Copy of GAI Members

Total Page:16

File Type:pdf, Size:1020Kb

Copy of GAI Members Members' list A C (continued) D (continued) G A MOMENT’S PEACE CEC VENUES DUNDEE REPERTORY THEATRE GAADA PROJECTS ABERDEEN PERFORMING ARTS CELLO SIGNAL DUNEDIN CONSORT GAELIC BOOKS COUNCIL AFROARTLAB CELTIC MEDIA FESTIVAL GILDED BALLOON AGILE CITY CENTRE FOR THE MOVING IMAGE E GLASGOW CANAL FESTIVAL ALCHEMY FILM AND ARTS CHAMBER MUSIC SCOTLAND EAST RENFREWSHIRE CULTURE AND LEISURE TRUST GLASGOW COMMUNITY ENERGY ALL OR NOTHING AERIAL DANCE THEATRE CHILDREN’S CLASSIC CONCERTS ECO DRAMA GLASGOW FILM THEATRE ARIKA HEAVY INDUSTRIES CHURCH HILL THEATRE ECOLOGISERS GLASGOW INTERNATIONAL ART WALK PROJECTS CITIZENS THEATRE EDEN COURT THEATRE AND CINEMA GLASGOW LIFE ARTS AND BUSINESS SCOTLAND COBURG HOUSE COLLECTIVE EDINBURGH ART FESTIVAL GLASGOW PRINT STUDIOS ASSEMBLY COMAR COMPANY EDINBURGH FESTIVAL OF CYCLING GLASGOW THEATRES LTD ASSEMBLY ROOMS CHORDELIA EDINBURGH FRINGE FESTIVAL SOCIETY GLASGOW WOMEN’S LIBRARY ASYLON THEATRE COVE PARK EDINBURGH GREEN FILM FESTIVAL GMAC FILM ATLAS ARTS CRAFT SCOTLAND EDINBURGH INTERNATIONAL BOOK FESTIVAL GREENSIDE VENUES AYE WRITE! GLASGOW’S BOOK FESTIVAL CRAIGNISH CREATIVE HUB EDINBURGH INTERNATIONAL CHILDREN’S FESTIVAL GRID IRON AYR GAIETY THEATRE CREATIVE CARBON SCOTLAND EDINBURGH INTERNATIONAL FESTIVAL CREATIVE CRIEFF EDINBURGH INTERNATIONAL MAGIC FESTIVAL H B CREATIVE SCOTLAND EDINBURGH PALETTE HANDSPRING PUBLISHING BARROWLAND BALLET CRYPTIC EDINBURGH SCIENCE FESTIVAL HEBRIDEAN CELTIC FESTIVAL BEACON ARTS CENTRE CUMBERNAULD THEATRE TRUST EDINBURGH SCULPTURE WORKSHOP HEBRIDES ENSEMBLE BEDLAM THEATRE CURIOUS SEED EDINBURGH UNESCO CITY OF LITERATURE HIGH HEELS AND HORSE HAIR BELMONT FILMHOUSE HIGHLAND ONE WORLD BELTANE FIRE SOCIETY D F HIGHLAND PRINT STUDIO BEYOND BORDERS SCOTLAND DANCE BASE FEDERATION OF SCOTTISH THEATRE HOPSCOTCH THEATRE COMPANY BIGGAR MUSEUM TRUST DANCE HORIZONS FESTIVALS EDINBURGH HORSECROSS ARTS BORDERS BOOK FESTIVAL DANCE NORTH SCOTLAND FIFE CONTEMPORARY BOXEDIN THEATRE DCA (DUNDEE CONTEMPORARY ARTS) FIFE CULTURAL TRUST I DEAF ACTION FILM ACCESS SCOTLAND ICEBERG IMPROV C DEVERON PROJECTS FILM CITY GLASGOW IMPACT ARTS C VENUES DRAKE MUSIC SCOTLAND FILM HUB SCOTLAND INDEPEN-DANCE CAMBO HERITAGE TRUST DUMFRIES AND GALLOWAY ARTS FESTIVAL FIREFLY ARTS CAPITAL THEATRES DUNBLANE CENTRE FRUITMARKET GALLERY J CATHERINE WHEELS THEATRE COMPANY DUNDEE CERAMICS WORKSHOP JUST FESTIVAL CCA (CENTRE