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Topaz Reunion 98
TOPAZ REUNION 98 ~\;,: ~~ CONTENTS Welcome Message 2 The Committee 3 Schedule of Events 4 Video Schedule 6 Hotel Floor Plan 7 News Writer Describes Life of Japanese Camp 9 Haiku 13 Education in an Internment Camp 15 Directory of Registrants 27 Acknowledgments 37 .... ·· i ~ ~ '"'" TOPAZ REUNION ' 98 DoubleTree Hotel San Jose, California May 29-31, 1998 'We[come Tomi Takakuwa Gyotoku reetings from the Topaz '98 Reunion Committee, and welcome to the AndyHanda "last?" Topaz reunion. Your committee has spent the last 18 months Fumi Manabe Hayashi G Mary Mori Hiromoto preparing for this reunion and planni:Ug the activities. Bill Hirose Yone Kato Ito This reunion is unique in that we have invited our Nikkei counterparts Mimi Kawashima Iwatsu from Canada, Mexico, Peru and Australia providing the stage for a panel to Helen Yamanashi Kato learn first hand about other internment experiences and exchange information Mas Kawaguchi Chuck Kubokawa about our unique historical backgrounds. Jamo Momii Joe Mori The three historical groups: National Japanese American Historical Sam Nakaso Society, Japanese American National Museum, and Topaz Museum have Moses Oshima joined us to provide information and assistance to acquaint us with their Daisy Uyeda Satoda Alice Mori Shibata organization and ways to preserve and document our history. Min Shinoda Anah Yamanashi Sugiyama Activities scheduled for the reunion were planned to provide more than Paul Takata enough things to do to keep everyone busy for the entire weekend, so please Bob Utsumi take advantage of the scheduled events and enjoy yourself The art exhibit, video show, printout of individual camp records, classes in genealogy search, walking tour of the San Jose's Nihonmachi, Japanese stores and restaurants, local museums, Nikkei lobby vendors, etc. -
Distant Islands: the Japanese American Community in New York City [Review Of: D.H
UvA-DARE (Digital Academic Repository) Distant Islands: The Japanese American Community In New York City [Review of: D.H. Inouye (2018) Distant Islands : the Japanese American community in New York City, 1876-1930s] Sooudi, O. Publication date 2019 Document Version Final published version Link to publication Citation for published version (APA): Sooudi, O. (Author). (2019). Distant Islands: The Japanese American Community In New York City: [Review of: D.H. Inouye (2018) Distant Islands : the Japanese American community in New York City, 1876-1930s]. Web publication/site, The Gotham Center for New York City History. https://www.gothamcenter.org/blog/distant-islands-the-japanese-american- community-in-new-york-city General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 Distant Islands: The Japanese American Community in New York City — The Gotham Center for New York City History THE GOTHAM CENTER FOR NEW YORK CITY HISTORY Distant Islands: The Japanese American Community In New York City July 30, 2019 · Gilded Age, Progressive Era, Reviews, Race & Ethnicity Reviewed by Olga Souudi Daniel H. -
Japantown PDX
Portland State University PDXScholar University Honors Theses University Honors College 3-1-2019 Japantown PDX Euri Kashiwagi Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Kashiwagi, Euri, "Japantown PDX" (2019). University Honors Theses. Paper 755. https://doi.org/10.15760/honors.772 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Euri Kashiwagi March 2019 Table of Contents 1 The History 3 The Audience 4 Color & Type 6 Logo 8 Logo Variations 10 Patterns 12 Deliverables 14 Posters 16 Pamphlet 18 Space Design 20 Business Card / Letterhead 22 Stickers / Website 24 Instagram / Facebook 26 Thank You Hand drawn map of the first Japantown (Little Tokyo) The History HISTORY apantown was established as a Japantown was more of a community, not Jcommunity for Japanese immigrants a tourist destination. As people came into looking for a job in Portland from 1890 to the area, Japantown started to establish as a 1941. There was an increase with the amount community, helping each other out through of hotels and restaurants in the community establishing venues that will support the as the Japanese population grew in the members in surviving America. Mikado 1890s. Many immigrants came in as laborers Hotel and Bathhouse, located in current from Japan, searching for a way to gain Northwest Everett and 3rd Avenue, provided money. -
Special Article 3 Photo: Naoko Shiraoka
