Bhubaneswar Puri Yatra
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Temples Name Sates Vaishno Devi Jammu & Temple, Kashmir Dedicated to Shakti, Mata Rani Badrinath Temple Uttarakhand Kedarnath Temple Uttarakhand
Temples Name Sates Vaishno Devi Jammu & Temple, Kashmir Dedicated to Shakti, Mata Rani Badrinath Temple Uttarakhand Kedarnath Temple Uttarakhand Golden Temple Amritsar, Punjab Markandeshwar Temple Haryana Hadimba devi Temple Himachal Pradesh Laxminarayan Temple ( New Delhi Birla Mandir ) Dilwara Temple Mount Abu, Rajasthan Kashi Vishwanath Temple- Varanasi, Uttar Dedicated to Lord Ganesha Pradesh Swaminarayan Akshardhan Delhi Temple Mahabodhi Temple Bodhgaya , Bihar Dakshnineswar kali Temple Kolkata Jagannath Temple - Puri, Odisha Dedicated to Jagannath God Kandariya Mahadev Madhya Temple- Part of Pradesh Khajuraho Temple Somnath Gujarat (Saurashtra ) Temple Siddhivinayak Temple- Located in Dedicated to Lord Ganesha Prabhadevi, Mumbai Maharashtra Balaji Venkateshwara Andhra Swamy Temple- Dedicated Pradesh to Lord Venkateshwara Lord Karnataka kalabhairah wara Temple Shi Dharmasthala Karnataka Manjunatheswara Temple Shi Dharmasthala Karnataka Manjunatheswara Temple Mureshwar Temple Karnataka Virupaksha Temple Karnataka Gomateshwara Bahubali Karnataka Temple Nataraja Temple- Tamil Nadu Dedicated to Lord Shiva Brihadeshwara Temple Thanjavur,Ta mil Nadu Jumbukeshwarar Temple Tamil Nadu Ranganathaswamy Temple- Tamil Nadu Dedicated to Lord Shiva Ekambareswarar Temple Kanchipuram, Tamil Nadu Sripuram Golden Temple- Vellore, Tamil Dedicated to Lord Shiva Nadu Padmanabhaswa Kerala my Temple Richest Temple of the world Sabarimala Temple Kerala Sukreswar Temple- Dedcated Assam to Lord Shiva Kamakhya Temple Assam Angkor Wat Temple- Largest Cambodia -
The Temple Architecture in Odisha
ISSN 0970-8669 Odisha Review The Hindu temple architecture reflects a synthesis is concentrated in the city of Bhubaneswar where of arts, the ideals of religion, beliefs, values and there are over thirty of them. the way of life cherished under Hinduism. The temple is a place for pilgrimage. All the cosmic The main temples of this style consist of elements that create and celebrate life in Hindu the Lingaraja Temple at Bhubaneswar th pantheon are present in a Hindu temple from fire (11 century), the Jagannath temple at Puri th to water, from images of nature to deities, from (12 century) the Great Sun Temple at Konark the feminine to the masculine, from karma to (13th century), Rajarani Temple (10th century), artha. The form and meanings of architectural Mukteswar (10th Century), Parshuram Temple elements in a Hindu temple are designed to (8th Century) etc. function as the place where it is the link between The Kanlingan style consists of three man and the divine, to help his progress to spiritual distinct types of temples Rekha Deula, Pidha knowledge and truth, his liberation is called Deula and Khakhara Deula. The former two are Moksha. associated with Vishnu, Surya and Shiva temples The Temple Architecture in Odisha Sujata Routray The Indian temples are broadly divided while the third is mainly with Chamunda and Durga into Nagara, Vesara, Dravida and Gadag styles temples. The Rekha Deula and Khakhara Deula of architecture. However the temple architecture houses the sanctum sanctorum while the Pidha of Odisha corresponds to altogether a different Deula constitutes outer dancing and offering halls. -
Medieval India
A History of Knowledge Oldest Knowledge What the Jews knew What the Sumerians knew What the Christians knew What the Babylonians knew Tang & Sung China What the Hittites knew Medieval India What the Persians knew What the Japanese knew What the Egyptians knew What the Muslims knew What the Indians knew The Middle Ages What the Chinese knew Ming & Manchu China What the Greeks knew The Renaissance What the Phoenicians knew The Industrial Age What the Romans knew The Victorian Age What the Barbarians knew The Modern World 1 Medieval India Piero Scaruffi 2004 2 What the Indians knew • Bibliography – Gordon Johnson: Cultural Atlas of India (1996) – Henri