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PLACES, SPACES AND THE PRINTING PRESS: IMPRINTING REGIONAL IDENTITIES KRAJI, PROSTORI IN TISKARNE: ODTISI REGIONALNIH IDENTITET INTERNATIONAL SCIENTIFIC ONLINE CONFERENCE MEDNARODNA ZNANSTVENA KONFERENCA NA SPLETU 24. MAREC 2021 EDITORIAL BOARD dr. Ines Vodopivec dr. Caroline Archer-Parré Žiga Cerkvenik Maj Blatnik Jana Mahorčič Tomaž Bešter ORGANIZING COMMITTEE Žiga Cerkvenik Maj Blatnik ORGANIZERS Centre for Printing History and Culture at Birmingham City University at University of Birmingham, United Kingdom / Center za tiskarsko zgodovino in kulturo na Mestni univerzi Birmingham, Združeno kraljestvo National and University Library, Ljubljana, Slovenia / Narodna in univerzitetna knjižnica, Ljubljana, Slovenija. PUBLISHED BY NATIONAL AND UNIVERSITY LIBRARY, LJUBLJANA, SLOVENIA Publication is available online in PDF format at: Publikacija je dostopna v PDF formatu na spletni strani: http://www.dlib.si/details/URN:NBN:SI:doc-PDMSAPDI/ 24. 3. 2021 National and University Library, Ljubljana, copyright 2021 This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. 2 THE CONFERENCE THEME ‘Place’ is a physical entity and relates to specific locations—geographical or architectural—where particular activities are conducted. ‘Space’, on the other hand, is abstract; it is the intellectual, cultural and experiential environment in which individuals or groups congregate and collaborate. Place and space are significant to the progress of all trades, but, with the exception of the James Raven’s Bookscape: geographies of printing and publishing in London, these concepts have generally been overlooked when it comes to printing and the products of the press. -
NEWSLETTER 43 Antikvariat Morris · Badhusgatan 16 · 151 73 Södertälje · Sweden [email protected] |
NEWSLETTER 43 antikvariat morris · badhusgatan 16 · 151 73 södertälje · sweden [email protected] | http://www.antikvariatmorris.se/ [dwiggins & goudy] browning, robert: In a Balcony The Blue Sky Press, Chicago. 1902. 72 pages. 8vo. Cloth spine with paper label, title lettered gilt on front board, top edge trimmed others uncut. spine and boards worn. Some upper case letters on title page plus first initial hand coloured. Introduction by Laura Mc Adoo Triggs. Book designs by F. W. Goudy & W. A. Dwiggins. Printed in red & black by by A.G. Langworthy on Van Gelder paper in a limited edition. This is Nr. 166 of 400 copies. Initialazed by Langworthy. One of Dwiggins first book designs together with his teacher Goudy. “Will contributed endpapers and other decorations to In a Balcony , but the title page spread is pure Goudy.” Bruce Kennett p. 20 & 28–29. (Not in Agner, Ransom 19). SEK500 / €49 / £43 / $57 [dwiggins] wells, h. g.: The Time Machine. An invention Random House, New York. 1931. x, 86 pages. 8vo. Illustrated paper boards, black cloth spine stamped in gold. Corners with light wear, book plate inside front cover (Tage la Cour). Text printed in red and black. Set in Monotype Fournier and printed on Hamilton An - dorra paper. Stencil style colour illustrations. Typography, illustra - tions and binding by William Addison Dwiggins. (Agner 31.07, Bruce Kennett pp. 229–31). SEK500 / €49 / £43 / $57 [bodoni] guarini, giovan battista: Pastor Fido Impresso co’ Tipi Bodoniani, Crisopoli [Parma], 1793. (4, first 2 blank), (1)–345, (3 blank) pages. Tall 4to (31 x 22 cm). -
Irish Gothic Fiction
THE ‘If the Gothic emerges in the shadows cast by modernity and its pasts, Ireland proved EME an unhappy haunting ground for the new genre. In this incisive study, Jarlath Killeen shows how the struggle of the Anglican establishment between competing myths of civility and barbarism in eighteenth-century Ireland defined itself repeatedly in terms R The Emergence of of the excesses of Gothic form.’ GENCE Luke Gibbons, National University of Ireland (Maynooth), author of Gaelic Gothic ‘A work of passion and precision which explains why and how Ireland has been not only a background site but also a major imaginative source of Gothic writing. IRISH GOTHIC Jarlath Killeen moves well beyond narrowly political readings of Irish Gothic by OF IRISH GOTHIC using the form as a way of narrating the history of the Anglican faith in Ireland. He reintroduces many forgotten old books into the debate, thereby making some of the more familiar texts seem suddenly strange and definitely troubling. With FICTION his characteristic blend of intellectual audacity and scholarly rigour, he reminds us that each text from previous centuries was written at the mercy of its immediate moment as a crucial intervention in a developing debate – and by this brilliant HIST ORY, O RIGI NS,THE ORIES historicising of the material he indicates a way forward for Gothic amidst the ruins of post-Tiger Ireland.’ Declan Kiberd, University of Notre Dame Provides a new account of the emergence of Irish Gothic fiction in the mid-eighteenth century FI This new study provides a robustly theorised and thoroughly historicised account of CTI the beginnings of Irish Gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. -