Special Article 3 Photo: Naoko Shiraoka By Junko Iwabuchi Author Junko Iwabuchi On a Sunny Saturday Morning in LA and conduct interviews at the Japanese American National Museum as a part of my research trip on Japanese American history and His face brightened with a big affectionate smile when he replied I couldn’t help asking Japanese Americans how they felt about “Yeah?” to me as I said “I used to live with a Japanese American Obama’s visit to Hiroshima. The site of Nishi Hongwanji Buddhist family in the Bay Area up north when I was a student.” The temple that once functioned as a temporary house for the Japanese distinguished looking gentleman, elderly but in good physical shape, American National Museum and is now the location of the Go for was Norman Mineta. He was standing right in front of me and we Broke National Education Center, is across the plaza from the current were at the historic site of Nishi Hongwanji Buddhist temple in Los Japanese American National Museum. Mineta is the chairman of the Angeles, now the home of the Go for Broke National Education board at the museum and after chatting with museum staff Center (“Go for Broke” is the motto of a World War II Japanese- members, I found out that he was flying into town for the American military unit, the 442nd RCT, well known in military history inauguration of the Go for Broke National Education Center on Friday for their exceptional valor and sacrifice), for the inauguration of their night. On Saturday morning, I went to the inauguration ceremony newly installed exhibition titled “Defining Courage”. -
Little Saigon, Japantown, Chinatown – International District Vision 2030
Little Saigon, Japantown, Chinatown – International District Vision 2030 A Community Response to the Preliminary Recommendations of the “South Downtown Livable Communities Study” June 2006 Thomas Im Edgar Yang Don Mar Tuck Eng Paul Lee Alan Cornell Paul Mar Stella Chao Sue Taoka Fen Hsiao Joyce Pisnanont Mike Olson Tomio Moriguchi Ken Katahira Virgil Domaoan Joe Nabberfeld 1 Little Saigon, Japantown, and Chinatown/International District Vision 2030 Executive Summary The City of Seattle initiated the Livable South Downtown study in 2005 as an extension of the Center City Initiative, a plan to increase housing capacity and economic activity in the downtown core. After several meetings with twenty-five South Downtown community stakeholders, the City released a draft report in January 2006, outlining land use and rezoning recommendations. An alliance of Little Saigon, Japantown, and Chinatown-International District stakeholders met to discuss the report and agreed that the City needed to broaden its scope of work, as well as its vision for the neighborhood. The community went through a visioning process and produced a narrative document called Vision 2030 (in reference to the year 2030). This vision builds on the recommendations and values of the 1998 Chinatown-International District Neighborhood Plan. This vision document describes the Little Saigon, Japantown, Chinatown-International District in the year 2030 as a healthy, vital, and vibrant community supported by safe, pedestrian-friendly streets, new and improved open spaces, and a diverse array of retail stores that support the variety of people who live in the area. Vision 2030 also advocates for a balanced mix of neighborhood housing options, ranging from condos for empty nesters to affordable family housing units. -
Presenting Sponsor: Pacific Global Investment Management Company in Memory of Long-Time Community Philanthropists and Business Leaders Manabi Hirasaki and Sig Kagawa
Student Testimonials Presenting Sponsor: Pacific Global Investment Management Company In memory of long-time community philanthropists and business leaders Manabi Hirasaki and Sig Kagawa. Supporting Sponsors: Ken and June Shimabukuro. An anonymous donor in memory of World War II veteran Masao Takahashi. Christian Saiki Humboldt State University – Arcata, CA Senior (2014-2015 School Year) “Thank you for holding this contest and letting me have a chance to share my grandfather’s story!” Clare Yejin Lee Oxford Academy – Cypress, CA Junior (2014-2015 School Year) “I entered the contest because I was interested in the history of World War II and its soldiers. To my surprise, reading about the lives of the Nisei soldiers transformed the experience of just writing an essay about soldiers to an opportunity to honor the memories of their heroic actions through the way they served and lived their lives, making it a valuable moment to me. Through this contest, not only have I gained an understanding of the Nisei soldiers, but I realize that I’ve gained the privilege of holding their memories and wisdom—which feels like a great honor to be given. Through this contest, I’m thankful for the opportunity to learn about the sacrifices of these heroes.” Mark Frederick Penn State University at Altoona Sophomore (2014-2015 School Year) “As a long time student of history, the story of the Japanese Americans in World War II serves as a means of interest and inspiration for me (as it should for others). This contest allowed me to combine my passions of film and history in a way that permits me to share that enthusiasm with others. -
Seattle Report