Stierlin: Hindu India (2002) – Hermann Goetz: The Art of India (1959) – Heinrich Zimmer: Philosophies of India (1951) – Surendranath Dasgupta: A History of Indian Philosophy (1988) – Richards, John: The Mughal Empire (1995) 3 India • 304 BC - 184 BC: Maurya • 184 BC - 78 BC: Sunga • 78 AD -233: Kushan • 318 - 528: Gupta • 550 - 1190 : Chalukya • Hoysala (1020-1342) • 1192-1526: Delhi sultanate • 1526-1707: Moghul • 1707-1802: Maratha 4 What the Indians knew • Tantra – Ancient practice to worship the mother goddess through sexual intercourse – Group intercourse 5 What the Indians knew • Tantra – Esoteric Hinduism – Dialogues between the god Shiva and his wife Parvati – Reversals of Hindu social practices (e.g., incest) – Reversals of physiological processes – Forbidden substances are eaten and forbidden sexual acts are performed ritually – ”Five m's": maithuna ("intercourse"), matsya ("fish"), -
Iasbaba's 60 Days Plan – Day 35 (History)
IASbaba’s 60 Days Plan – Day 35 (History) 2018 Q.1) Consider the following pairs. Sculpture Material made from 1. Mother goddess Stone 2. Bearded priest Terracotta 3. Dancing girl Copper Which of the above pairs is/are correctly matched? a) 1 and 3 only b) 3 only c) All the above d) None Q.1) Solution (d) Terracotta: Terracotta figures are more realistic in Gujarat sites and Kalibangan. Toy carts with wheels, whistles, rattles, bird and animals, gamesmen, and discs were also rendered in terracotta. The most important terracotta figures are those represent Mother Goddess. Stone Statues: Stone statues found in Indus valley sites are excellent examples of handling the 3D volume. Two major stone statues are: Bearded Man (Priest Man, Priest-King) and Male Torso Bronze Casting: Bronze casting was practiced in wide scale in almost all major sites of the civilization. The technique used for Bronze Casting was Lost Wax Technique. Dancing girl and bull from Mohenjo-Daro. Do you know? Thousands of seals were discovered from the sites, usually made of steatite, and occasionally of agate, chert, copper, faience and terracotta, with beautiful figures of animals such as unicorn bull, rhinoceros, tiger, elephant, bison, goat, buffalo, etc. Some seals were also been found in Gold and Ivory. THINK! 1 IASbaba’s 60 Days Plan – Day 35 (History) 2018 Harappan pottery. Q.2) Arrange the following parts of stupa from top to bottom. 1. Yasti 2. Harmika 3. Chatras 4. Anda Select the correct answer using the codes given below. a) 3-1-2-4 b) 3-2-1-4 c) 2-3-1-4 d) 2-1-3-4 Q.2) Solution (a) Stupa dome is called as Anda. -
Folklore Foundation , Lokaratna ,Volume IV 2011
FOLKLORE FOUNDATION ,LOKARATNA ,VOLUME IV 2011 VOLUME IV 2011 Lokaratna Volume IV tradition of Odisha for a wider readership. Any scholar across the globe interested to contribute on any Lokaratna is the e-journal of the aspect of folklore is welcome. This Folklore Foundation, Orissa, and volume represents the articles on Bhubaneswar. The purpose of the performing arts, gender, culture and journal is to explore the rich cultural education, religious studies. Folklore Foundation President: Sri Sukant Mishra Managing Trustee and Director: Dr M K Mishra Trustee: Sri Sapan K Prusty Trustee: Sri Durga Prasanna Layak Lokaratna is the official journal of the Folklore Foundation, located in Bhubaneswar, Orissa. Lokaratna is a peer-reviewed academic journal in Oriya and English. The objectives of the journal are: To invite writers and scholars to contribute their valuable research papers on any aspect of Odishan Folklore either in English or in Oriya. They should be based on the theory and methodology of folklore research and on empirical studies with substantial field work. To publish seminal articles written by senior scholars on Odia Folklore, making them available from the original sources. To present lives of folklorists, outlining their substantial contribution to Folklore To publish book reviews, field work reports, descriptions of research projects and announcements for seminars and workshops. To present interviews with eminent folklorists in India and abroad. Any new idea that would enrich this folklore research journal is Welcome. -
