Boris TCHAIKOVSKY
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Sofia Gubaidulina AUSSERDEM Prokofjew, Denissow, Kantscheli, Geringas, Chatschaturjan U.A
AUSGABE 1. 2020 GEBURTS- UND GEDENKTAGE 90. GEBURTSTAG 2021 Sofia Gubaidulina AUSSERDEM Prokofjew, Denissow, Kantscheli, Geringas, Chatschaturjan u.a. INHALT / CONTENT Liebe Leserinnen, 03 / 22 liebe Leser, Sofia Gubaidulina 90. Geburtstag im Jahr 2021 die russische Komponistin Jelena Firssowa sagte ein- 06 / 24 mal über die von ihr bewunderte Sofia Gubaidulina, Georgische Musik sie sei eine „Schamanin in der Musik”, eine der tief- des 20. Jahrhunderts gründigsten und interessantesten Komponistinnen Kantscheli, Zinzadse, der Gegenwart. Im Jahr 2021 begeht Gubaidulina Nassidse ihren 90. Geburtstag. In diesem Magazin, das Kompo- nistenjubiläen der bervorstehenden Jahre 2021 und 08 / 26 2022 zum Inhalt hat, berichten wir von neuesten Sergej Prokofjew Werken Gubaidulinas und veröffentlichen zudem ein zum 130. Geburtstag dieser Komponistin gewidmetes Exklusiv-Interview 12 mit dem Dirigenten Kent Nagano. 100. Geburtstage von Francisco Tanzer & Stanisław Lem Ein weiteres Jubiläum steht uns mit Sergej Prokof- jews 130. Geburtstag im April 2021 bevor. Wir ver- 14 / 29 binden einen Rückblick auf die spektakuläre Neuin- 10. Todestag von szenierung von Prokofjews Oper „Die Verlobung im Karen Chatschaturjan Kloster” an der Staatsoper Berlin 2019 mit Kurzdar- stellungen ausgewählter Werke. 15 / 29 Edison Denissow Der 25. Todestag des Russen Edison Denissow, aus- 25. Todestag am 24. November 2021 gewählte Gedenktage von Komponisten aus Georgien 18 / 30 und zwei 100. Geburtstage von bedeutenden Text- Jubiläen litauischer dichtern wie Stanisław Lem und Francisco Tanzer Interpreten und Komponisten sind weitere Themen dieser Ausgabe. David Geringas & Bronius Kutavičius Wir wünschen Ihnen eine interessante Lektüre und viele Entdeckungen, 20 / 32 News Winfried Jacobs 19 Geschäftsführer Geburts- und Kennen Sie auch die anderen Gedenktage 2021 Hefte des SIKORSKI Magazins? 21 Vorschau 2022 IMPRESSUM FOTONACHWEISE Titel Sofia Gubaidulina © Priska Ketterer S. -
094-Au91431 1956 31
BRAHMS: Viola Sonatas, Op. 120 A These are the "clarinet" sonatas, so called because Brahms composed them for a clarinetist friend. They Paul Doktor, violist. Nadia Reisenberg, A were published alternately for the viola, however, and the rich, mellow tones of this instrument are perfectly pianist A suited to them. Doktor's superb musicianship weaves a mood all its own, but Miss Reisenberg's sensitive Westminster WN- or SWN-18114 12" pianism is complementary in the extreme. The sound is unusually lifelike. RP GINASTERA: Quartet No. 1 B-B Ginastera's slow movement has a certain atmospheric beauty; its mingling of impressionism and jungle LAJHTA: Quartet No. 7, Op. 49 A-A evocations recalls early Villa-Lobos. His fast movements, however, are built on rhythmic ostinati that become Paganini Quartet B-B tiresome. La¡hta is a kind of Hungarian Virgil Thomson. His language is diatonic, spiced with dissonance and Decca DL-9823 12" Magyar tunes. His Opus 49 is attractive but inconsequential. Earnest performances. AS LECLAIR: 6 Violin Sonatas • Leclair's music does not stray far from the idiom of his time (when polyphony was "old fashioned" but George Alès, violinist; Isabelle Nef, harp- • melodic writing had not yet found its strength). These sonatas are thoroughly violinistic, and if the listener sichordist • can occasionally predict the next passage of sequential modulation there are compensating moments of London L'Oiseau -Lyre OL-50087 8 2-12" lovely invention. Playing is vigorous, musical, sometimes rough in tone. SF PROKOFIEV: Violin Sonata, op. 94 A-B The transcribed flute sonata of Prokofiev has enjoyed a succession of variously KAREN KHACHATURIAN: Violin A-A superb performances on LP. -
Viking Voicejan2014.Pub
