Recorded Gilels

Total Page:16

File Type:pdf, Size:1020Kb

Recorded Gilels RECORDED GILELS Including Non-commercial & Unpublished Items Compiled by Ateş TANIN Previous Update: September 1, 2015 This Update: January 8, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C] . The following is a list of recorded recitals and concerts by Emil Gilels, with one reference listing to each commercial release that are in my collection and all others that I am aware of. Your comments, additions and corrections would be much appreciated. Please contact me by e-mail: [email protected] . Details of Gilels CDs issued by DOREMI are at http://www.doremi.com/gilels.html . LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (LD) = NTSC Laserdisc; (BD) = Blu-Ray Disc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue. (PTA) = I have a privately taped audio copy; (PTV) = I have a privately taped video copy ABSIL Concerto for Piano and Orchestra No.1, Op.30 29/5/1938 - Brussels - Live - excerpt CYPRESS CYP1102 (DVD) ALBENIZ Navarra 6/1/1954 - Moscow - Live - DOREMI DHR-7795 (CD)** Navarra [Arranged for Two Pianos] 1941 - Moscow - Flier - (PTV) Rumores de la Caleta (Malaguena) from Recuerdos de Viaje, Op.71/6 23/2/1957 - Moscow - Live - DOREMI DHR-7795 (CD)** [C] ALYABIEV Piano Quintet in E-flat 1949 - Moscow - Beethoven Q. - DG 00289 479 4651 (24CD)** Piano Trio in a 1&5/11/1948 - Moscow - Tsyganov/Shirinsky - DOREMI DHR-7755 (CD)** Sonata in e for Violin and Piano 12/1950 - Moscow - Tsyganov - DOREMI DHR-7755 (CD)** BABAJANIAN Heroic Ballade for Piano and Orchestra 14/5/1953 - Moscow - Live - USSR State S.O./Kondrashin - MELODIYA CD 10 02243 (50CD)** [N] BABAYEV, A. Piano Trio in c# 1950 - Moscow - Tsyganov/Shirinsky MELODIYA MEL CD 10 02210 (4CD)** BACH, C.P.E. Sonata in A, H.186/W.55/4 26/12/1960 - Moscow - Live - CHANT DU MONDE LDC 278981/82 (2CD)** BACH, J.S. Aria variata alla maniera italiana in a, BWV 989 22/1/1959 - Moscow - Live - EMIL GILELS FOUNDATION 15 12 103 (CD)** [N] 27/2/1959 - London - BBC BBCL 4015-2 (CD)** Brandenburg Concerto No.5, BWV 1050 1948 - Moscow - USSR State O./Kondrashin - DOREMI DHR-7747 (CD)** Chromatic Fantasy and Fugue in d, BWV 903 1/11/1948 - Moscow - Live - MELODIYA CD 10 02243 (50CD)** [N] Concerto for Two Pianos and Strings in C, BWV 1061 9/10/1948 - Moscow - Zak - USSR State O./Kondrashin - VISTA VERA VVCD- 00201 (CD)** French Suite No.5 in G, BWV 816 6/12/1959 - Leningrad - Live - (PTA) 18/12/1959 - Moscow - Live - EMIL GILELS FOUNDATION 15 12 103 (CD)** [N] 25/2/1960 - New York - RCA 88875177312 (7CD) 6/3/1960 - Paris - Live - (PTA) Partita No.1 in B-flat, BWV 825 29/11/1950 - Moscow - Live - SMC CD 0040 (CD)** 9/12/1950 - Moscow - MELODIYA MEL CD 10 02224 (CD)** [N] Prelude in b from BWV 855 a [Arranged by Siloti] 1948 - Moscow - MELODIYA MEL CD 10 02224 (CD)** 1950s - Moscow - Live - SMC CD 0040 (CD)** 6/3/1960 - Paris - Live - (PTA) 10/10/1961 - Moscow - Live - PHILIPS 456 796 (2CD)** 9/4/1962 - Moscow - Live - SMC CD 0027 (CD)** 3/6/1964 - Luxembourg - Live 6/12/1964 - Seattle - Live - DG 4796288 (CD) [N] 14/12/1966 - New York - Live - (PTA) 2/2/1969 - New York - Live - VICTOR VICC-2088 (CD)** 10/3/1969 - Los Angeles - Live - (PTA) 