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Loyalty and Betrayal Reconsidered: the Tule Lake Pilgrimage
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 6-9-2016 "Yes, No, Maybe": Loyalty and Betrayal Reconsidered: The uleT Lake Pilgrimage Ella-Kari Loftfield Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Loftfield, Ella-Kari. ""Yes, No, Maybe": Loyalty and Betrayal Reconsidered: The uleT Lake Pilgrimage." (2016). https://digitalrepository.unm.edu/hist_etds/47 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Ella-Kari Loftfield Candidate History Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Professor Melissa Bokovoy, Chairperson Professor Jason Scott Smith Professor Barbara Reyes i “YES, NO, MAYBE−” LOYALTY AND BETRAYAL RECONSIDERED: THE TULE LAKE PILGRIMAGE By Ella-Kari Loftfield B.A., Social Anthropology, Haverford College, 1985 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts History The University of New Mexico Albuquerque, New Mexico May, 2016 ii Dedication This thesis is dedicated to my father, Robert Loftfield whose enthusiasm for learning and scholarship knew no bounds. iii Acknowledgements This thesis would not have been possible without the support and encouragement of many people. Thanks to Peter Reed who has been by my side and kept me well fed during the entire experience. Thanks to the Japanese American National Museum for inviting me to participate in curriculum writing that lit a fire in my belly. -
THE APPA Newsletter Oct. 23, 2007 See This Weekend MISSION
THE APPA Newsletter Oct. 23, 2007 See This Weekend MISSION STATEMENT: Promote full utilization of the capabilities of the Enterprise's employees and champion the betterment of the company and community. Promote interest in Asian Pacific issues and culture and act as a bridge to all groups within our community. (substitute in your Enterprise and company, etc…) --------------------------------------------------------------------- ed. by Douglas Ikemi ([email protected]) ------------------------------------------------------------------------- Back issues of the newsletter for all of 2000, 2001, 2002, 2003, 2004, and 2005 are available at http://www.ikemi.info/APPA/newsletters.html if you want to look up some past event. The website www.apa- pro.org no longer exists. This newsletter was originally published under the auspices of the Hughes Asian Pacific Professional Association (no longer extant). It currently has no affiliation and is available to anyone who is interested in downloading it. ---------------------------------------------------------------------- Please send in information on cultural events and news items to [email protected] or [email protected] . Thanks to those who have. Long range calendar items: Chinatown Farmers Market EVERY THURSDAY FROM 2-6PM, the Chinatown Farmers' Market takes place at Hill & Alpine bringing fresh fruits and produce by California Farmers to the Chinatown Community. FRIED BANANA, FRIED YAM, HAWAIIAN CHICKEN. We invite you to come and experience the Chinatown Farmers' Market. Free parking with purchase. The Downtown Arts District/Little Tokyo Farmers' Market Weller Court 2nd & San Pedro in Little Tokyo Summer Hours 10-3pm Features fresh produce, Hawaiian Chicken, more food gifts...and live jazz band. Tuesdays from 10 a.m.- 3 p.m. The weekly market is held every Tuesday from 10 a.m.- 3 p.m year round, rain or shine. -
Pacific Citizen Staff Commissioners Voted 2 to 1 in Favor Dants Who Have Long Opposed the Requiring South View Dairy, the of the 13,OOO-Heifer Feedlot
~PACIFIC Recognition for Vets ~ Filipino WWII vets win some '-"I CITIZEN compensation as House bill passes. New honor for the Go For Broke regiments?-PG. 4 :rhe National Publication of the Japanese American Citizens.League :-.(,\TIONAI. I'A( ; ~ ; 3 #31101 Vol. 147, No.7 ISSN: 0030-8579 www.pacificcitizen.org OCT. 3-16, 2008 Ordinary Family, Extraordinary Legacy Sixty years ago, California Kajiro,who immigrated to the U.S. between long pauses. 