International 02 Art Exhibitions 2011 International 05.10.2011 > 16.01.2012 Art Exhibitions 2011

Matisse | Cézanne | Picasso The Stein Family

Grand Palais Opposite page Nude with a Towel 1907-08, Oil on canvas 116 × 89 cm Private Collection 1 Paul Cézanne Five Men Bathing 1892-94, Oil on canvas 22 × 33 cm Musée d’Orsay, Paris Paris

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The Steins, an American family, moved sources of modernity and his exchanges 2 to Paris in the early 20th century: with the intellectuals of the time; Gertrude set up house with her brother Gertrude’s friendship with Picasso; The Woman with the Hat Leo; her elder brother Michael took a Sarah’s relations with Matisse; and the 1905, Oil on canvas flat with his wife Sarah. They were the projects that Gertrude developed with 81 ×65 cm first to buy Matisses and Picassos. They artists in the 1920s & 1930s. San Francisco Museum also received the entire avant-garde of into their homes and thus built up one A major exhibition bringing together 3 of the most astonishing collections of an ensemble of works from the Steins’ Pablo Picasso modern art. The exhibition looks at collections: Renoir, Cézanne, Picasso, Portrait of Gertrude Stein the history of this out-of-the-ordinary Matisse, Manguin, Bonnard, Vallotton, 1906, Oil on canvas family. It shows how important its Laurencin, Gris, Masson, Picabia etc. 100 × 81.3 cm patronage was for the artists and how it The exhibition’s 8 sections shed light Metropolitan Museum of Art, helped establish a new standard of taste on all the Steins (Leo, Sarah & Michael, New York, bequest of Gertrude 2 in modern art, through Leo’s view of the and Gertrude). Stein

www.rmngp.fr International 06.10.2011 > 08.01.2012 Art Exhibitions 2011

Gerhard Richter Opposite page Panorama Gerhard Richter at work

Tate Modern Spanning nearly five decades, and coinciding with the artist’s eightieth birthday, ‘Gerhard Richter: Panorama’ is a major retrospective exhibition that groups together significant moments of his remarkable career. Since the 1960s, Gerhard Richter has immersed himself in a rich and varied exploration of painting. Gerhard Richter: Panorama highlights the full extent of the artist’s work, which has encompassed a diverse range of techniques and ideas. It includes realist paintings based on photographs, colourful gestural abstractions such as the squeegee paintings, portraits, subtle landscapes and history paintings. 1 5 1 Reader 1994, Oil on canvas 72 x 102 cm (cr:804) SFMoMA 2 Cage 4 2006, Oil on canvas 290 x 290 cm (cr:897-4) Tate (on loan) 3 Negroes 1964, Oil on canvas 145 x 200 cm (cr:45) Gagosian Gallery 2 3 4 Demo Richter was one of the first German Richter has continued to respond to 1997, Oil on canvas artists to reflect on the history of significant moments in history through- 62 x 62 cm (cr:848-3) National Socialism, creating paintings out his career; the final room of the The Rachofsky Collection of family members who had been exhibition includes September 2005, 5 members, as well as victims of, the Nazi a painting of the terrorist attacks on the Betty party. Continuing his historical interest, World Trade Centre in New York in 2001. 1988, Oil on canvas he produced the 15-part work October Lovers of the epic beauty of Rothko, 102 x 72 cm (cr:663-5) 18 1977 1988, a sequence of black and Twombly and Hodgkin will have much St Louis Art Museum white paintings based on images of the to enjoy, as will those who appreciate 4 Baader Meinhof group. portraiture or photorealism. All images © Gerhard Richter

www.tate.org.uk International 06.10.2011 > 31.12.2011 Art Exhibitions 2011

Opposite page Jorma Puranen Jorma Puranen Shadows, Reflections and All That Sort of Thing, 63 Shadows & Reflections 2010

Sinebrychoff Art Museum Helsinki Sinebrychoff Art The exhibition displays 35 photographs from the series ‘Shadows & Reflections’ taken between 1999 & 2011 by Jorma Puranen (born 1951). Puranen, who is primarily known for photographing nature, was intrigued by the reflections on the surfaces of the oil paintings in the Sinebrychoff Art Museum, which he observed whilst working on another project for the museum. Portraits play a prominent role among the Sinebrychoff Art Museum’s 1085 paintings. This show displays his images alongside the 17th & 18th century aristocratic and bourgeois portraits on which they were based. 5