24/12/1977 - Moscow - Live - MUSIC & ARTS CD-746 (CD)** 25/12/1977 - Moscow - Live - MELODIYA CD 10 02243 (50CD)** [N] & TRITON DIBC-38005 (DVD)** 31/3/1978 - Tilburg - Live - (PTA) 4/4/1978 - Rotterdam - Live - (PTA) 19/4/1978 - Tokyo - Live - KING KKC 2022/3 (2CD)** 14/11/1979 - New York - Live - RCA 88875177312 (7CD) 16/12/1979 - Strasbourg - Live - (PTA) 11/10/1984 - Bedford - Live Prelude and Fugue in D, BWV 532 [Arranged by Busoni] 18/1/1968 - Leningrad - Live - MELODIYA/BMG BVCX-4083 (CD)** 2/2/1969 - New York - Live - VICTOR VICC-2087 (CD)** 12/3/1969 - Los Angeles - Live - (PTA) 11/4/1969 - Rome - Live - (PTA) 10/1/1971 - Montreal - Live - (PTA) 10/1/1971 - Montreal - Live - VAI 4373 (DVD)** Toccata and Fugue in d, BWV 565 [Arranged by Tausig] 6/1/1954 - Moscow - Live - SMC CD 0085 (CD)** BALAKIREV Islamey 3/3/1950 - Moscow - Live - MELODIYA CD 10 00720 (CD)** 11/6/1951 - Florence - Live - DOREMI DHR-7795 (CD)** BARTOK Six Romanian Folk Dances 29/11/1950 - Moscow - Live - DOREMI DHR-7920 (CD)** BEETHOVEN Bagatelle, Op.33/1 25/3/1952 - Moscow - Live - SMC CD 0040 (CD)** 26/2/1954 - Paris - Live - DOREMI DHR-7805 (CD)** Concerto No.1 for Piano and Orchestra in C, Op.15 1954 - Moscow - USSR State Academic S.O./Kondrashin - MELODIYA CD 10 02243 (50CD)** [N] 20/11/1956 - Sofia - Live - Sofia P.O./Sanderling - BULGARIAN NATIONAL RADIO (MP3 Download from Amazon.com)* 20-22/6/1957 - Paris - O.S.C.C./Vandernoot - EMI 4 83418 2 (4CD)** 1958 - Leningrad - Leningrad P.O./Sanderling - ARCHIPEL ARPCD 0379 (CD)** 19/11/1958 - Prague - Live - Czech P.O./Sanderling - MULTISONIC 31 0106-2 (3CD)** 18/12/1965 - Naples - Live - O."A.Scarlatti" di Napoli/Pradella - (PTA) 10/7/1967 - London - Live - New Philharmonia O./Boult - ICA CLASSICS ICAC 5000 (CD)** 29,30/4&1,4/5/1968 - Cleveland - Cleveland O./Szell - EMI 5 69506 2 (2CD)** 19/12/1976 - Moscow - Live - USSR State S.O./Masur - REVELATION RV 10040 (CD)** 18/1/1977 - Cleveland - Live - Cleveland O./Maazel - (PTA) 15/7/1979 - Munich - Live - Bavarian State O./Sawallisch - (PTA) Concerto No.2 for Piano and Orchestra in B-flat, Op.19 20-22/6/1957 - Paris - O.S.C.C./Vandernoot - EMI 4 83418 2 (4CD)** 1958 - Leningrad - Leningrad P.O./Sanderling - MELODIYA CD 10 02243 (50CD)** [N] 19/11/1958 - Prague - Live - Czech P.O./Sanderling - MULTISONIC 31 0106-2 (3CD)** 24/4/1966 - Moscow - Live - Moscow Philharmonic S.O./N.Jarvi - MELODIYA CD 10 02243 (50CD)** [N] 13/7/1967 - London - Live - New Philharmonia O./Boult - (PT) 29,30/4&1,4/5/1968 - Cleveland - Cleveland O./Szell - EMI 5 69506 2 (2CD)** 19/12/1976 - Moscow - Live - USSR State S.O./Masur - REVELATION RV 10040 (CD)** 18/1/1977 - Cleveland - Live - Cleveland O./Maazel - (PTA) 15/7/1979 - Munich - Live - Bavarian State O./Sawallisch - mvts 1&2 - (PTA) Concerto No.3 for Piano and Orchestra in c, Op.37 10/11/1947 - Moscow - Moscow Radio S.O./Kondrashin - DOREMI DHR-7747 (CD)** 23/1/1951 - Moscow - Live - USSR State O./Kondrashin - VISTA VERA VVCD- 00201 (CD)** 1953 - Moscow - Live - USSR State S.O./Gauk - HALL OF FAME HOFS 504 (LP)** 9/3/1954 - Paris - O.S.C.C./Cluytens - EMI 4 83418 2 (4CD)** 20/11/1956 - Sofia - Live - Sofia P.O./Sanderling - BULGARIAN NATIONAL RADIO (MP3 Download from