'This is my took away their land. By in lQ14 from the Wakayama country. I'm a citizen and you take suing and winning, Kajiro Prefecture, was an "alien ineligible my land away." and Fred Oyama started for citizenship" and therefore pro- Instead of accepting this fate, hibited from owning land, so he sim- Kajiro and Fred with the help of the .the fight for equal rights ply deeded the property to his JACL and the American Civil that is still beihg waged American born son. Liberties Union, took their battle today in Florida. "I didn't know why I was there," against injustice all the way to the With the help of the ACLU and the JACL, Fred Oyama (far left) and said Fred, now an 82-year-old retired Supreme Court. In the highest court Kajiro Oyama (seated, center) sued California for taking their land. By LYNDA LIN junior high math teacher, about the in the land, the Oyamas were vindi Assistant Editor day he and his father filed the paper- cated. Their 1948 case, Oyama v. "My role was my name. California Institute of Technology work for the land. -
Product Catalog
FILMS | VIDEOS | ANIMATION | EXHIBITS | PUBLICATIONS | MULTI-MEDIA | ARCHIVES VISUAL COMMUNICATIONS PRODUCT CATALOG 2017-2018 CONTENTS 03 | Welcome 04 | About Visual Communications 06 | Product Highlights 10 | Speak Out for Justice Volumes 14 | Armed With a Camera Volumes 22 | Digital Histories Volumes 30 | VC Classics 32 | Hidden Treasures Series 34 | Documentary 36 | Narrative 37 | Graphic Film/Animation 38 | Video 43 | Filmmakers Development Program 47 | Other Works 48 | Multi-Media 49 | Photographic Exhibitions 51 | Publications 52 | Resources 54 | Rental and Sales Info 57 | Policies Oversize Image Credits: Cover: PAGE 10: Roy Nakano; PAGE 43: From HITO HATA: RAISE THE BANNER (1980) by Robert A. Nakamura and Duane Kubo (Visual Communications Photographic Archive) ALL OTHER IMAGES APPEARING IN THIS CATALOG: Courtesy The Visual Communications Photographic Archive PRODUCTION CREDITS: Project Producer: Shinae Yoon; Editor: Helen Kim; Copywriter: Jerome Academia, Helen Kim, Jeff Liu, Supachai Surongsain; Design and Layout: Abraham Ferrer; Digital Photo-imaging intern: Allison Nakamura 02 WELCOME The visual heritage of Visual Communications can be seen in the more than 100 films, videos, and multimedia productions created since the organization’s founding in 1970. Beginning with vanguard works filmed in Super 8mm, Visual Communications productions have been distinguished by their unerring fidelity to the stories and perspectives of Asian America. As evidenced within this catalog, this policy has continued as Visual Communications’ productions have transitioned from film and video to digital formats. As well, the stories being told through our various offerings reflect the ever-changing landscape of the Asian American and Pacific Islander communities, and introduces us to filmmakers and voices who have come of age in the 22 years since the first edition of this catalog. -
Product Catalog
FILMS | VIDEOS | ANIMATION | EXHIBITS | PUBLICATIONS | MULTI-MEDIA | ARCHIVES VISUAL COMMUNICATIONS PRODUCT CATALOG 2013-2014 CONTENTS 03 | Welcome 04 | About Visual Communications 06 | Product Highlights 10 | Speak Out for Justice Volumes 14 | Armed With a Camera Volumes 20 | VC Classics 22 | Hidden Treasures Series 24 | Documentary 26 | Narrative 27 | Graphic Film/Animation 28 | Video 33 | Filmmakers Development Program 37 | Other Works 38 | Multi-Media 39 | Photographic Exhibitions 41 | Publications 42 | Resources 44 | Rental and Sales Info 46 | Policies Oversize Image Credits: Cover: PAGE 10: Roy Nakano; PAGE 43: From HITO HATA: RAISE THE BANNER (1980) by Robert A. Nakamura and Duane Kubo (Visual Communications Photographic Archive) ALL OTHER IMAGES APPEARING IN THIS CATALOG: Courtesy The Visual Communications Photographic Archive PRODUCTION CREDITS: Project Producer: Shinae Yoon; Editor: Helen Kim; Copywriter: Jerome Academia, Helen Kim, Jeff Liu, Supachai Surongsain; Design and Layout: Abraham Ferrer; Digital Photo-imaging intern: Allison Nakamura 02 WELCOME The visual heritage of Visual Communications can be seen in the more than 100 films, videos, and multimedia productions created since the organization’s founding in 1970. Beginning with vanguard works filmed in Super 8mm, Visual Communications productions have been distinguished by their unerring fidelity to the stories and perspectives of Asian America. As evidenced within this catalog, this policy has continued as Visual Communications’ productions have transitioned from film and video to digital formats. As well, the stories being told through our various offerings reflect the ever-changing landscape of the Asian American and Pacific Islander communities, and introduces us to filmmakers and voices who have come of age in the 22 years since the first edition of this catalog. -
