Conceptualising Men: Collective Identities and the 'Self'
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Dating Game Heats up BPSC Best-Selling Author Tackles Religion
. Thursday, November 11, 2010 Page 6 Page 4 The Lumberjack Flu season Basketball kicks in at full returns to throttle Coliseum on INE OG Friday PThe Independent Voice of Stephen F.L Austin State University Best-selling author tackles religion, Obama at SFA By Garrett Cook lem because of extremists who terrorize OPINIONS EDITOR others in the name of their religion. While D’Souza admits that there is a “molecule Best selling author, public speaker and of truth” in that rationale, he feels that current president of The King’s College In most world conflicts are not really about New York City, Dinesh D’Souza, presented their god or their religion, but rather about a lecture in the Grand Ballroom Wednesday gaining power and control. Religion is night entitled, “Islam, Christianity, and simply an excuse. International Turmoil: Is Religion the D’Souza is not a supporter of President Problem?” Obama, and the majority of his speech was D’Souza, a native of Bombay, India, is aimed at explaining why Obama governs a noted defender of Christianity. He was the way he does. D’Souza traced Obama’s born and raised Catholic, but now consid- roots back to his childhood, the role of his ers himself an Evangelical Christian. He is father and his father’s ideals in Obama’s a graduate of Dartmouth University and ideology, and how anti-colonialism has originally came to the United States as an particularly played a large part in the for- exchange student at the age of 17. mation of Obama’s governing policies. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
University of California Riverside
UNIVERSITY OF CALIFORNIA RIVERSIDE Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Comparative Literature by Xi Tian August 2014 Dissertation Committee: Dr. Perry Link, Chairperson Dr. Paul Pickowicz Dr. Yenna Wu Copyright by Xi Tian 2014 The Dissertation of Xi Tian is approved: Committee Chairperson University of California, Riverside ABSTRACT OF THE DISSERTATION Uncertain Satire in Modern Chinese Fiction and Drama: 1930-1949 by Xi Tian Doctor of Philosophy, Graduate Program in Comparative Literature University of California, Riverside, August 2014 Dr. Perry Link, Chairperson My dissertation rethinks satire and redefines our understanding of it through the examination of works from the 1930s and 1940s. I argue that the fluidity of satiric writing in the 1930s and 1940s undermines the certainties of the “satiric triangle” and gives rise to what I call, variously, self-satire, self-counteractive satire, empathetic satire and ambiguous satire. It has been standard in the study of satire to assume fixed and fairly stable relations among satirist, reader, and satirized object. This “satiric triangle” highlights the opposition of satirist and satirized object and has generally assumed an alignment by the reader with the satirist and the satirist’s judgments of the satirized object. Literary critics and theorists have usually shared these assumptions about the basis of satire. I argue, however, that beginning with late-Qing exposé fiction, satire in modern Chinese literature has shown an unprecedented uncertainty and fluidity in the relations among satirist, reader and satirized object. -
Mortally Sinful Media!
Spiritual information you must know to be saved Mortally sinful media! “Know also this, that, in the last days, shall come dangerous times. Men shall be lovers of themselves, covetous, haughty, proud, blasphemers, disobedient to parents, ungrateful, wicked, without affection, without peace, slanderers, incontinent, unmerciful, without kindness, Traitors, stubborn, puffed up, and lovers of pleasures more than of God: Having an appearance indeed of godliness, but denying the power thereof. Now these avoid.” (2 Timothy 3:1-5) Most people of this generation, even those who profess themselves Christian, are so fallen away in morals that even the debauched people who lived a hundred years ago would be ashamed of the many things people today enjoy. And this is exactly what the devil had planned from the start, to step by step lowering the standard of morality in the world through the media until, in fact, one cannot escape to sin mortally by watching it with the intention of enjoying oneself. Yes to watch ungodly media only for enjoyment or pleasure or for to waste time (which could be used for God), as most people do, is mortally sinful. 54 years ago (1956), Elvis Presley had to be filmed above the waist up on a tv-show because of a hip-swiveling movement. Not that it was an acceptable performance, everything tending to sexuality is an abomination, but still it serves to prove how much the decline has come since then, when even the secular press deemed inappropriate what today would be looked upon as nothing. But even at that time, in major Hollywood films like The Ten Commandments, could be seen both women and men that are incredibly immodestly dressed. -
Representations of Masculinity in Contemporary Hollywood Comedies a Thesis Presented to the Facult