Volume 2 February 2014 Viking Voice PENN DELCO SCHOOL DISTRICT Welcome 2014 Northley students have been busy this school year. They have been playing sports, performing in con- certs, writing essays, doing homework and projects, and enjoying life. Many new and exciting events are planned for the 2014 year. Many of us will be watching the Winter Olympics, going to plays and con- certs, volunteering in the community, participating in Reading Across America for Dr. Seuss Night, and welcoming spring. The staff of the Viking Voice wishes everyone a Happy New Year. Northley’s Students are watching Guys and Dolls the 2014 Winter Olympics Northley’s 2014 Musical ARTICLES IN By Vivian Long and Alexis Bingeman THE VIKING V O I C E This year’s winter Olympics will take place in Sochi Russia. This is the This year’s school musical is Guy and • Olympic Events first time in Russia’s history that they Dolls Jr. Guys and Dolls is a funny musical • Guys and Dolls will host the Winter Olympic Games. set in New York in the 40’s centering on Sochi is located in Krasnodar, which is gambling guys and their dolls (their girl • Frozen: a review, a the third largest region of Russia, with friends). Sixth grader, Billy Fisher, is playing survey and excerpt a population of about 400,000. This is Nathan Detroit, a gambling guy who is always • New Words of the located in the south western corner of trying to find a place to run his crap game. Year Russia. The events will be held in two Emma Robinson is playing Adelaide, Na- • Scrambled PSSA different locations. -
A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich
A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich Submitted by Anna Megan Davis to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Theology in December 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 2 3 Abstract Theological reflection on music commonly adopts a metaphysical approach, according to which the proportions of musical harmony are interpreted as ontologies of divine order, mirrored in the created world. Attempts to engage theologically with music’s expressivity have been largely rejected on the grounds of a distrust of sensuality, accusations that they endorse a ‘religion of aestheticism’ and concern that they prioritise human emotion at the expense of the divine. This thesis, however, argues that understanding music as expressive is both essential to a proper appreciation of the art form and of value to the theological task, and aims to defend and substantiate this claim in relation to the music of twentieth-century Russian composer Dmitri Shostakovich. Analysing a selection of his works with reference to culture, iconography, interiority and comedy, it seeks both to address the theological criticisms of musical expressivism and to carve out a positive theological engagement with the subject, arguing that the distinctive contribution of Shostakovich’s music to theological endeavour lies in relation to a theology of hope, articulated through the possibilities of the creative act. -
RECORDED RICHTER Compiled by Ateş TANIN
RECORDED RICHTER Compiled by Ateş TANIN Previous Update: February 7, 2017 This Update: February 12, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals and concerts by the late maestro that are in my collection and all others I am aware of. It is mostly indebted to Alex Malow who has been very helpful in sharing with me his extensive knowledge of recorded material and his website for video items at http://www.therichteracolyte.org/ contain more detailed information than this list.. I also hope for this list to get more accurate and complete as I hear from other collectors of one of the greatest pianists of our era. Since a discography by Paul Geffen http://www.trovar.com/str/ is already available on the net for multiple commercial issues of the same performances, I have only listed for all such cases one format of issue of the best versions of what I happened to have or would be happy to have. Thus the main aim of the list is towards items that have not been generally available along with their dates and locations. Details of Richter CDs and DVDs issued by DOREMI are at http://www.doremi.com/richter.html . Please contact me by e-mail:[email protected] LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (BD) = Blu-Ray Disc; (LD) = NTSC Laserdisc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue. -