Amazon.com)* 19/11/1958 - Prague - Live - Czech P.O./Sanderling - MULTISONIC 31 0106-2 (3CD)** 18/10/1961 - Moscow - Live - USSR State S.O./Dubrovsky - (PTA) 23/12/1965 - Turin - Live - O.RAI Torino/Franci - (PTA) 24/4/1966 - Moscow - Live - Moscow Philharmonic S.O./N.Jarvi -MELODIYA CD 10 02243 (50CD)** [N] 27/10/1966 - Cleveland - Live - Cleveland O./Szell - ILLUMINATION iLL-Sze-30/31 (2CD)** 13/7/1967 - London - Live - New Philharmonia O./Boult - ICA CLASSICS ICAC 5000 (CD)** 2/1968 - Moscow - Live - Moscow P.O./Kondrashin - REVELATION RV 10079 (CD)** 29,30/4&1,4/5/1968 - Cleveland - Cleveland O./Szell - EMI 5 69506 2 (2CD)** 23/1/1969 - Ottawa - Live - Nat.Arts Centre O./Hurst - (PTA) 13/8/1969 - London - Live - BBC S.O./C.Davis 8/1969 - Salzburg - Live - V.P.O./Szell - Rehearsal - (PTA) 24/8/1969 - Salzburg - Live - V.P.O./Szell - ORFEO C 484 981 B (CD)** 1/3/1970 - Stockholm - Live - Swedish Radio S.O./Westerberg - (PT) 1970 - Munich - Live - Bavarian Radio S.O./Jochum - RIT 5018 (CD)** 7/10/1970 - Montreal - Live - Montreal S.O./Decker - (PTA) 28/7/1971 - Lausanne - Live - O.National de l'ORTF/Kletzki - (PTA) 10/1974 - Amsterdam - Live - Concertgebouw O./Jochum - (PTA) 13/6/1976 - London - Live - New Philharmonia O./Maazel - (PTA) 15/8/1976 - Salzburg - Live - Dresden Staatskpl./Karajan - SARDANA RECORDS SACD-203/4 (2CD)** 19/12/1976 - Moscow - Live - USSR State S.O./Masur - BRILLIANT CLASSICS 92132 (6CD)** 18/1/1977 - Cleveland - Live - Cleveland O./Maazel - (PTA) 1978 - Helsinki - Live - Finnish R.S.O./Berglund - (PTA) 31/5/1979 - Zurich - Live - Zurich Tonhalle O./Sawallisch - (PTA) 15/7/1979 - Munich - Live - Bavarian State O./Sawallisch - (PTA) 13/4/1983 - Montreal - Live - Montreal S.O./Herbig - (PTA) 6/9/1984 - Helsinki - Live - Philharmonia O./Berglund - VAI 4472 (DVD)** 3/10/1984 - Montreux - Live - O. RAI Torino/Inbal Concerto No.4 for Piano and Orchestra in G, Op.58 1957 - Leningrad - Leningrad P.O./Sanderling - CHANT DU MONDE LDC 278 975 (CD)** 26,27/4&1/5/1957 - London - Philharmonia O./Ludwig - TESTAMENT SBT 1095 (CD)** 12/10/1957 - Tokyo - Live - NHK S.O./Loibner - KING KKC 2001/2 (2CD)** 21/11/1958 - Prague - Live - Czech P.O./Sanderling - MULTISONIC 31 0106-2 (3CD)** 18/12/1965 - Naples - Live - O."A.Scarlatti" di Napoli della RAI - MELODRAM CDM 28034 (2CD)** 24/3/1966 - Moscow - Live - Moscow P.O./N.Jarvi - MELODIYA CD 10 02243 (50CD)** [N] 8/9/1966 - Edinburgh - Live - Halle O./Barbirolli - ICA CLASSICS ICAC 5032 (CD)** 10/7/1967 - London - Live - New Philharmonia O./Boult - (PTA) 8/12/1967 - Warsaw - Warsaw P.O./Rowicki - (PTA) 29,30/4&1,4/5/1968 - Cleveland - Cleveland O./Szell - EMI 5 69506 2 (2CD)** 7/10/1970 - Montreal - Live - Montreal S.O./Decker - (PTA) 22/12/1976 - Moscow - Live - USSR State S.O./Masur - YEDANG YCC-0007 (CD)** 25/1/1977 - Cleveland - Live - Cleveland O./Maazel - (PTA) 24/3/1977 - Dresden - Live - Staatskapelle Dresden/Blomsted - (PTA) 12/7/1978 - Lausanne - Live - ONF/Dutoit - CLAVES DO-50-1020 (CD)** 22/2/1979 - London - Live- London S.O./A.Davis - (PTA) 16/7/1979 - Munich
Recommended publications
  • Focus 2020 Pioneering Women Composers of the 20Th Century
    Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers.
