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Finite Element Earthquake City Simulation
Accelerated Data Analytics and Computing Workshop 7 – ORNL, TN Mar. 25, 2019 Application Enhanced by AI and Transprecision Computing: Finite Element Earthquake City Simulation Kohei Fujita, Takuma Yamaguchi The University of Tokyo 2 Smart cities • Controlling cities based on real-time data for higher efficiency • Computer modeling via high-performance computing is expected as key enabling tool • Disaster resiliency is requirement; however, not established yet Example of highly dense city: Tokyo Station district 3 Fully coupled aboveground/underground earthquake simulation required for resilient smart city 4 Earthquake modeling of smart cities • Unstructured mesh with implicit solvers required for urban earthquake modeling • We have been developing high-performance implicit unstructured finite-element solvers (SC14 & SC15 Gordon Bell Prize Finalist, SC16 best poster) • However, simulation for smart cities requires full coupling in super-fine resolution • Traditional physics-based modeling too costly • Can we combine use of data analytics to solve this problem? SC14, SC15 & SC16 solvers: ground simulation only Fully coupled ground-structure simulation with underground structures 5 Data analytics and equation based modeling • Equation based modeling • Highly precise, but costly • Data analytics • Fast inferencing, but accuracy not as high • Use both methods to complement each other Phenomena Data analytics Equation based modeling 6 Integration of data analytics and equation based modeling • First step: use data generated by equation based -
Toho Co., Ltd. Agenda
License Sales Sheet October 2018 TOHO CO., LTD. AGENDA 1. About GODZILLA 2. Key Factors 3. Plan & Schedule 4. Merchandising Portfolio Appendix: TOHO at Glance 1. About GODZILLA About GODZILLA | What is GODZILLA? “Godzilla” began as a Jurassic creature evolving from sea reptile to terrestrial beast, awakened by mankind’s thermonuclear tests in the inaugural film. Over time, the franchise itself has evolved, as Godzilla and other creatures appearing in Godzilla films have become a metaphor for social commentary in the real world. The characters are no longer mere entertainment icons but embody emotions and social problems of the times. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 4 About GODZILLA | Filmography Reigning the Kaiju realm for over half a century and prevailing strong --- With its inception in 1954, the GODZILLA movie franchise has brought more than 30 live-action feature films to the world and continues to inspire filmmakers and creators alike. Ishiro Honda’s “GODZILLA”81954), a classic monster movie that is widely regarded as a masterpiece in film, launched a character franchise that expanded over 50 years with 29 titles in total. Warner Bros. and Legendary in 2014 had reintroduced the GODZILLA character to global audience. It contributed to add millennials to GODZILLA fan base as well as regained attention from generations who were familiar with original series. In 2017, the character has made a transition into new media- animated feature. TOHO is producing an animated trilogy to be streamed in over 190 countries on NETFLIX. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 5 Our 360° Business Film Store TV VR/AR Cable Promotion Bluray G DVD Product Exhibition Publishing Event Music 2018 © TOHO CO., LTD. -
Godzilla: History's Greatest Monster Online
lcGsF [Mobile pdf] Godzilla: History's Greatest Monster Online [lcGsF.ebook] Godzilla: History's Greatest Monster Pdf Free Duane Swierczynski audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #989776 in Books 2014-04-29 2014-04-29Ingredients: Example IngredientsOriginal language:EnglishPDF # 1 10.20 x .80 x 6.60l, 1.40 #File Name: 1613779488324 pages | File size: 33.Mb Duane Swierczynski : Godzilla: History's Greatest Monster before purchasing it in order to gage whether or not it would be worth my time, and all praised Godzilla: History's Greatest Monster: 5 of 5 people found the following review helpful. Doesn't Fulfull PotentialBy Le Night Dominator"Godzilla: History's Greatest Monster" was originally published as "Godzilla" for 13 issues. This paperback volume contains all of them, and in full color (unlike the Dark Horse and Marvel Godzilla reprints). If you're a fan of the franchise and want to get into the comics, I recommend that you start elsewhere. I'm not a frequent reader of comic books, but I'll try my best to provide an insight on why this particular series didn't exactly hit the mark.First of all, the characters are largely uninteresting. We follow a group of bounty hunters as they attempt to take down Godzilla's massive friends and foes for billions of dollars. Illegally, I might add. This sounds like a fun idea on paper, but let's get down to the actual people themselves: The protagonist is a man named Boxer, who loses two young children to Godzilla and wants revenge and has a ex-wife as part of his team. -
