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Tchaikovsky Considered

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Tchaikovsky Considered Tracks and clips 1. Introduction 6:10 a. Tchaikovsky, Pyotr Il’yich (PT), Piano Concerto No. 2 in G, Op. 44, Gary Graffman, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-6755 recorded 2/17/1965. b. PT, Symphony No. 4 in f, Op. 36, Christoph Eschenbach, Philadelphia Orchestra, Phil. Orch. Priv. Label recorded 3/16/2006.* c. PT, Eugene Onegin, James Levine, Staatskapelle Dresden, Deutsche Grammophon, 0289 423 9592 3 GF 2 released 12/29/1988. ‡ d. PT, Piano Trio in a, Op. 50, Lyubov Timofeyeva, Maxim Fedotov, Kirill Rodin, Mezhdunarodnaya Kniga MK 417001 recorded April, 1990. e. PT, Symphony No. 5 in e, Op. 64, Christoph Eschenbach, Philadelphia Orchestra, Ondine ODE 1076-5 recorded September, 2006. f. Ibid. 2. The Five 20:43 a. Cimarosa, Domenico, Il matrimonio segreto, Daniel Barenboim, English Chamber Orchestra, Deutsche Grammophon 0289 437 6962 4 GX 3 recorded 1975. ‡ b. Glinka, Mikhail Ivanovich, Nochnoi smotr (The Night Review), Lina Mkrtchyan, Evgeni Talisman, Opus 111 OP30277 released 10/1/2012.◊ c. Dargomïzhsky, Alexander Sergeyevich, The Stone Guest, Andrey Chistiakov, Bolshoi Theatre Orchestra, Brilliant Classics 94028 recorded 1993. d. Balakirev, Alexander Porfir’yevich, Islamey, Julius Katchen Deutsche Grammophon 0289 460 8312 3 DF 2 released 1/12/2004. ‡ e. Cui, César, Préludes, Op. 64, Jeffrey Biegel, Marco-Polo 8.223496 released 11/3/1993.◊ f. Rimsky-Korsakov, Nikolay Andreyevich, The Legend of the invisible City of Kitezh and the Maiden Fevroniya, Vladimir Fedoseyev, Vienna Symphony Orchestra, Koch 3-1144-2-Y5 recorded 7/20/1995. g. Borodin, Alexander Porfir’yevich, String Quartet No. 2 in D, Wister Quartet, Direct-to-Tape released 2008. h. Musorgsky, Modest Petrovich, Boris Godunov, Vladimir Vaneev, Valery Gergiev, Kirov Opera, Decca 0289 478 3447 2 DMO recorded 1997. ‡ i. Ibid. j. Musorgsky, Modest Petrovich, Pictures at an Exhibition, Sviatoslav Richter, Artia ALP-154 released 1960. k. L’vov Alexey Fyodorovich, Violin Concerto in a, Sergei Stadler, Andrey Chistiakov, St. Petersburg Philharmonic, Manchester CDMAN 156 recorded 3/23/1986. l. Serov, Alexander Nikolayevich, Judith, Andrey Chistiakov, Bolshoi Theatre Orchestra, Brilliant Classics 9219 recorded 1991. m. Rubinstein, Anton,Étude in C, Op. 23 No. 2, Earl Wild, Vanguard VSD-71119 released 1964. n. Rubinstein, Anton, Piano Concerto No. 2 in F, Op. 35, Joseph Banowetz, Alfred Walter, Slovak State Philharmonic, Marco-Polo 8223456 released 9/2/1992.◊ 3. Peter Il’yich Tchaikovsky 50:47 aa-ag. PT, Fantasy–Overture Romeo & Juliet (3rd. vers.), Christoph Eschenbach, Philadelphia Orchestra, Ondine ODE 1150-2D recorded January, 2008. ah. PT, String Quartet No. 1 in D, Op. 11, St. Petersburg Quartet, Sony SM2K 57654 recorded December, 1993. ai. Schubert, Franz, String Quartet No. 14 in d, D. 810, Vermeer Quartet Teldec 9031- 7478-2, recorded June, 1981. aj. PT, Vanya, Caroline Clemmow, Arthur Goldstone, Divine Art 25020 released 2002.‡ ak. PT, String Quartet No. 1 in D, Op. 11, op. cit. al. PT, Symphony No. 2 in c, Op. 17, Eugene Ormandy, Philadelphia Orchestra, RCA R204808 recorded 1/7/1976. am. Glinka, Mikhail Ivanovich, Kamarinskaya, Leopold Stokowski, Royal Philharmonic Orchestra, Music & Arts CD-847 recorded 6/15/1969. an. PT, Symphony No. 2 in c, op. cit. ao. PT, Six Songs, Op. 38, Dmitri Hvorostovsky, Ivari Ilja, Delos DE 3393 released 2009.‡ ap. PT, Six Duets, Op. 46, Irina Arkhipova, Vladislav Pasinski, Makvala Karashvili, Melodiya 33-CM 01357-8. aq-as. Piano. at. PT, Marche Slave, Op. 31, Eugene Ormandy, Philadelphia Orchestra, RCA CRL3- 2026 recorded 2/17/1972. au, av. Piano. aw. PT, Marche Slave, op. cit. ax, ay. Piano. az. PT, Marche Slave, op. cit. ba. L’vov, Alexey Fyodorovich, God Save the Tsar, Valaam Singing Culture Institute Men’s Choir, Russian Compact Disc RCD 29002 recorded 10/4/2011.