In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas D. Bambach August 2016 © 2016 Nicholas D. Bambach. All Rights Reserved. 2 This thesis titled In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies by NICHOLAS D. BAMBACH has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT BAMBACH, NICHOLAS D., M.A., August 2016, Film In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies Director of Thesis: Ofer Eliaz This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations impacted the perception of cinematic masculinity. The men, more specifically white and heterosexual, in these films position themselves as victims and, as a result, turn to alternative outlets to ease their frustrations and anxieties. In order to broadly survey the genre of the past two decades, I focus on three consistently popular character tropes in Hollywood comedies: slackers, office workers, and bromantic friendships. All the male characters discussed throughout the thesis are plagued by their innermost anxieties and desires that compromise their gendered identities. However, these films resort to a regressive understanding of masculinity and functions within the dominant heteronormative structures. This thesis demonstrates how Hollywood comedies present a contradictory and multifaceted image of modern masculinity. -
Men in the Family: Constructions and Performance Of
1 Men in the Family: Constructions and Performance of Masculinity in England, c.1700-1820 Tul Israngura Na Ayudhya Queen Mary, University of London Thesis submitted for the degree of PhD in History 2014 2 Statement of Originality I, Tul Israngura Na Ayudhya, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: ____________________ Date: ________________________ 3 Abstract This thesis examines the meanings, constructions, and performances of masculinity in the long eighteenth century, c.1700-1820, within familial relationships. Rather than reading the codes of masculinity out of representational sources, the thesis engages with men's lived experiences as depicted in ego-documents, such as letters, diaries, memoirs and autobiographies, in which contemporaries reflected on and made sense of their actions and behaviours. -
Table 1: Demographic Characteristics of the Wgaw Current Membership, Employed and Unemployed Writers, 2005 and 2000
Table 1: Demographic Characteristics of the WGAw Current Membership, Employed and Unemployed Writers, 2005 and 2000 2005 2000 % Change Current Percent Percent Percent Current Percent Percent Percent in Current % Change in Members of Total Employed of Total Unemployed of Total Members of Total Employed of Total Unemployed of Total Membership Employment Sex: Male 6067 76.1% 3226 75.4% 2839 77.0% 6863 75.8% 3496 76.8% 3367 74.8% -11.6% -7.7% Female 1900 23.8% 1053 24.6% 848 23.0% 2192 24.2% 1058 23.2% 1134 25.2% -13.3% -0.5% Sex NA 2 0.0% 2 0.0% 0 0.0% 1 0.0% 0 0.0% 1 0.0% NA NA Ethnicity: African American 325 4.1% 190 4.4% 135 3.7% 333 3.7% 205 4.5% 128 2.8% -2.4% -7.3% Latino 122 1.5% 67 1.6% 55 1.5% 129 1.4% 74 1.6% 55 1.2% -5.4% -9.5% Asian 109 1.4% 78 1.8% 31 0.8% 60 0.7% 34 0.7% 26 0.6% 81.7% 129.4% Native American 25 0.3% 14 0.3% 11 0.3% 21 0.2% 14 0.3% 7 0.2% 19.0% 0.0% Total Minority 581 7.3% 349 8.2% 232 6.3% 543 6.0% 327 7.2% 216 4.8% 7.0% 6.7% White/Other 7388 92.7% 3932 91.8% 3455 93.7% 8513 94.0% 4227 92.8% 4286 95.2% -13.2% -7.0% Age Category <31 315 4.4% 251 6.5% 64 1.9% 540 6.5% 419 10.0% 121 2.9% -41.7% -40.1% 31-40 2116 29.3% 1448 37.3% 668 20.0% 2264 27.1% 1502 35.9% 762 18.3% -6.5% -3.6% 41-50 2183 30.2% 1328 34.2% 855 25.5% 2758 33.0% 1443 34.5% 1315 31.5% -20.8% -8.0% 51-60 1571 21.7% 707 18.2% 864 25.8% 1708 20.5% 676 16.2% 1032 24.8% -8.0% 4.6% 61-70 577 8.0% 119 3.1% 458 13.7% 604 7.2% 107 2.6% 497 11.9% -4.5% 11.2% 71-80 312 4.3% 26 0.7% 286 8.5% 325 3.9% 28 0.7% 297 7.1% -4.0% -7.1% 81+ 157 2.2% 5 0.1% 152 4.5% -
Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic. -
Fame Attack : the Inflation of Celebrity and Its Consequences
Rojek, Chris. "Celebrity Supernova." Fame Attack: The Inflation of Celebrity and Its Consequences. London: Bloomsbury Academic, 2012. 1–26. Bloomsbury Collections. Web. 28 Sep. 2021. <http://dx.doi.org/10.5040/9781849661386.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 28 September 2021, 03:46 UTC. Copyright © Chris Rojek 2012. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 Celebrity Supernova arah Fawcett-Majors and Michael Jackson died on the same day. As events go in the time and tide of newsworthy celebrity culture, the exit of Fawcett-Majors was as perverse as that of Aldous Huxley on 22 November 1963: the day of John F. Kennedy’s assassination. A celebrity supernova refers to the death of an individual whose fame is Fso immense that their existence frames the character of the age. It is an image of a cultural presence of something that is not only bigger, but also higher than ourselves. All cultures require institutions dedicated to promoting transcendence. That is cultural escalators that transport ordinary men and women from private cares and the dun horizon of daily monotony, into a bigger, richer mental and social space. In premodern society, religion, magic and totemism supplied men and women with a sense of following the grand plan of Creation. In the words of Eliade, in archaic society ‘life is lived on a twofold plane; it takes its course as human existence and, at the same time, shares in a transhuman life, that of the cosmos or the gods’ (Eliade, 1957: 167). -