The series ‘Shadows & Reflections’ 1 challenges the conventional idea of Alessandro Allori a good photograph. In Puranen’s (Circle of Florence) pictures, the faces of the models fade Portrait of a Lady into the background, while the interplay c 1590-1600 of light and shadow replaces familiarity Sinebrychoff Art Museum with a feeling of enhanced sensitivity Photo: VTM/KKA Matti Janas and alienation, with a dynamic tension 2 between the fleeting moment and the Jorma Puranen centuries-old static state of the paintings. Shadows, Reflections and His works question the relationships All That Sort of Thing, 47 between the portrait, the model and 2009 photography, and the way we tend to 3 understand the image through the Sir Joshua Reynolds medium chosen to portray it. 1 Self-Portrait 1773 Sinebrychoff Art Museum Photo: VTM/KKA Hannu Aaltonen 4 Jorma Puranen Shadows, Reflections and All That Sort of Thing, 50 2010 5 Jorma Puranen Perspektivet Museum 234 Norway

www.sinebrychoffintaidemuseo.fi International 09.10.2011 > 05.02.2012 Art Exhibitions 2011

Degas & the Nude

Museum of Fine Boston Arts The nude figure was critical to the art of More than three years in the making, Opposite page Edgar Degas from the beginning of his the project explores how Degas The Morning Bath career in the 1850s until the end of his exploited all of the body’s expressive c 1887-90, Pastel on paper working life, but the subject has never possibilities. It shows how his personal mounted on board before been explored in a Museum vision of the nude informed his notion Mr & Mrs Potter Palmer exhibition. ‘Degas and the Nude’, co- of modernity, and how he abandoned Collection, 1922.422, organized by the Museum of Fine Arts, the classical or historical form in favour The Art Institute of Chicago Boston, and the Musée d’Orsay in Paris, of a figure seen in her own time and 1 features paintings, pastels, drawings, setting, whether engaged in shockingly After the Bath prints, and sculpture, and calls attention carnal acts or just stepping out of an 1890-96, Pastel on cardboard to the evolution of the treatment of the ordinary bath.The multimedia guide Harvard Art Museums/ nude from Degas’s early years, through for the exhibition includes video of Fogg Museum, Gift of his triumphant offerings from the 1880s pastel and printmaking techniques, Mrs J Montgomery Sears and 1890s, to the last decades of his plus perspectives from a figure model, Courtesy of Museum of Fine 1 working career. a pastel artist, and others. Arts, Boston

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2 Woman Seated on a Bath- tub Sponging Her Neck 1880-95, Oil and essence on paper Musée d'Orsay, Paris, courtesy Museum of Fine Arts, Boston 3 La Toilette 1884-86, Pastel over monotype laid down on board Private Collection, courtesy 2 Museum of Fine Arts, Boston

www.mfa.org International 19.10.2011 > 29.01.2012 Art Exhibitions 2011

Painting Canada Tom Thomson and the 1 Group of Seven

Dulwich Picture Gallery London Gallery Picture Dulwich Tom Thomson developed an artistic Opposite page language that captured the unique Tom Thomson qualities of the Canadian landscape – Path behind Mowat Lodge dazzling in colour and in tune with the 1917, Oil on wood subtle changing of the seasons. After his 26.8 x 21.4 cm untimely death, Thomson’s friends Thomson Collection, AGO organised a memorial exhibition, and © Art Gallery of Ontario followed this up by forming probably 1 the most famous artistic force in Lawren Harris Canadian art history: the Group of Trees and Pool Seven. c1920, Oil on panel 26.7 x 35.6 cm © Art Gallery of Ontario © Family of Lawren S Harris 2 J E H MacDonald Autumn Leaves, Batchewana Woods, Algoma c1919, Oil on composite woodboard 21.6 x 26.7 cm 2 3 Art Gallery of Ontario 3 Franklin Carmichael Autumn Hillside 1920, Oil on canvas 76 x 91.4cm © Art Gallery of Ontario, Gift from the J S McLean Collection, Toronto © Courtesy of the Estate of Franklin Carmichael 4 4 J E H MacDonald Lawren Harris, J E H MacDonald, Mount Oderay Arthur Lismer, Frederick Varley, Frank 1930, Oil on canvas Johnston, Franklin Carmichael and 40 x 52.5 cm A Y Jackson created, along with © Collection Ash K Prakash Thomson, a landscape style that to this 5 day influences the way Canadians Lawren Harris visualise their own country. Highly Lake Superior, Sketch XLVII revered in Canada, these great artists c1923, Oil on panel are virtually unknown outside. 30 x 37.5 cm This exhibition aims to redress that Collection Ash K Prakash imbalance. 5 © Family of Lawren S Harris

www.dulwichpicturegallery.org.uk International 22.10.2011 > 18.03.2012 Art Exhibitions 2011