Ishiro Honda: a Life in Film, from Godzilla to Kurosawa by Steve Ryfle
Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle Ebook Ishiro Honda: A Life in Film, from Godzilla to Kurosawa currently available for review only, if you need complete ebook Ishiro Honda: A Life in Film, from Godzilla to Kurosawa please fill out registration form to access in our databases Download here >> Hardcover:::: 336 pages+++Publisher:::: Wesleyan University Press (October 3, 2017)+++Language:::: English+++ISBN-10:::: 0819570877+++ISBN-13:::: 978-0819570871+++Product Dimensions::::7.5 x 1.2 x 10.5 inches++++++ ISBN10 0819570877 ISBN13 978-0819570871 Download here >> Description: Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda’s films reflected postwar Japan’s real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director’s life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda’s work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda’s films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career. -
Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman. -
BURGER BULLETIN MARCH 2016 Mary O’Neill, Director Joe Valdivia, Assoc
BURGER BULLETIN MARCH 2016 Mary O’Neill, Director Joe Valdivia, Assoc. Director, Lynn Sossi, Assoc. Director 28865 Carlyle St. Inkster, MI 48141 http://www.gardencityschools.com/BurgerSchool.cfm Phone: 734-729-1830 Fax No. 734-729-1844 Burger Transition Center - Phone: 734-762-8470 Fax No. 734-762-8540 MISSION STATEMENT: Burger School for Students with Autism is committed to maximizing the potential of each student to gain independent and self-fulfillment. Through a collaborative effort, we will work in partnership with students each other, parents, community and local districts to assure that each student has the opportunity to become a happy, he althy, productive and contributing member of society. DATES TO REMEMBER My New School by Aaron Grove by Branson Bellamy Mar. 5 Lyman Family Movie; Zootopia , Canton Emagine Theater Hi fellow students of Burger! It has been Mar. 9 Transition Night; O’Leary Auditorium very nice meeting you! My name is Garden City High School Branson Bellamy. I have been living in Mar. 10 Transition Night; Burger Transition Westland for most of my life. I have had Center trouble controlling my emotions in Mar. 20 BASA Autos for Autism Meeting; previous schools, but I have been doing Albert’s on the Alley, 3:00 pm great at Burger. Mar. 25 – 31 Spring Break; No School About four weeks prior to starting Burger, I had mixed feelings. To be more precise, I was as nervous as a mouse in a cat house. At first, I was afraid I was going to get picked on, but that didn’t happen at all. -
D20: Toho Based Dungeons & Dragons
First Published: 10/09/02 Updated: 06/02/16 This article features rules for a Toho universe based Dungeons & Dragons (D&D) game. It adapts Godzilla, Mothra and characters from other science fiction and fantasy films like the Onmyoji series for the game. The rules are broken into four sections: Janjira: a Toho based setting Gods Monsters Spells and Domains Equipment Gods includes information on the god-kaiju of a Toho universe based campaign. The monsters are the various creatures of a Toho universe based game, including non-divine kaiju and monsters. Also includes rules on playing some of the more benign races. The History of Janjira The new world began with the destruction of the old one. Ten thousand years ago the nations of Janjira, who had long labored to secure their kingdoms against the trials and tribulations of the world, achieved their goal. Their greatest minds had derived wondrous technologies from the very foundations of the world, a melding of machine and magic. Where once children in remote villages grew up hungry and sick, automatons were brought to tend crops and heal their maladies. Houses in the mountains were filled with warmth during the coldest months of the year and the deadliest creatures of the wild were held in check by the awesome might of their arms. The most basic trials that had harried civilization since the beginning of time now assuaged, the people of Janjira set aside their toils and gazed out on their lands in peace. Years passed, and they forgot the struggles of their ancestors and set aside their gods, decreeing that their society had reached what must surely be perfection. -
Mcwilliams Ku 0099D 16650
‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers. -
Creature Double Feature: America’S Encounter with Godzilla, the King of Monsters