FOR CONTEMPORARY ARTS) L P S (continued) T (continued) LEITH SCHOOL OF ART PAISLEY ARTS CENTRE SCOTTISH SCULPTURE WORKSHOP THE WORK ROOM LETHAM NIGHTS PAISLEY BOOK FESTIVAL SCOTTISH STORYTELLING CENTRE THEATRE BROAD LIVE MUSIC NOW PANEL SCOTTISH YOUTH THEATRE THEATRE GU LEÒR LUNG HA’S THEATRE COMPANY PARADISE GREEN SCRAPANTICS TIMESPAN LYRA THEATRE PARADISE PALMS SCREEN ARGYLL TRAGIC CARPET LYTH ARTS CENTRE PARAGON ENSEMBLE SCREEN EDUCATION EDINBURGH TRAMWAY PETER PAN MOAT BRAE TRUST SCULPTURE PLACEMENT GROUP TRAVERSE THEATRE M PITLOCHRY FESTIVAL THEATRE SEALL (SKYE EVENTS FOR ALL) TRON THEATRE MACROBERT ARTS CENTRE PLAYWRIGHTS’ STUDIO SCOTLAND SILVERHUB STUDIOS MAGICAL NATURE STORIES PLEASANCE THEATRE SKYE LIVE FESTIVAL U MEADOWS FESTIVAL PLUM FILMS SOUND FESTIVAL UNDERBELLY UNIQUE EVENTS MISCHIEF LA-BAS PQA VENUES ST JOHN’S EDINBURGH UPLAND MONIACK MHOR WRITERS’ CENTRE PROJECT THEATRE STARCATCHERS PRODUCTION LTD USHER HALL MUSEUM COLLECTIONS CENTRE PUBLISHING SCOTLAND STELLAR QUINES THEATRE COMPANY MUSEUMS GALLERIES SCOTLAND PUPPET ANIMATION SCOTLAND STILLS LTD: CENTRE FOR PHOTOGRAPHY STIRLING BRIDGE INTERNATIONAL ARTS FESTIVAL V MUSICA NORDICA VANISHING POINT THEATRE COMPANY R STRANGE TOWN STREET LEVEL PHOTOWORKS VISIBLE FICTIONS N RE-SET SCENERY STUDIO PAVILION AT HOUSE FOR AN ART LOVER VOLUNTARY ARTS SCOTLAND NATIONAL GALLERIES OF SCOTLAND RED NOTE ENSEMBLE STUDIO V INK NATIONAL THEATRE OF SCOTLAND RIG ARTS SUMMERHALL W NATIONAL YOUTH ORCHESTRAS OF ROOM 8 STUDIO WASPS ARTISTS’ STUDIOS SCOTLAND ROSIE'S TORIES T WEE STORIES NEAT SHOWS (NORTH EAST ARTS TOURING) ROTHESAY PAVILION WEST MOSS-SIDE CENTRE AND ORGANIC FARM NEON (NORTH EAST OF NORTH) ROWANBANK ENVIRONMENTAL ARTS TAKE ONE ACTION WHALE ARTS NEVIS ENSEMBLE AND EDUCATION THE BARN WIGTOWN BOOK FESTIVAL NEW MEDIA SCOTLAND ROYAL EDINBURGH MILITARY TATTOO THE BEACON WOODLANDS COMMUNITY DEVELOPMENT TRUST NORDIC VIOLA ROYAL LYCEUM THEATRE COMPANY THE COMMON GUILD NORTH EDINBURGH ARTS ROYAL SCOTTISH NATIONAL ORCHESTRA THE GUILD (DUMFRIES) NORTH LANDS CREATIVE RURAL NATIONS THE LIST Y THE MELTING POT Y DANCE THE NATIONAL PIPING CENTRE O S YOUTH THEATRE ARTS SCOTLAND THE PIER ARTS CENTRE OAK TREE PRODUCTIONS SCOTTISH ARTISTS UNION THE QUEEN’S HALL OUT OF THE BLUE SCOTTISH BALLET THE STOVE NETWORK OUT OF THE BLUEPRINT SCOTTISH CHAMBER ORCHESTRA SCOTTISH DOCUMENTARY INSTITUTE THE TOURING NETWORK SCOTTISH ENSEMBLE THE VILLAGE STORYTELLING CENTRE SCOTTISH POETRY LIBRARY 2 .
