DOCSLIB.ORG

Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Western University Scholarship@Western Electronic Thesis and Dissertation Repository 9-14-2016 12:00 AM Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations David C. Jackson The University of Western Ontario Supervisor Tim Blackmore The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © David C. Jackson 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Audio Arts and Acoustics Commons, Critical and Cultural Studies Commons, and the Theory and Criticism Commons Recommended Citation Jackson, David C., "Becoming Sonic: Ambient Poetics and the Ecology of Listening in Four Militant Sound Investigations" (2016). Electronic Thesis and Dissertation Repository. 4166. https://ir.lib.uwo.ca/etd/4166 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation Becoming Sonic: Ambient Poetics and the Ecology of the Ear in Four Militant Sound Investigations offers a critical and historical analysis of acoustic ecology and soundscape recording —the sounds, noises, and silences that make up our ambient sonic environment and are found and recorded “in the field” by artists to create recordings and performances are then experienced by listeners. Field recording captures the diverse and often unwanted or inconsequential sounds of a space, which can then be used to bring attention to the often unheard and unconscious processes that stratify space. By stratification I am referring to the processes of urban planning, architecture, business, policies, and governance that shape and grid the environment. Analyzing four case studies by the sound collective Ultra-Red, sound activist Christopher DeLaurenti, and field recording artist Chris Watson, that explore the soundscapes of housing redevelopment, using a food bank, public sex in parks, and the slow violence of ecological devastation, this dissertation builds on and analyzes the sonic environmental and spatial implications of ecology by both critiquing acoustic ecology and employing it as a concept to explore the political, aesthetic, and epistemological consequences of soundscape recording. The purpose of this dissertation is to examine what sound indicates through cultural practice and how it can be used and deployed to create different understandings of the places we live and act. This research articulates a poetics of listening to space that constructs worlds and questions how the environment can be used for aesthetic purposes, how the sounds of the city and ‘nature’ influence artists, how artists practice and experience sound by listening, and what kind of knowledges these aesthetic practices produce. In order to accomplish this, it relies on critical approaches to ecology, space and urbanism (Gilles Deleuze and Fèlix Guattari, David Harvey, Nigel Thrift, and Edward Soja); ecologies of sound and listening (Steve Goodman, Murray Schafer, Susan Bickford, Frances Dyson); and affective politics (Brian Massumi, Erin Manning). Keywords Soundscape; ecology; listening; sonic; media theory; ecomedia; ecocrticism; militant research; field recording; space; city; rhythm White and aimless signals. No One listens to poetry. —Jack Spicer, “Thing Language” ii Acknowledgments Much thanks and gratitude go to my supervisor, Dr. Tim Blackmore, for his feedback, generosity, and for providing me with a model of scholarship and teaching based on empathy, kindness, and understanding. His guidance, patience, and willingness to chat on the phone for hours has made me a better scholar and person for knowing him. I also wish to thank my secondary supervisor, Dr. Carole Farber, for her contributions, willingness to discuss everything, and thoughtful suggestions. To the members of my examining committee: Dr. Ira Wagman, Dr. Douglass St. Christian, Dr. Regna Darnell, and Dr. Grant Campbell. Thank you for your questions, thoroughness, and scrutiny, and for making the day of my defense an experience I will always remember. On the first day of my doctorate, Michael Daubs invited me to join some students for a beer, which opened the gate to a number of friendships, arguments, and foggy nights. In no particular order, Daubs, Henry Svec, Brian Brown, Trent Cruz, Elise Thorburn, Christopher Cwynar, Vince Manzerolle, Atle Kjøsen, Wendy Daubs, and probably many more I am forgetting —I am lucky to have so many caring and righteous people in my world. Thank you. Some my earliest memories are of weekly trips to the library, hours spent in bookstores, and days at the cottage reading for hours on the veranda with my father, Don Jackson. He never denied me a book, always answered my questions, and always encouraged me to ask more. Throughout his life he always talked to me about what I was doing, thinking, and how it was going. If anyone planted the seeds of pursuing a PhD, it was my dad. I know that no one would be prouder and I wish so much he’d been with us to see it. One of the last things he said to me was “go get them” —and I got them. Much love and thanks to my mom Gayl, from whom my slightly twisted sense of humor, deep love of my music, and willingness to fight come from. To my in-laws Marg Cunningham and Jim Butcher who have always been supportive, even if Jim won’t call me Doctor until I can fix his knee. My friends Susan and John and their three exuberant and excellent children, Milo, Petra, and Stella, provided a number of moments of levity, video game playing, taco nights, music, loud singing, and most importantly, hugs. iii Finally … to Megan. I feel like you came in the middle of a whirlwind and showed me how to hold on with more tenacity than I knew I had. Simply, this would never have got done without your careful and caring listening, advice, strategizing, and insistence. I love you and I can’t wait to see what we’re going to do next. iv Table of Contents ABSTRACT .................................................................................................................................... I ACKNOWLEDGMENTS ................................................................................................................ III TABLE OF CONTENTS ................................................................................................................... V 1 SOUND, CITY AND THE ECOLOGY OF THE EAR ......................................................................... 1 1.1 INTRODUCTION ............................................................................................................................. 1 1.1.1 Political Research and Militant Sound Investigation ......................................................... 4 1.2 THEORETICAL ORIENTATION: ECO-CRITICISM ..................................................................................... 7 1.3 RESEARCH OBJECTIVES AND QUESTIONS ..........................................................................................12 1.3.1 Research Objectives .........................................................................................................13 1.3.2 Research Questions ..........................................................................................................15 1.4 METHODOLOGICAL APPROACHES ...................................................................................................18 1.5 LITERATURE REVIEW ....................................................................................................................21 1.5.1 Sound Studies ...................................................................................................................21 1.5.2 Soundscapes and Sonic Atmospheres ..............................................................................23 1.5.3 Rhythm and Poetics .........................................................................................................30 1.5.4 Space and Urban Theory ..................................................................................................33 1.5.5 Recording .........................................................................................................................38 1.6 CHAPTER OUTLINES .....................................................................................................................39 2 AURAL TRADITIONS: THE SOUND OF THE WAR ON THE POOR IN PUBLIC HOUSING REDEVELOPMENT ...................................................................................................................... 43 2.1 INTRODUCTION ...........................................................................................................................43 2.2 SOCIAL SPACE AND THE RIGHT TO THE CITY ......................................................................................47 2.2.1 The Spinal Cord of the Common .......................................................................................56 2.3 SPATIAL POLITICS AND NEOLIBERAL HOUSING DEVELOPMENT .............................................................60 2.4 FREQUENCY POLITICS: FIELD RECORDING THE CAPITALIST CITY ............................................................68 2.5 CONCLUSION ..............................................................................................................................74
Recommended publications
  • Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Literary Studies

    Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Literary Studies

    Book reviews: Ashbridge 271 Robert T. Tally Jr and Christine M. Battista (eds) (2016) Ecocriticism and Geocriticism: Overlapping Territories in Environmental and Literary Studies. Basingstoke: Palgrave Macmillan. xii + 214pp., £58 (hardback), ISBN 981137553676. Despite longstanding examination of the environment in literary studies, ‘spatiality’ in its broadest sense continues to be an emergent area of enquiry for scholars of literature. Within the arts and humanities, geographers including David Harvey, Doreen Massey and Edward W. Soja, (all of whom influence essays in Ecocriticism and Geocriticism), have done much to pioneer the intricate relationship between the social and the spatial, an association best summarised in what Soja terms the ‘socio-spatial dialectic’ (Soja 1980: 207). The practice of spatial literary studies concerns not only literary representation of place and environment but pays equal attention to accounts of the psychological experience of space and (dis)placement. While psychogeographers have attempted to bridge the gap between spatial and symbolic experience since the ‘spatial turn’, the collection addresses the timely need for the convergence of critical practices attuned to both environmental and geocritical relations. A recent aspect of the wider discipline of spatial studies has been the focus on postmodern, socially- produced space—including human experience and subjectivity, the poetics of everyday life, and socio- economic manifestations of spatiality— in addition to the notion of a material sense of ‘place’ and ‘placedness’. Robert T. Tally Jr and Chrstine Battista’s collection attempts to overcome this disjuncture between ecocriticism and geocriticism. While geocriticism is principally orientated towards physical ‘space, place and mapping’ (2), owing much to the intellectual pedigree of cultural geographers and situationist thinkers Henri Lefebvre and Michel Foucault, in addition to those mentioned above, ecocriticism’s principal concern is the environment and its effect on human experience.
  • Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album

    Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album

    as a MICHIGAN'S LGBTQ+ NEWS SOURCE SINCE 1993 SUMMER OF PRIDE BOY FROM MICHIGAN John Grant on His Most Personal Album Yet PLUS LIVE SHOWS RETURN A Local Assault on 11 Must-See Artists Two Gay Men. Now, Coming To Town How to Heal The Queer Music Issue How Detroit Let Siena Liggins Unleash Her Queer Superpowers on Her Debut Album PRIDESOURCE.COM JULY 8, 2021 | VOL. 2928 | FREE 18 24 28 2 BTL | July 8, 2021 www.PrideSource.com 4 5 Queer Things You Can Do Right Now 6 Spotify Commissions Ruth Ellis Center Mural to Celebrate Queer Community VOL. 2928 • JULY 8, 2021 ISSUE 1178 10 Affirmations Telethon and Funding Campaign Raises $125,775, Jay Kaplan PRIDE SOURCE MEDIA GROUP Wins Jan Stevenson Award www.pridesource.com 10 How Do We Heal After an Anti-LGBTQ+ Hate Crime? Phone 734-263-1476 PUBLISHERS 12 Outed on the Job: Lesbian Prison Officer Sues Michigan Prison System Benjamin Jenkins Following ‘Horrible’ Harassment [email protected] 18 Publishers Emeritus: Jan Stevenson & Susan Horowitz 12 Transmissions: Musing on Loss DIRECTOR OF OPERATIONS 13 Parting Glances: OZ Updated Tom Wesley [email protected] 14 Michigan Supreme Court to Decide on Elliott-Larsen Civil Rights Case EDITORIAL Editorial Director 16 As Masc Lesbian As She Wants to Be Chris Azzopardi [email protected] 18 At Long Last, Live Shows Return to Michigan News & Feature Editor Eve Kucharski 20 John Grant on His Most Personal Album Yet [email protected] 22 Keep Your Pride Season Going News & Feature Writers With These 8 Queer Artists (and Allies Lawrence Ferber, Ellen Knoppow, Jason A.
  • Nature&Gender in Alice Munro's “Meneseteung”

    Nature&Gender in Alice Munro's “Meneseteung”

    1 ﻣﺠﻠﺔ ﻛﻠﻴﺔ اﻵداب ﺟﺎﻣﻌﺔ ﺑﻮرﺳﻌﻴﺪ ـــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ Nature&Gender in Alice Munro’s “Meneseteung” and “Before the Change” Submitted by Amany Abdullah Abdel-Aziz Eldiasty Lecturer of English Literature Department of English Language and Literature Faculty of Arts Damietta University DOI: 10.21608/jfpsu.2020.32136.1003 ـــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ اﻟﻌﺪد اﻟﺴﺎدس ﻋﺸﺮ / ﻳﻮﻟﻴﻮ- 2020م 2 ﻣﺠﻠﺔ ﻛﻠﻴﺔ اﻵداب ﺟﺎﻣﻌﺔ ﺑﻮرﺳﻌﻴﺪ ـــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــــ Abstract Within the theoretical framework of ecofeminism, the paper seeks to delineate the vision of the contemporary Canadian short story writer, Alice Munro(1931-), in juxtaposing culture oppressing women, and manexploiting Nature through reading “Meneseteung” and “Before the Change”. The paper investigates the social dimensions oppressing women and the woman/nature bond in the selected works focusing on their affinity and their shared experienceof exploitation and oppression at the hands of men. In “Meneseteung,” Munro uses gender to oppose social trivialities and expected roles while in “Before the Change” she uses gender to oppose apparently
  • Literature and Geography

    Literature and Geography

    Literature and Geography Literature and Geography: The Writing of Space throughout History Edited by Emmanuelle Peraldo Literature and Geography: The Writing of Space throughout History Edited by Emmanuelle Peraldo This book first published 2016 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2016 by Emmanuelle Peraldo and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8548-7 ISBN (13): 978-1-4438-8548-5 TABLE OF CONTENTS Acknowledgements ..................................................................................... x Introduction ................................................................................................. 1 The Meeting of Two Practices of Space: Literature and Geography. Emmanuelle Peraldo PART 1: LITERARY CARTOGRAPHY, LITERARY GEOGRAPHY AND GEOCRITICISM Chapter One: Literary Cartography 1 ................................................................................................................. 20 Adventures in Literary Cartography: Explorations, Representations, Projections Robert T. Tally Jr 2 ................................................................................................................
  • Beyond Stewardship: Toward an Agapeic Environmental Ethic