Odisha Tourism
ODISHA TOURISM A Journey in Enticing Odisha India is a country simply brimming with amazing places to discover, but amongst the most incredible destinations is Odisha in the country’s east near the Bay of Bengal. For adventurous tourists, Odisha – known as Orissa until 2011 – offers an enticing blend of activities including wildlife safaris, stunning hikes, and beautiful historical temples. Odisha, located to the south of the West Bengali province, has a long and intriguing history as well as a rich and vibrant modern culture. It is mentioned in history books that are well over two thousand years old, meaning it is a place with a long and fascinating back story, yet today is a vibrant and exciting destination that is developing rapidly. Each year, Odisha tourism becomes more popular as more and more visitors arrive to soak in the incredible sights of the region, from the stunning countryside landscapes to the bustling cities. Today, there are many incredible sights where visitors can learn about Odisha’s fascinating history. Some of the very oldest sights in the region include the rock paintings of Gudahandi, which are thought to be more than 20,000 years old. To walk within these caves is to truly walk in the footsteps of our most distant ancestors. This is because the site is evidence of some of the oldest origins of mankind, and to visit them as tourists to Odisha is to truly get a feel for the thousands of years of history that cloak the region. Other incredible historic sites are somewhat more recent but no less impressive – such as the stunning Konark Sun Temple, which is famous worldwide for its stunning architecture. -
Embassy of India ASTANA NEWSLETTER
Embassy of India ASTANA NEWSLETTER Volume 1, Issue 18 November 1, 2015 India Hosts 3rd India-Africa Forum Summit India hosted 3rd India-Africa Forum Summit (IAFS) Embassy of India from October 26-29, 2015 at New Delhi. 41 Heads of States/ Governments and other leaders represented all 54 African countries ASTANA in the summit. India and Africa have a historic relationship based on mutual respect, trust and solidarity. In recent times, the relation- ship has witnessed progress and has grown into a mutually beneficial Inside this issue: partnership. The 3rd IAFS served as a landmark event in the jour- ney towards further cementing the strong ties between India and India hosts 3rd India-Africa 1 Africa. Forum Summit Prime Minister meets African Trade Ministers Kazakhstan implemented more 2 On the eve of IAFS, 4th India-Africa Trade Ministers reforms than any other coun- meeting was held on 23rd October. In her address, the Minister for try—World Bank Commerce and Industry Ms. Nirmala Sitharaman said that India would endeavour to share its experience and expertise on value Astana hosts 6th International 3 addition in partnering with African countries to enhance livelihood Investment Forum and attain a better quality of life. Meeting of WFSC International 3 Organizing Committee External Affairs Minister Ms. Sushma Swaraj inaugurat- Inauguration of India-Africa Friendship Rose Garden ed the India-Africa Friendship Rose Garden at New Delhi on 25th Laying of Foundation Stone for 3 October. Speaking on the occasion, she said that flowers signify Amaravati love, dedication, friendship and brotherhood and the Rose Garden NRI Divas 3 symbolizes India-Africa friendship, which in the coming years is going to blossom like the flowers of the garden. -
Art Elsewhere During Medieval Period