Recommended publications
  • Image: Brian Hartley
    IMAGINATE FESTIVAL Scotland’s international festival of performing arts for children and young people 6-13 may 2013 TICKETS:0131 228 1404 WWW.TRAVERSE.CO.UK Image: Brian Hartley IMAGINATE FESTIVAL FUNDERS & SUPPORT ABOUT IMAGINATE Every year Imaginate receives financial and in kind support from a range of national and international organisations.We would like to thank them all for their invaluable support of the Imaginate Festival. Imaginate is a unique organisation in Scotland,leading in the promotion,development If you would like to know more about our supporters or how to support us,please visit: and celebration of the performing arts for children and young people. www.imaginate.org.uk/support/ We achieve this through the delivery of an integrated M A J O R F U N D E R S BEYONDTHE FESTIVAL annual programme of art-form development, learning supported through the partnerships and performance, including the world Imaginate believes that a high quality creative Scottish Government’s Edinburgh Festivals Expo Fund famous Imaginate Festival, Scotland’s international development programme is the key to unlocking festival of performing arts for children and young people. creativity and supporting artistic excellence in the performing arts sector for children and young people in THE IMAGINATE FESTIVAL Scotland. This programme creates regular opportunities for artists and practitioners, whether they are students, T R U S T S A N D F O U N D AT I O N S PA R T N E R S Every year the Festival and Festival On Tour attracts established artists or at the beginning of their career.
    [Show full text]
  • The Dublin Gate Theatre Archive, 1928 - 1979
    Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors.
    [Show full text]
  • Report To: Arts & Heritage Committee – 17 April 2000
    REPORT TO: ARTS & HERITAGE COMMITTEE – 17 APRIL 2000 REPORT ON: DUNDEE REPERTORY THEATRE COMPANY – REVENUE GRANT 2000/2001 REPORT BY: DIRECTOR OF ARTS AND HERITAGE REPORT NO: 252/2000 1.0 PURPOSE OF REPORT 1.1 To submit to the Committee a request for renewal of revenue funding to Dundee Repertory Theatre Company (Main House) for the year 2000/2001. 2.0 RECOMMENDATIONS 2.1 It is recommended that the Committee approve the level of grant assistance set out in the Report. 3.0 FINANCIAL IMPLICATIONS 3.1 The funding requested, as outlined at Appendix 1, is £245,243. Last year’s equivalent funding was £240,042, an increase of £5,201, which is 2.17%. 3.2 This expenditure will be met from Arts and Heritage 2000/2001 Revenue Budget. 3.3 The grant requested will be contained within a Funding Agreement 2000/2001 between Dundee City Council and Dundee Repertory Theatre Company. 4.0 LOCAL AGENDA 21 IMPLICATIONS 4.1 The renewal of revenue funding to Dundee Repertory Theatre will ensure the continued operation of a popular cultural facility, that local needs are met locally, and that opportunities for culture, leisure and recreation are readily available to all. 5.0 EQUAL OPPORTUNITIES IMPLICATIONS 5.1 The mission statement of Dundee Repertory Theatre is “to provide the highest possible performing arts service to Dundee and to be central to the cultural life of Dundee by investing in opportunities for those communities who may not normally benefit from mainstream arts provision”. New building works in 1999 created full disabled access to public areas.
