:30 p.m. IFC Wed. 10:15 p.m. IFC Thur. 2:30 a.m. Another Stakeout (1993) ★★★ IFC Tues. Noon Blue Streak (1999) ★ Bravo Fri. 3:05 p.m. Bravo Fri. 11:18 p.m. Blues Brothers 2000 (1998) ★★ IFC Sat. 4:30 a.m. The Blues Brothers (1980) ★★★ Sundance Sun. 6 p.m. IFC Tues. 5 p.m. IFC Wed. 12:15 p.m. Bring It On (2000) ★★ Bravo Sat. 8 p.m. Bravo Sat. 9:50 p.m. Bring It On Again (2004) ★ Bravo Sun. 4:02 a.m. Bring It On: All or Nothing (2006) ★★ Bravo Sun. 2:02 a.m. Bring It On: Fight to the Finish (2009) ★★ Bravo Sat. 11:56 p.m. Captain Phillips (2013) ★★★ Sundance Sun. Noon AMC Tues. 9 a.m. Coming to America (1988) ★★★ Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Thur. 9 p.m. VH1 Fri. 1 p.m. IFC Sat. 6:30 p.m. IFC Sat. 9 p.m. Dazed and Confused (1993) ★★★ IFC Tues. 8 p.m. IFC Wed. 6 p.m. Deep Impact (1998) ★★ Sundance Mon. 9 p.m. Sundance Mon. 11:30 p.m. Erin Brockovich (2000) ★★★ Sundance Wed. Noon Eurotrip (2004) ★★ IFC Sun. 6 p.m. IFC Sun. 10:45 p.m. A Few Good Men (1992) ★★★ Sundance Sun. 3 p.m. The Fifth Element (1997) ★★★ IFC Fri. 3 p.m. Friday (1995) ★★★ Bravo Thur. 11:15 p.m. Bravo Fri. 5:07 p.m. Friday After Next (2002) ★ Bravo Fri. 9:17 p.m. Friends With Benefits (2011) ★★★ IFC Sun. 8:15 p.m. IFC Mon. 1 a.m. Ghosts of Mississippi (1996) ★★ AMC Sat. 7:30 a.m. Sundance Sat. 4 p.m. The Golden Child (1986) ★★ IFC Sat. 4:15 p.m. IFC Sat. 11:30 p.m. The Heartbreak Kid (2007) ★★ IFC Sun. 1:30 p.m. Home Again (2017) ★★ Bravo Thur. 1:02 a.m. The Hunt for Red October (1990) ★★★ Sundance Mon. 6 p.m. Sundance Tues. 10 a.m. A Low Down Dirty Shame (1994) ★ IFC Sat. 2 p.m. IFC Sun. 1:45 a.m. Madea's Witness Protection (2012) ★★ Bravo Sat. 1:24 a.m. Midway (1976) ★★ Sundance Mon. 3 p.m. The Monuments Men (2014) ★★ Sundance Mon. 12:30 p.m. Mr. 3000 (2004) ★★ IFC Sat. 11:45 a.m. IFC Sun. 4 a.m. Naked Gun 33 1/3: The Final Insult (1994) ★★ IFC Thur. 4:45 a.m. Next Friday (2000) ★★ Bravo Fri. 7:10 p.m. Bravo Sat. 4 a.m. Planes, Trains and Automobiles (1987) ★★★ IFC Wed. 4 p.m. IFC Thur. 12:30 p.m. Point Break (2015) ★★ IFC Fri. 12:30 p.m. Riddick (2013) ★★ IFC Fri. 8:30 p.m. IFC Sat. 1:45 a.m. Scream 4 (2011) ★★ IFC Mon. 3:30 a.m. Selena (1997) ★★★ Bravo Sat. 2 p.m. Bravo Sat. 5 p.m. Smokey and the Bandit (1977) ★★★ Sundance Sun. 9 p.m. Sundance Sun. 11:15 p.m. Smokey and the Bandit II (1980) ★★ Sundance Mon. 1:30 a.m. Smokey and the Bandit Part 3 (1983) ★ Sundance Mon. 4 a.m. Spaceballs (1987) ★★ IFC Sun. 4 p.m. IFC Tues. 10:15 p.m. IFC Wed. 8:15 p.m. Stakeout (1987) ★★★ IFC Tues. 2:30 p.m. IFC Wed. 3:15 a.m. The Stand: How One Gesture Shook the World (2018) Sundance Sat. 10 p.m. Sundance Sun. 2:45 a.m. Terminator 3: Rise of the Machines (2003) ★★★ BBC America Sun. 7:30 p.m. BBC America Mon. 1 a.m. IFC Fri. 6 p.m. IFC Fri. 11:15 p.m. 12 Years a Slave (2013) ★★★★ Sundance Sat. 7 p.m. Sundance Sat. 11:45 p.m. Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z BOX OFFICE HITS Movies that scored big at the box office, airing the week of the week of June 13 - 19, 2021 Ace Ventura: Pet Detective (1994) ★★ Freeform Tues. 2 p.m. Freeform Wed. Noon Ace Ventura: When Nature Calls (1995) ★★ Freeform Tues. 4 p.m. Freeform Wed. 2 p.m. The Addams Family (1991) ★★ BBC America Tues. 8 p.m. BBC America Wed. 12:30 p.m. IFC Wed. 10:15 p.m. IFC Thur. 2:30 a.m. The Amazing Spider-Man (2012) ★★★ Encore Mon. 9:21 a.m. Encore Tues. 1:23 a.m. American Sniper (2014) ★★★ TNT Thur. 10:30 p.m. Armageddon (1998) ★★ Syfy Sun. 7:30 p.m. Syfy Mon. 4:30 p.m. As Good as It Gets (1997) ★★★ Encore Mon. 11 p.m. Encore Tues. 7:51 a.m. Bad Boys II (2003) ★★ VH1 Sun. 4 p.m. Paramount Fri. 12:30 p.m. Basic Instinct (1992) ★★★ Cinemax Mon. 10:08 p.m. Cinemax Sun. 12:18 p.m. Big Daddy (1999) ★ Freeform Sat. 11:55 p.m. The Birdcage (1996) ★★★ EPIX Tues. 2:35 p.m. KCET Fri. 8 p.m. KCET Sat. 4 p.m. Black Hawk Down (2001) ★★★ AMC Fri. 10 a.m. The Blues Brothers (1980) ★★★ Sundance Sun. 6 p.m. IFC Tues. 5 p.m. IFC Wed. 12:15 p.m. Boomerang (1992) ★★ VH1 Thur. 11:35 p.m. The Bourne Identity (2002) ★★★ POP Fri. 10 p.m. POP Sat. 6 a.m. The Bourne Supremacy (2004) ★★★ POP Sat. 1 a.m. POP Sat. 9 a.m. The Bourne Ultimatum (2007) ★★★ POP Sat. 3:30 a.m. POP Sat. 11:30 a.m. Braveheart (1995) ★★★ Encore Tues. 9 p.m. Encore Wed. 5:01 a.m. Bridesmaids (2011) ★★★ E! Sun. 6 p.m. Cast Away (2000) ★★★ Freeform Thur. 8 p.m. Freeform Fri. 11 a.m. Catch Me if You Can (2002) ★★★ AXS Mon. 6 p.m. AXS Mon. 9:15 p.m. AXS Tues. 6 a.m. Clear and Present Danger (1994) ★★★ Ovation Sun. 4 p.m. Ovation Mon. 6:30 p.m. Ovation Tues. 4 p.m. The Client (1994) ★★★ Ovation Fri. 4 p.m. Ovation Sat. 1:30 p.m. The Color Purple (1985) ★★★ AMC Sat. 10:30 a.m. Coming to America (1988) ★★★ Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Thur. 9 p.m. VH1 Fri. 1 p.m. IFC Sat. 6:30 p.m. IFC Sat. 9 p.m. Congo (1995) ★★ Showtime Thur. 4:15 a.m. The Dark Knight Rises (2012) ★★★ HBO Sun. 10 a.m. HBO Sat. 11:45 p.m. Deep Impact (1998) ★★ Sundance Mon. 9 p.m. Sundance Mon. 11:30 p.m. Demolition Man (1993) ★★ AMC Mon. 5:30 p.m. AMC Tues. 2:30 p.m. Dirty Dancing (1987) ★★★ Cinemax Wed. 6:15 p.m. Elf (2003) ★★★ Starz Sat. 7:28 a.m. Enemy of the State (1998) ★★★ AMC Fri. 8 p.m. AMC Sat. 5 p.m. Erin Brockovich (2000) ★★★ Sundance Wed. Noon Every Which Way But Loose (1978) ★★ TCM Sat. 11 p.m. The Exorcist (1973) ★★★★ TMC Sat. 9 p.m. TMC Sun. 12:40 p.m. Face/Off (1997) ★★★ EPIX Thur. 10:20 p.m. EPIX Sun. 12:40 p.m. Fast Five (2011) ★★ KVEA Sat. 8:30 p.m. Syfy Sat. 8 p.m. Father of the Bride (1991) ★★★ TCM Fri. 7:15 p.m. A Few Good Men (1992) ★★★ Sundance Sun. 3 p.m. Field of Dreams (1989) ★★★ AMC Sat. 5 a.m. First Blood (1982) ★★★ Showtime Fri. 12:30 p.m. Flatliners (1990) ★★★ Encore Wed. 3:45 p.m. Footloose (1984) ★★ EPIX Wed. 11:30 p.m. Four Weddings and a Funeral (1994) ★★★ TCM Fri. 5 p.m. The Fugitive (1993) ★★★ KVEA Sun. 12:30 p.m. Ghostbusters II (1989) ★★ Syfy Sun.