Indian art From Indus valley to India today Talk 8 Art elsewhere during medieval period G Chandrasekaran S Swaminathan Following the golden track of the Gupta-s in the north It was Harshavardhana (7th century CE) who took over the mantle of the Guptas in the North. Along with his contemporaries in the Deccan, the Chalukyas and in the South, the Pallavas and the Rashtrakutas the period is truly momentous. Harshavardhana, a man of letters as vouched by the three plays written by him Nagananda, Ratnavali and Priyadarshika, he was a man of arts too. Harshavardhana, 7th century CE The pearl-bedecked, the elegantly braid-decorated with pearls, flowers and sprigs, the curls nestling on the forehead, the dreamy eyes, and the transparent dress with its neat embroidery make it one of the finest creations of the Indian sculptor's chisel. Panduvamsi, 6th-7th century CE Dedicated to Vishnu this post-Gupta most developed brick temple of India, retains most of its original appearance. It is unsurpassed in the richness and refinement of its ornament Sanctum door Lakshmana Temple, Sirpur, Chhattisgarh Gurjara Pratihara, 8th century CE The period of the Rajput clan Gurajara Pratihara-s is important for it covered wide area (Gangetic plain, Gujarat and Rajasthan) and long period (8th to 10th centuries). Head of Vishnu as Vaikuntha with a lion-face and a boar-face on either side, still retails the Gupta grace. Gurjara Pratihara, 8th century CE The Dancing Siva has been popular all over the country. This composition of a ten-armed Nataraja dancing in the lalita mode with gana-s holding musical instruments is of great interest. -
A Reassessment of the Origin of the Jagannath Cult of Puri
Odisha Review June - 2012 A Reassessment of the Origin of the Jagannath Cult of Puri Manorama Tripathy The origin of the Jagannatha cult of Puri is shrouded Dasa’s Mahabharata, besides taking recourse in mystery. Although it is one of the widely to rich speculations. Several other sources have researched areas in the cultural history of Odisha, also been consulted. However, it is surprising that a clear and unambiguous picture of the genesis of an early account of the origin of the cult, recorded the cult continues to elude us. This is largely so in the ‘Purushottamakshetra Mahatmya’ of the because the sources which provide information Sanskrit Skanda Purana, has not been given the about the cult are either mythical or fragmentary importance it deserves. This work, apparently in nature. These sources include religious texts written in the fourteenth century, is often and inscriptions. The inscriptions, by their very mentioned in passing. Sometimes, bits and pieces nature, do not give us any chronological picture. of information from it are cited to corroborate an Religious texts on the other hand contain valuable argument. But the work has not been taken up pieces of historical information, but the historical for critical scrutiny in a way it really deserves. consciousness found in them differ from the ways The work is important not for the information it in which history is understood by us today. provides, which is often highly unreliable. It is Scholars have subjected the existing evidence to significant because it helps us to develop a extensive scrutiny as a result of which our reasonable perspective on the origin of the knowledge of the beginnings of the cult has Jagannatha cult. -
Lingaraj Temple
Lingaraj Temple February 1, 2021 The Odisha government has chalked out a plan for peripheral development of the 11th century Shree Lingaraj Temple to attract more tourists to the state capital during the post pandemic period. Lingaraj Temple Lingaraja Temple is a temple dedicated to Shiva and is one of the oldest temples in Bhubaneswar, Odisha. It represents the quintessence of the Kalinga Architecture and culminating the medieval stages of the architectural tradition at Bhubaneswar. The temple is believed to be built by the kings from the Somavamsi dynasty, with later additions from the Ganga rulers. It is built in the Deula style that has four components namely, vimana (structure containing the sanctum), jagamohana (assembly hall), nata mandira (festival hall) and bhoga-mandapa (hall of offerings), each increasing in the height to its predecessor. Bhubaneswar is called the Ekamra Kshetra as the deity of Lingaraja was originally under a mango tree (Ekamra) as noted in Ekamra Purana, a 13th-century Sanskrit treatise. The temple has images of Vishnu, possibly because of the rising prominence of Jagannath sect emanating from the Ganga rulers who built the Jagannath Temple in Puri in the 12th century. Kalinga School of Temple Architecture An inscription in the Amrtesvara Temple at Holal in Karnataka refers to four styles of Hindu temple architecture i.e. Nagara, Kalinga, Dravida and Vesara. The inscription mentions one sutradhari, architect, named Bammoja, said to be the master of chaturjati (four classes) of temples namely Nagara, Kalinga, Dravida and Vesara. Kalinga style is identified as a subclass under the Nagara category. Bhuvanapradipa primarily defines three kinds of Kalinga temple styles i.e. -