    [Show full text]
  • KARLA BLACK Born 1972 in Alexandria, Scotland Lives And
    KARLA BLACK Born 1972 in Alexandria, Scotland Lives and works in Glasgow Education 2002-2004 Master of Fine Art, Glasgow School of Art 1999-2000 Master of Philosophy (Art in Organisational Contexts), Glasgow School of Art 1995-1999 BA (Hons) Fine Art, Sculpture, Glasgow School of Art Solo Exhibitions 2021 Karla Black: Sculptures 2000 - 2020, FruitMarket Gallery, Edinburgh 2020 Karla Black: 20 Years, Des Moines Art Centre, Des Moines 2019 Schirn Kunsthalle, Frankfurt Galerie Gisela Capitain, Cologne 2018 The Power Plant, Toronto Karla Black / Luke Fowler, Capitain Petzel, Berlin 2017 Stuart Shave / Modern Art, London Festival d’AutoMne, Musée des Archives Nationales and École des Beaux-Arts, Paris MuseuM Dhondt-Dhaenens, Deurle 2016 Galleria Raffaella Cortese, Milan A New Order (with Kishio Suga), Scottish National Gallery of Modern Art, National Galleries of Scotland, Edinburgh David Zwirner, New York Galerie Gisela Capitain, Cologne 2015 Irish MuseuM of Modern Art, Dublin 2014 Stuart Shave / Modern Art, London Galleria Raffaella Cortese, Milan David Zwirner, New York 2013 Kestner Gesellschaft, Hannover Institute of ConteMporary Art, University of Pennsylvania, Philadelphia Galerie Gisela Capitain, Cologne GeMeenteMuseuM, The Hague 2012 Concentrations 55, Dallas MuseuM of Art, Dallas Schinkel Pavillon, Berlin Gallery of Modern Art, Glasgow Stuart Shave / Modern Art, London 2011 Scotland + Venice 2011 (curated by The FruitMarket Gallery), Palazzo Pisani, 54th Venice Biennale, Venice 2010 Capitain Petzel, Berlin WittMann Collection, Ingolstadt
    [Show full text]
  • 'The Neo-Avant-Garde in Modern Scottish Art, And
    ‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ CRAIG RICHARDSON DOCTOR OF PHILOSOPHY (BY PUBLISHED WORK) THE SCHOOL OF FINE ART, THE GLASGOW SCHOOL OF ART 2017 1 ‘THE NEO-AVANT-GARDE IN MODERN SCOTTISH ART, AND WHY IT MATTERS.’ Abstract. The submitted publications are concerned with the historicisation of late-modern Scottish visual art. The underpinning research draws upon archives and site visits, the development of Scottish art chronologies in extant publications and exhibitions, and builds on research which bridges academic and professional fields, including Oliver 1979, Hartley 1989, Patrizio 1999, and Lowndes 2003. However, the methodology recognises the limits of available knowledge of this period in this national field. Some of the submitted publications are centred on major works and exhibitions excised from earlier work in Gage 1977, and Macmillan 1994. This new research is discussed in a new iteration, Scottish art since 1960, and in eight other publications. The primary objective is the critical recovery of little-known artworks which were formed in Scotland or by Scottish artists and which formed a significant period in Scottish art’s development, with legacies and implications for contemporary Scottish art and artists. This further serves as an analysis of critical practices and discourses in late-modern Scottish art and culture. The central contention is that a Scottish neo-avant-garde, particularly from the 1970s, is missing from the literature of post-war Scottish art. This was due to a lack of advocacy, which continues, and a dispersal of knowledge. Therefore, while the publications share with extant publications a consideration of important themes such as landscape, it reprioritises these through a problematisation of the art object.
