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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Dos Films Recientes Descubren a Ettore Scola, Un Veterano
personalidades ( i). Dos films recientes descubren a Ettore Scola, un veterano Ha hecho trece películas como director y algunas más como libretista, es uno de los profesionales italianos con mayor experiencia, pero sólo ahora se sabe que Ettore Scola puede ser un nombre importante. El estreno de Un día muy especial repitió el alerta y éste quizá sea el momento de iniciar la revisión de Scola: para saber que ha hecho mucha película menor, frívola y poco creativa para llegar ahora a una primera culminación Si no fuera porque Nos habíamos amado tanto y Un día muy especial han obligado a la atención pública, ia personalidad de Ettore Scola (47 años, trece films como director, una larga lista de libretos) permanecería desco nocida para casi toda la crítica. En rigor es todavía un desconoci do, en parte porque no existe hasta ahora ningún análisis del conjunto de su obra, en parte porque sus propios films no descubren una actitud nítida y permanente ante el mundo o ante el propio medio expresivo. Aunque su talento más notorio parece ser satírico o farsesco (libretos para Dino Risi y Pietrangeli, sus primeros films como director), los dos títulos más Importan tes de su carrera parecen más serios Un momento histórico muy particular que las múltiples comedias previas. cas y la idea se apoya en un efecto de algunos rasgos comunes en ideas, des Sin embargo detrás de Un día muy es libreto (la permanente, monótona, pre arrollos y diálogos, parte de esas ca pecial, un film sombrío, asoma lo que sencia de la trasmisión radial invadien racterísticas eran también las de otros alguien llamó una comedia trágica, don do el adificio de apartamentos romano films italianos de la época: el amargo de Marcello Mastroianni baila una rum donde quedan solos Sophia Loren y cierre de Adua y sus amigas (ex-prosti- ba melancólica y donde los diálogos Marcello Mastroianni). -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Redalyc.ESTÁ TRISTE VENECIA: ANÓNIMO VENECIANO (ENRICO María SALERNO, 1970)
Quintana. Revista de Estudos do Departamento de Historia da Arte ISSN: 1579-7414 [email protected] Universidade de Santiago de Compostela España García Gómez, Francisco Juan ESTÁ TRISTE VENECIA: ANÓNIMO VENECIANO (ENRICO MARíA SALERNO, 1970) Quintana. Revista de Estudos do Departamento de Historia da Arte, núm. 12, enero-diciembre, 2013, pp. 115-126 Universidade de Santiago de Compostela Santiago de Compostela, España Disponible en: http://www.redalyc.org/articulo.oa?id=65332666010 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto ESTÁ TRISTE VENECIA: ANÓNIMO VENECIANO (ENRICO MARÍA SALERNO, 1970) Data recepción: 2013/06/18 Francisco Juan García Gómez Data aceptación: 2013/10/13 Universidad de Málaga Contacto autor: [email protected] RESUMEN Anónimo veneciano (Anonimo veneziano, Enrico Maria Salerno, 1970) fue una película de gran éxito en su mo- mento, pero hoy está injustamente olvidada. Pese a recursos estéticos propios de su época que han envejecido mal, es un filme muy interesante, que destaca por el tratamiento dramático de Venecia. Con un argumento ro- mántico mínimo, la ciudad se erige en su principal protagonista, rehuyendo a la perfección el tópico turístico en que suelen caer muchos filmes ahí ambientados. Guión, puesta en escena, ritmo y música interactúan para crear una atmósfera melancólica, un sentimiento de tristeza y un halo mortuorio que impregnan toda la película. Palabras clave: Venecia, Enrico Maria Salerno, arquitectura, melancolía, muerte. -
ORPHÉE | ORPHEUS | ORFEUS Directed by Jean Cocteau