    [Show full text]
  • STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
    STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT By ©2016 Olivia Needham Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________________ Chairperson: Paul Laird ________________________________________ Véronique Mathieu ________________________________________ Bryan Haaheim ________________________________________ Philip Kramp ________________________________________ Jerel Hilding Date Defended: 04/15/2016 The Dissertation Committee for Olivia Needham certifies that this is the approved version of the following dissertation: STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT ________________________________________ Chairperson: Paul Laird Date Approved: 04/15/2016 ii ABSTRACT This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin writing through his two pieces, Suite italienne and Duo Concertant. In these works, Stravinsky’s use of neoclassicism is revealed in two opposite ways. In Suite Italienne, Stravinsky based the composition upon actual music from the eighteenth century. In Duo Concertant, Stravinsky followed the stylistic features of the eighteenth century without parodying actual music from that era. Important types of violin writing are described in these two works by Stravinsky, which are then compared with examples of eighteenth-century violin writing. iii Igor Stravinsky (1882-1971) was born in Oranienbaum (now Lomonosov) in Russia near St.
    [Show full text]
  • The Rite Signs: Semiotic Readings One Hundred Years On
    AVANT, Vol. VII, No. 1/2016 ISSN: 2082-6710 avant.edu.pl/en DOI: 10.26913/70102016.0111.0001 The Rite Signs: Semiotic Readings One Hundred Years On Nicholas P. McKay Canterbury Christ Church University School of Music and Performing Arts nicholas.mckay- @- canterbury.ac.uk Abstract One hundred years on from the infamous premiere of The Rite of Spring, Stravinsky’s epoch-defining ballet continues to evoke controversy and contention in both musicological and performance circles. Even to call it a ballet is to overlook, or compound, its problematic identity. Throughout its life span, most audiences will have encountered, valorised and identified the work as a landmark of orchestral musical modernism heard primarily, perhaps even exclusively, in concert halls and on audio recordings with not a dancer, theatre stage or set in sight. Still to this day it thus remains one of music’s more remarkable split person- alities: bifurcated along formalist and contextualist lines by Stravinsky’s ret⁠rospective and opportunistic assertion that he had written “un oeuvre architectonique et non anecdotique.” Keywords: ballet; music; semiotics; Stravinsky; The Rite of Spring. One hundred years on from the infamous premiere of The Rite of Spring, Stravinsky’s epoch-defining ballet continues to evoke controversy and contention in both musicological and performance circles. Even to call it a ballet is to overlook, or compound, its problematic identity. Throughout its life span, most audiences will have encountered, valorised and identified the work as a landmark of orchestral musical modernism heard primarily, perhaps even exclusively, in concert halls and on audio recordings with not a dancer, theatre stage or set in sight.
