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An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson A Thesis submitted by: Andre Weiss B. A. 1998 Supervisor: Dr. Gavin Stamp Submitted in fulfilment of the requirements for the Master of Architecture Mackintosh School of Architecture, The University of Glasgow September 1999 ProQuest N um ber: 13833922 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833922 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Contents List of Illustrations ...................................................................................................... 3 Introduction .................................................................................................................9 1. The Previous Claims of an InfluentialRelationship ............................................18 2. An Exploration of the Individual Backgrounds of Thomson and Schinkel .............................................................................................................38 -
Northampton Map & Guide
northampton A-Z bus services in northampton to Brixworth, to Scaldwell Moulton to Kettering College T Abington H5 Northampton Town Centre F6 service monday to saturday monday to saturday sunday public transport in Market Harborough h e number operator route description daytime evening daytime and Leicester Abington Vale I5 Obelisk Rise F1 19 G to Sywell r 19.58 o 58 v and Kettering Bellinge L4 1 Stagecoach Town Centre – Blackthorn/Rectory Farm 10 mins 30 mins 20 mins e Overstone Lodge K2 0 1/4 1/2 Mile 62 X10 7A.10 Blackthorn K2 Parklands G2 (+ evenings hourly) northampton X10 8 0 1/2 1 Kilometre Boothville I2 0 7A.10 Pineham B8 1 Stagecoach Wootton Fields - General Hospital - Town Centre – peak-time hourly No Service No Service 5 from 4 June 2017 A H7 tree X10 X10 Brackmills t S t es Blackthorn/Rectory Farm off peak 30 mins W ch Queens Park F4 r h 10 X10 10 t r to Mears Ashby Briar Hill D7 Street o Chu oad Rectory Farm L2 core bus services other bus services N one Road R 2 Stagecoach Camp Hill - Town Centre - 15 mins Early evening only 30 mins verst O ll A e Bridleways L2 w (for full route details see frequency guide right) (for full route details see frequency guide right) s y d S h w a Riverside J5 Blackthorn/Rectory Farm le e o i y Camp Hill D7 V 77 R L d k a Moulton 1 o a r ue Round Spinney J1 X7 X7 h R 62 n a en Cliftonville G6 3 Stagecoach Town Centre – Harlestone Manor 5 to 6 journeys each way No Service No Service route 1 Other daily services g e P Av u n to 58 e o h Th Rye Hill C4 2 r Boughton ug 19 1 Collingtree F11 off peak 62 o route 2 Bo Other infrequent services b 7A r 5 a Crow Lane L4 Semilong F5 e Overstone H 10 3 Stagecoach Northampton – Hackleton hourly No Service No Service route 5 [X4] n Evenings / Sundays only a Park D5 D6 d Dallington Sixfields 7/7A 62 L 19 a Mo ulto routes 7/7A o n L 5 Stagecoach St. -
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland
Media Culture for a Modern Nation? Theatre, Cinema and Radio in Early Twentieth-Century Scotland a study © Adrienne Clare Scullion Thesis submitted for the degree of PhD to the Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. March 1992 ProQuest Number: 13818929 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818929 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Frontispiece The Clachan, Scottish Exhibition of National History, Art and Industry, 1911. (T R Annan and Sons Ltd., Glasgow) GLASGOW UNIVERSITY library Abstract This study investigates the cultural scene in Scotland in the period from the 1880s to 1939. The project focuses on the effects in Scotland of the development of the new media of film and wireless. It addresses question as to what changes, over the first decades of the twentieth century, these two revolutionary forms of public technology effect on the established entertainment system in Scotland and on the Scottish experience of culture. The study presents a broad view of the cultural scene in Scotland over the period: discusses contemporary politics; considers established and new theatrical activity; examines the development of a film culture; and investigates the expansion of broadcast wireless and its influence on indigenous theatre. -
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The Corner House, 1 St Giles Square, Northampton NN1 1DA T: 01604 633122 E: [email protected] Flat 3, 33 Colwyn Road, The Mounts, Northampton, NN1 3PZ £72,500 Leasehold Jackson Grundy welcome to the market this investment opportunity. The accommodation comprises kitchen, bathroom, living room and separate bedroom via an archway. Call 01604 633122 for further information. EPC: D Double Glazing | Great Investment Opportunity | Sitting Room & Bedroom | Close to Northampton Race Course. | Lease 999 Years From 1985 | Service Charges - £750 per year modern marketing ■ traditional values Jackson Grundy Estate Agents is a division of Jackson Grundy Ltd Registered office: Gough Lodge, Main Road, Duston, Northampton, NN5 