PACIFIC CITIZEN, May 19-JUNE 1, 2006
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Baseball in Japan and the US History, Culture, and Future Prospects by Daniel A
Sports, Culture, and Asia Baseball in Japan and the US History, Culture, and Future Prospects By Daniel A. Métraux A 1927 photo of Kenichi Zenimura, the father of Japanese-American baseball, standing between Lou Gehrig and Babe Ruth. Source: Japanese BallPlayers.com at http://tinyurl.com/zzydv3v. he essay that follows, with a primary focus on professional baseball, is intended as an in- troductory comparative overview of a game long played in the US and Japan. I hope it will provide readers with some context to learn more about a complex, evolving, and, most of all, Tfascinating topic, especially for lovers of baseball on both sides of the Pacific. Baseball, although seriously challenged by the popularity of other sports, has traditionally been considered America’s pastime and was for a long time the nation’s most popular sport. The game is an original American sport, but has sunk deep roots into other regions, including Latin America and East Asia. Baseball was introduced to Japan in the late nineteenth century and became the national sport there during the early post-World War II period. The game as it is played and organized in both countries, however, is considerably different. The basic rules are mostly the same, but cultural differences between Americans and Japanese are clearly reflected in how both nations approach their versions of baseball. Although players from both countries have flourished in both American and Japanese leagues, at times the cultural differences are substantial, and some attempts to bridge the gaps have ended in failure. Still, while doubtful the Japanese version has changed the American game, there is some evidence that the American version has exerted some changes in the Japanese game. -
Barbed Wire Baseball to Students and Start a Discussion on the Following Topics: 1
Curriculum Guide Introduce students to Japanese-American internment during WWII using book as a springboard for discussions. The subject fits into learning national learning standards for U.S. History. Standard topics: • Living and Working Together in Families Now and Long Ago • The History of the United States: Democratic Principles and Values and the People form Many • Cultures who Contributed to is Cultural, Economic, and Political Heritage. • The Great Depression and World War II: the implication of the Japanese-American internment for civil liberties. Objective: • To introduce history of Japanese-American internment, its causes and effects. • To understand how difficult conditions can inspire creativity and resourcefulness. • To understand how hardship can both bond and/or weaken communities, how it can strengthen and/or destroy individuals. • To gain a different perspective to a historical event. Key Terms/Concepts: • Civil Rights • Internment • Resiliency • Prejudice • Patriotism Background Information When Pearl Harbor was bombed in 1942, President Franklin Roosevelt signed Executive Order 9066, authorizing the internment of all people of Japanese ancestry living on the West Coast. More than 110,000 people were forced to leave their homes, two-thirds of them U.S. Citizens. They lost their property, their businesses, their communities. Although they were loyal Americans, they were considered dangerous anyway, possible spies for Japan. Kenichi Zenimura and his family were sent to Gila River, Arizona. Zeni may have started his baseball career on a Japanese-only team in Fresno because the regular white teams wouldn’t allow him to play, but he ended up playing with Yankee greats like Babe Ruth and Lou Gehrig for exhibition games. -
Judges Scores
