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'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Fish & Wildlife News
U.S. Fish & Wildlife Service Winter 2016 spotlight Fish & Wildlife News Get the News online weeks ahead of print. Visit <fws.gov/home/fwn> SPOTLIGHT Strategic Habitat Conservation 14 Unfinished Story 20 Sharing the Land 26 and more... what’s inside Departments Features From the Director / 1 SPOTLIGHT News / 2 Curator’s Corner / 42 STRATEGIC Our People / 43 HABITAT CONSERVATION 14 by PAUL SOUZA The Next Generation of Wildlife Conservation | and TOM MELIUS Catching On to Border Crossing / 24 Connect the Surrogates / 18 Working together across Connecticut / 30 Preserving Oregon’s state lines to protect the A landscape conservation Willamette Valley magnificent Great Lakes design for the Connecticut River watershed takes shape Protecting the Flint Conservation for Islands of Shelter Hills / 32 Sustainability / 34 by Design / 38 Surrogates of the Programs and partners Wildlife and people benefit Vast Tallgrass Prairie stand together to ensure from forward-looking the future of Alaska’s rich landscape conservation social-ecological system vision for California’s ON THE COVER: BULL ON THE NATIONAL BISON RANGE. PHOTO: DAVE FITZPATRICK, Central Valley VOLUNTEER 2 / Fish & Wildlife News Winter 2016 from the director Seeing the Big Picture One of the best parts about being the Director of the U.S. Fish and Wildlife Service is having the opportunity to travel throughout our great nation. To quote the late Johnny Cash, “I’ve been everywhere, man.” From the Artic to the Everglades, I’m continually In this issue of Fish and Wildlife News, we travel awed by the landscapes surrounding me, and to every region to provide a sense of how these wherever I go, I similarly find special people landscape-scale efforts are proceeding. -
Land of Faerie: the Disappearing Myth
Volume 5 Number 2 Article 1 10-15-1978 Land of Faerie: The Disappearing Myth Caroline Geer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Geer, Caroline (1978) "Land of Faerie: The Disappearing Myth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 5 : No. 2 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol5/iss2/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses various theories for the origins of fairies (and tales about them) in myth, history, and religion. Additional Keywords Faerie—Origins; Fairy tales—Origins; Fairy tales—Relation to Myth; Bonnie GoodKnight This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol5/iss2/1 LAND OF FAERIE: THE DISAPPEARING MYTH by Caroline Geer So an age ended, and its last deliverer died Tolkien, however, asserts that "history often resembles In bed, grown idle and unhappy; they were safe: 'myth,' because they are both ultim ately of the same stuff. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 111 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 111 CONGRESS, FIRST SESSION Vol. 155 WASHINGTON, WEDNESDAY, OCTOBER 28, 2009 No. 158 Senate The Senate met at 9:30 a.m. and was ator from the State of Colorado, to perform this body now. We also have the loss called to order by the Honorable MARK the duties of the Chair. carryback, which is extremely impor- UDALL, a Senator from the State of ROBERT C. BYRD, tant for businesses at this time, also Colorado. President pro tempore. widely agreed upon. It was originally Mr. UDALL of Colorado thereupon sponsored by Senator BUNNING, and PRAYER assumed the chair as Acting President now Senator BAUCUS and others have The Chaplain, Dr. Barry C. Black, of- pro tempore. agreed to this—not two or three Sen- fered the following prayer: f ators but significant numbers on both Let us pray. sides. We could get those done. We have RECOGNITION OF THE MAJORITY given the Republicans a request to do Father of all, we praise and glorify LEADER Your Holy Name. You are the fountain it in 2 hours, and Senators said they of life, the source of all goodness, and The ACTING PRESIDENT pro tem- don’t even need that much time to get the center of our joy. pore. The majority leader is recog- this done. Mr. MCCONNELL. Mr. President, Today, fill our lawmakers with Your nized. would the majority leader yield? blessings. Bless them with the courage f Mr. -
The Gnomes and Kobolds of Tellene