EPA: CARE Level I Final Report International District CARE Project Community elder shares her perspectives at the first CARE partner meeting, 2005 Better Housing, Happier Lives, Stronger Communities _____________________________________________________________________________________________ 606 Maynard Avenue South, Suite 105 . Seattle WA 98104 . Tel (206) 623-5132 . Fax: (206) 623-3479 . www.idhousingalliance.org Grantee: International District Housing Alliance Project location: Seattle’s Chinatown-International District, Seattle, WA – King County Project title: International District CARE Project Grant period: October 1, 2005 to September 30, 2007 Project Manager: Joyce Pisnanont EPA Project Officer: Sally Hanft Personal Reflection: Reflecting on the past two years of the ID CARE project, it is evident that our community has had many wonderful successes, as well as a fair share of challenges. Our successes included a tremendous amount of culturally relevant outreach and education and the development of a strong core of community leadership amongst limited English speaking populations. Our greatest challenges were maintaining the momentum of the work in the face of organizational restructuring (in year 2) and growing anti-immigrant sentiments nationwide that inhibited civic participation on the part of our immigrant youth and elders. Perhaps our greatest area for improvement is the partnership development piece. Since 2005, IDHA has successfully garnered many new partnerships, but needs to strengthen our project advisory committee so as to be truly representative of the multiple community stakeholders that are essential for driving the project forward. This became most clear during our recent CARE National Training in Atlanta, GA. In listening to the successes and challenges of other CARE grantees, it became evident where the ID community’s strengths lay, and where we could have done many things differently. -
Csu Japanese American Digitization Project Collections
CSU JAPANESE AMERICAN DIGITIZATION PROJECT COLLECTIONS CSUJAD Partners California Historical Society California Polytechnic University San Luis Obispo California State University, Bakersfield California State University, Channel Islands California State University, Dominguez Hills (central hub) California State University, East Bay California State University, Fresno California State University, Fullerton, Center for Oral and Public History California State University, Fullerton, University Archives and Special Collections California State University, Long Beach California State University, Monterey Bay California State University, Northridge California State University, San Bernardino California State University, Stanislaus Claremont University Consortium Libraries Claremont School of Theology Eastern California Museum Go For Broke National Educational Center Historical Society of Long Beach Japanese American National Museum Palos Verdes Library District Sacramento State University San Diego State University San Francisco State University San Jose State University Sonoma State University Topaz Museum University of California, Santa Barbara Whittier Public Library The central focus of the California State University Japanese American Digitization Project is the digitization and access to primary source materials focused on the mass incarceration of Japanese Americans during World War II, but also related to the history and progress of Japanese Americans in their communities throughout the 20th century. An enormous range of subjects and -
Dorothea Lange's Censored Photographs of the Japanese
Volume 15 | Issue 3 | Number 1 | Article ID 5008 | Feb 01, 2017 The Asia-Pacific Journal | Japan Focus Dorothea Lange’s Censored Photographs of the Japanese American Internment Linda Gordon Abstract: Bloch; she was then married to prominent artist Maynard Dixon, and she socialized with While Dorothea Lange has long been widely artists, bohemians, and her wealthy clients. known and acclaimed for her photographs When Diego Rivera made his first visit to the depicting the impact of the Great Depression US in 1930, he fell in with that crowd and on farmers and laborers, her documentation of Lange loaned her studio to Frida Kahlo. the Japanese American internment was long impounded by the US army. This article tells In 1935, restless and bored with her studio the story and shows some of the signature photography, she took a job with the Farm images contained in her documentation of the Security Administration (FSA) of the internment as well as explaining their long Department of Agriculture. Her assignment suppression. was to document the impact of the depression on farmers and farmworkers; these photographs were widely published as a means of building support for President Franklin Roosevelt’s agricultural policies. These photographs, however, then appeared without Shortly after Franklin Roosevelt ordered the the name of their creator. Since then, however, internment of Japanese Americans in 1942, the she has become most famous for this work: her War Location Authority hired photographer photographs of migrant farmworkers and Dorothea Lange to document the process. I sharecroppers have been so widely published strongly suspect that whoever made the that those who do not know her name almost decision knew little about her previous work, always recognize her pictures. -
Product Catalog