ISU World Figure Skating Championships 2008 LADIES FREE SKATING JUDGES DETAILS PER SKATER Total Total Total Total NOC Segment Element Program Component Deductions Rank Name Code Score Score Score (factored) = + + - 1 Yu-Na KIM KOR 123.38 64.82 58.56 0.00 # Executed Base GOE The Judges Panel Scores Elements Info Value (in random order) of Panel 1 3F+3T 9.50 1.86 1 2 2 2 1 2 2 2 2 2 3 0 11.36 2 2A 3.50 0.57 1 0 1 0 0 1 0 2 1 1 2 1 4.07 3 FSSp4 3.00 0.50 1 1 0 1 1 1 1 2 2 1 1 0 3.50 4 3Lz+2T+2Lo 8.80 0.71 1 1 1 0 0 0 1 1 0 1 2 -1 9.51 5 SpSq4 3.40 1.00 1 1 1 0 1 1 1 1 1 1 2 1 4.40 6 2A+3T 8.25 x 0.43 0 0 0 1 0 0 1 0 1 0 2 -1 8.68 7 FCCoSp4 3.50 0.64 1 1 0 0 1 1 2 2 2 2 2 0 4.14 8 1Lz 0.66 x 0.03 0 1 -1 0 -1 0 0 0 0 0 1 0 0.69 9 3S 4.95 x -0.86 -1 -1 -1 -1 -1 0 0 -1 -1 -1 0 -1 4.09 10 CoSp3 2.50 0.14 0 0 0 0 0 0 0 1 1 1 1 0 2.64 11 SlSt3 3.10 0.29 1 1 0 0 0 1 1 1 0 1 1 1 3.39 12 2A 3.85 x 0.71 1 1 1 0 0 2 1 1 0 1 1 0 4.56 13 CCoSp4 3.50 0.29 0 0 1 0 0 1 1 1 1 1 1 0 3.79 58.51 64.82 Program Components Factor Skating Skills 1.60 7.50 7.75 7.25 7.25 7.25 7.25 8.50 7.25 8.00 7.25 8.00 7.50 7.57 Transition / Linking Footwork 1.60 6.75 7.50 6.00 7.00 6.75 6.25 7.00 7.00 7.25 6.75 8.00 7.00 7.00 Performance / Execution 1.60 7.25 7.50 6.50 7.25 6.75 7.50 8.25 7.25 8.25 7.00 8.25 7.50 7.46 Choreography / Composition 1.60 7.25 7.25 6.75 6.75 7.00 7.25 8.00 7.00 7.75 7.00 7.75 7.00 7.25 Interpretation 1.60 7.25 7.25 6.50 7.00 6.75 7.50 8.25 7.00 7.75 7.25 8.00 7.25 7.32 Judges Total Program Component Score (factored) 58.56 Deductions: 0.00 * Invalid -
Product Catalog
FILMS | VIDEOS | ANIMATION | EXHIBITS | PUBLICATIONS | MULTI-MEDIA | ARCHIVES VISUAL COMMUNICATIONS PRODUCT CATALOG 2013-2014 CONTENTS 03 | Welcome 04 | About Visual Communications 06 | Product Highlights 10 | Speak Out for Justice Volumes 14 | Armed With a Camera Volumes 20 | VC Classics 22 | Hidden Treasures Series 24 | Documentary 26 | Narrative 27 | Graphic Film/Animation 28 | Video 33 | Filmmakers Development Program 37 | Other Works 38 | Multi-Media 39 | Photographic Exhibitions 41 | Publications 42 | Resources 44 | Rental and Sales Info 46 | Policies Oversize Image Credits: Cover: PAGE 10: Roy Nakano; PAGE 43: From HITO HATA: RAISE THE BANNER (1980) by Robert A. Nakamura and Duane Kubo (Visual Communications Photographic Archive) ALL OTHER IMAGES APPEARING IN THIS CATALOG: Courtesy The Visual Communications Photographic Archive PRODUCTION CREDITS: Project Producer: Shinae Yoon; Editor: Helen Kim; Copywriter: Jerome Academia, Helen Kim, Jeff Liu, Supachai Surongsain; Design and Layout: Abraham Ferrer; Digital Photo-imaging intern: Allison Nakamura 02 WELCOME The visual heritage of Visual Communications can be seen in the more than 100 films, videos, and multimedia productions created since the organization’s founding in 1970. Beginning with vanguard works filmed in Super 8mm, Visual Communications productions have been distinguished by their unerring fidelity to the stories and perspectives of Asian America. As evidenced within this catalog, this policy has continued as Visual Communications’ productions have transitioned from film and video to digital formats. As well, the stories being told through our various offerings reflect the ever-changing landscape of the Asian American and Pacific Islander communities, and introduces us to filmmakers and voices who have come of age in the 22 years since the first edition of this catalog. -
Baseball As a Framework for the Study of American History, Culture & Language
View metadata, citation and similar papers at core.ac.uk brought to you by CORE Baseball as a Framework for the Study of American History, Culture & Language Baseball as a Framework for the Study of American History, Culture & Language Kevin Miller Tsurumi University is known for its strong baseball program, with students coming from all over Japan to study at Tsurumi University while playing on the school baseball team. In the 2014 school year, there were 89 undergraduate students who were members of the baseball team, of which 42 were from the English Department. With student enrollment always a concern, it is likely that the recruitment office at Tsurumi University will continue to reach out to high school baseball players looking to continue playing their favorite sport as they pursue higher education. It makes sense, then, to offer courses that will appeal to baseball players that simultaneously further the goals of English education, such as an ESL course that links baseball to American history and culture. Designing such a course, however, must take into account various English proficiency levels, including levels that are near beginner level. Simply lecturing about baseball, history and culture in English would certainly