“NIHONMACHI: the PLACE to BE” Musical Returns to San Francisco on March5-6
PRESS ANNOUNCEMENT For Immediate Release Contact: Paul Osaki, Executive Director, [email protected] Japanese Cultural and Community Center of Northern California 1840 Sutter Street - San Francisco, CA 94115 (415) 567-5505 - www.jcccnc.org “NIHONMACHI: THE PLACE TO BE” Musical Returns to San Francisco on March5-6 SAN FRANCISCO (January 28, 2016) - “Nihonmachi: The Place To Be,” a musical journey about California’s Japantowns featuring nostalgic Japanese and American songs, will return to San Francisco in celebration of the 110th anniversary of San Francisco’s Japantown on Saturday, March 5 at 11:00 a.m. for a special Nisei Appreciation Luncheon Show and Sunday, March 6 at 2:00 p.m. at the Japanese Cultural and Community Center of Northern California (JCCCNC) in San Francisco. Produced by the Los Angeles- based Grateful Crane Ensemble, and presented by the JCCCNC, “Nihonmachi: The Place to Be” is written by San Francisco native Soji Kashiwagi, (“The Camp Dance: The Music and The Memories”), directed by Darrell Kunitomi with musical direction by Scott Nagatani. “The JCCCNC is pleased to welcome back Nihonmachi: The Place To Be which was introduced at its world-premiere here at the JCCCNC in celebration of the100th anniversary of Japantown in 2006. The original play was funded by a grant written by the JCCCNC to the California Civil Liberties Public Education Program for Kashiwagi to write a musical play about Japantown for the anniversary. It’s a wonderful way for the entire community to gather, celebrate, reminisce and reflect upon what -
A N N U a L R E P O
2007 annual report 2006 WWW.ASIANAMERICANMEDIA.ORG Cover Image Credits left to right Tibet Hope Tre Na Kamalei: The Men of Hula The Princess of Nebraska New Year Baby Ken Leung The Learning Filmmaker Spencer Nakasako c o n t e n t s 2 from the executive director 4 note from the board chair 5 article: the making of the princess of nebraska 8 caam projects 2006–2007 14 article: the new face of the american electorate 18 highlights from the 25 th san francisco international asian american film festival 20 financial statements 24 thank you to our supporters 28 caam board & staff executive director’s year in review statement dear friends and members of caam: Greetings and welcome to our 2007 annual report! I’d like to share with you a personal recollection from the past year that stood out from so many memorable moments, and one that exemplifies our work, as it speaks to the history of Asian American filmmaking within the context of family, community and the larger society. Last March, as a special presentation of the 25th sfiaaff we presented the first public screening in more than 90 years of the first Chinese American feature film, The Curse Of Quon Gwon, directed by a remarkable woman named Marion Wong. The film dramatically tells the story of a young Chinese American bride (played by Marion Wong’s sister-in- law, Violet) and her ordeal to endure the jealousy and harsh treatment of her husband’s first wife (played, with steely relish by Marion Wong herself). Although never truly “lost”, as the film was always in the care of Wong family members, the film had nonetheless escaped the attention of film historians and archivists until word of its existence was passed on to filmmaker Arthur Dong during the research for his caam-supported documentary Hollywood Chinese. -
Pacific Citizen