    [Show full text]
  • RECORDED RICHTER Compiled by Ateş TANIN
    RECORDED RICHTER Compiled by Ateş TANIN Previous Update: February 7, 2017 This Update: February 12, 2017 New entries (or acquisitions) for this update are marked with [N] and corrections with [C]. The following is a list of recorded recitals and concerts by the late maestro that are in my collection and all others I am aware of. It is mostly indebted to Alex Malow who has been very helpful in sharing with me his extensive knowledge of recorded material and his website for video items at http://www.therichteracolyte.org/ contain more detailed information than this list.. I also hope for this list to get more accurate and complete as I hear from other collectors of one of the greatest pianists of our era. Since a discography by Paul Geffen http://www.trovar.com/str/ is already available on the net for multiple commercial issues of the same performances, I have only listed for all such cases one format of issue of the best versions of what I happened to have or would be happy to have. Thus the main aim of the list is towards items that have not been generally available along with their dates and locations. Details of Richter CDs and DVDs issued by DOREMI are at http://www.doremi.com/richter.html . Please contact me by e-mail:[email protected] LOGO: (CD) = Compact Disc; (SACD) = Super Audio Compact Disc; (BD) = Blu-Ray Disc; (LD) = NTSC Laserdisc; (LP) = LP record; (78) = 78 rpm record; (VHS) = Video Cassette; ** = I have the original issue ; * = I have a CD-R or DVD-R of the original issue.
    [Show full text]
  • The American Stravinsky
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE THE AMERICAN STRAVINSKY THE AMERICAN STRAVINSKY The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 Gayle Murchison THE UNIVERSITY OF MICHIGAN PRESS :: ANN ARBOR TO THE MEMORY OF MY MOTHERS :: Beulah McQueen Murchison and Earnestine Arnette Copyright © by the University of Michigan 2012 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ϱ Printed on acid-free paper 2015 2014 2013 2012 4321 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-09984-9 Publication of this book was supported by a grant from the H. Earle Johnson Fund of the Society for American Music. “Excellence in all endeavors” “Smile in the face of adversity . and never give up!” Acknowledgments Hoc opus, hic labor est. I stand on the shoulders of those who have come before. Over the past forty years family, friends, professors, teachers, colleagues, eminent scholars, students, and just plain folk have taught me much of what you read in these pages. And the Creator has given me the wherewithal to ex- ecute what is now before you. First, I could not have completed research without the assistance of the staff at various libraries.
    [Show full text]
  • STRAVINSKY Music for Violin | Vol
    ILYA GRINGOLTS STRAVINSKY Music for Violin | Vol. 2 ILYA GRINGOLTS violin Peter Laul piano Orquesta Sinfónica de Galicia Dima Slobodeniouk BIS-2275 STRAVINSKY, Igor (1882–1971) 1 Pastorale (1907, arr.1933) (Schott) 2'55 For violin and four wind instruments Casey Hill oboe · Scott MacLeod cor anglais Juan Ferrer clarinet · Steve Harriswangler bassoon 2 Ballad (1928, arr.1947) (Boosey & Hawkes) 3'06 From the ballet The Fairy’s Kiss Suite italienne (1925, arr.1933) (Hawkes & Son) 16'37 From the ballet Pulcinella 3 Introduzione. Allegro moderato 2'08 4 Serenata. Larghetto 2'48 5 Tarantella. Vivace 2'02 6 Gavotta con due Variazioni 3'39 7 Scherzino. Presto alla breve 1'25 8 Minuetto e Finale. Moderato – Molto vivace 4'23 Divertimento (1928, arr.1932) (Hawkes & Son) 19'44 From the ballet The Fairy’s Kiss 9 I. Sinfonia. Andante 5'59 10 II. Danses suisses. Tempo giusto 4'31 11 III. Scherzo. Allegretto grazioso 2'50 12 IVa. Pas de deux. Adagio 2'52 13 IVb. Variation. Allegretto grazioso 1'18 14 IVc. Coda. Presto 2'07 2 15 Variation d’Apollon (Apollon et les muses) (1928) (Boosey & Hawkes) 3'00 From Apollon musagète, for solo violin and strings Violin Concerto in D (1931) (Schott) 21'18 16 I. Toccata 5'38 17 II. Aria I 4'07 18 III. Aria II 5'04 19 IV. Capriccio 6'13 20 Élégie for solo violin (1944) (Schott) 5'14 21 Tango (1944) (Mercury Musik NY) 2'01 Arranged by Samuel Dushkin TT: 76'24 Ilya Gringolts violin Peter Laul piano [tracks 2–14, 21] Orquesta Sinfónica de Galicia Massimo Spadano leader Dima Slobodeniouk conductor [tracks 15–19] Instrumentarium Violin by Giuseppe Guarneri ‘del Gesù’ (1742–43) Steinway D grand piano 3 he relationship between Igor Stravinsky and the violin hardly got off to the most auspicious of starts.