Recorded Gilels
RECORDED GILELS Including Non-commercial & Unpublished Items Compiled by Ateş TANIN Previous Update: September 1, 2015 This Update: January 8, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C] . The following is a list of recorded recitals and concerts by Emil Gilels, with one reference listing to each commercial release that are in my collection and all others that I am aware of. Your comments, additions and corrections would be much appreciated. Please contact me by e-mail: [email protected] . Details of Gilels CDs issued by DOREMI are at http://www.doremi.com/gilels.html . LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (LD) = NTSC Laserdisc; (BD) = Blu-Ray Disc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue. (PTA) = I have a privately taped audio copy; (PTV) = I have a privately taped video copy ABSIL Concerto for Piano and Orchestra No.1, Op.30 29/5/1938 - Brussels - Live - excerpt CYPRESS CYP1102 (DVD) ALBENIZ Navarra 6/1/1954 - Moscow - Live - DOREMI DHR-7795 (CD)** Navarra [Arranged for Two Pianos] 1941 - Moscow - Flier - (PTV) Rumores de la Caleta (Malaguena) from Recuerdos de Viaje, Op.71/6 23/2/1957 - Moscow - Live - DOREMI DHR-7795 (CD)** [C] ALYABIEV Piano Quintet in E-flat 1949 - Moscow - Beethoven Q. - DG 00289 479 4651 (24CD)** Piano Trio in a 1&5/11/1948 - Moscow - Tsyganov/Shirinsky - DOREMI DHR-7755 (CD)** Sonata in e for Violin and Piano 12/1950 - Moscow - Tsyganov - DOREMI DHR-7755 (CD)** BABAJANIAN Heroic Ballade for Piano and Orchestra 14/5/1953 - Moscow - Live - USSR State S.O./Kondrashin - MELODIYA CD 10 02243 (50CD)** [N] BABAYEV, A. -
The Piano Trio, the Duo Sonata, and the Sonatine As Seen by Brahms, Tchaikovsky, and Ravel
ABSTRACT Title of Dissertation: REVISITING OLD FORMS: THE PIANO TRIO, THE DUO SONATA, AND THE SONATINE AS SEEN BY BRAHMS, TCHAIKOVSKY, AND RAVEL Hsiang-Ling Hsiao, Doctor of Musical Arts, 2017 Dissertation directed by: Professor Rita Sloan School of Music This performance dissertation explored three significant piano trios, two major instrumental sonatas and a solo piano sonatine over the course of three recitals. Each recital featured the work of either Brahms, Tchaikovsky or Ravel. Each of these three composers had a special reverence for older musical forms and genres. The piano trio originated from various forms of trio ensemble in the Baroque period, which consisted of a dominating keyboard part, an accompanying violin, and an optional cello. By the time Brahms and Tchaikovsky wrote their landmark trios, the form had taken on symphonic effects and proportions. The Ravel Trio, another high point of the genre, written in the early twentieth century, went even further exploring new ways of using all possibilities of each instrument and combining them. The duo repertoire has come equally far: duos featuring a string instrument with piano grew from a humble Baroque form into a multifaceted, flexible classical form. Starting with Bach and continuing with Mozart and Beethoven, the form traveled into the Romantic era and beyond, taking on many new guises and personalities. In Brahms’ two cello sonatas, even though the cello was treated as a soloist, the piano still maintained its traditional prominence. In Ravel’s jazz-influenced violin sonata, he treated the two instruments with equal importance, but worked with their different natures and created an innovative sound combination. -
Foreign Policy Audit: Ukraine-Latvia
Kateryna Zarembo Elizabete Vizgunova FOREIGN POLICY AUDIT: Ukraine– LATVIA DISCUSSION PAPER Кyiv 2018 The report was produced with the financial support of the Ministry of Foreign Affairs of the Republic of Latvia. The views and opinions expressed in this paper are those of the authors and do not necessarily reflect the position of the Ministry of Foreign Affairs of the Republic of Latvia. Photos: Administration of the President of Ukraine, Verkhovna Rada, Cabinet of Ministers of Ukraine Authors: Kateryna Zarembo, Elizabete Vizgunova CONTENTS 1. Introduction 4 2. Ukraine’s interest in Latvia and Latvia’s interest in Ukraine: points of intersection 