PAClFlCCITIZEN.ORG HISTORIC ISlAND HOLE-IN-ONE! Help fund the new House agrees to 'Saving Face' writer/ Get out those golf P.e. Web site. fund Angel Island director Alice Wu clubs and support Support the S.C.! restoration. talks about love. Nat'l JACL. PAGE 2 PAGE 3 . PAGE 9 PAGE 10 Since1929 __________~--~~----------------- Michelle Kwan to go for Olympic gold ITIZEN in 2006. The National Publication of the Japanese American Citizens League PAGE 7 Starbucks include Cafe Tan Tan and IN FOCUS Benkyodo, a coffee and manju shop Not In Our Backyard that has been in Bobby Okamura's family for close to 100 years . ing the occasional visit to the annu S.F. Japantown merchants "It's not a good idea, community al Cherry Blossom festival or an and community groups say and business-wise," said Okamura, outing to a favorite restaurant. no to a proposed Starbucks. 50, of Starbucks moving into Today, like most often these days, Japantown. "I think the commuiiity business at Cafe Hana is slow with By CAROLINE AOYAGI is dead against it." only a trickling of customers com Executive Editor "I think my customers are pretty prised of workers from the loyal but [having a Starbucks] might Japantown area or the occasional Carol Murata has owned Cafe affect my new customers," added Hana, located in the heart of San tourist. With the recent news that Okamura, who currently owns Francisco's Japantown, for close to coffee magnate Starbucks is about Benkyodo with his brother. to open shop across the street, two decades now; her sister runs It was early last month that neighboring May's Coffee Shop, Murata fears for the survival of her Japantown merchants and commu which has been in the family for business. -
NOT ALL BRIDGES ARE CREATED EQUALLY a Reflection on the Japan-U.S
THE NATIONAL NEWSPAPER OF THE JACL March 22-April 4, 2019 C e rs leb ea r ating 90 Y Snow- covered roofs in Aizu, » PAGE 6 Japan KAKEHASHI: NOT ALL BRIDGES ARE CREATED EQUALLY A Reflection on the Japan-U.S. Relationship and Making the Program Equal for All » PAGE 4 » PAGE 5 International Conference COPANI Set All You Need to Know About Utah JA for San Francisco Sept. 20-22 History for JACL’s National Convention WWW.PACIFICCITIZEN.ORG #3339 / VOL. 168, No. 5 ISSN: 0030-8579 2 March 22-April 4, 2019 SPRING CAMPAIGN/COMMUNITY HOW TO REACH US ODE TO SPRING (CAMPAIGN) Email: [email protected] Online: www.pacificcitizen.org AH, SPRING! can communities. Over the past 90 current and future Asian Ameri- Tel: (213) 620-1767 years when the United States has can and Pacific Islander commu- Mail: 123 Ellison S. Onizuka St., Suite 313 Los Angeles, CA 90012 Spring is a time of renewal, been repeatedly divided by racism, nities.” It is vitally important that rebirth and reconnecting. Like hatred of immigrants and econo- the JACL and the Pacific Citizen STAFF Executive Editor baseball, spring also means a fresh, mic injustices, the JACL and the remain engaged players in the Allison Haramoto new beginning — where all teams Pacific Citizen have endured. But game for many years to come. Senior Editor start a new season in first (and last) what about the next 90 years? Please join me in contributing Digital & Social Media George Johnston place. In baseball, the most impor- to the Pacific Citizen’s 2019 To the next 90 years, Business Manager In 2019, the Japanese American tant pitch is the next one coming, Spring Campaign, which is now in Susan Yokoyama Citizens League turns 90 years not the ones that came before. -
By Carla Ching Bart Delorenzo
50th Season • 474th Production JULIANNE ARGYROS STAGE / OCTOBER 6-27, 2013 Marc Masterson Paula Tomei ARTISTIC DIRECTOR MANAGING DIRECTOR David Emmes & Martin Benson FOUNDING ARTISTIC DIRECTORS presents the world premiere of FAST COMPANY by Carla Ching Keith Mitchell Ann Closs-Farley Tom Ontiveros John Ballinger SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINAL MUSIC/SOUNDSCAPE Jason H. Thompson Kelly L. Miller Joshua Marchesi Jennifer Ellen Butler* PROJECTION DESIGN DRAMATURG PRODUCTION MANAGER STAGE MANAGER Directed by Bart DeLorenzo FAST COMPANY was workshopped and developed in the 2013 Pacific Playwrights Festival Commissioned with support from The Ensemble Studio Theatre/Alfred P. Sloan Foundation Science & Technology Project Developed in the Lark Play Development Center’s Playwrights Workshop Fast Company • South CoaSt RepeRtoRy • P1 CAST OF CHARACTERS (In order of appearance) Blue ......................................................................................... Jackie Chung* H .................................................................................................. Nelson Lee* Francis ................................................................................... Lawrence Kao* Mable ...................................................................................... Emily Kuroda* SETTING Time: Now LENGTH Approximately two hours, including one intermission. PRODUCTION STAFF Casting ......................................................................... Joanne DeNaut, CSA Production Assistant .......................................................................... -