    [Show full text]
  • Edinburgh International Festival Society Papers
    Inventory Acc.11779 Edinburgh International Festival Society Papers National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland BOX 1 1984 1. Venue letting contracts. 2. Australian Youth Orchestra. 3. BBC Orchestra. 4. Beckett Clurman. 5. Black Theatre 6. Boston Symphony 7. Brussels Opera 8. Childrens Music Theatre 9. Coleridges Ancient Mariner 10. Hoffung Festival BOX 2 1984 11. Komische Opera 12. Cleo Laine 13. LSO 14. Malone Dies 15. Negro Ensemble 16. Philharmonia 17. Scottish National 18. Scottish Opera 19. Royal Philharmonic 20. Royal Thai Ballet 21. Teatro Di San Carlo 22. Theatre de L’oeuvre 23. Twice Around the World 24. Washington Opera 25. Welsh National Opera 26. Broadcasting 27. Radio Forth/Capital 28. STV BOX 2 1985 AFAA 29. Applications 30. Amsterdam Baroque Orchestra/Netherlands Chamber Orchestra 31. Balloon Festival. 32. BBC TV/Radio. 33. Le Misanthrope – Belgian National Theatre 34. John Carroll 35. Michael Clark. BOX 3 36. Cleveland Quartet 37. Jean Phillippe Collard 38. Compass 39. Connecticut Grand Opera 40. Curley 41. El Tricicle 42. EuroBaroque Orchestra 43. Fitzwilliam 44. Rikki Fulton 45. Goehr Commission 46. The Great Tuna 47. Haken Hagegard and Geoffery Parons 48. Japanese Macbeth 49. .Miss Julie 50. Karamazous 51. Kodo 52. Ernst Kovacic 53. Professor Krigbaum 54. Les Arts Florissants. 55. Louis de France BOX 4 56. London Philharmonic 57. Lo Jai 58. Love Amongst the Butterflies 59. Lyon Opera 60. L’Opera de Nice 61. Montreal Symphony Orchestra 62.
    [Show full text]
  • Survival Guide
    Edinburgh Festivals SURVIVAL GUIDE Introduction by Alexander McCall Smith INTRODUCTION The original Edinburgh Festival was a wonderful gesture. In 1947, Britain was a dreary and difficult place to live, with the hardships and shortages of the Second World War still very much in evidence. The idea was to promote joyful celebration of the arts that would bring colour and excitement back into daily life. It worked, and the Edinburgh International Festival visitor might find a suitable festival even at the less rapidly became one of the leading arts festivals of obvious times of the year. The Scottish International the world. Edinburgh in the late summer came to be Storytelling Festival, for example, takes place in the synonymous with artistic celebration and sheer joy, shortening days of late October and early November, not just for the people of Edinburgh and Scotland, and, at what might be the coldest, darkest time of the but for everybody. year, there is the remarkable Edinburgh’s Hogmany, But then something rather interesting happened. one of the world’s biggest parties. The Hogmany The city had shown itself to be the ideal place for a celebration and the events that go with it allow many festival, and it was not long before the excitement thousands of people to see the light at the end of and enthusiasm of the International Festival began to winter’s tunnel. spill over into other artistic celebrations. There was How has this happened? At the heart of this the Fringe, the unofficial but highly popular younger is the fact that Edinburgh is, quite simply, one of sibling of the official Festival, but that was just the the most beautiful cities in the world.
    [Show full text]
  • Thundering Hooves Report [2006]
    THUNDERING HOOVES MAINTAINING THE GLOBAL COMPETITIVE EDGE OF EDINBURGH’S FESTIVALS 4 MAY 2006 11-29 Fashion Street 285 West Broadway London E1 6PX New York, NY 10013 T 0 20 7377 6559 T 1 212 226 5820 F 0 20 7377 5992 F 1 212 226 5821 TABLE OF CONTENTS 1 Background, Methodology and Recommendations...........................................................................3 2 Why festivals matter.............................................................................................................................. 16 3 Global Trends ......................................................................................................................................... 22 4 Edinburgh in Context: The Experience of Benchmark Cities...................................................... 27 5 The Festivals and the City.................................................................................................................... 39 6 Recommendations.................................................................................................................................. 44 7 Appendix 1: List of Interviewees........................................................................................................ 51 8 Appendix 2: Scenario Planning Participants ..................................................................................... 52 9 Appendix 3: City Case Studies............................................................................................................ 53 10 Appendix 4: Scenarios..........................................................................................................................