7 2.1. Russia’s aggression in Ukraine: impact on Latvia’s Euro-Atlantic identity 7 2.2. Development cooperation: Partner to partner, not teacher to pupil 14 2.3. A common past as a bridge between two countries 19 2.4. Trade and investment: room for improvement 22 3. Who’s who: key stakeholders and pressure groups 25 3.1. Political elites 25 3.2. Latvian civil society and culture space 28 3.3. Media and the information space 32 3.4. The Ukrainian community in Latvia 33 4. Existing and potential risks and conflicts 35 4.1. Change in Latvian policy towards Ukraine after the October 2018 elections 35 4.2. Deterioration in relations over poor business conditions in Ukraine 36 4.3. Susceptibility of public opinion in Latvia to Russian disinformation 37 5. Recommendations 39 6. Acknowledgements 41 3 Foreign Policy Audit: Ukraine-Latvia 1. INTRODUCTION Relations between Ukraine and Latvia make an interesting and a rare example of bilateral relations. -
Sunday Playlist
February 17, 2019: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Schumann Violin Sonata No. 2 in D minor, Op. 121 Kremer/Argerich DG 419 235 028941923523 Awake! 00:34 Buy Now! Couturier Voyage Lechner/Couturier ECM B0021592 n/a 00:41 Buy Now! Mozart Violin Concerto No. 1 in B flat, K. 207 Grumiaux/London Symphony/Davis Philips 416 632 028941663221 01:01 Buy Now! Bach Cello Suite No. 1 in G, BWV 1007 Pierre Fournier Archiv Produktion 449 711 028944971125 01:20 Buy Now! Stamitz, K. Oboe Quartet in D, Op. 8 Goodwin/Terzetto Harmonia Mundi 907220 093046722029 01:36 Buy Now! Grieg Violin Sonata No. 3 in C minor, Op. 45 Amoyal/Chiu Harmonia Mundi 907256 093046725624 Laskine/le Dentu/Paillard Chamber 02:01 Buy Now! Gossec Symphony Concertante for Two Harps Erato 55039 08908850392 Orch/Paillard 02:13 Buy Now! Janson Cello Concerto in D Starker/Santa Fe Festival Orchestra Delos 3197 013491319728 02:31 Buy Now! Gade Octet in F for Strings, Op. 17 L'Archibudelli/Smithsonian Chamber Players Sony 48307 07464483072 Academy of St. Martin-in-the- 03:01 Buy Now! Warlock Serenade for Strings London 452 707 028945270722 Fields/Marriner 03:09 Buy Now! Borowski Suite Rococo Gowanus Arts Ensemble/Blundell New Focus Recordings 166B 655646188911 String Quartet No. 14 in D minor, D. 810 "Death 03:19 Buy Now! Schubert Tokyo String Quartet RCA 7990 078635799026 and the Maiden" Moreno 04:00 Buy Now! Sonatina Trianera Los Romeros PHILIPS 412 609 028941260925 Torroba 04:09 Buy Now! Massenet Meditation ~ Thais Mutter/Berlin Philharmonic/Karajan EMI 07634 5099920763428 04:17 Buy Now! Czerny Grand Sonata in A for Piano and Violin Raum/Kuerti CBC 1150 059582115022 05:00 Buy Now! Turina The Bullfighter's Prayer, Op. -
Emil Gilels - a Discography
EMIL GILELS - A DISCOGRAPHY Compiled by Ateş TANIN Previous Update: April 26, 2017 This Update: November 22, 2017 The following is a discography of published recordings of Emil Gilels based on my findings over the years. Your comments, additions and corrections will be appreciated. Please contact me by email: [email protected]. Details of Gilels CDs issued by DOREMI are at http://www.doremi.com/gilels.html . Abbreviations: (CD) = Compact Disc; (SACD) = Super Audio CD; (SHM-CD) = (HQCD) = Super High Material Compact Disc; (K2HD-CD) = High Definition Transfer; (LP) = 33 rpm record; (78) = 78 rpm record; (45) = 45 rpm record; (VHS) = NTSC Video; (DVD) = DVD; (BD) = Blu-Ray Disc. Many of the (LP) entries as MELODIYA were also issued as MEZHDUNARODNAYA KNIGA, AKKORD, VSG, SOV DISC, etc. USSR refers to Pre-Melodiya labels. ABSIL Concerto for Piano and Orchestra No.1, Op.30 29/5/1938 - Brussels - Live - excerpt CYPRESS CYP1102 (DVD) ALBENIZ Navarra 6/1/1954 - Moscow - Live RUSSIAN DISC R10 00783-86 (2LP) MELODIYA MELCD 722 (5CD) MELODIYA CD 10 00721 (CD) SMC CD 0085 (CD) DOREMI DHR-7795 (CD) Rumores de la Caleta (Malaguena) from Recuerdos de Viaje, Op.71/6 23/2/1957 - Moscow - Live MELODIYA M10-41057-58 (LP) MELODIA/EURODISC 302750-420 (2LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7795 (CD) ALYABIEV Piano Quintet in E-flat 1949 - Moscow - Beethoven Q. MELODIYA D 1386-87 (LP) WESTMINSTER XWN 