Japantown Revised May 2011 San Francisco, California
Historic Context Statement Japantown Revised May 2011 San Francisco, California Prepared for City & County of San Francisco Planning Department DONNA GRAVES and page & turnbull, inc. 724 Pine Street, San Francisco, California 94108 415.362.5154 / www.page-turnbull.com SAN FRANCISCO JAPANTOWN HISTORIC CONTEXT STATEMENT FINAL DRAFT MAY 2009 Prepared for The San Francisco Planning Department as part of the Japantown Better Neighborhood Plan by DONNA GRAVES and PAGE & TURNBULL, INC. Historic Context Statement Japantown Final Draft San Francisco, California Cover Image: Japantown Businesses along Geary Street, 1910s. (Collection of National Japanese American Historical Society) May 2009 2 Donna Graves Page & Turnbull, Inc. Historic Context Statement Japantown Final Draft San Francisco, California SAN FRANCISCO JAPANTOWN HISTORIC CONTEXT STATEMENT TABLE OF CONTENTS ACKNOWLEDGEMENTS........................................................................................................ 5 INTRODUCTION................................................................................................................... 6 PROJECT DESCRIPTION ...................................................................................................... 6 HISTORIC PROPERTIES IN JAPANTOWN................................................................................ 7 UNDERSTANDING HISTORIC CONTEXTS IN ETHNIC NEIGHBORHOODS ............................... 8 THE WESTERN ADDITION OF SAN FRANCISCO: A HISTORICAL OVERVIEW.................... 10 EARLY DEVELOPMENT OF THE -
Social Heritage Inventory Record
SAN FRANCISCO PLANNING DEPARTMENT Record # SH Code: SOCIAL HERITAGE INVENTORY RECORD Resource Name: Benkyo-do Manju Shop District: 5 Prepared By: Page & Turnbull (JGL) Date: 11/5/2012 Location: a. Address: Block: Lot: b. Neighborhood: c. City: 1745-1747 Buchanan Street 0686 035 Japantown San Francisco Type of Resource a. Tangible: Site Structure Building Object b. Intangible: Organization/Institution Business Cultural Event Traditional Art/Craft/Practice Type of Use: Active/Inactive: Active Resource Photograph: Description (attach continuation sheets if needed): The following are excerpts from various reports regarding Japantown: . “Business established in 1906. One of oldest businesses in Japantown, and last remaining manufacturer of mochi and manju, uses traditional methods with dedicated facilities in building. Still operated by Okamura family. Current location since 1959. Building modern, though not a product of redevelopment.” (JTCPE:20) . The business reopened quickly following Japanese internment (JHCS:49). “The family-run business, Benkyodo Manju Company, remains one of the oldest businesses in Japantown. Hirofumi Okamura … operated the store for 30 years before his sons Bobby and Ricky took over.” (JIOA:90) (Continued) (http://www.bunrab.com) Cultural/Social Affiliation: Japanese-American Culture African-American Culture Filipino-American Culture Chinese-American Culture Korean-American Culture Jewish-American Culture Latino-American Culture Other (specify): Social Heritage Criteria: B A Resources that are associated with historical events that have made a significant contribution to the social or cultural heritage of the area. B Resources that are, or are associated with, persons, organizations, institutions or businesses that are significant to the social or cultural heritage of the area. C Resources that are valued by a cultural group for their design, aesthetic or ceremonial qualities, such as: 1) Embodiment of the distinctive characteristics of a type, period or style of architecture that represents the social or cultural heritage of the area.