    [Show full text]
  • The Piano Trio, the Duo Sonata, and the Sonatine As Seen by Brahms, Tchaikovsky, and Ravel
    ABSTRACT Title of Dissertation: REVISITING OLD FORMS: THE PIANO TRIO, THE DUO SONATA, AND THE SONATINE AS SEEN BY BRAHMS, TCHAIKOVSKY, AND RAVEL Hsiang-Ling Hsiao, Doctor of Musical Arts, 2017 Dissertation directed by: Professor Rita Sloan School of Music This performance dissertation explored three significant piano trios, two major instrumental sonatas and a solo piano sonatine over the course of three recitals. Each recital featured the work of either Brahms, Tchaikovsky or Ravel. Each of these three composers had a special reverence for older musical forms and genres. The piano trio originated from various forms of trio ensemble in the Baroque period, which consisted of a dominating keyboard part, an accompanying violin, and an optional cello. By the time Brahms and Tchaikovsky wrote their landmark trios, the form had taken on symphonic effects and proportions. The Ravel Trio, another high point of the genre, written in the early twentieth century, went even further exploring new ways of using all possibilities of each instrument and combining them. The duo repertoire has come equally far: duos featuring a string instrument with piano grew from a humble Baroque form into a multifaceted, flexible classical form. Starting with Bach and continuing with Mozart and Beethoven, the form traveled into the Romantic era and beyond, taking on many new guises and personalities. In Brahms’ two cello sonatas, even though the cello was treated as a soloist, the piano still maintained its traditional prominence. In Ravel’s jazz-influenced violin sonata, he treated the two instruments with equal importance, but worked with their different natures and created an innovative sound combination.
    [Show full text]
  • Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
    1 AUDITION GUIDE AND SUGGESTED REPERTOIRE 1 2 TABLE OF CONTENTS AUDITION REQUIREMENTS AND GUIDE . 3 SUGGESTED REPERTOIRE Piano/Keyboard . 5 STRINGS Violin . 6 Viola . 7 Cello . 8 String Bass . 10 WOODWINDS Flute . 12 Oboe . 13 Bassoon . 14 Clarinet . 15 Alto Saxophone . 16 Tenor Saxophone . 17 BRASS Trumpet/Cornet . 18 Horn . 19 Trombone . 20 Euphonium/Baritone . 21 Tuba/Sousaphone . 21 PERCUSSION Drum Set . 23 Xylophone-Marimba-Vibraphone . 23 Snare Drum . 24 Timpani . 26 Multiple Percussion . 26 Multi-Tenor . 27 VOICE Female Voice . 28 Male Voice . 30 Guitar . 33 2 3 The repertoire lists which follow should be used as a guide when choosing audition selections. There are no required selections. However, the following lists illustrate Students wishing to pursue the Instrumental or Vocal Performancethe genres, styles, degrees and difficulty are strongly levels encouraged of music that to adhereis typically closely expected to the of repertoire a student suggestionspursuing a music in this degree. list. Students pursuing the Sound Engineering, Music Business and Music Composition degrees may select repertoire that is slightly less demanding, but should select compositions that are similar to the selections on this list. If you have [email protected] questions about. this list or whether or not a specific piece is acceptable audition repertoire, please contact the Music Department at 812.941.2655 or by e-mail at AUDITION REQUIREMENTS FOR VARIOUS DEGREE CONCENTRATIONS All students applying for admission to the Music Department must complete a performance audition regardless of the student’s intended degree concentration. However, the performance standards and appropriaterequirements audition do vary repertoire.depending on which concentration the student intends to pursue.