18679 (LP) DG 00289 479 4651 (24CD) DOREMI DHR-7755 (CD) Piano Trio in a 1&5/11/1948 - Moscow - Tsyganov/Shirinsky USSR D 16324-29 (78) MELODIYA D 347-48 (LP) MELODIYA D 035449-50 (LP) MELODIYA S10 12631-42 (6LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7755 (CD) Sonata in e for Violin and Piano 12/1950 - Moscow - Tsyganov MELODIYA D 1125-26 (LP) MELODIYA D 035449-50 (LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7755 (CD) BABAJANIAN Heroic Ballade for Piano and Orchestra 14/5/1953 - Moscow - Live - USSR State S.O./Kondrashin MELODIYA CD 10 02243 (50CD) BABAYEV Piano Trio in c# 1950 - Moscow - Tsyganov/Shirinsky MELODIYA MEL CD 10 02210 (4CD) BACH, C.P.E. -
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS a Discography Of
RUSSIAN, SOVIET & POST-SOVIET CONCERTOS A Discography of CDs and LPs Prepared by Michael Herman Edited by Stephen Ellis Composers H-P GAGIK HOVUNTS (see OVUNTS) AIRAT ICHMOURATOV (b. 1973) Born in Kazan, Tatarstan, Russia. He studied clarinet at the Kazan Music School, Kazan Music College and the Kazan Conservatory. He was appointed as associate clarinetist of the Tatarstan's Opera and Ballet Theatre, and of the Kazan State Symphony Orchestra. He toured extensively in Europe, then went to Canada where he settled permanently in 1998. He completed his musical education at the University of Montreal where he studied with Andre Moisan. He works as a conductor and Klezmer clarinetist and has composed a sizeable body of music. He has written a number of concertante works including Concerto for Viola and Orchestra No1, Op.7 (2004), Concerto for Viola and String Orchestra with Harpsicord No. 2, Op.41 “in Baroque style” (2015), Concerto for Oboe and Strings with Percussions, Op.6 (2004), Concerto for Cello and String Orchestra with Percussion, Op.18 (2009) and Concerto for Piano and Orchestra, Op 40 (2014). Concerto Grosso No. 1, Op.28 for Clarinet, Violin, Viola, Cello, Piano and String Orchestra with Percussion (2011) Evgeny Bushko/Belarusian State Chamber Orchestra ( + 3 Romances for Viola and Strings with Harp and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) 3 Romances for Viola and Strings with Harp (2009) Elvira Misbakhova (viola)/Evgeny Bushko/Belarusian State Chamber Orchestra ( + Concerto Grosso No. 1 and Letter from an Unknown Woman) CHANDOS CHAN20141 (2019) ARSHAK IKILIKIAN (b. 1948, ARMENIA) Born in Gyumri Armenia. -
Tchaikovsky Considered
Tchaikovsky Considered Tracks and clips 1. Introduction 6:10 a. Tchaikovsky, Pyotr Il’yich (PT), Piano Concerto No. 2 in G, Op. 44, Gary Graffman, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-6755 recorded 2/17/1965. b. PT, Symphony No. 4 in f, Op. 36, Christoph Eschenbach, Philadelphia Orchestra, Phil. Orch. Priv. Label recorded 3/16/2006.* c. PT, Eugene Onegin, James Levine, Staatskapelle Dresden, Deutsche Grammophon, 0289 423 9592 3 GF 2 released 12/29/1988. ‡ d. PT, Piano Trio in a, Op. 50, Lyubov Timofeyeva, Maxim Fedotov, Kirill Rodin, Mezhdunarodnaya Kniga MK 417001 recorded April, 1990. e. PT, Symphony No. 5 in e, Op. 64, Christoph Eschenbach, Philadelphia Orchestra, Ondine ODE 1076-5 recorded September, 2006. f. Ibid. 2. The Five 20:43 a. Cimarosa, Domenico, Il matrimonio segreto, Daniel Barenboim, English Chamber Orchestra, Deutsche Grammophon 0289 437 6962 4 GX 3 recorded 1975. ‡ b. Glinka, Mikhail Ivanovich, Nochnoi smotr (The Night Review), Lina Mkrtchyan, Evgeni Talisman, Opus 111 OP30277 released 10/1/2012.◊ c. Dargomïzhsky, Alexander Sergeyevich, The Stone Guest, Andrey Chistiakov, Bolshoi Theatre Orchestra, Brilliant Classics 94028 recorded 1993. d. Balakirev, Alexander Porfir’yevich, Islamey, Julius Katchen Deutsche Grammophon 0289 460 8312 3 DF 2 released 1/12/2004. ‡ e. Cui, César, Préludes, Op. 64, Jeffrey Biegel, Marco-Polo 8.223496 released 11/3/1993.◊ f. Rimsky-Korsakov, Nikolay Andreyevich, The Legend of the invisible City of Kitezh and the Maiden Fevroniya, Vladimir Fedoseyev, Vienna Symphony Orchestra, Koch 3-1144-2-Y5 recorded 7/20/1995. g. Borodin, Alexander Porfir’yevich, String Quartet No. 2 in D, Wister Quartet, Direct-to-Tape released 2008.