    Beyond Stewardship: Toward an Agapeic Environmental Ethic

    Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Beyond Stewardship: Toward an Agapeic Environmental Ethic Christopher J. Vena Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Ethics in Religion Commons, Philosophy Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Vena, Christopher J., "Beyond Stewardship: Toward an Agapeic Environmental Ethic" (2009). Dissertations (1934 -). 16. https://epublications.marquette.edu/dissertations_mu/16 BEYOND STEWARDSHIP: TOWARD AN AGAPEIC ENVIRONMENTAL ETHIC by Christopher J. Vena, B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December 2009 ABSTRACT BEYOND STEWARDSHIP: TOWARD AN AGAPEIC ENVIRONMENTAL ETHIC Christopher J. Vena, B.A., M.A. Marquette University, 2009 One of the unfortunate implications of industrialization and the rapid expansion of global commerce is the magnification of the impact that humans have on their environment. Exponential population growth, along with growing technological capabilities, has allowed human societies to alter their terrain in unprecedented and destructive ways. The cumulative effect has been significant to the point that the blame for widespread environmental degradation must be pinned squarely on human shoulders. Because of our dependence on these systems for survival, the threat to the environment is a threat to human life. The root of the ecological crisis is found in human attitudes and behaviors. In the late 1960’s it was suggested that Christianity was a key source of the problem because it promoted the idea of human “dominion” over creation.
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company

    A Culture of Recording: Christopher Raeburn and the Decca Record Company

    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
  • Reed First Pages

    Reed First Pages

    4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism.
  • Antarctica: Music, Sounds and Cultural Connections

    Antarctica: Music, Sounds and Cultural Connections

    Antarctica Music, sounds and cultural connections Antarctica Music, sounds and cultural connections Edited by Bernadette Hince, Rupert Summerson and Arnan Wiesel Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at http://press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Antarctica - music, sounds and cultural connections / edited by Bernadette Hince, Rupert Summerson, Arnan Wiesel. ISBN: 9781925022285 (paperback) 9781925022292 (ebook) Subjects: Australasian Antarctic Expedition (1911-1914)--Centennial celebrations, etc. Music festivals--Australian Capital Territory--Canberra. Antarctica--Discovery and exploration--Australian--Congresses. Antarctica--Songs and music--Congresses. Other Creators/Contributors: Hince, B. (Bernadette), editor. Summerson, Rupert, editor. Wiesel, Arnan, editor. Australian National University School of Music. Antarctica - music, sounds and cultural connections (2011 : Australian National University). Dewey Number: 780.789471 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press Cover photo: Moonrise over Fram Bank, Antarctica. Photographer: Steve Nicol © Printed by Griffin Press This edition © 2015 ANU Press Contents Preface: Music and Antarctica . ix Arnan Wiesel Introduction: Listening to Antarctica . 1 Tom Griffiths Mawson’s musings and Morse code: Antarctic silence at the end of the ‘Heroic Era’, and how it was lost . 15 Mark Pharaoh Thulia: a Tale of the Antarctic (1843): The earliest Antarctic poem and its musical setting . 23 Elizabeth Truswell Nankyoku no kyoku: The cultural life of the Shirase Antarctic Expedition 1910–12 .
  • God, Nature, and Politics in Olivier Messiaen's <I>Des Canyons Aux Étoiles

    God, Nature, and Politics in Olivier Messiaen's <I>Des Canyons Aux Étoiles

    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2014 Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . Ryan James Taussig University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Taussig, Ryan James, "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .. " Master's Thesis, University of Tennessee, 2014. https://trace.tennessee.edu/utk_gradthes/2853 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Ryan James Taussig entitled "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie C. Gay, Jacqueline A. Avila Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) ! Sonic Environmentalism:! God, Nature, and Politics in Olivier Messiaen’s Des canyons aux étoiles .
  • Experiments in the Performance of Participation and Democracy