    [Show full text]
  • Sunday Playlist
    February 17, 2019: (Full-page version) Close Window “I was obliged to be industrious. Whoever is equally industrious will succeed equally well.” — Johann Sebastian Bach Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Schumann Violin Sonata No. 2 in D minor, Op. 121 Kremer/Argerich DG 419 235 028941923523 Awake! 00:34 Buy Now! Couturier Voyage Lechner/Couturier ECM B0021592 n/a 00:41 Buy Now! Mozart Violin Concerto No. 1 in B flat, K. 207 Grumiaux/London Symphony/Davis Philips 416 632 028941663221 01:01 Buy Now! Bach Cello Suite No. 1 in G, BWV 1007 Pierre Fournier Archiv Produktion 449 711 028944971125 01:20 Buy Now! Stamitz, K. Oboe Quartet in D, Op. 8 Goodwin/Terzetto Harmonia Mundi 907220 093046722029 01:36 Buy Now! Grieg Violin Sonata No. 3 in C minor, Op. 45 Amoyal/Chiu Harmonia Mundi 907256 093046725624 Laskine/le Dentu/Paillard Chamber 02:01 Buy Now! Gossec Symphony Concertante for Two Harps Erato 55039 08908850392 Orch/Paillard 02:13 Buy Now! Janson Cello Concerto in D Starker/Santa Fe Festival Orchestra Delos 3197 013491319728 02:31 Buy Now! Gade Octet in F for Strings, Op. 17 L'Archibudelli/Smithsonian Chamber Players Sony 48307 07464483072 Academy of St. Martin-in-the- 03:01 Buy Now! Warlock Serenade for Strings London 452 707 028945270722 Fields/Marriner 03:09 Buy Now! Borowski Suite Rococo Gowanus Arts Ensemble/Blundell New Focus Recordings 166B 655646188911 String Quartet No. 14 in D minor, D. 810 "Death 03:19 Buy Now! Schubert Tokyo String Quartet RCA 7990 078635799026 and the Maiden" Moreno 04:00 Buy Now! Sonatina Trianera Los Romeros PHILIPS 412 609 028941260925 Torroba 04:09 Buy Now! Massenet Meditation ~ Thais Mutter/Berlin Philharmonic/Karajan EMI 07634 5099920763428 04:17 Buy Now! Czerny Grand Sonata in A for Piano and Violin Raum/Kuerti CBC 1150 059582115022 05:00 Buy Now! Turina The Bullfighter's Prayer, Op.
    [Show full text]
  • Emil Gilels - a Discography
    EMIL GILELS - A DISCOGRAPHY Compiled by Ateş TANIN Previous Update: April 26, 2017 This Update: November 22, 2017 The following is a discography of published recordings of Emil Gilels based on my findings over the years. Your comments, additions and corrections will be appreciated. Please contact me by email: [email protected]. Details of Gilels CDs issued by DOREMI are at http://www.doremi.com/gilels.html . Abbreviations: (CD) = Compact Disc; (SACD) = Super Audio CD; (SHM-CD) = (HQCD) = Super High Material Compact Disc; (K2HD-CD) = High Definition Transfer; (LP) = 33 rpm record; (78) = 78 rpm record; (45) = 45 rpm record; (VHS) = NTSC Video; (DVD) = DVD; (BD) = Blu-Ray Disc. Many of the (LP) entries as MELODIYA were also issued as MEZHDUNARODNAYA KNIGA, AKKORD, VSG, SOV DISC, etc. USSR refers to Pre-Melodiya labels. ABSIL Concerto for Piano and Orchestra No.1, Op.30 29/5/1938 - Brussels - Live - excerpt CYPRESS CYP1102 (DVD) ALBENIZ Navarra 6/1/1954 - Moscow - Live RUSSIAN DISC R10 00783-86 (2LP) MELODIYA MELCD 722 (5CD) MELODIYA CD 10 00721 (CD) SMC CD 0085 (CD) DOREMI DHR-7795 (CD) Rumores de la Caleta (Malaguena) from Recuerdos de Viaje, Op.71/6 23/2/1957 - Moscow - Live MELODIYA M10-41057-58 (LP) MELODIA/EURODISC 302750-420 (2LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7795 (CD) ALYABIEV Piano Quintet in E-flat 1949 - Moscow - Beethoven Q. MELODIYA D 1386-87 (LP) WESTMINSTER XWN 18679 (LP) DG 00289 479 4651 (24CD) DOREMI DHR-7755 (CD) Piano Trio in a 1&5/11/1948 - Moscow - Tsyganov/Shirinsky USSR D 16324-29 (78) MELODIYA D 347-48 (LP) MELODIYA D 035449-50 (LP) MELODIYA S10 12631-42 (6LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7755 (CD) Sonata in e for Violin and Piano 12/1950 - Moscow - Tsyganov MELODIYA D 1125-26 (LP) MELODIYA D 035449-50 (LP) MELODIYA CD 10 02243 (50CD) DOREMI DHR-7755 (CD) BABAJANIAN Heroic Ballade for Piano and Orchestra 14/5/1953 - Moscow - Live - USSR State S.O./Kondrashin MELODIYA CD 10 02243 (50CD) BABAYEV Piano Trio in c# 1950 - Moscow - Tsyganov/Shirinsky MELODIYA MEL CD 10 02210 (4CD) BACH, C.P.E.