    [Show full text]
  • Minutes of Meetings of Dundee Corporation and Its Committees for the Period 10Th November 1944 to 1St November 1945 Inclusive
    MINUTES OF MEETINGS OF DUNDEE CORPORATION AND ITS COMMITTEES FOR THE PERIOD 10TH NOVEMBER 1944 TO 1ST NOVEMBER 1945 INCLUSIVE Committee Name Item Page No Water A.M.I.M.E. – Admission of Member of Technical Staff 959 Water A.R.P. – Winding up of Organisation and Disposal of Stores and Plant 958 Social Welfare Aberlour Orphanage – Maintenance Charges 456 Social Welfare Able-Bodied Unemployed Assistance – Scale of 30 Housing and Factorial (Housing) Acceleration of the Building of New Houses – DHS Circular No. 102/1945 1023 Transport Accident Claims 978, 1214 Works Accident on Streets – Claims for Compensation 1192 Lord Provost Accommodation for American soldiers visiting the City 932 Public Health Accommodation for Mental Defectives (Tealing House) 1232 Social Welfare Accommodation for Mental Defectives 669, 968 Lord Provost Accommodation for Transferred Workers – Central Register of Accommodation 652 Fleming Trust Accounts for Year 1944/45 945 Water Acquisition of Land under Dundee Corporation Order Confirmation Act, 1939 1197 Lord Provost Acts of Bravery – Bruce Irvine 752 Lord Provost Acts of Bravery – Felix McGuire 1295 Lord Provost Acts of Bravery – Miss Mary Langlands 515 Lord Provost Acts of Bravery – William J Bull and William Pirie and others 931 Cleansing Adding Machine – purchase of 54, 167 Education Additional Accommodation for Educational Purposes 1283 Transport Additional Bus Services 809 Transport Additional Double-Deck Buses 463 Water Additional Source of Water Supply – Establishment of Flow Gauges 899 Building Ind. Sub Comm.
    [Show full text]
  • Gaelic Language Plans Audit - September 2020 Renewed Plans from 2018 Onwards
    Gaelic Language Plans Audit - September 2020 renewed plans from 2018 onwards Contents 01 - City of Edinburgh Council Plan 2018-22 08 - North Ayrshire Council 2019-2024 02 - Cairngorms National Park Authority Plan 2018-2022 09 - Perth and Kinross Council 2018-2022 03 - Creative Scotland 2019-2022 10 - Scottish Parliament 2018-2023 04 - Glasgow City Council 2018-2022 11 - The Highland Council 2018-2023 05 - Historic Environment Scotland 2018-2023 12 - University of Aberdeen 2019-2024 06 - National Galleries Scotland 2018-2023 13 - University of Glasgow 2018-2021 07 - National Libraries of Scotland 2019-2024 14 - University of Highlands & Islands 2018-2023 City of Edinburgh Council Plan 2018-22 Strategic Priority 1 Sustainable: Gaelic is visible, encouraged and has a sustainable future within the City of Edinburgh Lead Service area and key Actions By when partners Economy, Culture Work with Scottish Government and its agencies to support their promotion of Gaelic within entrepreneurship, Economic Develpment, Culture, Bòrd 2022 and Communities and the creative, cultural and heritageindustry in Edinburgh. na Gàidhlig, VisitScotland and HIE Strategic Priority 3 Encouraged: The city’s Gaelic culture and arts are nurtured and preserved sociall and economically Lead Service area and key Actions By when partners Culture and Ensure Gaelic communities have the opportunity to access the culture website. Culture Ongoing communities Support the Gaelic community to promote access to Gaelic Cultural material for example Film locations, Arts Culture/Marketing Edinburgh Ongoing and Historical sites (eg. Makar’s Court) and continue to support local artists’ networks and arts development. Further develop partnerships with national bodies (for example EventScotland) to promote the city’s Gaelic Culture and External Relations Ongoing culture and history both nationally and internationally.