not succeed, and doing so in Japanese would be unlikely to further the goals of English language education. However, a CLIL (Content and Language Integrated Learning) course in English about baseball and culture that features active learning and cooperative learning methods can succeed in furthering the aims of - 111 - language learning and cultural understanding while serving as a potent recruitment tool. To those who are skeptical of the worthiness of baseball as an academic subject, it may be pointed out that the idea of a course on baseball and how it relates to American history, culture and other disciplines is not a new concept. -
Senior Ladies Planned Program Content - Check List As Of: 09.12.2008 23:17:17 Joannie ROCHETTE CAN SP/OD Remarks
- Senior Ladies Planned Program Content - Check List As of: 09.12.2008 23:17:17 Joannie ROCHETTE CAN SP/OD Remarks 1 2A Double Axel 2 3F+3T Triple Flip+Triple Toeloop 3 FSSp Flying Sit Spin 4 3Lz Triple Lutz 5 CCoSp Change Foot Combination Spin 6 SlSt Straight Line Step Sequence 7 SpSq Spiral Sequence 8 LSp Layback Spin 9 10 FS/FD Remarks 1 3Lz+2T+2Lo Triple Lutz+Double Toeloop+Double Loop 2 3F Triple Flip 3 3Lo Triple Loop 4 FSSp Flying Sit Spin 5 CUSp Change Foot Upright Spin 6 3Lz Triple Lutz 7 3T+3S+SEQ Triple Toeloop+Triple Salchow+SEQ 8 SlSt Straight Line Step Sequence 9 SpSq Spiral Sequence 10 2A+2A+SEQ Double Axel+Double Axel+SEQ 11 3S Triple Salchow 12 CCoSp Change Foot Combination Spin 13 14 15 16 17 18 - Senior Ladies Planned Program Content - Check List As of: 09.12.2008 23:17:17 Carolina KOSTNER ITA SP/OD Remarks 1 3F+3T Triple Flip+Triple Toeloop 2 3Lz Triple Lutz 3 LSp Layback Spin 4 SpSq Spiral Sequence 5 2A Double Axel 6 FSSp Flying Sit Spin 7 CCoSp Change Foot Combination Spin 8 SlSt Straight Line Step Sequence 9 10 FS/FD Remarks 1 3F+3T Triple Flip+Triple Toeloop 2 3Lz+2T+2Lo Triple Lutz+Double Toeloop+Double Loop 3 3F Triple Flip 4 3Lo Triple Loop 5 CCoSp Change Foot Combination Spin 6 2A+3T Double Axel+Triple Toeloop 7 3S Triple Salchow 8 CSSp Change Foot Sit Spin 9 SlSt Straight Line Step Sequence 10 SpSq Spiral Sequence 11 2A Double Axel 12 FSSp Flying Sit Spin 13 14 15 16 17 18 - Senior Ladies Planned Program Content - Check List As of: 09.12.2008 23:17:17 Miki ANDO JPN SP/OD Remarks 1 3Lz+3Lo Triple Lutz+Triple Loop 2 3F Triple Flip 3 2A Double Axel 4 SpSq Spiral Sequence 5 FSSp Flying Sit Spin 6 SlSt Straight Line Step Sequence 7 CCoSp Change Foot Combination Spin 8 LSp Layback Spin 9 10 FS/FD Remarks 1 3T+3Lo Triple Toeloop+Triple Loop 2 3S Triple Salchow 3 3F Triple Flip 4 CCSp Change Foot Camel Spin 5 SpSq Spiral Sequence 6 3Lz+2Lo Triple Lutz+Double Loop 7 3Lz Triple Lutz 8 3Lo Triple Loop 9 2A+2Lo+2Lo Double Axel+Double Loop+Double Loop 10 CCoSp Change Foot Combination Spin 11 SlSt Straight Line Step Sequence 12 FCCoSp Fly. -
Arizona Centennial Legacy Projects
Arizona Centennial Legacy Projects What is a Legacy Project? An Arizona Centennial Legacy Project accurately portrays a significant aspect of Arizona history, is educational and lasting. 100 Years 100 Ranchers Project Number: AHAC09-09 Type: State Budget: $217,264 Website: http://www.100years100ranchers.com/ This black and white photographic project will document 100 Arizona ranchers whose families have been ranching in the state in 1912 or earlier. Each rancher will be interviewed to obtain information about the family's history and their ranch operations. The culmination of the project will coincide with the Arizona Centennial in 2012. An exhibit is tentatively scheduled to open in January 2012 at the Phoenix Sky Harbor International Airport Terminal Four Gallery. In addition, a limited edition fine-art book and a short documentary film are planned. 100 Years of Arizona Press Women Project Number: AHAC08-09 Type: State Budget: $60,000 Website: http://www.azpw.org/ This history book, presented as a book of short stories, will be written to capture the emotions of the people and times in which they lived. Each story, researched and written by current members of the Arizona Press Women (APW) organization, will chronicle the contribution of a woman in Arizona who made a significant contribution to the history of the state through her writing. 100 Years of Arizona Sports Project Number: AHAC48-11 Type: State Budget: $198,126 Website: http://www.phoenixsports.org/ 1 The Phoenix Regional Sports Commission is embarking on a publication that will celebrate the history of Arizona sports. Authored by several influential contributors in Arizona, the "100 Years of Arizona Sports" is dedicated to athletes in the Grand Canyon State. -