    Experiments in the Performance of Participation and Democracy

    Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier 1 2 3 Publisher NeMe, Cyprus, 2019 www.neme.org © 2019 NeMe Design by Natalie Demetriou, ndLine. Printed in Cyprus by Lithografica ISBN 978-9963-9695-8-6 Copyright for all texts and images remains with original artists and authors Respublika! A Cypriot community media arts festival was realised with the kind support from: main funder other funders in collaboration with support Further support has been provided by: CUTradio, Hoi Polloi (Simon Bahceli), Home for Cooperation, IKME Sociopolitical Studies Institute, Join2Media, KEY-Innovation in Culture, Education and Youth, Materia (Sotia Nicolaou and Marina Polycarpou), MYCYradio, Old Nicosia Revealed, Studio 21 (Dervish Zeybek), Uppsala Stadsteater, Chystalleni Loizidou, Evi Tselika, Anastasia Demosthenous, Angeliki Gazi, Hack66, Limassol Hacker Space, and Lefkosia Hacker Space. Respublika! Experiments in the performance of participation and democracy edited by Nico Carpentier viii Contents Foreword xv An Introduction to Respublika! Experiments in the Performance of 3 Participation and Democracy Nico Carpentier Part I: Participations 14 Introduction to Participations 17 Nico Carpentier Community Media as Rhizome 19 Nico Carpentier The Art of Community Media Organisations 29 Nico Carpentier Shaking the Airwaves: Participatory Radio Practices 34 Helen Hahmann Life:Moving 42 Briony Campbell and the Life:Moving participants and project team Life:Moving - The Six Participants 47 Briony Campbell
  • Primal Scream Juntam-Se Ao Cartaz Do Nos Alive'19

    Primal Scream Juntam-Se Ao Cartaz Do Nos Alive'19

    COMUNICADO DE IMPRENSA 02 / 04 / 2019 NOS apresenta dia 12 de julho PRIMAL SCREAM JUNTAM-SE AO CARTAZ DO NOS ALIVE'19 Os escoceses Primal Scream são a mais recente confirmação do NOS Alive’19. A banda liderada por Bobby Gillespie, figura incontornável da música alternativa, sobe ao Palco NOS dia 12 de julho juntando-se assim aos já anunciados Vampire Weekend, Gossip e Izal no segundo dia do festival. Com mais de 30 anos de carreira, Primal Scream trazem até ao Passeio Marítimo de Algés o novo álbum com data de lançamento previsto a 24 de maio, “Maximum Rock N Roll: The Singles”, trabalho que reúne os singles da banda desde 1986 até 2016 em dois volumes. A compilação começa com “Velocity Girl”, passando por temas dos dois primeiros álbuns como são exemplo "Ivy Ivy Ivy" e "Loaded". A banda que tinha apresentado em outubro de 2018 a mais recente compilação de singles originais do quarto álbum de 1994 com “Give Out But Don’t Give Up: The Original Memphis Recordings”, juntando-se ao lendário produtor Tom Dowd, a David Hood (baixo) e Roger Hawkins (bateria) no Ardent Studios em Memphis, está de volta às gravações e revelam algo nunca antes ouvido e uma banda que continua a surpreender. Primal Scream foi uma parte fundamental da cena indie pop dos anos 80, depois do galardoado disco "Screamadelica" vencedor do Mercury Prize em 1991, considerado um dos maiores de todos os tempos, a banda seguiu por influências de garage rock e dance music até ao último trabalho discográfico “Chaosmosis” lançado em 2016.
  • Squatting My Mind – Towards an Architectural Ecosophy

    Squatting My Mind – Towards an Architectural Ecosophy

    163 ISSN: 1755-068 www.field-journal.org vol.4 (1) Squatting My Mind – Towards an Architectural Ecosophy Catharina Gabrielsson Understanding ecology as “a widely-drawn category that encompasses objects and ideas, organic species and their habitats, inseparably linked 1 Andrew Ballantyne, Architecture together”,1 ecology clearly involves architecture on countless levels, by far Theory: a Reader in Philosophy and Culture (London, New York: exceeding the parameters of sustainable building technology that dominate Continuum, 2005) p. 36. conceptions of this field. Primarily addressing the ‘mental ecology’ of architecture – that is, how architecture is thought and constructed within the discipline – this article furthers an understanding of how occupancy has the power to undo central architectural concepts. Such an undoing is seen as a prerequisite for what Félix Guattari has denoted ecosophy – the ethico-political articulation between the three, interconnected ecological registers: that of the environment, of social relations and the realm of ideas. Considered within an ecological intellectual framework, notions of resistance, spatial appropriation and indeterminacy in architecture are seen to evolve as steps along the way in the urgent task of re-writing architecture’s ontology. It points towards an architecture of shifts and additions, of re-uses and re-inventions; an architecture that generously permits a variety of uses and a continuous production of meaning. 164 www.field-journal.org vol.4 (1) Fig 1. Squatters make the headlines. Catharina Gabrielsson. Shortly after the financial crisis struck London in the autumn of 2008, newspapers were flooded with reports on how a group of artists had invaded an empty eighteenth century property in Mayfair and had opened it to the public as a “non-hierarchical centre for knowledge and learning”, called ‘Temporary School of Thought.’ During a few winter months, in a neighbourhood dominated by embassies and offices, the house at No.