Kemble Z3 Ephemera Collection
http://oac.cdlib.org/findaid/ark:/13030/c818377r No online items Kemble Ephemera Collection Z3 Finding aid prepared by Jaime Henderson California Historical Society 678 Mission Street San Francisco, CA, 94105-4014 (415) 357-1848 [email protected] 2013 Kemble Ephemera Collection Z3 Kemble Z3 1 Title: Kemble Z3 Ephemera Collection Date (inclusive): 1802-2013 Date (bulk): 1900-1970 Collection Identifier: Kemble Z3 Extent: 185 boxes, 19 oversize boxes, 4 oversize folder (137 linear feet) Repository: California Historical Society 678 Mission Street San Francisco, CA 94105 415-357-1848 [email protected] URL: http://www.californiahistoricalsociety.org Location of Materials: Collection is stored onsite. Language of Materials: Collection materials are primarily in English. Abstract: The collection comprises a wide variety of ephemera pertaining to printing practice, culture, and history in the Western Hemisphere. Dating from 1802 to 2013, the collection includes ephemera created by or relating to booksellers, printers, lithographers, stationers, engravers, publishers, type designers, book designers, bookbinders, artists, illustrators, typographers, librarians, newspaper editors, and book collectors; bookselling and bookstores, including new, used, rare and antiquarian books; printing, printing presses, printing history, and printing equipment and supplies; lithography; type and type-founding; bookbinding; newspaper publishing; and graphic design. Types of ephemera include advertisements, announcements, annual reports, brochures, clippings, invitations, trade catalogs, newspapers, programs, promotional materials, prospectuses, broadsides, greeting cards, bookmarks, fliers, business cards, pamphlets, newsletters, price lists, bookplates, periodicals, posters, receipts, obituaries, direct mail advertising, book catalogs, and type specimens. Materials printed by members of Moxon Chappel, a San Francisco-area group of private press printers, are extensive. Access Collection is open for research. -
Introduction to Printing Technologies
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping Introduction to Printing Technologies Study Material for Students : Introduction to Printing Technologies CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. Itfunctions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman,Edited with theproducer, trial version of Foxit Advanced PDF Editor director, etc. To remove this notice, visit: www.foxitsoftware.com/shopping Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 : Introduction to Printing Technologies INTRODUCTION The book introduces the students to fundamentals of printing. Today printing technology is a part of our everyday life. It is all around us. T h e history and origin of printing technology are also discussed in the book. Students of mass communication will also learn about t h e different types of printing and typography in this book. The book will also make a comparison between Traditional Printing Vs Modern Typography. -
Conservation of Coated and Specialty Papers
RELACT HISTORY, TECHNOLOGY, AND TREATMENT OF SPECIALTY PAPERS FOUND IN ARCHIVES, LIBRARIES AND MUSEUMS: TRACING AND PIGMENT-COATED PAPERS By Dianne van der Reyden (Revised from the following publications: Pigment-coated papers I & II: history and technology / van der Reyden, Dianne; Mosier, Erika; Baker, Mary , In: Triennial meeting (10th), Washington, DC, 22-27 August 1993: preprints / Paris: ICOM , 1993, and Effects of aging and solvent treatments on some properties of contemporary tracing papers / van der Reyden, Dianne; Hofmann, Christa; Baker, Mary, In: Journal of the American Institute for Conservation, 1993) ABSTRACT Museums, libraries, and archives contain large collections of pigment-coated and tracing papers. These papers are produced by specially formulated compositions and manufacturing procedures that make them particularly vulnerable to damage as well as reactive to solvents used in conservation treatments. In order to evaluate the effects of solvents on such papers, several research projects were designed to consider the variables of paper composition, properties, and aging, as well as type of solvent and technique of solvent application. This paper summarizes findings for materials characterization, degradative effects of aging, and some effects of solvents used for stain reduction, and humidification and flattening, of pigment-coated and modern tracing papers. Pigment-coated papers have been used, virtually since the beginning of papermaking history, for their special properties of gloss and brightness. These properties, however, may render coated papers more susceptible to certain types of damage (surface marring, embedded grime, and stains) and more reactive to certain conservation treatments. Several research projects have been undertaken to characterize paper coating compositions (by SEM/EDS and FTIR) and appearance properties (by SEM imaging of surface structure and quantitative measurements of color and gloss) in order to evaluate changes that might occur following application of solvents used in conservation treatments. -