Recommended publications
  • Cow Care in Hindu Animal Ethics Kenneth R
    THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson
    Not Another Trash Tournament Written by Eliza Grames, Melanie Keating, Virginia Ruiz, Joe Nutter, and Rhea Nelson PACKET ONE 1. This character’s coach says that although it “takes all kinds to build a freeway” he is not equipped for this character’s kind of weirdness close the playoffs. This character lost his virginity to the homecoming queen and the prom queen at the same time and says he’ll be(*) “scoring more than baskets” at an away game and ends up in a teacher’s room wearing a thong which inspires the entire basketball team to start wearing them at practice. When Carrie brags about dating this character, Heather, played by Ashanti, hits her in the back of the head with a volleyball before Brittany Snow’s character breaks up the fight. Four girls team up to get back at this high school basketball star for dating all of them at once. For 10 points, name this character who “must die.” ANSWER: John Tucker [accept either] 2. The hosts of this series that premiered in 2003 once crafted a combat robot named Blendo, and one of those men served as a guest judge on the 2016 season of BattleBots. After accidentally shooting a penny into a fluorescent light on one episode of this show, its cast had to be evacuated due to mercury vapor. On a “Viewers’ Special” episode of this show, its hosts(*) attempted to sneeze with their eyes open, before firing cigarette butts from a rifle. This show’s hosts produced the short-lived series Unchained Reaction, which also aired on the Discovery Channel.
    [Show full text]
  • Table of Contents
    Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D.
    [Show full text]
  • 12 Hours Opens Under Blue Skies and Yellow Flags
    C M Y K INSPIRING Instead of loading up on candy, fill your kids’ baskets EASTER with gifts that inspire creativity and learning B1 Devils knock off county EWS UN s rivals back to back A9 NHighlands County’s Hometown Newspaper-S Since 1927 75¢ Cammie Lester to headline benefit Plan for spray field for Champion for Children A5 at AP airport raises a bit of a stink A3 www.newssun.com Sunday, March 16, 2014 Health A PERFECT DAY Dept. in LP to FOR A RACE be open To offer services every other Friday starting March 28 BY PHIL ATTINGER Staff Writer SEBRING — After meet- ing with school and coun- ty elected officials Thurs- day, Florida Department of Health staff said the Lake Placid office at 106 N, Main Ave. will be reopen- ing, but with a reduced schedule. Tom Moran, depart- ment spokesman, said in a Katara Simmons/News-Sun press release that the Flor- The Mobil 1 62nd Annual 12 Hours of Sebring gets off to a flawless start Saturday morning at Sebring International Raceway. ida Department of Health in Highlands County is continuing services at the Lake Placid office ev- 12 Hours opens under blue ery other Friday starting March 28. “The Department con- skies and yellow flags tinues to work closely with local partners to ensure BY BARRY FOSTER Final results online at Gurney Bend area of the health services are avail- News-Sun Correspondent www.newssun.com 3.74-mile course. Emergen- able to the people of High- cy workers had a tough time lands County.
    [Show full text]
  • “My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
    “My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4.
    [Show full text]
  • 1997 Sundance Film Festival Awards Jurors
    1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J.
    [Show full text]
  • Ashley Hinshaw: How to Get a Guy to “It’S Crazy Starting Want You in January I Hadn’T Left the U.S
    ICONChronicle’s Ashley Hinshaw: How to get a guy to “It’s crazy startING want you In January I hadn’t LEFT THE U.S. AND BY TOP TEN MUST JUNE I HAD BEEN ALL HAVES FOR over the world.” UNDER $100 Spring romance and fashion SURGERY PROS AND CONS OF PLASTIC Spring 2012 1 WWW.THEICONMAG.COM www.theiconmag.com From the Editor’s Desk: ot only did we focus on spring you don’t love it, don’t buy it. If it’s too tight, too romance this issue, but we also big or just doesn’t fit right, don’t buy it. You may included a great deal of art sometimes think: “ I can get away with this”…that editorial work. Our cover icon, just means it’s not right. My favorite things to wear Ashley Hinshaw, was so much include a pair of skinny jeans, a white tank (Hanes), Nfun to work with. She has three big movies out and then dress it up with some cute shoes and and is making her way through this competitive jewelry. One cannot go wrong with that combo. industry with her head set strong on her shoulders. I’ve learned a lot being in the fashion world, and the most important thing I can tell people is this: I’ve noticed lately that a lot of people are really be yourself, no matter what. Lastly, be comfortable focusing on self-empowerment, meditation and in you. really trying to become stronger individuals. I truly believe that you can’t be happy with your Hope you enjoy this issue as much as we enjoyed surroundings, including your loved ones, friends, creating it! coworkers and overall environment, until you are happy with your own person.