Creature Double Feature: America’s Encounter with Godzilla, the King of Monsters Gus Huiskamp Senior Division Historical Paper Paper Length: 2,020 Words The Godzilla film franchise has long been cherished as a comically odd if not ludicrous cultural icon in the realm of science fiction; however, this representation misses the deep-rooted significance of the original film and reduces the series from high grade, culturally aware cinema to trivial “monster movies.” In the words of William Tsutsui, both an Ivy League scholar and a lifelong Godzilla fan, the original and powerfully meaningful Gojira film1 watched as many of its successors “degenerated into big-time wrestling in seedy latex suits.”2 In spite of its legacy’s deterioration, however, the initial film retains its integrity and significance. Although the altered version of the film had significant financial success in the United States, Toho Company’s Gojira is not widely recognized for its philosophical and cultural significance in this foreign sphere. To a considerable extent, the American encounter with the film has failed due to nativism and prejudice, and in the intercultural exchange the film has lost some of its literary depth, as well as the poignancy in its protest against nuclear proliferation and destructive science in general. When Gojira was released in 1954, the Japanese audience whom it met was still traumatized by the brutal incendiary and atomic attacks of World War II, post-war economic distress, and continuing off-shore nuclear experimentation by the United States. All of these factors contributed to a national “victim” identity as well as a general sense of crisis among the struggling citizens.3 What is also significant of these cultural surroundings is that they were largely caused by an American hand, either directly or indirectly. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Godzilla and the Japanese After World War II: from a Scapegoat of the Americans to a Saviour of the Japanese
Godzilla and the Japanese after World War II: From a scapegoat of the Americans to a saviour of the Japanese Yoshiko Ikeda Ritsumeikan University Abstract. This paper examines how five Godzilla films illuminate the complicated relationship between Japan and the United States over the use of nuclear weapons. The United States dropped the first atomic bombs on Japan and created the first nuclear monster film, The Beast from 20,000 Fathoms (1953), which inspired the Godzilla series. The popularity of these Godzilla films derives from skilfully grappling with the political, social and cultural problems created by the use of nuclear weapons and science/technology, both inside Japan and in relations between Japan and the United States. This paper takes a historical perspective and shows how the Godzilla characters reflect these attitudes across time, moving from a scapegoat for the Americans to a saviour of the Japanese. Gojira (Godzilla) series An ancient monster, deformed by a series of nuclear bomb tests and expelled from his natural habitat, lands in Tokyo and starts destroying Japanese cities. Given the name Godzilla, he destroys these symbols of civilisation as if seeking revenge on humankind for creating such technology. Gojira,1 produced and released by Toho Studio, was a breakthrough hit in Japan in 1954.2 It was followed by 29 Japanese sequels and two American versions of the Japanese films, Godzilla, King of the Monsters (1956) and Godzilla 1985: The Legend is Reborn (1984). Gojira was Japan’s first export film and the series appealed to both Japanese and foreign audiences. Over the past 50 years, Godzilla has transformed in shape and character, playing various roles in the stories. -
Japanese Science Fiction, Fantasy and Horror Films
Japanese Science Fiction, Fantasy and Horror Films A Critical Analysis of 103 Features Released in the United States, 1950-1992 STUART GALBRAITH IV Research Associate R. M. HAYES with a foreword by BILL WARREN •if McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London Contents Acknowledgments xi Preface xiii A Note About the Text xxi "A Wind from the East" by Bill Warren xxiii The Fifties Rashomon (1950) 2 Throne of Blood (1957) 32 Tales of Ugetsu (1953) 4 Attack from Space (1958) 34 Godzilla, King of the Monsters! Evil Brain from Outer Space (1954/1956) 7 (1958) 35 Gigantis the Fire Monster (1955) 14 The H-Man (1958) 37 Half Human: The Story of the Invaders from Space (1958) 39 Abominable Snowman (1955/ Varan the Unbelievable (1958/ 1957) 18 1962) 41 The Mysterious Satellite (1956) 21 Battle in Outer Space (1959) 44 Rodan (1956) 23 The Ghost of Yotsuya (1959) 47 Atomic Rulers (1957) 26 Prince of Space (1959) 49 The Mvsterians (1957) 28 The Three Treasures (1959) 51 The Sixties The Final War (1960) 54 Gorath (1962) 72 The Human Vapor (1960) 55 King Kong vs. Godzilla (1962/ The Secret of the Telegian (1960)1 57 1963) 76 Invasion of the Neptune Men Atragon (1963) 81 (1961) 60 Attack of the Mushroom People The Last War (1961) 63 (1963) 84 The Manster (1961) 66 The Lost World of Sinbad Mothra (1961) 68 (1963) 87 Contents Dagora, the Space Monster War of the Monsters (1966) 138 (1964) 90 King Kong Escapes (1967) 141 Godzilla vs. the Thing (1964) 92 Monster from a Prehistoric Ghidrah: The Three-Headed Planet (1967) 145