ORPHÉE | ORPHEUS | ORFEUS Directed by Jean Cocteau Starring : Jean Marais, François Périer, María Casarès, Marie Déa, Roger Blin, Juliette Greco 1950 | 91’ | B&W | OV French | Fantasy | DCP Film restored in 2008 Subtitles : English, German, Finnish Rights : International (except for UK, USA & Anglophone Canada) Once again Jean Cocteau updates a classic to a compelling modern allegory. Jean Marais is Orpheus, a poet in search of inspiration. Marie Déa is radiant as Eurydice. María Casarès is Death, the imperious and se- ductive princess, whose glove-clad hand ripples though a mirror, leading Orpheus to another world. “If a poet has a dream, it is not of becoming famous, but of being believed.” - Jean Cocteau Cannes Film Festival, Cannes Classics, 2008 LA PISCINE | THE SWIMMING POOL DER SWIMMING POOL Directed by Jacques Deray Starring : Alain Delon, Romy Schneider, Maurice Ronet, Jane Birkin 1968 | 120’ | Colour | OV French | Crime, Drama | DCP Film restored in 2008 Subtitles : English, German, Dutch Rights : International (except USA, Canada, Italy, Russia, Japan, Ex-USSR, Dutch-speaking territories) Jean-Paul and Marianne spend lazy holidays at their villa in idyllic Southern France. However when Harry and his attractive young daughter Penelope show up, the dreamy summer days are suddenly filled with unspoken tension and jealousy. The shimmering swimming pool becomes the scene of a crime of passion. * Music by Michel Legrand 2 LA BANDERA | ESCAPE FROM YESTERDAY KOMPANIE DER VERLORENEN Directed by Julien Duvivier Starring : Jean Gabin, Anabella, Robert Le Vigan 1935 | 100’ | B&W | OV French | French classic | DCP Film restored in 2006 Subtitles : English, German Rights : International Jean Gabin is unforgettable as a French Legionnaire relentlessly pursued by his criminal past – and a fellow soldier who seems to know a little too much about him… Sent to the frontline, the two men come to terms with their courage in the face of danger. -
Addio Ad Anna Maria Ferrero Dimenticata, Dolce E Tenera Attrice Dell’Italia Del Boom Economico
Addio ad Anna Maria Ferrero dimenticata, dolce e tenera attrice dell’Italia del Boom economico Scoprii Anna Maria Ferrero per strada, in via Aurora a Roma, mentre camminava al fianco di una signora. Cercavo la ragazzina per il film e vidi questo scricciolo che aveva una tale intensità negli occhi. Fece un provino meraviglioso, era nata attrice. (Claudio Gora, regista) Era il 1949, quando appena quindicenne, ma già bellissima, la giovane Anna Maria Ferrero, venne notata dal regista Claudio Gora e scritturata per una parte nel film Il cielo rosso. Fu l’inizio di una sfolgorante, ma breve carriera artistica, che si districò nell’arco di un quindicennio o poco più, per scelta personale infatti, dopo aver sposato l’attore francese Jean Sorel, Anna Maria Ferrero decise di abbandonare il mondo dello spettacolo. Soltanto brevi altre apparizioni pubbliche, dopo il mediometraggio Cocaina di domenica parentesi del film ad episodi Controsesso, simpatico film interpretato al fianco di Nino Manfredi, la Ferrero decide per il ritiro dalle scene, sulla falsariga di ciò che aveva fatto qualche anno prima, un’altra diva dell’epoca, ovvero Marisa Allasio. Utilizzata in parti più “impegnate” della Allasio, Anna Maria Ferrero si contraddistinse per una bellezza elegante, fuori dal comune e per una classe di interprete raffinata e fuori dagli schemi. I l f a s c i n o e l e g a n t e d i Anna Maria Ferrero, “stella” del cinema italiano del boom economico. Bella come poche, elegante come poche, affascinò tutti i più grandi cineasti dell’epoca. Fidanzata per molto tempo con Vittorio Gassman, sposò nel 1962 l’attore francese Jean Sorel e nel 1965 si ritirò dalle scene. -
I FILM DELLA NOSTRA VITA 11 Appuntamenti Con Gli Indimenticabili Capolavori Della Storia Del Cinema