6JJ Company Registration No: 3636152 Flat 3, 33 Colwyn Road, The Mounts, Northampton NN1 3PZ £72,500 Leasehold ENTRANCE HALL Secure entry system into communal area. Stairs rising to landing of Flat 3. LOBBY Access via a wooden door. Doors to adjoining rooms. LIVING ROOM 2.87m x 3.78m (9'5 x 12'5) Double glazed windows to front elevation. Chimney breast wall. Archway to Bedroom. BEDROOM 2.01m x 2.79m (6'7 x 9'2) Double glazed window to front elevation. KITCHEN 1.91m x 3.56m (6'3 x 11'8) Double glazed window to rear elevation. Range of wall and base units. Stainless steel sink and drainer unit with mixer tap over. Space for washing machine and cooker. Tiling to splash back areas. Tile effect flooring. Breakfast bar. BATHROOM 1.47m x 3.53m (4'10 x 11'7) Double glazed window to side elevation. Panelled white bath, pedestal wash hand basin and low level WC. -
Platform for Success: Final Report of the Scottish Broadcasting Commission
PLATFORM FOR SUCCESS Final report of the Scottish Broadcasting Commission PLATFORM FOR SUCCESS Final report of the Scottish Broadcasting Commission © Crown copyright 2008 ISBN: 978-0-7559-5845-0 The Scottish Government St Andrew’s House Edinburgh EH1 3DG Produced for the Scottish Broadcasting Commission by RR Donnelley B57086 Published by the Scottish Government, September, 2008 Further copies are available from Blackwell's Bookshop 53 South Bridge Edinburgh EH1 1YS Scottish Broadcasting Commission : 01 CONTENTS Foreword 2 Executive Summary 3 Chapter 1 Introduction 13 Chapter 2 Our Vision for Scottish Broadcasting 15 Chapter 3 Serving Audiences and Society 19 Chapter 4 A Network for Scotland 32 Chapter 5 Broadcasting and the Creative Economy 39 Chapter 6 Delivering the Future 51 Annex 56 02 : Scottish Broadcasting Commission FOREWORD In its short existence, the Scottish Broadcasting Commission has triggered a wide-ranging and frequently passionate debate about the future of the industry and the services it provides to audiences in Scotland. We intended from the beginning to make an impact which would lead to action, and there have been some encouraging early results in the form of new commitments from the broadcasters. But this is only a start. In publishing our final report and recommendations, we hope and expect that the debate will become even more visible and audible – with particular focus on the key opportunities and challenges we have identified in broadcasting and the new digital platforms. What has been refreshing is the extent to which both the industry and its audiences are at least as excited about the future as they are critical of some of the weaknesses of the past and present. -
Journal of Irish and Scottish Studies Migrating Minds
Journal of Irish and Scottish Studies Volume 5: Issue 1 Migrating Minds AHRC Centre for Irish and Scottish Studies, University of Aberdeen JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 5, Issue 1 Autumn 2011 Migrating Minds Published by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen in association with The universities of the The Irish-Scottish Academic Initiative ISSN 1753-2396 Printed and bound in Great Britain by CPI Antony Rowe, Chippenham and Eastbourne Journal of Irish and Scottish Studies General Editor: Cairns Craig Issue Editor: Paul Shanks Associate Editor: Michael Brown Editorial Advisory Board: Fran Brearton, Queen’s University, Belfast Eleanor Bell, University of Strathclyde Ewen Cameron, University of Edinburgh Sean Connolly, Queen’s University, Belfast Patrick Crotty, University of Aberdeen David Dickson, Trinity College, Dublin T. M. Devine, University of Edinburgh David Dumville, University of Aberdeen Aaron Kelly, University of Edinburgh Edna Longley, Queen’s University, Belfast Peter Mackay, Queen’s University, Belfast Shane Alcobia-Murphy, University of Aberdeen Ian Campbell Ross, Trinity College, Dublin Graham Walker, Queen’s University, Belfast International Advisory Board: Don Akenson, Queen’s University, Kingston Tom Brooking, University of Otago Keith Dixon, Université Lumière Lyon 2 Marjorie Howes, Boston College H. Gustav Klaus, University of Rostock Peter Kuch, University of Otago Graeme Morton, University of Guelph Brad Patterson, Victoria University, Wellington Matthew Wickman, Brigham Young David Wilson, University of Toronto The Journal of Irish and Scottish Studies is a peer reviewed journal published twice yearly in autumn and spring by the AHRC Centre for Irish and Scottish Studies at the University of Aberdeen. -
Henry Varnum Poor: Commemorating 125 Years