    [Show full text]
  • The Soldier's Tale
    STRAVINSKY The Soldier’s Tale (Complete) Tianwa Yang, Violin Fred Child, Narrator Jared McGuire, The Soldier Jeff Biehl, The Devil Virginia Arts Festival Chamber Players JoAnn Falletta Igor Igor Stravinsky (1882-1971) and Charles-Ferdinand Ramuz (1878-1947) STRAVINSKY The Soldier’s Tale (1882-1971) Igor Stravinsky was the son of a distinguished bass in The Firebird with a red flag, was soon succeeded by The Soldier’s Tale soloist at the Mariinsky Theatre in St Petersburg, creator distaste for the new regime and the decision not to return of important rôles in new operas by Tchaikovsky and to Russia. Text by Charles-Ferdinand Ramuz (1878-1947) Rimsky-Korsakov. He was born, the third of four sons, at In 1934 Stravinsky had taken out French citizenship English version by Michael Flanders and Kitty Black, revised by Pamela Berlin Oranienbaum on the Gulf of Finland in the summer of but five years later, with war imminent in Europe, he 1882. In childhood his ability in music did not seem moved to the United States, where he had already enjoyed Part I Part II exceptional, but he was able to study privately with considerable success. The death of his first wife allowed 1 Introduction: The Soldier’s March 1:52 # The Soldier’s March (reprise) – Rimsky-Korsakov, who became a particularly important him to marry a woman with whom he had enjoyed a long 2 Soldier: This isn’t a bad place to stop... 0:55 Narrator: Down a hot and dusty road... 1:42 influence after the death of Stravinsky’s strong-minded earlier association and the couple settled in Hollywood, $ Narrator: Now he comes to another land..
    [Show full text]
  • Tchaikovsky Considered
    Tchaikovsky Considered Tracks and clips 1. Introduction 6:10 a. Tchaikovsky, Pyotr Il’yich (PT), Piano Concerto No. 2 in G, Op. 44, Gary Graffman, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-6755 recorded 2/17/1965. b. PT, Symphony No. 4 in f, Op. 36, Christoph Eschenbach, Philadelphia Orchestra, Phil. Orch. Priv. Label recorded 3/16/2006.* c. PT, Eugene Onegin, James Levine, Staatskapelle Dresden, Deutsche Grammophon, 0289 423 9592 3 GF 2 released 12/29/1988. ‡ d. PT, Piano Trio in a, Op. 50, Lyubov Timofeyeva, Maxim Fedotov, Kirill Rodin, Mezhdunarodnaya Kniga MK 417001 recorded April, 1990. e. PT, Symphony No. 5 in e, Op. 64, Christoph Eschenbach, Philadelphia Orchestra, Ondine ODE 1076-5 recorded September, 2006. f. Ibid. 2. The Five 20:43 a. Cimarosa, Domenico, Il matrimonio segreto, Daniel Barenboim, English Chamber Orchestra, Deutsche Grammophon 0289 437 6962 4 GX 3 recorded 1975. ‡ b. Glinka, Mikhail Ivanovich, Nochnoi smotr (The Night Review), Lina Mkrtchyan, Evgeni Talisman, Opus 111 OP30277 released 10/1/2012.◊ c. Dargomïzhsky, Alexander Sergeyevich, The Stone Guest, Andrey Chistiakov, Bolshoi Theatre Orchestra, Brilliant Classics 94028 recorded 1993. d. Balakirev, Alexander Porfir’yevich, Islamey, Julius Katchen Deutsche Grammophon 0289 460 8312 3 DF 2 released 1/12/2004. ‡ e. Cui, César, Préludes, Op. 64, Jeffrey Biegel, Marco-Polo 8.223496 released 11/3/1993.◊ f. Rimsky-Korsakov, Nikolay Andreyevich, The Legend of the invisible City of Kitezh and the Maiden Fevroniya, Vladimir Fedoseyev, Vienna Symphony Orchestra, Koch 3-1144-2-Y5 recorded 7/20/1995. g. Borodin, Alexander Porfir’yevich, String Quartet No. 2 in D, Wister Quartet, Direct-to-Tape released 2008.
    [Show full text]