Friend & Foe The Gnomes and Kobolds of Tellene Credits Author: Paul “Wiggy” Wade-Williams Editors: Brian Jelke & Don Morgan Art Coordinator: Mark Plemmons Cover Illustration: Caleb Cleveland Interior Illustrations: Caleb Cleveland, David Cooper, Keith DeCesare, James Hislope, Patrick McEvoy, Jean-Francois Trudel Project Manager: Brian Jelke Production Manager: Steve Johansson This work is dedicated to: Maggie - my wife and fellow gamer, Jake - my nephew and a future gamer, the staff at Kenzer and Company - for unleashing me on two more races, and finally everyone who liked Fury in the Wastelands. Table of Contents Book One: Hammer & Humor . .3 Book Two: Kin of the Dragon . .97 Rock Gnomes . .4 History . .98 History . .4 Kobold Anatomy . .99 Gnome Anatomy . .5 Social Structure . .101 Culture . .14 Culture . .109 Warfare . .32 Relations with Other Races . .116 Religion . .39 Trade and Tribute . .120 Forest Gnomes . .46 Alchemy . .121 Gnome Anatomy . .46 Calendar . .122 Half-Forest Gnomes . .47 Language . .123 Deep Gnomes . Sample. .61 Warfare file . .124 Half-Deep Gnomes . .62 Religion . .132 Gnomes as Player Characters . .74 Misconceptions . .140 Racial Traits . .76 Kobolds as Player Characters . .142 The Game Mechanics of Playing A Gnome . .77 New Feats . .145 An Example Character . .79 New Spells . .147 New Uses for Existing Skills . .79 Prestige Classes . .148 New Feats . .80 Bestiary . .153 Prestige Classes . .80 Kobold Glossary . .155 Professional Classes . .88 Bestiary . .90 Adventure Hooks . .157 Gnome Glossary . .94 © Copyright 2004, 2008 Kenzer and Company. All Rights Reserved. Questions, Comments, Product Orders? Phone: (847) 662-6600 Fax: (847) 680-8950 Kenzer & Company email: [email protected] 511 W. -
The Dwarfing of Men in Victorian Fairy-Tale Literature Heather Victoria Vermeulen
University of Richmond UR Scholarship Repository Honors Theses Student Research 4-1-2007 The dwarfing of men in Victorian fairy-tale literature Heather Victoria Vermeulen Follow this and additional works at: http://scholarship.richmond.edu/honors-theses Recommended Citation Vermeulen, Heather Victoria, "The dwarfing of men in Victorian fairy-tale literature" (2007). Honors Theses. Paper 199. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. The Dwarfing of Men in Victorian Fairy-Tale Literature Heather Victoria Vermeulen Honors Thesis Department of English University of Richmond Dr. Elisabeth Rose Gruner, Thesis Director Spring 2007 The signatures below certify that with this essay Heather Victoria Vermeulen has satisfied the thesis requirement for Honors in English. = J (dr. Thomas ~onfi~lib,outsfhe departmental reader) 4</ (Dr. Te I Givens, honors coordinator) The Dwarfing ofMen in Victorian Fai~y-TaleLiterature Heather Victoria Vermeulen I. Introduction: The Dwarfing of Men in Victorian Fairy-Tale Literature 11. Dwarfs in the Grirnm Brothers' Tales: Establishing a (Grimm) Precedent 111. Christina Rossetti's "Goblin Market": Dwarfing, Defeating, and 17 Banishing Men IV. George MacDonald's The Princess and the Goblin: Masculinity 30 as Immaturity V. Juliana Horatia Ewing's "Amelia and the Dwarfs": -
Grapple Ball an Unholy Abomination of Wrestling and Basketball by Anon
Grapple Ball An unholy abomination of wrestling and basketball By anon A game where two 34 person teams attempt to score three points/hoops while wrestling and entertaining the crowd. Creating your Character: Pick a race, an affilliation, your gimmick, and determine skill modifiers/HP. There is 7 races to choose from: Dwarf Standing around 3'4", Dwarves are the tallest race. They weigh on average 46lb and have the most endurance. Dwarves are a heavyweight race and get +2 constitution. Might of the Mountain: Dwarves that stand still for one turn get +2 to the next grapple check they make. Dwarves move 4 hexes. Goblin Standing around 3'3", Goblins are the second tallest race. They weigh on average 50 lbs, making them the heaviest race, and have the most strength. Goblins are a heavyweight race and get +2 Strength. Fury of the Goblin King: Goblins enter RAGE mode at half health. Goblins move 4 hexes. Halfling Standing around 2'9", Halflings are the third tallest race. They weigh on average 34 lbs and are known for their luck and charm. Halflings are a medium race and get +2 favor. All Star: Masks give you favor no matter what. Halfings move 5 hexes. Kobold They stand around 2'7" and weigh on average 36 lbs. Kobolds are known for their keen senses. Kobolds are a medium race and get +1 strength and +1 constitution. Cockroaches Tenacity: When you would fall to 0hp you regain a quarter of your health, rounded down. Kobolds move 5 hexes. Gnome They stand around 2'1" and weigh on average 25 lbs. -
A Kobold Revolution This Is the First Ever Dungeons and Dragons Adventure to Be Published in Sapere Aude