Sculpture to Be Saved from Demolished Block
4 Thursday 26 April 2012 Cambrian News Pair accused of Picture perfect! using fake notes CLWB Camera Blaenau Ffestiniog TWO people accused of using dud celebrated coming second in a North £20 notes in Dolgellau have had their cases committed to the crown Wales Photographic Association court by the local magistrates. competition last week. Tania Vaughan, 20, and Shaun Members of the group battled against Martin Walters, 21, both of 8 Gw- ern Griafol, Dolgellau, are jointly 16 other clubs in the competition. charged with four offences of pass- Helen Kelly was awarded the best ing forged £20 notes. projected image in the event, with a The joint charges allege that the picture of a snow monkey taken whilst pair passed off a forged £20 note as genuine at the Lemon Grass Res- on a recent holiday in Japan. taurant, on 8 January; at the Co-op- The season has now ended and will erative supermarket on 5 February; resume in September. at the Stag Inn, on 5 January and at New members are always welcome. the Spar, also on 5 January. Walters faces a further three For more information visit www. charges of passing off a fake £20 blaenaucameraclub.co.uk note as genuine at the Hospice in the Home charity shop on 5 Janu- ary; the Spar on 5 January and The Right Price in Smithfield Street, on 6 January. Richard Edwards, prosecuting, said that the allegations related to seven charges of passing counter- feit £20 notes and asked for the cas- es to be heard at the crown court. -
Gthe Golden Cockerel Press
Alcuin Press TERMS AND CONDITIONS OF SALE Unless otherwise described, all books are in the original cloth or board binding, and are demy or crown octavo in size. All The Aquila Press books are in very good, or better, condition with defects, if any, fully described. Our prices are nett, and quoted in Australian Ashendene Press dollars. Traditional trade terms apply. Items are offered subject to prior sale. All orders will be confirmed by email or facsimile. A PAYMENT OPTIONS We accept the major credit cards, PayPal, and direct deposit to the following account: Alcuin Press [1928–1936]: Founded by Herbert Patrick Reginald Finberg, who had previously worked at the Account name Kay Craddock Antiquarian Bookseller Pty Ltd Shakespeare Head Press. The press was housed in a malt house behind Elm Tree House, High Street, Chipping BSB 083 004 Campden, Gloucestershire. It moved to Welwyn Garden City in 1935, closing in 1936 during the world-wide Account number 87497 8296 depression. Should you wish to pay by cheque we may require the funds to be cleared before the items are sent. 1. Housman (A. E.) LAST POEMS. Pp. 68(last colophon), printed in red & black; med. 8vo; qr. natural linen, GUARANTEE printed paper title label on spine, grey papered boards, bottom edges slightly faded and browned; uncut, partly As a member or affiliate of the associations listed below, we embrace the time-honoured traditions and courtesies of the unopened; bookplate on upper pastedown, spare title label tipped-in at end, a couple of spots of foxing; Alcuin book trade. We also uphold the highest standards of business principles and ethics, including your right to privacy. -
Jonah Jones Papers, (GB 0210 JONJON)
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Jonah Jones Papers, (GB 0210 JONJON) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 06, 2017 Printed: May 06, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows NLW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/jonah-jones-papers-2 archives.library .wales/index.php/jonah-jones-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Jonah Jones Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 4 Nodiadau | Notes ............................................................................................................................................. 4 Pwyntiau mynediad | Access points -
Colour and Autolithography in the 20Th Century Exhibition Guide