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11 be found, Young and another one started down, and a large body of this rich ore that tho president had concluded to escape on Thursday forenoon. While bereaved widow of our deceased tor such a veto the Chinese bill, his DESPERATE FIGHT when part of the way there, upon looking the formation being favorable and that the at work near one of the pans ml&LY EPITAPH. brother our heartfelt sympathy, ami would be finally and around found that the whole party were result. matter settled at a pantaloons caught on the reel he tender to her all tho consolation in cabinet meeting this morning. Gen. was around with ,on tho way. It was decided that the r instantly drawn the TOMDSTONE. AKIZONA, APK1L 3, 188.'. our power to bestow. THE C'OttO.VER'8 1MQUKST. Butler, who is n warm advocate of he house ought to be watched, so Mr. machinery. Fortunately escaped Resolved, That a memorial page the bill, had a long interview with without serious Two Cow-Bo- y Rustlers Come Brcakenridgc and Gillespie returned. of Ittfath any injuries. bo set apart and that these reso- Inquiry Into the Cause the tho president last night, and is Six-Pag-e About this timo the door was opened, and of 31. It. Peel. Edition. lutions bo spread in full on our quoted as saying to-d- ay that he was to Grief, a man by name of Lewis, a teamster who TUinU DAT. Florence Xotea. records, and that a copy of tho same, satisfied from the president's remarks From the Florence Enterprlie. -
2007 Hollywood Writers Report
WRITERS GUILD OF AMERICA, WEST THE 2007 HOLLYWOOD WRITERS REPORT Whose Stories Are We Telling? Prepared by: Darnell M. Hunt, Ph.D. Director, Ralph J. Bunche Center for African American Studies at UCLA May 2007 2 TABLE OF CONTENTS List of Tables and Figures 5 I. BACKROUND AND INTRODUCTION 8 Organization of the Report 8 A Note on Other Groups of Writers 8 II. STUDY DATA 10 Missing Data 10 Earnings Statistics 11 Production Companies 12 Comparing Tables and Figures to the 2005 Hollywood Writers Report 12 III. OVERALL TRENDS 14 Membership 14 Employment 15 Earnings 16 Conclusion 17 IV. WOMEN WRITERS 19 Television Employment 19 Film Employment 19 Women Writers’ Overall Employment Share Remains Flat 19 Television Earnings 20 Women Writers Make Gains In Television Earnings 20 Film Earnings 20 Large Gender Gap in Film Earnings Grows larger 21 Conclusion 21 V. MINORITY WRITERS 22 Television Employment 22 Minorities Lose Ground in Television Employment 23 Film Employment 23 Minority Share of Film Employment Remains Flat 23 Television Earnings 24 Television Earnings Gap for Minorities Continues to Grow 24 Film Earnings 24 Film Earnings Gap for Minorities Increases Slightly 24 Conclusion 25 3 VI. OLDER WRITERS 26 Television Employment 26 Older Writers Still Constitute the Majority of Employed 26 Television Writers Employment Share for Largest Group of Older Television 26 Writers Largely Flat Post Baby Boomers Become the Majority of All Television Writers 27 Film Employment 27 Older Writers Still Constitute the Majority of Film Writers 27 Post Baby Boomers Increase Their Majority Share of Film 28 Employment Overall Employment Rate of Writers Aged 41 to 50 Increases 28 Steadily Since 2001 Television Earnings 28 Television Earnings Highest Among Writers Aged 41 to 50 29 Film Earnings 29 Writers Aged 41 to 50 Become Highest Paid Film Writers 29 Conclusion 29 VII. -
The New Television Masculinity in Rescue Me, Nip/Tuck, the Shield
Rescuing Men: The New Television Masculinity In Rescue Me, Nip/Tuck, The Shield, Boston Legal, & Dexter A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Pamela Hill Nettleton IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Mary Vavrus, Ph.D, Adviser November 2009 © Pamela Hill Nettleton, November/2009 i Acknowledgements I have had the extreme good fortune of benefitting from the guidance, insight, wit, and wisdom of a committee of exceptional and accomplished scholars. First, I wish to thank my advisor, Mary Vavrus, whose insightful work in feminist media studies and political economy is widely respected and admired. She has been an inspiring teacher, an astute critic, and a thoughtful pilot for me through this process, and I attempt to channel her dignity and competence daily. Thank you to my committee chair, Gilbert Rodman, for his unfailing encouragement and support and for his perceptive insights; he has a rare gift for challenging students while simultaneously imbuing them with confidence. Donald Browne honored me with his advice and participation even as he prepared to ease his way out of active teaching, and I learned from him as his student, as his teaching assistant, and as a listener to what must be only a tiny part of his considerable collection of modern symphonic music. Jacqueline Zita’s combination of theoretical acumen and pragmatic activism is the very definition of a feminist scholar, and my days in her classroom were memorable. Laurie Ouellette is a polished and flawless extemporaneous speaker and teacher, and her writing on television is illuminating; I have learned much from her.