Review of Research
Review Of ReseaRch impact factOR : 5.7631(Uif) UGc appROved JOURnal nO. 48514 issn: 2249-894X vOlUme - 8 | issUe - 7 | apRil - 2019 __________________________________________________________________________________________________________________________ DEITIES OF THE ANANTA-VASUDEVA TEMPLE AND THEIR REFERENCE IN THE INSCRIPTIONS OF BHATTA BHAVADEVA AND CHANDRADEVI Dr. C. S. Mohanty Director, Krishnarao Research Institute , Jabalpur. Visiting Faculty, A.I.H.C. & Archaeology, Rani Durgavati University . ABSTRACT: Ananta-Vasudeva Temple is one of the ancient temples in Temple city Bhubaneswar, now the state capital of Orissa. It is situated on the north Bank of Bindu Sarobar lake in the old town of the city , in between the famous the Mukteswar and the Lingaraj Temple. As the Anantasayi Vishnu or Vasudeva is sitting inside the name of the temple become Ananta-Vasudeva Temple. KEYWORDS: ancient temples , Temple city Bhubaneswar , Anantasayi Vishnu. INTRODUCTION The inscription of Bhatta Bhavadeva mentions in verse 3 that the village Siddhala is the ornament of Radha where his forefathers dwelt. In verses 4 to 25, the poet describes the versatile qualifications and fortunes of Bhatta Bhavadeva and then in verse 26 Radha country is again described where, on the outskirts of a village, he excavated a tank for the supply of water to the public. The Temple-Outer View The Inscription of Bhatta Bhabadeba Inside the Temple Inverses 27, 28, and 29 mention is made of his installing a stone image of Narayana (V.27) and of building a temple for him (V.28) and of building the images of Narayana, Ananta and Nrusimha in the niches of the said temple (V.29). The strain of description lends support to the suggestion that all these works were done in the Siddhala village mentioned in verse 31 Mr. -
Maritime Activities of Early Odisha : an Archaeological Perspective
November - 2015 Odisha Review Maritime Activities of Early Odisha : An Archaeological Perspective Dr. Benudhar Patra Maritime archaeology opens up new vista in the Ball1 and exploration of some other pre-historic field of research on the early Odishan maritime sites, for the first time, gave us an idea regarding history. It, however, is not confined to the study the progress of society in Odisha from hunters to of archaeological remains under water, rather it breeders and food production and settled life. The includes the study of various aspects such as excavations at Kuliana, Kuchai and Baiyapur in identification of landing places, harbours, the the Mayurbhanja district of Odisha have yielded nature of wood work, sea routes, cargo items the evidences of the use of polished shouldered etc. It is the archaeological excavation that has tools, rice and cord-impressed pottery belonging unearthed a number of ports like Che-li-ta-lo/ to the Neolithic age. In view of the technological Manikpatna, Khalkattapatna, Palur/ Dantapura, affinities of shouldered adzes with those of the Dosarene etc., which confirm early Odisha¶s South-East Asian countries it is believed that maritime activities on a firm footing. It also proved Odisha¶s maritime connections with the South- ancient Odishan interaction with the countries of East Asia probably began from the Neolithic South-East Asia and the western world. period.However, the possibility of introduction Archaeological excavation, indeed, has of shouldered adzes into India through land-route tremendous contribution towards unearthing the via north east India cannot be ruled out. glorious maritime activities of early Odisha or At Sankarjung (Lat.200 512 113 N and Kalinga.