Colour and Autolithography in the 20th Century Exhibition Guide An exhibition at Manchester Metropolitan University Special Collections Monday 14th November 2005 – Friday 24th March 2006 Ground Floor Third Floor Case 7 – 22 lifts and stairs Library to 3rd floor issue desk Information Desk Security Case 1 – 6 Stairs To i l e t s Gallery Walls 3rd Floor Case 26 – 30 Library Entrance Entrance Children’s Collection Lifts The exhibition begins Case on the ground floor of the Library. 23 – 25 CASE 1 CASE 2 retreat to many a war-struck child or evacuee. Modelled on some colourful Soviet books and the Technique 4 Plasticowell plates for Wild Flowers by Paxton Pere Castor series, produced in Paris, Puffin Picture Chadwick, 1949. Lent by Peter Chadwick. 1 Griffits,Thomas Edgar. The Technique of Colour books were designed to inform children about their Printing by Lithography, a concise manual of drawn Plastic sheets, invented at the printers W.S.Cowell, environment, natural history and everyday topics to lithography. London, Faber & Faber, 1948. 148×221mm. Ipswich.These cheap and portable sheets could do with the war, travel, hobbies, theatre and 110pp. Printed at The Baynard Press. replace stone or metal plates in lithographic print- machines. Designed to a standard formula of 32 ing. Each sheet would print a separate colour to pages including covers, the print run was of 20,000- Thomas Griffits became the most famous lithograph- build up the full colour plate.These sheets make up 30,000.The price was sixpence each.Young artists ic printer of his time, following his apprenticeship to the final print of a single page of Wild Flowers. -
Development of Computer Typesetting
Early steps in computer typesetting in the 1960s Jonathan Seybold, September 2018 1961–1964 Michael Barnett’s “Experiments in Typesetting” In 1961, Michael Barnett, an associate professor at MIT wrote a computer program that could produce punched paper tape output to drive a phototypesetting machine. He used this to produce the “Tail” from Alice in Wonderland, and a phototypeset press release. These were the first documents that were phototypeset from output generated by a computer. In 1962 Barnett received a research grant to continue this experiments. This lead to development of the PC6 system, which was used to produce a variety of reports, pamphlets and other publications in late 1963 and early 1964.1 Hardware: IBM 709/90 computer and a Photon 560 phototypesetter. Software: Written in Fortran, with a few routines written in FAP (Fortran Assembler). Written for a specific Photon 560 set-up. Typefonts were identified by disk position and row number. The TYPRINT program for text output composed text to fit a predefined page width and depth. Lines were broken after the last complete word that would fit on that line. There was no attempt at hyphenation. Pages were arbitrarily broken after the last line that would fit on the page. Special commands could be embedded in the text to tie text elements together. When it encountered these, the program would simply make the page as long as necessary to accommodate all of the text in the “no break” area. Given the scientific academic setting, the most notable feature of TYPRINT was a program written by J.M. -
To Illustration
Rough Index to Illustration. Up to and including issue 59 Spring 2019 (Abbasi) Wajeeha Abbasi: Graduate. 53, Winter 2017, 43. (Acheson) Inform and Inspire. Illustration in early modern printed books, by Katherine Acheson. 37, Autumn 2013, 30-35. (Acreman) Hayley Acreman: Graduate. 15, Spring 2008, 41. (Adams) Sarah Adams: Graduate. 7, Spring 2006, 40. (Aesop) Creature Constructs: illustration of Aesop, by Chiara Nicolini, 21, Autumn 2009, 30-35. (Ahmed) Revolution. Soviet Children’s Books, by Olivia Ahmed. 49, Autumn 2016, 16-23. (Akyuz) Sam Akyuz: Illustrator’s Notebook. 46, Winter 2015, 6-7. (Alcorn) Traditional Innovator: John Alcorn, by Marta Sironi. 40, Summer 2014, 24-30. (Aleda) Lara Aleda: Graduate, 66, Spring 2018, 44. (Alembic Press) Fold and New: Alembic Press, by David Bailey, 9, Autumn 2006, 42-44. (Alice) Chasing the White Rabbit: Alice in Internetland, by Chiara Nicolini. 17, Autumn 2008, 46-47. (Alice) After Tenniel. Illustrators of Alice, by Selwyn Goodacre and other articles on Alice in Wonderland. 17, Autumn 2008, 8-18 (Alice) After Tenniel – Michael Foreman. 17, Autumn 2008, 12 (Alice) After Tenniel – Arthur Rackham, by Robin Greer, 17, Autumn 2008, 13. (Alice) After Tenniel – John Vernon Lord. 17, Autumn 2008, 14 (Alice) After Tenniel – Rodney Matthews. 17, Autumn 2008, 15 (Alice) Found in Translation, Alice in foreign languages, by Mark Richards. 17, Autumn 2008, 16-18 (Alice) Curiouser and Curiouser. Russian Alices. By Ella Parry-Davies. 35, Spring 2013, 14-19. (Alice) More than meets the Eye. Ella Parry-Davies talks to Tatiana Ianovskaia. 37, Autumn 2013, 36- 39. (Alice) Colouring in Dreams. Colouring Carroll’s original illustrations, by Ian Beck.