◊ bb-bd. PT, Marche Slave, op. cit. be-bi. PT, Serenade in C, Op. 48, Wolfgang Sawallisch, Philadelphia Orchestra, Phil. Orch. Priv. Label recorded September, 1997. bj. PT, Variations on a Rococo Theme, Op. 33, Leonard Rose, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-6714 recorded 11/15/1962. bk. Respighi, Ottorino, Gli uccelli, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-7242 recorded 1/26/1966. bl. Ravel, Maurice, le tombeau de Couperin, Mar. 68, Robert Casadesus, Columbia ML-4520 recorded 12/6/1951. bm. Stravinsky, Igor, Symphony of Psalms, Igor Stravinsky, Festival Singers of Toronto, Columbia Symphony Orchestra, Sony SM2K 46294 recorded 3/30/1963. bn. Schoenberg, Arnold, Suite für Klavier, Op. 25, Maurizio Pollini, Deutsche Grammophon 0289 423 2492 3 GC rleased 4/5/1988. ‡ bo. PT, Swan Lake, Wolfgang Sawallisch, Philadelphia Orchestra, EMI CDQB5 55041 2 8 recorded 10/5/1993. bp. PT, Sleeping Beauty Suite, Op. 66, Riccardo Muti, Philadelphia Orchestra, EMI 50999 0 97999 2 9 recorded 2/25/1984. bq. PT, The Nutcracker Suite, Op. 71a, Eugene Ormandy, Philadelphia Orchestra, RCA DM 1020 recorded 1/10/1945. br. PT, Iolanta, Valery Gergiev, Kirov Opera, Philips 442 796-2 recorded July, 1994. bs. Ibid. bt. Mozart, Wolfgang Amadeus, Die Zauberflöte, K. 620, Dietrich Fischer-Dieskau, Karl Böhm, Berlin Philharmonic, Deutsche Grammophon 138 981/3 recorded 1965. bu. PT, Pique Dame, Seiji Ozawa, Boston Symphony Orchestra, Sony 8869757712 recorded October, 1991. bv. PT, Piano Concerto No. 1 in b♭, Op. 23, Tedd Joselson, Eugene Ormandy, Philadelphia Orchestra, RCA ARL1-0751 released 1974. bw-bx. PT, Violin Concerto, Op. 35, Isaac Stern, Eugene Ormandy, Philadelphia Orchestra, Columbia MS-6062 recorded 3/23/1958. by-ce. PT, Symphony No. 6 in b, Op. 74, Christoph Eschenbach, Philadelphia Orchestra, Ondine ODE 1131-5 recorded October, 2006. cd. PT, Der Jungfrau von Orléans, Irina, Arkhipova, Gennady Rozhdestvensky, Symphony Orchestra of All-Union Radio & Television, Melodiya CD 10 02053 recorded 1969. Many of these recordings are available as paid downloads; (*) HDTracks.com, (◊) eClassical.com, (‡) prestoclassical.com. Thanks, Comments, Bibliography I knew that my Russian pronunciation was going to embarrass me — I would be ashamed to show my face in public. Fortunately, Joe Zarett kept that from happening. Now it’s merely bad. My review board, Stacy Dutton, Al Lesitsky and Stan Scordilis, did their usual wonderful work. The difficulty for them was compounded this time by having to work under a severe deadline. My old friend, Ed Cohen, tolerated my ranting and raving about Tchaikovsky (as I referred to it on the ‘phone) for weeks. Familiar with deadlines himself, he was supportive in the extreme. I don’t know how Connie, my first listener, stands these projects. At least this time she loves the music. When I was fifteen, I loved Tchaikovsky; but by the time I was twenty-five I had fallen out of love. I would almost always enjoy concerts of his music, but I kept thinking that it was really de trop. When Bob Hennessy, my father-in-law, died I inherited his library of chamber music cd’s. Among them were all Tchaikovsky’s chamber works except the Sextet, Souvenir de Florence. Playing them, I realized how wonderful these pieces were. I had always known how accomplished he was, the most professional of professional composers, but these works were restrained. Then there were the ballets — oh, so gorgeous and so enthralling because of the technical expertise that was so subtly exercised. And, every time I heard The Philadelphia Orchestra play his music, I remembered how much I had been in love: such beautiful sounds. I’ll never be able to adequately thank the musicians. Finally, a bang-up performance of The Maid of Orléans in Washington: I was a goner: head over heels in love again. As I ponder my in and out of love affair with Tchaikovsky’s music, I’ve