The Scottish Colourist Series F C B Cadell

Scottish National Gallery of Modern Art of Modern Art Scottish National Gallery Francis Campbell Boileau Cadell was This is the first solo exhibition of Cadell’s Opposite page born in Edinburgh in 1883 and died work to be held in a public gallery in 70 Portrait of a Lady in Black there in 1937. He was the youngest of years, following the retrospective held c 1921, Oil on canvas the four artists known as the Scottish at the National Gallery of in 76.3 x 63.5 cm Colourists, along with J D Fergusson, 1942. Cadell is perhaps the most elegant 97 x 84.5 x 9 cm (framed) G L Hunter and S J Peploe. They all of the Colourists. He is known for his Scottish National Gallery spent time in France early on in their stylish portrayals of Edinburgh New of Modern Art, Bequeathed careers and had direct contact with Town interiors and the sophisticated by Mr & Mrs G D Robinson French painting from Manet and the society that lived there. He had moved 1 Impressionists to Matisse and the to Ainslie Place in 1919 and lived there The Blue Fan Fauves. They shared a preference for until 1931, enjoying a lavish lifestyle he c 1922, Oil on canvas bright colour and pronounced brush- could ill afford. He is also equally 61 x 50.5 cm work and are recognised as being celebrated for his vibrantly coloured, 70.5 x 60.5 x 5 cm (framed) amongst the most important modern daringly simplified still-lifes and figure Scottish National Gallery Scottish artists. studies of the 1920s. 2 of Modern Art

4 2 Self-Portrait c 1914, Oil on canvas 113.1 x 86.8 cm Scottish National Portrait Gallery, Edinburgh, on loan 3 from a Private Collection 3 Cadell visited the Isle Iona, off the Interior: The Orange Blind west coast of Scotland, for the first time c 1927, Oil on canvas in 1912 and returned to paint there, 112 x 86.5 cm most summers, often with Peploe. Here Kelvingrove Art Gallery & Edinburgh the light reflected from the surrounding Museum, presented by the sea intensifies the colours of the water, Trustees of the Hamilton the white sand beaches and the green Bequest 1928 of its pastures. Weather conditions 4 change quickly, challenging the artist to Lunga from Iona work at speed. Iona played a vital part in mid 1920s, Oil on canvas Cadell’s career, providing some 20 years 51 x 77.2 cm 1 of inspiration and subject matter. Private Collection

www.nationalgalleries.org International 22.10.2011 > 22.01.2012 Art Exhibitions 2011

Pissarro’s People

Legion of Honor Museum Opposite page Self-Portrait with Hat (not on display) 1903 Tate Gallery, London Presented by Lucien Pissarro, the artist’s son, 1931 1 The Little Country Maid 1882, Oil on canvas 63.5 x 53 cm Tate: Bequeathed by Lucien Pissarro, the artist’s son, 1944, N05575 1 2 3 2 Washerwoman (Study) Although Camille Pissarro was a painter 1880, Oil on canvas and printmaker best known for his large 73 x 59.1 cm body of landscapes and urban views, The Metropolitan Museum this exhibition focusses on his personal of Art, gift of Mr & Mrs Nate B ties and social ideas through his lifelong Spingold, 1956, 56.184 engagement with the human figure. 3 From his earliest years in the Caribbean Young Peasant Woman