    [Show full text]
  • 22 April 2016
    CELTIC MEDIA FESTIVAL 20 - 22 APRIL 2016 FÉILE NA MEÁN CEILTEACH DÚN GARBHÁN 20-22 AIBREÁN 2016 celtic media festival wELCOME PÁDHRAIC Ó CIARDHA áilte go Dún Garbhán! Failt erriu, Ócáid ar leith í an Fhéile seo. Tá idir chomhdháil, Croeso, Fàilte, Dynergh, Degemar, chomórtais, aonach agus oireachtas i gceist. Benvidos. Tapaíonn na toscairí an deis luachmhar bhliantúil seo teacht le chéile, bualadh le sean-chairde, Táimid bailithe le chéile anseo don nascanna nua a bhunú lena gcomhghleacaithe ó Fhéile bhliantúil cheiliúrtha, chomhrá agus chríocha eile lenár saothair sna teangacha comórtas. I mbliain seo an chomórtha céid in Ceilteacha (agus eile) a cheiliúradh agus a mhalartú. Éirinn, fearaim fáilte is fiche romhat agus súil agam Bíonn cur agus cúiteamh againn, breithiúnas ar go mbainfidh tú idir thairbhe agus thaitneamh as do an ábhar agus iomarbhá freisin b’fhéidir faoin chuairt chugainn. Tá tú tagtha go Déise Mumhan mbealach chun cinn. ar chiumhais na Gaeltachta agus i lár bhaile ina bhfuil an stair, an cultúr, an ceol agus an Ghaeilge Is ábhar mórtais dúinn an fás agus an fhorbairt atá ar fáil i ngach sráid, cearnóg agus cé. tagtha ar Fhéile na Meán Ceilteach le cúpla bliain anuas. Is í seo an 37ú Féile againn. Táimid ag teacht le chéile ag am na cinniúna. Ar an oileán seo, tá Agus muid ag iarraidh freastal ar an raon leathan Comóradh Céid 1916 tar éis aird an phobail a toscairí a thagann chugainn – léiritheoirí, craoltóirí tharraingt ar na meáin ar bhealach ar leith. Is cinnte raidió agus teilifíse, rialtóirí, riarthóirí cistí léiriúcháin freisin go bhfuil ról lárnach ag na meáin agus micléinn – féachann muid le deis a thabhairt chumarsáide, idir chló agus chraolta, sa bhfeachtas dóibh éisteacht agus bualadh le máistrí na ceirde géar-iomaíoch atá a fhearadh sa Ríocht Aontaithe agus leo sin atá i mbun ceannródaíochta agus nuá- faoi láthair maidir le todhchaí na dtíortha sin leis an la don earnáil sa tréimhse chinniúnach atá amach Aontas Eorpach.
    [Show full text]
  • Eden Court Theatre Inverness
    140 performances across 16 venues - BSL, Ca ptioning & Audio Description January 2017 onwards Find it hard to get to theatres or to see or hear shows? Open up for EDINBURGH lots of helpful GLASGOW information. STIRLING LISTINGS AND ACCESS GUIDE INSIDEDUNDEE PITLOCHRYPERTH ABERDEEN INVERNESS Welcome to the Access Scottish Theatre guide, which contains useful information about accessible performances and venues across Scotland. We think that it is important that you have all the information you need to make bookings, get to the venue and enjoy yourself when you are there. Access Scottish Theatre will launching a new website in January 2017. Visit us at www.accessscottishtheatre.com How to use the guide The guide is split in to three main sections - listings of accessible performances, venues and touring companies. The listings and venue pages are ordered by city. On page 22 you can find out how to use the venue pages. We have tried to include useful information as simply as possible, but we have used some abbreviations. Layout key for listings pages: Venue page number Show time Show date Name of service Show description provider if applicable Time of Touch Staying Tour if applicable up to date — find out more inside back cover Visit www.accessscottishtheatre.com for up to date listings. Search for the services you require in the cities and venues you want. You can also sign up to monthly e:bulletins or download PDF and Word versions of the guide. “Like” us on Facebook or follow us on Twitter for instant alerts and updates. Listing information in this guide has been provided by the venues and companies.
    [Show full text]