I FILM DELLA NOSTRA VITA 11 appuntamenti con gli indimenticabili capolavori della storia del cinema cineforum a cura della Nuova Compagnia Lirica Centro Culturale “Principessa Isabella” - Via Verolengo 212 Domenica 22 Gennaio 2012 - ore 16.00 NUOVO CINEMA PARADISO Drammatico - Italia/Francia – 1988 – regia di Giuseppe Tornatore – con Philippe Noiret, Salvatore Cascio Domenica 5 Febbraio 2012 - ore 16.00 CASABLANCA Drammatico, romantico – Usa – 1942 - regia di Michael Curtiz – con Humphrey Bogart, Ingrid Bergman Martedì 14 Febbraio 2012 - ore 21.00 ANONIMO VENEZIANO Drammatico, sentimentale – Italia – 1970 - regia di Enrico Maria Salerno– con Tony Musante, Florinda Bolkan Domenica 19 Febbraio 2012 - ore 16.00 PER CHI SUONA LA CAMPANA Drammatico, guerra – Usa – 1943 - regia di Sam Wood – con Gary Cooper, Ingrid Bergman Domenica 4 Marzo 2012 - ore 16.00 L’UOMO CHE SAPEVA TROPPO Thriller – USA – 1956 – regia di Alfred Hitchcock– con James Stewart, Doris Day Domenica 25 Marzo 2012 - ore 16.00 TOTO’, PEPPINO E LA MALAFEMMINA Commedia – Italia – 1956 - regia di Camillo Mastrocinque – con Totò, Peppino De Filippo Domenica 15 Aprile 2012 - ore 16.00 SFIDA ALL’O.K. CORRAL Western – USA – 1957 - regia di John Sturges – con Burt Lancaster, Kirk Douglas Domenica 29 Aprile 2012 - ore 16.00 I SOLITI IGNOTI Commedia – Italia – 1958 – regia di Mario Monicelli – con Vittorio Gassman, Renato Salvatori Domenica 13 Maggio 2012 - ore 16.00 COLAZIONE DA TIFFANY Commedia romantica – USA – 1961 – regia di Blake Edwards – con Audrey Hepburn, George Peppard Domenica 27 Maggio 2012 - ore 16.00 IL DOTTOR ZIVAGO Drammatico, romantico, guerra, epico – USA – 1965 – regia di David Lean – con Omar Sharif, Julie Christie Domenica 10 giugno 2012 - ore 16.00 VIA COL VENTO Drammatico, romantico, guerra, epico, storico – Usa – 1939 - regia di Victor Fleming – con Vivien Leigh, Clark Gable INGRESSO GRATUITO (fino ad esaurimento dei 99 posti disponibili) INFORMAZIONI Informa5 – Via Stradella 192 – tel. -
Grads Thi~ Year Concordia Twins Graduate
Volume 3, number 27 Ju11e 1977 Graduating list on back pages ) ,. I.,___ _ _____, FYI~ ... CONCORDIA UNIVERSITY More grads thi~ year There will be 2,383 students graduating · from Concordia University this year-an increase of 49 students over the previous year. Graduates will receive degrees and diplomas it six convocations from June 5 to 12, at which four prominent Canadians will receive honorary doctorates. Rev. Bernard Lonergan, regarded by many as the finest philosophic mind of the 20th century, will return to his alma mater to receive an honorary doctorate at the Loyola Faculty of Arts & Science convoca tion June 5 at 2 :15 p.m. on the Loyola Campus. Rev. Lonergan, a Quebec native who now lives in the Jesuit Community at Boston College, became the focal point of world philosophical thought after the publication of his master work Insight in the late 1950s. Norman McLar~n, the celebrated Cana dian filmmaker with the National Film Board, will receive an honorary doctorate at the Faculty of Fine Arts convocation June 7 at 8 : 15 p.m. at the Alumni Auditorium in the Henry F. Hall Building. Patricia and Sharon Fitzgerald Guy Desbarats, prominent Canadian architect and assistant deputy minister of Public Works, will receive an honorary doctorate at the Faculty of Engineering convocation June 8 at 8:15 p.m. at the Concordia twins graduate Alumni Auditorium. Charles S. Carter, a retired Bell Canada Twenty-one years of close and constant lives. Through kindergarten to university executive who was instrumental in estab twinship comes to an end this year as they have shared the same classes, the same lishing the university's modular studies Patricia and Sharon Fitzgerald graduate books-even the same clothes. -
September 16, 1976
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 9-16-1976 Kenyon Collegian - September 16, 1976 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - September 16, 1976" (1976). The Kenyon Collegian. 