San Francisco and Venezuela until his death in Paris in Drinking Her Café au Lait 1903, Pissarro drew, painted, and made 1881, Oil on canvas prints featuring human subjects from 65.3 x 54.8 cm every walk of life. He was also a The Art Institute of Chicago, committed reader of radical social, Potter Palmer Collection, political and economic theory and had 1922.433 a profound knowledge of social philo- 4 sophy, which informed much of his art. Jeanne Pissarro (called ‘Pissarro’s People’ celebrates the Cocotte) Reading painter’s humanism in all its aspects and 1899, Oil on canvas brings together nearly 100 works of art, 56 x 67 cm including some 37 paintings and Collection of Ann & Gordon numerous works on paper made over Getty the course of his entire career. 4 5 Portrait of the Artist’s Highlights include portraits of the individuality rather than their mythic Son, Lucien artist’s friends and family as well as qualities, which so preoccupied Millet. 1874, Lithograph notable genre scenes set in the fields The cast of characters Pissarro repre- Museum of Fine Arts, Boston and marketplaces of rural France. sented reflects his unique engagement Stephen Bullard Memorial Pissarro’s paintings of townspeople, in contemporary political, social, and Fund 5 peasants, and farm workers stress their economic issues.

www.legionofhonor.famsf.org International 23.10.2011 > 05.02.2012 Art Exhibitions 2011

Mamma Andersson

1 Dog Days

Museum Haus Esters Mamma Andersson was born in Luleå, Sweden in 1962. One of Scandinavia’s foremost contemporary artists, she notched up her first international success in 2003 when she was invited to appear at the Nordic Pavilion for the Venice Biennale.

In her paintings Andersson combines contemporary mentalities with a specifically Nordic tradition of painting. A variety of sources flow together in her paintings to create surprising and complex amalgams. She harks back to the Nordic tradition of landscape painting, while using interiors from forensic investigations and thus show- ing unvarnished, commonplace rooms that are never otherwise documented. 2 Krefeld

In addition, she also uses scenarios from Opposite page theatre brochures in which concrete Hardship situations in life are conveyed in 2011, Mixed media on panel concentrated form. And lastly her own 81.3 x 122.5 cm personal experiences in life play their 1 part: her subjective, emotional perspec- Dazzle tive is an integral element of her visual 2011, Mixed media on panel worlds. Mamma Andersson does not 99 x 184.5 cm paint series; each painting is driven 2 instead by its own inner necessity. Ramble On 2011, Mixed media on panel It is boring, everyday time that 111.5 x 228.5 cm attracts me the most. 3 Karin Mamma Andersson 3 Dog Days 2011, Mixed media on panel Over the years the artist has developed In this way a painting of an everyday 99 x 184,5 cm a whole battery of experimental walk, for instance, turns into a more or 4 painting techniques, which are always less explicit family drama in which her Doggo adjusted however to the motif and protagonists are outlined with almost 2011, Mixed media on panel there instilled with meaning. During the psychological acuity. And even when 109 x 160.5 cm process she changes from meticulous the artist chooses to dispense with detail to abstract sections done in people, her brush gives interiors and © VG-Bild-Kunst, Bonn 2011 gestural strokes, giving the canvases an things in the outside world a psycho- Courtesy Galleri Magnus 4 uncannily suggestive power. logical charge. Karlsson, Stockholm

www.kunstmuseenkrefeld.de International 25.10.2011 > 05.02.2012 Art Exhibitions 2011

Dreams & Reality Masterpieces from the Musée d’Orsay, Paris

National Museum of Singapore From the collection of the Musée d‘Orsay, Opposite page over 140 Salon, Realists, Impressionists Jean-Auguste Dominique and Post-Impressionists paintings, photo- Ingres graphs and drawings from the mid-19th Venus in Paphos century to the early 20th century will 1852-53, Oil on canvas specially tour to Singapore this year. 91.5 x 70.3 cm The exhibition explores the reaction of Acquired with the assistance man towards modernity between 1848 of the Société des Amis du & 1912. The changing social and industrial Musée d’Orsay, 1981 landscapes of Paris in early modernity © RMN (Musée d’Orsay) forced artists and photographers to re- 1 think their approach to the visual world Alexandre Cabanel around them. Their varied responses The Birth of Venus generated new ways of depicting reality 1863, Oil on canvas and a proliferation of styles. 1 130 x 225 cm © The Metropolitan Highlights of the exhibition include Museum of Art, Dist. RMN Cézanne’s ‘The Card Players’, Van Gogh’s 2 ‘Starry Night’ and Cabanel’s ‘The Birth of Edgar Degas Venus’. Many other key works by fore- Dancers Climbing a runners of modern art such as Gustave Staircase Courbet, Edgar Degas, Jean-François 1886-90, Oil on canvas Millet as well as female Impressionists 39 x 89.5 cm Berthe Morisot, Marie Bracquemond Bequest of Comte Isaac and Eva Gonzalès will also be showcased. de Camondo, 1911 A portrait of Georges Clemenceau by © RMN (Musée d’Orsay) 2 Manet will also travel to Singapore. 3 Pierre-Auguste Renoir Young Boy with a Cat 1868-69, Oil on canvas 124 x 67 cm © RMN (Musée d’Orsay) 4 Eva Gonzalès A Box at the Théâtre des Italiens 1875-78, Oil on canvas 98 x 130 cm Gift of Jean Guérard, 1927 © RMN (Musée d’Orsay)