Henry Varnum Poor: Commemorating 125 Years by Ron Michael, Curator, Birger Sandzén Memorial Gallery Extended Essay - August 2012 Seeking Beauty Henry Varnum Poor is an important name not only for those interested in the history of Kansas or American art, but for Angular detail of Self Portrait, circa those who celebrate bountiful lives. Determined to follow his own 1917, lithograph, size unknown. path, he was committed to a life based on unadorned pursuits and a constant search for beauty. He once wrote to friend and fellow artist Birger Sandzén, “I want to make beautiful things so as to make our living as beautiful as possible.”1 Developing and using his multi-faceted talents, he also lived a life of great variety. At various times in his life he combined one or more professions as an artist, craftsman, builder, writer, teacher, organizer, administrator, evaluator and more. He was the perennial “jack-of-all-trades,” or perhaps more appropriately, a “renaissance man.” Just within the arts he explored a vast array of differing media – oils, watercolors, ceramics, pastels, drawings, frescos, etchings, lithography, woodworking, textiles, and illustration. He seemed to turn everything he touched into art. Perhaps nowhere is this better evident than the house he designed and constructed near New City, New York. Dubbed Crow House it was conceived as a place of comfort for his family – away from, but still accessible to, the bustling metropolis of New York and other Eastern cities. As he continued to write in his letter to Birger Sandzén, “The joy and satisfaction in making the house has been tremendous, and the future work of carving and painting our huge beams and stones will be great. -
Sustainability Appraisal Report
Northampton Central Area Action Plan Final Sustainability Appraisal Report Northampton Borough Council Date: January 2013 Contents Page Glossary 1 Introduction 1.1 Background 1.2 Purpose of the Sustainability Appraisal 1.3 Habitat Regulations Assessment 1.4 Aim and structure of this report 1.5 How to comment on the report 2 Northampton Central Area Action Plan 2.1 Spatial planning in Northampton 2.2 The Northampton Central Area Action Plan 2.3 The vision and objectives of the CAAP 3 Methodology of the Appraisal 3.1 Sustainability appraisal stages 3.2 Stage A: Scoping 3.3 Stage B: Options assessment 3.4 Stage C: Assessment of the draft plan (Pre-Submission Draft DPD) 3.5 Stage C: Production of the SA report 4 Setting the Scope of the SA 4.1 Relationship with other plans and programmes 4.2 The sustainability baseline 5 Results of the Appraisal 5.1 Introduction 5.2 Assumptions made during the assessment and difficulties encountered 5.3 The reasons for selecting alternatives 5.4 Appraisal of the Pre-Submission Draft DPD 5.5 Significant effects identified 5.6 Cumulative assessment 6 Monitoring 6.1 Introduction 7 Next steps Glossary Acronym and Title Explanation AAP (Area Action Plan) A Development Plan Document that provides a detailed planning policy framework for a part of the Council’s area that is a key area for change or conservation. AMR (Annual Monitoring A document within the LDF that monitors progress in implementing the Report) Local Development Scheme and the effectiveness of the Council’s adopted policies. Core Strategy A Development Plan Document that sets out the key elements of the planning framework, including strategic objectives and core policies, with which other DPDs must be in conformity. -
Greek Thomson Revival
49 Alexander Thomson Greek Revival? above An unapologetic intervention could soon be bedfellow to Thomson’s masterpiece GLASGOw’s decaying architectural legacy has long been waiting for appropriate benefactors to pull up. Now Alexander “Greek” Thomson has long after a wait of near half a century, those prayers look to have been answered for the former Caledonia Road been overshadowed by the cult of Church. Hot on the heels of the Egyptian Halls and St Vincent Street Church, this forelorn relic of bygone glory Mackintosh, however with a recent hat is to be pulled belatedly into the 21st century. Riding the crest of Glasgow’s commercial prosperity Thomson was able to channel the city’s trade wealth into trick of proposals, that may change. totems of architectural grandeur by drawing upon diverse influences from synomonous Greek homages to haunting burned out skeleton. Despite the international from a central location and intact interiors. Mark Baines Egyptian, Romanesque, Persian and Indian influences. significance of Thomson and being structurally sound, explains the decision: “The depths of connection The Church, at the time keen to assert its influence and this shell has been closed off to visitors since 1965 and Thomson had with the Gorbals are clear, he was an elder identity, provided a rich architectural seam for Thomson hints only obliquely at past grandeur. Reduced to a of the church, worshipped there, built a lot of tenements to sow, landing him a string of commissions that included romantic ruin the church carries all sorts of memories as between Eglinton St and Caledonia Rd and is buried in St Vincent Street Church and Queen’s Park Church one of the few surviving 19th century buildings in the the nearby Southern Necropolis. -
Out of Hours Art