FILMS | VIDEOS | ANIMATION | EXHIBITS | PUBLICATIONS | MULTI-MEDIA | ARCHIVES VISUAL COMMUNICATIONS PRODUCT CATALOG 2013-2014 CONTENTS 03 | Welcome 04 | About Visual Communications 06 | Product Highlights 10 | Speak Out for Justice Volumes 14 | Armed With a Camera Volumes 20 | VC Classics 22 | Hidden Treasures Series 24 | Documentary 26 | Narrative 27 | Graphic Film/Animation 28 | Video 33 | Filmmakers Development Program 37 | Other Works 38 | Multi-Media 39 | Photographic Exhibitions 41 | Publications 42 | Resources 44 | Rental and Sales Info 46 | Policies Oversize Image Credits: Cover: PAGE 10: Roy Nakano; PAGE 43: From HITO HATA: RAISE THE BANNER (1980) by Robert A. Nakamura and Duane Kubo (Visual Communications Photographic Archive) ALL OTHER IMAGES APPEARING IN THIS CATALOG: Courtesy The Visual Communications Photographic Archive PRODUCTION CREDITS: Project Producer: Shinae Yoon; Editor: Helen Kim; Copywriter: Jerome Academia, Helen Kim, Jeff Liu, Supachai Surongsain; Design and Layout: Abraham Ferrer; Digital Photo-imaging intern: Allison Nakamura 02 WELCOME The visual heritage of Visual Communications can be seen in the more than 100 films, videos, and multimedia productions created since the organization’s founding in 1970. Beginning with vanguard works filmed in Super 8mm, Visual Communications productions have been distinguished by their unerring fidelity to the stories and perspectives of Asian America. As evidenced within this catalog, this policy has continued as Visual Communications’ productions have transitioned from film and video to digital formats. As well, the stories being told through our various offerings reflect the ever-changing landscape of the Asian American and Pacific Islander communities, and introduces us to filmmakers and voices who have come of age in the 22 years since the first edition of this catalog. -
Then They Came for Me Incarceration of Japanese Americans During WWII and the Demise of Civil Liberties ALPHAWOOD GALLERY, CHICAGO JUNE 29 to NOVEMBER 19, 2017
Then They Came for Me Incarceration of Japanese Americans during WWII and the Demise of Civil Liberties ALPHAWOOD GALLERY, CHICAGO JUNE 29 TO NOVEMBER 19, 2017 ALPHAWOOD FOUNDATION STATEMENT Alphawood Foundation is the proud sponsor of the exhibition Then They Came for Me: Incarceration of Japanese Americans during WWII and the Demise of Civil Liberties. Why did we feel it was important to share this story with the Chicago community? Alphawood exists to help create a more equitable, just and humane society for all of us. A difficult but essential part of that mission is to shine a light on great injustice, great inhumanity and great failure to live up to the core principles underlying our society. Then They Came for Me presents the shameful story of the United States government’s imprisonment of 120,000 people, most of them American citizens, solely based on their ethnic background. Think about that. Then think about what is occurring in our country right now, and what might be just around the corner. George Santayana wrote “those who cannot remember the past are condemned to repeat it.” The Japanese American incarceration represents a moment when we collectively turned our backs on the great promise and responsibility of our Constitution. We denied equal protection under the law to our fellow Americans and legal residents because of their ancestry alone. We tell this story because we love our country. We care deeply about its past, present and future. We know that America is better than the racism and xenophobia that triggered the events depicted in this exhibition. -
Terminal Islander Club, by LYNDA LIN a Contingency of Mostly Nisei Bound Assistant Editor by a Shared History and Geography
Anti-Asian Flyer Spring Campaign Eggrolls Etc. in Arizona It's not too late to donate. continues to stand by its Help the PC. continue to racist menu even as APA develop its popular Web site. groups protest. COUPON PAGE 2 NATIONAL PAGE 3 Dice-K Who? CITIZEN Okajima makes an sfnce1929PACIFIC unexpected impact as Boston Red Sox reliever. The National Publication of the Japanese American Citizens League MEMORIAL DAY Shock Jocks ~!~~~~~!!_ M~~~~ ~ dep~~~e~:~~M:}n~l=ra=q~a~n=d..,............A_b_r_o_a--,d Dropped Over erans this Memorial Day, Iraq. For the past four months wishes you had." As ian SIu rs these soldiers are proud to Ishikata has been stationed ' in Ishikata's. life be serving their country. Baghdad overseeing the translation now consists of By Associated Press and P.e. Staff of captured documents and media to seven-day . work NEW YORK-One month after assist the commanders in locating weeks that often last By CAROLINE AOYAGI-STOM the firing of radio host Don Imus for insurgents. 16 hours a day. Executive Editor broadcasting sexist and racist gibes, "As a leader, I felt it was impor- Some days there are a pair of suspended New York shock tant for me to have this experience so briefings with his Lt. Col. George Ishikata has 23 jocks have been permanently pulled that I could understand-my soldiers higher-ups, on other. years of U.S. Army experience from the air by CBS Radio for a better, and so they cO,-!ld feel com- days there's the under his belt.