A N N U a L R E P O
2007 annual report 2006 WWW.ASIANAMERICANMEDIA.ORG Cover Image Credits left to right Tibet Hope Tre Na Kamalei: The Men of Hula The Princess of Nebraska New Year Baby Ken Leung The Learning Filmmaker Spencer Nakasako c o n t e n t s 2 from the executive director 4 note from the board chair 5 article: the making of the princess of nebraska 8 caam projects 2006–2007 14 article: the new face of the american electorate 18 highlights from the 25 th san francisco international asian american film festival 20 financial statements 24 thank you to our supporters 28 caam board & staff executive director’s year in review statement dear friends and members of caam: Greetings and welcome to our 2007 annual report! I’d like to share with you a personal recollection from the past year that stood out from so many memorable moments, and one that exemplifies our work, as it speaks to the history of Asian American filmmaking within the context of family, community and the larger society. Last March, as a special presentation of the 25th sfiaaff we presented the first public screening in more than 90 years of the first Chinese American feature film, The Curse Of Quon Gwon, directed by a remarkable woman named Marion Wong. The film dramatically tells the story of a young Chinese American bride (played by Marion Wong’s sister-in- law, Violet) and her ordeal to endure the jealousy and harsh treatment of her husband’s first wife (played, with steely relish by Marion Wong herself). Although never truly “lost”, as the film was always in the care of Wong family members, the film had nonetheless escaped the attention of film historians and archivists until word of its existence was passed on to filmmaker Arthur Dong during the research for his caam-supported documentary Hollywood Chinese. -
Pacific Citizen
PAClFlCCITIZEN.ORG HISTORIC ISlAND HOLE-IN-ONE! Help fund the new House agrees to 'Saving Face' writer/ Get out those golf P.e. Web site. fund Angel Island director Alice Wu clubs and support Support the S.C.! restoration. talks about love. Nat'l JACL. PAGE 2 PAGE 3 . PAGE 9 PAGE 10 Since1929 __________~--~~----------------- Michelle Kwan to go for Olympic gold ITIZEN in 2006. The National Publication of the Japanese American Citizens League PAGE 7 Starbucks include Cafe Tan Tan and IN FOCUS Benkyodo, a coffee and manju shop Not In Our Backyard that has been in Bobby Okamura's family for close to 100 years . ing the occasional visit to the annu S.F. Japantown merchants "It's not a good idea, community al Cherry Blossom festival or an and community groups say and business-wise," said Okamura, outing to a favorite restaurant. no to a proposed Starbucks. 50, of Starbucks moving into Today, like most often these days, Japantown. "I think the commuiiity business at Cafe Hana is slow with By CAROLINE AOYAGI is dead against it." only a trickling of customers com Executive Editor "I think my customers are pretty prised of workers from the loyal but [having a Starbucks] might Japantown area or the occasional Carol Murata has owned Cafe affect my new customers," added Hana, located in the heart of San tourist. With the recent news that Okamura, who currently owns Francisco's Japantown, for close to coffee magnate Starbucks is about Benkyodo with his brother. to open shop across the street, two decades now; her sister runs It was early last month that neighboring May's Coffee Shop, Murata fears for the survival of her Japantown merchants and commu which has been in the family for business. -
Pacific Childhoods in the Rafu: Multiple Transnational Modernisms and the Los Angeles Nisei, 1918-1942