    [Show full text]
  • Book Reviews
    BOOK REVIEWS Abel, Kerry: Drum Songs: Glimpses of Dene History. Montreal: McGill- Queen's University Press, 1993, xxviii + 339 pp., black and white photographs, tables, maps, bibliography, index. [McGill-Queen's Stud- ies in Ethnic History series.] ISBN: 0-7735-0992-5, Cloth CDN $44.95; 0-7735-1150-4, Paper CDN $19.95. Kerry Abel grew up in northern Canadian resource towns but, not surprisingly, learned little from her schooling about the north and its Aboriginal residents. This personal experience inspired her research focus as an historian. With this book, she hopes "... to readjust the balance of historical writing" (p.x) and "... to answer the question of how these northern people have been able to maintain a sense of cultural distinctiveness in the face of overwhelming economic, political, and cultural pressures from the European newcomers to their homelands" (p.xi). While she does not claim to be writing an ethnohistory or history from Dene perspectives, she does incorporate a wide range of social, economic, and political topics. Dene or Athapaskan peoples are widely distributed across the western Subarctic, from Hudson Bay to interior Alaska. They live in northern California and in the southwestern United States. The Dene of this history are those occupying the Mackenzie River drainage, especially that part of it that later became the Northwest Territories, with some discussion of contiguous regions. A map showing the general population divisions used in this book would have been helpful. The narrative begins by outlining the history of human occupation of the Mackenzie Drainage to the point of contact with Europeans, drawing upon archaeological evidence and Dene oral traditions (Chapter 1) followed by a very broad-brushed picture of Dene life in the 18th century on the eve of contact with European traders (Chapter 2).
    [Show full text]
  • Sasquatch and the Law: the Implications of Bigfoot Preservation Laws in Washington State
    Ilacqua 1 Joan Ilacqua HGSA Conference Paper Sasquatch and the Law: The Implications of Bigfoot Preservation Laws in Washington State The American Pacific Northwest is characterized and recognized by its lush wilderness, mountain ranges, salmon, Starbucks coffee, and most recently, by “Portlandia”­esque hipsters. The Pacific Northwest is also the home of the elusive, and presumed bogus, Sasquatch. Although the Sasquatch has its roots in Native American lore, the word “Sasquatch” is an anglicized Salish word, the first Bigfoot story was published by pioneer missionary Elkanah Walker in 1840 and a long tradition of publishing Bigfoot stories has proliferated since. Bigfoot searches and stories culminated in the 1967 Patterson­Gimlin film of a supposed female Sasquatch, although the myth has found resurgence in modern Bigfoot hunting television shows. Whether or not the elusive Sasquatch exists, ultimately the stories serve as a cautionary tale to act pragmatically in the wilderness. The myth and subsequent stories have become a symbol of the Pacific Northwest region. Bigfoot fervor also resulted in two Sasquatch preservation laws: the 1969 Skamania County Ordinance no. 69­01, later amended in 1984, and the 1991 Whatcom County Resolution No. 92­043. Each law purports to protect a creature that, if it does exist, is obviously endangered. The laws have a secondary purpose of protecting unsuspecting wilderness seekers from Bigfoot hunters, on their own the laws seem superfluous but they fit into a larger narrative about wilderness conservation and preservation in Washington state. Skamania County is in southeastern Washington state, just south of Mount Rainier, Ilacqua 2 and includes Gifford Pinchot National Forest and Mount Saint Helens.