941. https://digital.kenyon.edu/collegian/941 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. The is: '- Kenyon -ft. Collegian O Established 1856 Volume CIV, Number 2 Kenyon College, Gambier, Ohio 43022 Thursday, September 16, 1976 Hon. Colin Jackson, M.P., Sonatas Set To Give British View For Sunday y Of World Problems Recital The Department of Music will present harpsichordist Julane By PETER KAY government's Foreign Affairs Group. Rodgers on Sunday, Sept. 19 at 4 v. p.m. in Rosse Auditorium. The Colin Jackson, a a The Honorable Jackson's travels have given him i program will contain the major member of British Parliament and vast knowledge of China. He has met national styles of late Baroque established commentator on world with such world leaders as Indian harpsichord music. France is affairs, will give a lecture in Rosse Prime Minister Indira Gandhi, represented by the Pieces de Clavecin Hall entitled "The World in Crisis Jordan's King Hussein, President in D Minor (Louis Couperin) and the 1976 A View, from the House of Suharto of Indonesia, and the late Pieces in A from Nouvelles Suites de Commons," on Monday, September King Faisal of Saudia Arabia. -
The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968. -
13 19 21 23 31 37 45 51 63 69 75 Indice Prima Che S'apra Il Sipario Rincorrendo Ricordi Con Educata, Civile Insistenza Giorgio A
Indice LE VOCI DEL TEATRO 13 Prima che s'apra il sipario 19 Rincorrendo ricordi 21 Con educata, civile insistenza 23 Giorgio Albertazzi Shakespeare, Riccardo III - 1983 31 Edda Albertini Goldoni, II Campiello - 1984 37 Adriana Asti Goldoni, La Vedova scaltra - 1983 45 Marcello Bartoli Angelo Beolco detto Ruzante, La Piovana - 1987 51 Carmelo Bene Hamlet Suite - 1994 63 Paola Borboni Premio Renato Simoni 1968 69 Giulio Bosetti Goldoni, La bottega del caffè - 1989 75 Franco Branciaroli Shakespeare, Riccardo III - 1997 81 Peter Brook Shakespeare, La Tempète - 1991 7 89 Tino Buazzelli Shakespeare, Le allegre comari di Windsor - 1976 95 Ernesto Calindri Premio Renato Simoni 1991 101 Fiorenzo Carpi Goldoni, Arlecchino servitore di due padroni - 1973 105 Tino Carraro Premio Renato Simoni 1973 111 Pina Cei Shakespeare, I due gentiluomini di Verona - 1989 117 Giancarlo Cobelli Shakespeare, Antonio e Cleopatra - 1988 125 Orazio Costa Giovangigli Premio Renato Simoni 1976 129 Maddalena Crippa Shakespeare, Otello - 1985 137 Gianfranco De Bosio Carlo Goldoni, La bottega del caffè - 1989 143 Luca De Filippo Premio Renato Simoni 2014 149 Donatello Falchi Goldoni, La cameriera brillante - 2002 155 Rossella Falk Premio Renato Simoni 2008 163 Sergio Fantoni Shakesperare, La Tempesta - 1975 169 Sarah Ferrati Premio Renato Simoni 1970 175 Dario Fo Premio Renato Simoni 1990 183 Pietro Garinei Premio Renato Simoni 2003 189 Vittorio Gassman Shakespeare, Macbeth - 1983 199 Carlo Giuffré Premio Renato Simoni 1999 207 Carla Gravina Shakespeare, La bisbetica domata -
«Si Risponde Lavorando». Lettere 1941-1992
BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA ISSN 2420-8361 (ONLINE) – 47 – DIPARTIMENTO DI FORMAZIONE, LINGUE, INTERCULTURA, PSICOLOGIA Università degli Studi di Firenze Coordinamento editoriale Gianfranco Bandini, Andrea Guazzini, Emiliano Macinai Ilaria Moschini, Donatella Pallotti, Beatrice Töttössy BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA Collana Open Access fondata nel 2004 dal Dipartimento di Filologia Moderna dell’Università degli Studi di Firenze Direttore Beatrice Töttössy Comitato scientifico internazionale (http://www.fupress.com/comitatoscientifico/biblioteca-di-studi-di-filologia-moderna/23) Enza Biagini (Professore Emerito), Nicholas Brownlees, Martha Canfield, Richard Allen Cave (Emeritus Professor, Royal Holloway, University of London), Piero Ceccucci, Massimo Ciaravolo (Università Ca’ Foscari Venezia), John Denton, Anna Dolfi (Professore Emerito), Mario Domenichelli (Professore Emerito), Maria Teresa Fancelli (Professore Emerito), Massimo Fanfani, Paul Geyer (Rheinische Friedrich-Wilhelms-Universität Bonn), Ingrid Hennemann, Sergej Akimovich Kibal’nik (Institute of Russian Literature [the Pushkin House], Russian Academy of Sciences; Saint-Petersburg State University), Ferenc Kiefer (Research Institute for Linguistics of the Hungarian Academy of Sciences; Academia Europaea), Michela Landi, Murathan Mungan (scrittore), Stefania Pavan, Peter Por (CNRS Parigi), Gaetano Prampolini, Paola Pugliatti, Miguel Rojas Mix (Centro Extremeño de Estudios y Cooperación Iberoamericanos), Giampaolo Salvi (Eötvös Loránd University, Budapest;