come to realize that part of the problem was the rationalizations as to why he wrote something. Who cares? It’s an absolute. Take it for what it is: contrapuntally flawless, instrumentally superb, harmonically ingenious, melodically seductive, structurally innovative: avant-garde! Hence this cd. I hope you like it. About a week into this I realized how ignorant I was on the generalities of music in nineteenth century Russia. David Brown’s comprehensive Tchaikovsky: A Biographical & Critical Study, W. W. Norton, NY, published in four volumes 1978, 1983, 1986, 1991 was essential. If I’d had to do all the analyses myself, I’d never have met my deadline. His are excellent. Nicolas Slonimsky’s Lexicon of Musical Invective, Critical Assaults on Composers Since Beethoven’s Time, Univ. of Washington Press, 1965 supplied the text of the Hanslick review. Alan Lomax, The Folk Songs of North America in the English Language, Doubleday, 1960, has been on my shelf, and in my mind, for over a half century. The holes that Brown quite rationally left out of his work were filled by the New Groves Dictionary of Music and Musicians, 2nd ed., Stanley Sadie, ed., MacMillan, 1980. wikipedia.org and the imslp.org were invaluable, for I found myself frequently checking this note or that. Finally, I needed a certain piece, I had to hear it, and I could not find it: youtube.com, of course. From there it was not far to a legal recording — too bad, because the one that I found on youtube is still a better performance, but a horrible recording! I’ve tried to use Philadelphia Orchestra performances where they were available. Unfortunately, a lot of the Russian repertoire has not been recorded by the Orchestra. I’d love to have Glinka’s Kamarinskaya, but I don’t think that it exists. The wonderful Ormandy Nutcracker Suite in clip bq on track 3, is far and away the best of his several performances and probably the best that I’ve ever heard. I just recently found the 78’s.
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    24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No.
  • The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

    The Classical Station, WCPE 1 Start Runs Composer Title Performerslib # Label Cat

    Thu, Jun 18, 2020 - The Classical Station, WCPE 1 Start Runs Composer Title PerformersLIb # Label Cat. # Barcode 00:01:30 11:59 Handel Trio Sonata in F, Op. 2 No. 4 Heinz Holliger Wind 00341 Denon 7026 N/A Ensemble 00:14:2918:00 Brahms Variations on a Theme by Saint Louis 01966 RCA 7920 078635792027 Haydn, Op. 56a Symphony/Slatkin 00:33:29 26:06 Mozart Violin Concerto No. 4 in D, K. Stern/English Chamber 02925 Sony 66475 074646647523 218 Orchestra/Schneider 01:01:0528:17 Chadwick Aphrodite, a symphonic poem Czech State 03308 Reference 2104 030911210427 Philharmonic, Recordings Brno/Serebrier 01:30:2212:50 Rossini Overture to Semiramide Vienna 03679 Seraphim/ 69137 724356913721 Philharmonic/Sargent EMI 01:44:1214:53 Haydn Piano Sonata No. 47 in B minor Emanuel Ax 10100 Sony 53635 074645363523 Classical 02:00:3510:51 Bizet Children's Games, Op. 22 Concertgebouw/Haitink 01008 Philips 416 437 028941643728 (Jeux d'enfants) 02:12:2612:02 Wagner Die Meistersinger: Selections Chicago 05288 BMG 63301 090266330126 (for orchestra) Symphony/Reiner 02:25:2833:21 Medtner Piano Concerto No. 1 in C Tozer/London 02666 Chandos 9039 095115903926 minor, Op. 33 Philharmonic/Jarvi 03:00:1910:51 Schumann Fantasy Pieces, Op. 73 du Pre/Moore 09531 EMI 65955 724356595521 03:12:1031:22 Mendelssohn String Quintet No. 1 in A, Op. L'Archibudelli 05537 Sony 60766 074646076620 18 Classical 03:44:32 13:38 Carpenter Sea Drift Indianapolis 08678 Decca 458 157 028945845725 Symphony/Leppard 03:59:4017:01 Tubin Suite on Estonian Dances Lubotsky/Gothenburg 01654 BIS 286 N/A Symphony/Jarvi 04:17:41 02:56 Halvorsen Valse caprice Trondheim 01943 Aurora 1921 702626219212 Symphony/Ruud 6 04:21:3738:22 Beethoven Piano Concerto No.