    [Show full text]
  • October 2016
    October 2016 9:00 PM ET/6:00 PM PT 7:20 PM ET/4:20 PM PT 11:15 PM ET/8:15 PM PT 8:00 PM CT/7:00 PM MT 6:20 PM CT/5:20 PM MT 10:15 PM CT/9:15 PM MT Guns of the Magnificent Seven The Forgotten I.Q. 10:35 PM ET/7:35 PM PT 9:00 PM ET/6:00 PM PT SATURDAY, OCTOBER 1 9:35 PM CT/8:35 PM MT 8:00 PM CT/7:00 PM MT SUNDAY, OCTOBER 2 12:20 AM ET/9:20 PM PT The X-Files Great Balls Of Fire 11:20 PM CT/10:20 PM MT 1:05 AM ET/10:05 PM PT 12:05 AM CT/11:05 PM MT 10:50 PM ET/7:50 PM PT 9:50 PM CT/8:50 PM MT Die Hard The Magnificent Seven MONDAY, OCTOBER 3 2:40 AM ET/11:40 PM PT 12:40 AM ET/9:40 PM PT Sixteen Candles 1:40 AM CT/12:40 AM MT 3:15 AM ET/12:15 AM PT 11:40 PM CT/10:40 PM MT 2:15 AM CT/1:15 AM MT The Deer Hunter Guns of the Magnificent Seven The Forgotten TUESDAY, OCTOBER 4 5:50 AM ET/2:50 AM PT 2:15 AM ET/11:15 PM PT 12:25 AM ET/9:25 PM PT 4:50 AM CT/3:50 AM MT 5:05 AM ET/2:05 AM PT 1:15 AM CT/12:15 AM MT 11:25 PM CT/10:25 PM MT 4:05 AM CT/3:05 AM MT The Trailer Show Ravenous The X-Files Great Balls Of Fire 6:00 AM ET/3:00 AM PT 4:25 AM ET/1:25 AM PT 2:15 AM ET/11:15 PM PT 5:00 AM CT/4:00 AM MT 6:50 AM ET/3:50 AM PT 3:25 AM CT/2:25 AM MT 1:15 AM CT/12:15 AM MT 5:50 AM CT/4:50 AM MT Harry and the Hendersons Arthur and the Invisibles 2: The Legend Sixteen Candles 7:55 AM ET/4:55 AM PT 6:00 AM ET/3:00 AM PT 3:50 AM ET/12:50 AM PT 6:55 AM CT/5:55 AM MT Revenge of Maltazard 5:00 AM CT/4:00 AM MT 2:50 AM CT/1:50 AM MT 8:30 AM ET/5:30 AM PT The Magnificent Seven 7:30 AM CT/6:30 AM MT The Legend of Zorro Dazed and Confused 10:10 AM ET/7:10 AM PT 8:15 AM ET/5:15 AM PT 5:35 AM ET/2:35 AM PT 9:10 AM CT/8:10 AM MT The Trailer Show 7:15 AM CT/6:15 AM MT 4:35 AM CT/3:35 AM MT 8:40 AM ET/5:40 AM PT Guns of the Magnificent Seven 7:40 AM CT/6:40 AM MT The Mask of Zorro Robots 12:00 PM ET/9:00 AM PT 10:40 AM ET/7:40 AM PT 7:10 AM ET/4:10 AM PT 11:00 AM CT/10:00 AM MT Reservoir Dogs 9:40 AM CT/8:40 AM MT 6:10 AM CT/5:10 AM MT 10:25 AM ET/7:25 AM PT Harry and the Hendersons 9:25 AM CT/8:25 AM MT E.T.
    [Show full text]
  • What Else Is the Man Hiding Besides Wife?
    The Goodland Star-News / Friday, September 5, 2003 5 abigail part of his life and he adores them. I getting” to mention a wife and three for the wedding presents we recently the problem, though. What else is the have met many of his friends and children for two and a half years is a received. Yesterday, we learned that We have a family tradition that a van buren some of his family. Is it unreasonable dismaying lapse. You had a right to his great-uncle has passed away. baby’s middle name be after a mem- for me to expect to be introduced to the truth about his marital status from Should we address the thank-you ber of the family. My sister-in-law’s man hiding his kids? the beginning. note to just his great-aunt or to both mother recently died of cancer, and •dear abby I bring the subject up occasionally, It should be apparent to you by of them? The gift was from both of Haley would have been her only besides wife? but it upsets him. He says I need to now that Harold is capable of with- them. — STUMPED IN PENNSYL- granddaughter. The problem is that “give him time.” I’m beginning to holding important information. It VANIA Grandma’s name was Mary, which DEAR ABBY: I have been dating ing; he has a separate apartment — think his children will never be happy makes me wonder what else he may DEAR STUMPED: The thank- means the baby’s name will be Haley “Harold” for two and a half years.
    [Show full text]
  • Ronald Davis Oral History Collection on the Performing Arts
    Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability.
    [Show full text]