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www.nationalmuseum.sg International 29.10.2011 > 12.02.2012 Art Exhibitions 2011

Masters of Venice Renaissance Painters of Passion & Power

De YoungMuseum A worldwide exclusive presentation Opposite page of 50 paintings by Venetian painters Veronese (Paolo Caliari) Tintoretto, Giorgione, Veronese, Titian, Judith with the Head Mantegna, and others, primarily from of Holofernes the 16th century, all on loan from the c 1580, Oil on canvas Gemäldegalerie of the Kunsthistorisches 1 Museum in Vienna. Featured are out- Giorgione standing examples of the work of these (Giorgio da Castelfranco) artists that were collected by the arch- The Three Philosophers dukes and emperors of the Habsburg c 1508-1509, Oil on canvas family, which are among the most 2 celebrated holdings in the collections Titian of the Gemäldegalerie. Key works (Tiziano Vecellio) include: Titian’s sumptuous ‘Danáe’ Danaë (1560s) and the mysterious and moody c 1560, Oil on canvas ‘Bravo (The Assassin)’ (c 1515-1520), 3 Mantegna’s tortured ‘Saint Sebastian’ Tintoretto San Francisco (1457-1459) and four rare paintings by (Jacopo Robusti) Giorgione, including ‘Youth with an Portrait of Sebastiano Arrow’ (c 1508-1510), ‘Portrait of a Young Venier (and the Battle Woman (Laura)’ (1506) and ‘The Three of Lepanto) Philosophers’ (c 1508-1509). 1 c 1571, Oil on canvas

34 4 The exhibition also includes works by Tintoretto Palma, Bordone, Bassano, and more. (Jacopo Robusti) Together, these examples represent Portrait of a Man in the range of Venetian accomplishment Gold-Trimmed Armour 2 in Renaissance-era painting. c 1560, Oil on canvas

www.deyoung.famsf.org International 01.12.2011 > 31.12.2013 Art Exhibitions 2011

The Modern Scot

Scottish National Portrait Gallery During the period of recovery and to the universalist concerns of Modern- Opposite Page reassessment after the First World War, ism. The movement is renowned for Percy Wyndham Lewis artists faced the problem of finding a its contribution to literature, but the (Lady) Naomi Mitchison, means of expression appropriate for a visual arts also played a significant role. 1938, Oil on canvas radically altered society. Scottish artists In particular the politically radical and 101.6 x 76.2 cm and writers, including J D Fergusson nationalist painters William Johnstone, Scottish National Portrait and Hugh MacDiamid, expressed a William McCance and John Duncan Gallery uniquely modern sensibility in the early Fergusson came under the influence 1 20th century. This display takes a closer of the poet Hugh MacDiarmid, whose John Duncan Fergusson look at the creative men and women project was to create a Scottish culture Eástre who championed a progressive that was both politically progressive (Hymn to the Sun) national culture and made Scotland’s and artistically modern in outlook. 1924, Brass (cast 1971) distinctive voice heard. The Scottish The aim was to align the arts in Scotland 41.8 x 22 x 22.5 cm Renaissance Movement is recognised with artistic and intellectual tendencies Scottish National Gallery 1 for bringing a Scottish vernacular voice in Europe. of Modern Art

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Edinburgh 2 Alexander (Sandy) Moffat Poets’ Pub 1980, Oil on canvas 183 x 244 cm Scottish National Portrait Gallery 3 Nigel McIsaac Willa Anderson (Mrs Edwin Muir) 1944, Oil on plywood 59.90 x 53.30 cm 72 x 66 x 3.3 cm (framed) 2 Scottish National Portrait Gallery

www.nationalgalleries.org International 03.12.2011 > 04.03.2012 Art Exhibitions 2011