Out of Hours Art Living tHe dreAm The Scottish Colourists Series: JD Fergusson 7 December 2013 – 15 June 2014 Scottish National Gallery Of Modern Art (Modern Two) 73 Belford Road, Edinburgh EH4 3DS In Midnight in Paris, Woody Allen transports his leading character back to the Paris of La Belle Epoque, the glorious period at the start of the 20th century when the French capital was the centre of artistic freedom. Just over a century ago, a young Scottish medical student similarly transported himself to live in that fantastic, creative melting pot. John Duncan Fergusson spent 2 years at Edinburgh University before giving up his medical studies to become a painter, initially visiting France in summers when he stayed as long as he could afford, but in 1905 he moved permanently, abandoning family and convention, to live the rest of his J. d. Fergusson (1874–1961). Summer 1914, 1934. Oil on canvas 88 x 113.5 cm. the Fergusson gallery, Perth life, a self-taught painter, ‘trying for truth, & Kinross Council — presented by the Jd Fergusson Art Foundation 1991. for reality, through light’. He was often very poor, but he never wonder S.J. (Peploe, Fergusson’s fellow is perhaps still more famous than her borrowed money; he lived on porridge Scottish Colourist) said these were some partner. for lunch, and onion and potato soup for of the greatest nights of his life. They Fergusson returned to Paris after the dinner, with an occasional night out when were the greatest nights in anyone’s life Great War, but in 1939, they both relocated he met his friends at a cheap restaurant — Scheherezade, Petruschka, Sacre du to Glasgow for their final move. -
HOLMWOOD HOUSE 61-63 Netherlee Road
ENGLISH- SPEAKING Glasgow’s Iconic Buildings: UNION HOLMWOOD HOUSE 61-63 Netherlee Road SUMMARY: Holmwood is a large house, built in what was the village of Cathcart that today has become part of the city of Glasgow. It is the finest and most elaborate house designed by Alexander ‘Greek’ Thomson. It is also rare in retaining much of its original interior decoration, and being open to the public. Holmwood was originally constructed for James Couper, a paper manufacturer in 1857-1858. Couper owned the Millholm paper mill in the valley of the River Cart immediately below the villa. Thomson used a Classical Greek style which he adapted to fit in with Scottish taste in the 1800s. Many rooms are richly decorated in wood, plaster and marble. Thomson’s original room decoration, based on themes from the classical world, is being uncovered after being painted over by previous owners. Holmwood is considered to be very influential by architectural historians, because the design was published in Villa and Cottage Architecture in 1868 and may have influenced Frank Lloyd Wright and other architects. Holmwood was bought by the National Trust for Scotland in 1994 and was restored by Page \ Park Architects in 1997-1998. THINK ABOUT: FIND OUT MORE: • Alexander Thomson is one of Glasgow’s most Historic Environment Scotland website, Holmwood famous architects. Find out about Alexander List Description, http://portal.historicenvironment. scot/designation/LB33944 Thomson and how he earned the nickname ‘Greek’ Thomson. The National Trust for Scotland website, http://www.nts.org.uk/Property/ Both Thomson, and another famous Glasgow Holmwood, • Holmwood/ architect Charles Rennie Mackintosh have very distinctive styles. -
Egyptian Halls PR Draft
SCOTTISH CIVIC TRUST PRESS RELEASE May 2021 Contact: Erin Burke, [email protected] Calls to restore Glasgow’s at-risk Egyptian Halls Conservation experts fighting for the future of a Glasgow architectural masterpiece have announced the establishment of a charity to take forward discussions about restoration. The A-listed Egyptian Halls are a work of artistic genius by one of Scotland’s greatest architects, and are of great importance to Glasgow’s urban fabric. However, the future of the building is uncertain - Egyptian Halls has been lying empty for decades and was recently shortlisted as one of Europe’s ‘fourteen most endangered buildings’ by Europa Nostra, a pan-European heritage organisation. A new charity is being set up with the hopes of working alongside key stakeholders to find a solution for the building. The Egyptian Halls SCIO will be composed of experienced developers, architects and conservation experts, and will be led by the Scottish Civic Trust. The Scottish Civic Trust is the national body for Scotland’s civic movement and counts among its responsibilities the conservation of older buildings of distinction, where commercial interests are unable to lead. Since its inception in 1967, the Civic Trust has taken dynamic action in high-profile heritage projects, having successfully campaigned for the restoration of Edinburgh’s New Town and supported the revitalisation of New Lanark. The restoration of Egyptian Halls will enrich the city and provide an appropriately high-quality welcome to visitors and Glaswegians alike entering Glasgow’s historic city centre from Glasgow Central Station. The Egyptian Halls SCIO aims to restore, develop and safeguard the building so that it can be used, shared and enjoyed by future generations.