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2014 Pacific hiC ldhoods in the Rafu: Multiple Transnational Modernisms and the Los Angeles Nisei, 1918-1942 Bruce Makoto Arnold Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Arnold, Bruce Makoto, "Pacific hiC ldhoods in the Rafu: Multiple Transnational Modernisms and the Los Angeles Nisei, 1918-1942" (2014). LSU Doctoral Dissertations. 888. https://digitalcommons.lsu.edu/gradschool_dissertations/888 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PACIFIC CHILDHOODS IN THE RAFU: MULTIPLE TRANSNATIONAL MODERNISMS AND THE LOS ANGELES NISEI, 1918-1942 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Bruce Makoto Arnold B.A., University of Arizona, 2005 M.A., University of Wisconsin-Madison, 2006 M.A., Sam Houston State University, 2007 August 2014 © Copyright 2014 Bruce Makoto Arnold All rights reserved ii ACKNOWLEDGEMENTS Firstly, I’d like to thank my parents who, above all, instilled in me a desire to learn and gain as much knowledge as I can through education. Although it took a long time to hit my stride as a scholar, it was never because I doubted their emphasis on education or their insights into the world. -
05 067-087 IZUMI.Indd
The Japanese Journal of American Studies, No. 29 (2018) Copyright © 2018 Masumi Izumi. All rights reserved. This work may be used, with this notice included, for noncommercial purposes. No copies of this work may be distributed, electronically or otherwise, in whole or in part, without permission from the author. Gila River Concentration Camp and the Historical Memory of Japanese American Mass Incarceration Masumi Izumi* IntroductIon On July 20, 1942, a concentration camp was opened in Rivers, Arizona, to incarcerate Japanese Americans removed from the West Coast. The camp, officially named the Gila River War Relocation Center, stood on the Gila River Indian Community reservation, the land originally inhabited by the Akmel O’odham and the Pee Posh peoples.1 The Gila River Indian Council, the caretakers of the land, had not approved of the establishment of a prison camp on their territory. It was the white administrators of two federal agencies, the Office of Indian Affairs and the War Relocation Authority (WRA), who decided on the construction of the camp on the reservation to utilize the impounded population for the “improvement” of the land.2 The Gila River War Relocation Center was one of two wartime incarceration camps for Japanese Americans constructed in Arizona.3 Gila River was located approximately forty-five miles south of Phoenix in the Sonoran Desert.4 The other camp, the Colorado River War Relocation Center, commonly called Poston, was built in northern Arizona, also on an indigenous reservation. Poston housed the largest detainee population of over 17,000, while Gila River housed 13,348 at its peak. -
2019-20 U.S. FIGURE SKATING MEDIA GUIDE Nathan Chen 2019 World Champion Vincent Zhou 2019 World Bronze Medalist TABLE of CONTENTS
2019-20 U.S. FIGURE SKATING MEDIA GUIDE Nathan Chen 2019 World champion Vincent Zhou 2019 World bronze medalist TABLE OF CONTENTS U.S. FIGURE SKATING U.S. Ladies Team .....................31 Marketing & Communications Staff ...... 2 U.S. Men’s Team ......................45 Media Credential Guidelines ............ 3 U.S. Pairs Team ......................63 Headquarters ..........................6 U.S. Ice Dance Team .................75 Figure Skating on Television ............ 7 HISTORY & RESULTS Streaming Figure Skating Online . .8 History of Figure Skating ..............88 Figure Skating by the Numbers .........9 World & U.S. Hall of Fame ............ 90 Figure Skating Record Book .......... 94 VIEWERS GUIDE TO FIGURE SKATING Olympic Winter Games ............... 102 Disciplines ............................ 10 World Championships ................108 Ladies & Men’s .........................11 World Junior Championships ......... 128 Pairs .................................12 Four Continents Championships ...... 138 Ice Dance ............................13 Grand Prix Final. .144 INTERNATIONAL JUDGING SYSTEM Junior Grand Prix Final ...............150 Overview .............................14 Skate America ....................... 156 Judges & Officials .....................15 U.S. Championships .................. 165 Program Components .................16 IJS Best Scores ...................... 185 Calculations ..........................17 U.S. Qualifying Best Scores ........... 189 Scales of Values (SOV) ................18 Skate America Best