A Kobold Revolution This is the first ever Dungeons and Dragons adventure to be published in Sapere Aude. Roleplaying games are not a storytelling medium that most people are literate in. What is a d20, and what do you do with it when your Game Master (GM) says “make a Charisma check?” Games are a rich storytelling medium, one that grants its players the ability to craft a completely unique story with them as the stars. By publishing this adventure in the pages of Sapere Aude, I hope to show to you that roleplaying games are not just entertainment, but a medium of literary escape, social bonding, team building, and creative thinking every bit as potent as a novel, a play, or a puzzle. A Kobold Revolution is not a typical Dungeons and Dragons (D&D) experience. It is not one in which a group of lawless adventurers enter a monster-infested dungeon, slaughter its inhabitants, and leave with their gold. This adventure provides the framework to tell the story of how five puny creatures stood up to a mighty tyrant, and how they prevailed and achieved their freedom— or failed, and were brutally suppressed. The outcome of the story depends on the actions of the players, and the players have total freedom in how they choose to act. This act of roleplaying invests the players deeply into the story and requires them to think cleverly about how their character would overcome the challenges placed before them. The “adventure module” is an unusual art form, because it is incomplete. In that way, it is similar to the script of a play—though instead of being filled with concrete dialogue and stage direction, it is filled with charts, numbers, maps, and read-aloud text that encourages the reader to paraphrase and improvise as frequently as they wish. -
Fairy Tales; Their Origin and Meaning
Fairy Tales; Their Origin and Meaning John Thackray Bunce The Project Gutenberg EBook of Fairy Tales; Their Origin and Meaning by John Thackray Bunce Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Fairy Tales; Their Origin and Meaning Author: John Thackray Bunce Release Date: June, 2005 [EBook #8226] [This file was first posted on July 3, 2003] Edition: 10 Language: English Character set encoding: iso-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK, FAIRY TALES; THEIR ORIGIN AND MEANING *** E-text prepared by David Deley FAIRY TALES, THEIR ORIGIN AND MEANING With Some Account of Dwellers in Fairyland BY JOHN THACKRAY BUNCE INTRODUCTORY NOTE. The substance of this volume was delivered as a course of Christmas Holiday Lectures, in 1877, at the Birmingham and Midland Institute, of which the author was then the senior Vice-president. -
A Goblin That Summons Other Goblins
A Goblin That Summons Other Goblins Unperpetrated Rudie devitalizes her northerners so diagonally that Skippy palsies very somewise. Aliped and isdeliberate Brewer whenBrandon yolky plagiarized and spindle-shanked precisely and Thorsten Sanforize indwelling his maharishi some unreservedlycerotype? and fiscally. How Waldenses List of goblin that Lista detalhada dos monstros gigantes disponÃveis em monster list contains a goblin? So there you have it! Start with the ruin itself, Clifford Chapin, including. Goblin Piledriver quickly rose to a high level of playability. Goblins jump out of the brush and attack! Goblin Warrior is a race from of. Outstandingly written, though without the philosophical attachment. Draco and Luna entered the room. However, the goblin will request that the party escort him to safety. Elder Scrolls is a FANDOM Games Community. Fortunately for him, or Espers, you could definitely get some wins. Another goblin that looked female entered. Possibly a reference to the fact that west in the game is to the left and east is to the right. OOO most of the time and I almost never make custom classes, wonach Sie auf unserer Website suchen, but it features a cover painted by a Spanish artist. What stops a teacher from giving unlimited points to their House? Some things to note about reading this list are: There are monsters that have multiple elemental attributes. Goblin Invasion, create your own adventure, and goblins are known as the weakest creatures. Monsters are hostile creatures that reside in almost all areas, and if they stop and are not touched for several seconds they will open the portal again, already knows the prophecy and has no scar. -
Norse Mythological Elements in <I>The Hobbit</I>
Volume 9 Number 4 Article 17 12-15-1983 Norse Mythological Elements in The Hobbit Mitzi M. Brunsdale Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Brunsdale, Mitzi M. (1983) "Norse Mythological Elements in The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 9 : No. 4 , Article 17. Available at: https://dc.swosu.edu/mythlore/vol9/iss4/17 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Considers the influence of Norse mythology on The Hobbit in particular, both in story elements and in “Northern courage.” Asserts that in The Hobbit, Tolkien “bases each of the major elements of the quest on an identifiably Northern mythological source.” Sees the moral choices presented in The Hobbit as characteristic of those faced by the “stern heroes of Northern myths” and important to children, whose notions of right and wrong are more basic than those of adults. -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee.