The Sanctity of the Cow in Hinduism
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Cow Care in Hindu Animal Ethics Kenneth R
THE PALGRAVE MACMILLAN ANIMAL ETHICS SERIES Cow Care in Hindu Animal Ethics Kenneth R. Valpey The Palgrave Macmillan Animal Ethics Series Series Editors Andrew Linzey Oxford Centre for Animal Ethics Oxford, UK Priscilla N. Cohn Pennsylvania State University Villanova, PA, USA Associate Editor Clair Linzey Oxford Centre for Animal Ethics Oxford, UK In recent years, there has been a growing interest in the ethics of our treatment of animals. Philosophers have led the way, and now a range of other scholars have followed from historians to social scientists. From being a marginal issue, animals have become an emerging issue in ethics and in multidisciplinary inquiry. Tis series will explore the challenges that Animal Ethics poses, both conceptually and practically, to traditional understandings of human-animal relations. Specifcally, the Series will: • provide a range of key introductory and advanced texts that map out ethical positions on animals • publish pioneering work written by new, as well as accomplished, scholars; • produce texts from a variety of disciplines that are multidisciplinary in character or have multidisciplinary relevance. More information about this series at http://www.palgrave.com/gp/series/14421 Kenneth R. Valpey Cow Care in Hindu Animal Ethics Kenneth R. Valpey Oxford Centre for Hindu Studies Oxford, UK Te Palgrave Macmillan Animal Ethics Series ISBN 978-3-030-28407-7 ISBN 978-3-030-28408-4 (eBook) https://doi.org/10.1007/978-3-030-28408-4 © Te Editor(s) (if applicable) and Te Author(s) 2020. Tis book is an open access publication. Open Access Tis book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
Modern-Baby-Names.Pdf
All about the best things on Hindu Names. BABY NAMES 2016 INDIAN HINDU BABY NAMES Share on Teweet on FACEBOOK TWITTER www.indianhindubaby.com Indian Hindu Baby Names 2016 www.indianhindubaby.com Table of Contents Baby boy names starting with A ............................................................................................................................... 4 Baby boy names starting with B ............................................................................................................................. 10 Baby boy names starting with C ............................................................................................................................. 12 Baby boy names starting with D ............................................................................................................................. 14 Baby boy names starting with E ............................................................................................................................. 18 Baby boy names starting with F .............................................................................................................................. 19 Baby boy names starting with G ............................................................................................................................. 19 Baby boy names starting with H ............................................................................................................................. 22 Baby boy names starting with I .............................................................................................................................. -
Evolution of Sarasvati in Sanskrit Literature
EVOLUTION OF SARASVATI IN SANSKRIT LITERATURE ABSTRACT SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN SANSKRIT BY MOHD. iSRAIL KHAN UNDER THE SUPERVISDN OF Dr. R. S. TRIPATHI PROF. & HEAD OF THE DEPARTMENT OF SANSKRIT ALTGARH MUSLIM UNIVERSITY A L I G A R H FACULTY OF ARTS ALIGARH MUSLIM UNIVERSITY ALIGARH 1969 ABSTRACT The Hindu mythology is predominontly polytheistic. Gods are numerous and each god or goddess shows very often mutually irreconcilable traits within him or her. This is equally true of Sarasvati, too. She is one of female deities of the Rgvedic times. She has got many peculiarities of her own resulting in complexity of her various conceptions through the ages. In the Rgvedic pantheon, among female deities, Usas, the daughter of the heaven is (divo duhita)/given an exalted place and has been highly extolled as a symbol of poetic beauty. Sarasvati comes next to her in comparison to other Rgvedic goddesses. But in the later period, Usas has lost her superiority and Sarasvati has excelled her. The superiority of Sarasvati is also obvious from another instance. In the Vedic pantheon, many ideitiet s arose and later on merged into others. If any one of them survived,/was mostly in an sterio- typed form. But with Sarasvati, there has been a gradual process of change and development. In her earliest stage, she was a spacious stream having rythmic flow and congenial waters. It was, therefore, but natural that it arrested the attention of seers dwelling along with its banks. They showed their heart-felt reverence to her. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Mahashivaratri: the Spiritual Significance of the Night of Goodness and Godliness
Mahashivaratri: The spiritual Significance of the Night of Goodness and Godliness Compiled by TUMULURU KRISHNA MURTY DESARAJU SRI SAI LAKSHMI © Tumuluru Krishna Murty ‘Anasuya’ C-66 Durgabai Deshmukh Colony Ahobil Mutt Road Hyderabad 500007 Ph: +91 (40) 2742 7083/ 8904 Typeset and formatted by: Desaraju Sri Sai Lakshmi Figure 1: Lingodbhava Significance of Lingodbhava Understand the true meaning and inner significance of Shivaratri. Hiranyagarbha Lingam is present in everybody’s hridaya (spiritual heart) and is on the right side of the body. The principle of Hiranyagarbha permeates My whole body. It assumes a form when I will it. Whoever has seen this Lingam at the time of its emergence will not have rebirth. One should see its form as it emerges. In order to sanctify your lives, such sacred manifestations have to be shown to you every now and then. Only then can you understand the divinity in humanity. This Lingam will not break even if it is dropped from a height with force. This is amruthatwam (symbol of immortality). It is changeless. You cannot see such a manifestation anywhere else in the world. It is possible only with Divinity. This is the manifestation of changeless Divinity. Three types of Lingams emerge. They are bhur, bhuvah, and suvaha. Bhur refers to materialisation (body), bhuvah to vibration (prana), and suvaha to radiation (Atma). I often say, you are not one, but three: The one you think you are (physical body), the one others think you are (mental body), the one you really are (Atma). - Bhagawan Sri Sathya Sai Baba Table of Contents Mahashivaratri ............................................................................................ -
ESSENCE of VAMANA PURANA Composed, Condensed And
ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama -
In Praise of Her Supreme Holiness Shri Mataji Nirmala Devi
In praise of Her Supreme Holiness Shri Mataji Nirmala Devi 2016 Edition The original Sahaja Yoga Mantrabook was compiled by Sahaja Yoga Austria and gibven as a Guru Puja gift in 1989 0 'Now the name of your Mother is very powerful. You know that is the most powerful name, than all the other names, the most powerful mantra. But you must know how to take it. With that complete dedication you have to take that name. Not like any other.' Her Supreme Holiness Shri Mataji Nirmala Devi ‘Aum Twameva sakshat, Shri Nirmala Devyai namo namaḥ. That’s the biggest mantra, I tell you. That’s the biggest mantra. Try it’ Birthday Puja, Melbourne, 17-03-85. 1 This book is dedicated to Our Beloved Divine M other Her Supreme Holiness Shri MMMatajiM ataji Nirmal aaa DevDeviiii,,,, the Source of This Knowledge and All Knowledge . May this humble offering be pleasing in Her Sight. May Her Joy always be known and Her P raises always sung on this speck of rock in the Solar System. Feb 2016 No copyright is held on this material which is for the emancipation of humanity. But we respectfully request people not to publish any of the contents in a substantially changed or modified manner which may be misleading. 2 Contents Sanskrit Pronunciation .................................... 8 Mantras in Sahaja Yoga ................................... 10 Correspondence with the Chakras ....................... 14 The Three Levels of Sahasrara .......................... 16 Om ................................................. 17 Mantra Forms ........................................ 19 Mantras for the Chakras .................................. 20 Mantras for Special Purposes ............................. 28 The Affirmations ......................................... 30 Short Prayers for the Chakras ............................. 33 Gāyatrī Mantra ...................................... -
Vishvarupadarsana Yoga (Vision of the Divine Cosmic Form)
Vishvarupadarsana Yoga (Vision of the Divine Cosmic form) 55 Verses Index S. No. Title Page No. 1. Introduction 1 2. Verse 1 5 3. Verse 2 15 4. Verse 3 19 5. Verse 4 22 6. Verse 6 28 7. Verse 7 31 8. Verse 8 33 9. Verse 9 34 10. Verse 10 36 11. Verse 11 40 12. Verse 12 42 13. Verse 13 43 14. Verse 14 45 15. Verse 15 47 16. Verse 16 50 17. Verse 17 53 18. Verse 18 58 19. Verse 19 68 S. No. Title Page No. 20. Verse 20 72 21. Verse 21 79 22. Verse 22 81 23. Verse 23 84 24. Verse 24 87 25. Verse 25 89 26. Verse 26 93 27. Verse 27 95 28. Verse 28 & 29 97 29. Verse 30 102 30. Verse 31 106 31. Verse 32 112 32. Verse 33 116 33. Verse 34 120 34. Verse 35 125 35. Verse 36 132 36. Verse 37 139 37. Verse 38 147 38. Verse 39 154 39. Verse 40 157 S. No. Title Page No. 40. Verse 41 161 41. Verse 42 168 42. Verse 43 175 43. Verse 44 184 44. Verse 45 187 45. Verse 46 190 46. Verse 47 192 47. Verse 48 196 48. Verse 49 200 49. Verse 50 204 50. Verse 51 206 51. Verse 52 208 52. Verse 53 210 53. Verse 54 212 54. Verse 55 216 CHAPTER - 11 Introduction : - All Vibhutis in form of Manifestations / Glories in world enumerated in Chapter 10. Previous Description : - Each object in creation taken up and Bagawan said, I am essence of that object means, Bagawan is in each of them… Bagawan is in everything. -
Aditi - Wikipedia, the Free Encyclopedia
אדיטי أديتي اديتی Aditi - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Aditi Aditi From Wikipedia, the free encyclopedia In the Vedas, Aditi (Sanskrit: अिदित "limitless") [1] is mother of the gods (devamatar ) and all twelve zodiacal spirits from whose cosmic matrix the heavenly bodies were born. As celestial mother of every existing form and being, the synthesis of all things, she is associated with space ( akasa ) and with mystic speech ( Vāc). She may be seen as a feminized form of Brahma and associated with the primal substance ( mulaprakriti ) in Vedanta. She is mentioned nearly 80 times in the Rigveda: the verse "Daksha sprang from Aditi and Aditi from Daksha" is seen by Theosophists as a reference to "the eternal cyclic re-birth of the same divine Essence" [2] and divine wisdom. [3] In contrast, the Puranas, such as the Shiva Purana and the Bhagavata Purana, suggest that Aditi is wife of sage Kashyap and gave birth to the Adityas such as Indra, Surya, and also Brahma with Aditi (right). Vamana. Contents 1 Origin 2 Attributes 2.1 Motherhood 2.2 Creativity 2.3 Freedom 2.4 Might 2.5 Others 3 Correspondence in Greek and Egyptian Mythology 4 References 5 Further reading 6 External links Origin The name is mentioned in Vedas as mother of Surya (Sun) and other celestial bodies or gods Adityas (meaning sons of Aditi). The first mention of goddess Aditi is found in Rigveda, which is estimated to have been composed roughly during 1700-1100 BC. [4] Attributes 1 of 3 11/25/2014 8:39 PM Aditi - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Aditi Motherhood Aditi is said to be the mother of the great god Indra, the mother of kings (Mandala 2.27) and the mother of gods (Mandala 1.113.19). -
The$Katha%Upanishad$(Kathopanishad)$0$Complete$
The$Katha%Upanishad$(Kathopanishad)$0$Complete$ “Death%as%the%Teacher”% Eknath'Easwaran'Translation$ PART$I$ [1]$ 1.$ Once,$ long$ ago,$ Vajasravasa$ gave$ away$ his$ possessions$ to$ gain$ religious$ merit.$2.$ He$ had$ a$ son$ named$Nachiketa$who,$though$only$a$boy,$was$full$of$faith$in$the$scriptures.$Nachiketa$thought$when$ the$offerings$were$made:$3.$"What$merit$can$one$obtain$by$giving$away$cows$that$are$too$old$to$give$ milk?"$4.$To$help$his$father$understand$this,$Nachiketa$said:$"To$whom$will$you$offer$me?"$He$asked$ this$again$and$again.$"To$death$I$give$you!"$said$his$father$in$anger.$ 5.$The$son$thought:$"I$go,$the$first$of$many$who$will$die,$in$the$midst$of$many$who$are$dying,$on$a$ mission$to$Yama,$king$of$death.$6.$See$how$it$was$with$those$who$came$before,$How$it$will$be$with$ those$who$are$living.$Like$corn$mortals$ripen$and$fall;$like$corn$They$come$up$again."$ Nachiketa$went$to$Yama's$abode,$but$the$king$of$death$was$not$there.$He$waited$three$days.$When$ Yama$returned,$he$heard$a$voice$say:$ 7.$"When$a$spiritual$guest$enters$the$house,$Like$a$bright$flame,$he$must$be$received$well,$8.$With$ water$to$wash$his$feet.$Far$from$wise$Are$those$who$are$not$hospitable$To$such$a$guest.$They$will$lose$ all$their$hopes,$The$religious$merit$they$have$acquired,$Their$sons$and$their$cattle."$ YAMA$ 9.$O$spiritual$guest,$I$grant$you$three$boons$To$atone$for$the$three$inhospitable$nights$You$have$spent$ in$my$abode.$Ask$for$three$boons,$one$for$each$night.$ NACHIKETA$ 10.$O$king$of$death,$as$the$first$of$these$boons$Grant$that$my$father's$anger$be$appeased,$So$he$may$ -
Perumal Thirumozhi.Pub
We Sincerely Thank : 1. Sri nrusimha seva rasikar, Oppiliappan kOil Sri. V. SaThakOpan svAmi, the Editor-in-Chief of Sundarasimham-ahobilavalli kaimkaryam for editing and hosting this title in his e-books series. 2. Smt.Krishnapriya for the compilation of the source document. 3. Nedumtheru Sri.Mukund Srinivasan for contribution of images. sadagopan.org sadagopan.org sadagopan.org 4. Smt. Jayashree Muralidharan for assembly of the e-book C O N T E N T S Introduction 1 Paasurams and Commentaries 13 Decad 1 15 Decad 2 43 Decad 3 61 Decad 4 72 Decad 5 100 Decad 6 124 sadagopan.org sadagopan.org sadagopan.org Decad 7 142 Decad 8 163 Decad 9 175 Decad 10 187 nigamanam 204 sadagopan.org sadagopan.org sadagopan.org Kulasekhara PerumAL !@ !mEt ramaNjay nm@ KlEckr ~zfvarf `Rqiy epRmaqf tiRemazi KULASEKARA AZHWAR'S PERUMAL THIRUMOZHI × INTRODUCTION -KULASEKARA PERUMAN THIRUNAKSHATHRAM KulasEkarAzhwar was born as a prince to ChEra king Dhidavrathan and nAdhanAyagi in the month of mAsi and the nakshatram of punarpoosam (same as that of Lord Rama). The child when born looked divine and made everyone happier and cheerful. The entire kingdom was in a jubilant mood. The child was named kulasEkaran and when he grew he was taught all sAstrAs, epics, arts, Tamil and Sanskrit and was also given training on fighting, Horse riding, Elephant riding, etc. In each endeavor, he excelled and came out with flying colors. When Dhidavrathan became old, kulasEkaram ascended the throne and sadagopan.org sadagopan.org then ruled like Lord Sri Rama and brought in RamaRajyam to his kingdom. -
A CRITICAL STUDY of BRAHMA WORSHIP in THAILAND with REFERENCE to RELIGIONS, ICONOGRAPHY and the MODERN CULT by Mr. Saran Suebsa
A CRITICAL STUDY OF BRAHMA WORSHIP IN THAILAND WITH REFERENCE TO RELIGIONS, ICONOGRAPHY AND THE MODERN CULT By Mr. Saran Suebsantiwongse An Independent Study Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts Program in Sanskrit Studies Department of Oriental Languages Graduate School, Silpakorn University Academic Year 2015 Copyright of Graduate School, Silpakorn University A CRITICAL STUDY OF BRAHMA WORSHIP IN THAILAND WITH REFERENCE TO RELIGIONS, ICONOGRAPHY AND THE MODERN CULT By Mr. Saran Suebsantiwongse An Independent Study Submitted in Partial Fulfillment of the Requirements for the Degree Master of Arts Program in Sanskrit Studies Department of Oriental Languages Graduate School, Silpakorn University Academic Year 2015 Copyright of Graduate School, Silpakorn University 57116204: MAJOR: SANSKRIT STUDIES KEY WORD: BRAHMA / SANSKRIT / HINDUSIM / BUDDHISM / ICONOGRAPHY / WORSHIP SARAN SUEBSANTIWONGSE: A CRITICAL STUDY OF BRAHMA WORSHIP IN THAILAND WITH REFERENCE TO RELIGIONS, ICONOGRAPHY AND THE MODERN CULT. INDEPENDENT STUDY ADVISOR: ASST. PROF. CHAINARONG KLINNOI, Ph.D. 47 pp. The aim of this project is to investigate the origin and the rise of Brahma cult in Thailand in two major parts: 1. Brahma worship traditions in Hinduism and Buddhism including iconography in India in association with Sanskrit sources particularly the Puranas 2. The history and significance of Brahma worship in Thailand and the modern phenomena of the cult and how it has influenced society and belief of the country The methodology will include collecting related verses from Puranas, pictures of Brahma iconography in India and Thailand and information related to the erection of the Erawan Shrine in Thailand Department of Oriental Languages Graduate School, Silpakorn University Student's signature .......................................