Matisse Drawing Life

Queensland Gallery of Modern Art Brisbane of Modern Art Gallery Queensland Opposite page Large Odalisque in Bayadère Culottes 1925 Lithograph on paper 75 x 56cm 1 Standing Nude before a Mirror c 1923, Charcoal with stumping on laid paper watermarked MBM France 60.5 x 47 cm Collection: Musée Matisse, Nice 123 © Succession H Matisse 2 ‘Matisse: Drawing Life’ reveals how Primavera (Spring) drawing was central to every aspect of 1938, Linocut on Daragnès the great artist’s practice. The works wove paper include early academic sketches and 52 x 33 cm engravings that already showed the 3 promise that was later to be realised. The Frigate On display are his experiments with 1938 watercolour, ink and woodcuts and the Linocut on G Maillol wove vibrant paper cut-outs and simple paper brush-and-ink works of his final years. 60 x 40cm It is the most comprehensive exhibition 4 of Henri Matisse’s prints and drawings The Model’s Rest ever mounted. Presented in partnership 1922, Lithograph on paper with the Bibliothèque nationale de 22.2 x 30.4 cm France, the exhibition includes over 300 drawings, prints and illustrated books by one of the 20th century’s greatest artists. Exploring the themes and subjects to which Matisse repeatedly 4 turned throughout his long career, the exhibition provides insights into the National Gallery of Australia, Canberra; National Gallery of Art, Washington DC; Image on opposite page and artist’s daily drawing practice and the St Petersburg’s State Hermitage and the Baltimore Museum of Art. images 2,3, & 4 extraordinary range and depth of Museum; the Musée Matisse, Nice; the To complement the exhibition, GOMA’s Collection: Département des Matisse’s engagement with the graphic Musée Matisse, Le Cateau-Cambrésis; Long Gallery will feature The Drawing estampes et de la photographie, mark. The exhibition features over 100 the Musée national d’art moderne, Room, an interactive large-scale Bibliothèque nationale de works from the Bibliothèque nationale Centre Pompidou, Paris; the Metropoli- drawing studio for visitors, inspired by France, Paris de France and significant loans from the tan Museum of Art, New York; the Matisse and his working environments. © Succession H Matisse

http://qagoma.qld.gov.au International 21.12.2011 > 18.03.2012 Art Exhibitions 2011

The Renaissance Portrait From Donatello to Bellini

The Metropolitan Museum of Art This exhibition will bring together The story begins in Florence, where Artists working in Florence, Venice, and Opposite page approximately 160 works – by artists independent portraits first appeared in the courts of Italy created magnificent Domenico Ghirlandaio including Donatello, Filippo Lippi, abundance. It then moves to the courts portrayals of the people around them – Portrait of an Old Man Botticelli, Verrocchio, Ghirlandaio, of Ferrara, Mantua, Bologna, Milan, from heads of state and church to and a Boy Pisanello, Mantegna, Giovanni Bellini, Urbino, Naples and papal Rome, and patrons, scholars, poets, and artists – c 1490, Tempera on wood and Antonello da Messina, and in media ends in Venice, where a tradition of concentrating for the first time on 62.87 x 46.36 cm ranging from painting and manuscript portraiture asserted itself late in the producing recognisable likenesses and Musée du Louvre, Paris illumination to marble sculpture and century. Early Renaissance Italy hosted expressions of personality. The rapid 1 bronze medals, testifying to the new the first great age of portraiture in development of portraiture was linked Giovanni Bellini vogue for and uses of portraiture in 15th Europe. Portraiture assumed a new closely to Renaissance society and Fra Teodoro of Urbino century Italy. Featuring many rare importance, whether it was to record politics, ideals of the individual, and as Saint Dominic international loans, this exhibition will the features of a family member for concepts of beauty. 1515, Oil on canvas be divided into three sections and will future generations, celebrate a prince or 63.82 x 49.53 cm span a period of eight decades. warrior or extol the beauty of a woman. Victoria & Albert Museum, on long-term loan to The 2 National Gallery, London 2 Sandro Botticelli Ideal Portrait of a Lady (Simonetta Vespucci) ? 1475-80, Tempera on poplar 81.92 x 53.98 cm Städel Museum, Frankfurt am Main 3 Andrea Mantegna Cardinal Ludovico Trevisan c 1459-60, Tempera on wood 1 45.4 x 34.93 cm New York Gemäldgalerie, Staatliche Museen zu Berlin

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www.metmuseum.org