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Finite Element Earthquake City Simulation
Accelerated Data Analytics and Computing Workshop 7 – ORNL, TN Mar. 25, 2019 Application Enhanced by AI and Transprecision Computing: Finite Element Earthquake City Simulation Kohei Fujita, Takuma Yamaguchi The University of Tokyo 2 Smart cities • Controlling cities based on real-time data for higher efficiency • Computer modeling via high-performance computing is expected as key enabling tool • Disaster resiliency is requirement; however, not established yet Example of highly dense city: Tokyo Station district 3 Fully coupled aboveground/underground earthquake simulation required for resilient smart city 4 Earthquake modeling of smart cities • Unstructured mesh with implicit solvers required for urban earthquake modeling • We have been developing high-performance implicit unstructured finite-element solvers (SC14 & SC15 Gordon Bell Prize Finalist, SC16 best poster) • However, simulation for smart cities requires full coupling in super-fine resolution • Traditional physics-based modeling too costly • Can we combine use of data analytics to solve this problem? SC14, SC15 & SC16 solvers: ground simulation only Fully coupled ground-structure simulation with underground structures 5 Data analytics and equation based modeling • Equation based modeling • Highly precise, but costly • Data analytics • Fast inferencing, but accuracy not as high • Use both methods to complement each other Phenomena Data analytics Equation based modeling 6 Integration of data analytics and equation based modeling • First step: use data generated by equation based -
The Machine at the Mad Monster Party
1 The Machine at the Mad Monster Party Mad Monster Party (dir. Jules Bass, 1967) is a beguiling film: the superb Rankin/Bass “Animagic” stop-motion animation is burdened by interminable pacing, the celebrity voice cast includes the terrific Boris Karloff and Phyllis Diller caricaturing themselves but with flat and contradictory dialogue, and its celebration of classic Universal Studios movie monsters surprisingly culminates in their total annihilation in the film’s closing moments. The plot finds famous Dr. Baron Boris von Frankenstein convening his “Worldwide Organization of Monsters” to announce both his greatest discovery, a “formula which can completely destroy all matter,” and his retirement, where he will surprisingly be succeeded not by a monster but by something far worse: a human, his nebbish pharmacist nephew Felix Flanken. Naturally, this does not sit well with the current membership, nor even Felix, who is exposed to monsters for the first time in his life and is petrified at what he sees. Thus, a series of classic monsters team up to try to knock off Felix and take over for Baron Frankenstein: Dracula, The Werewolf, The Mummy, The Invisible Man, Dr. Jekyll & Mr. Hyde, The Creature from the Black Lagoon, The Hunchback of Notre Dame, Frankenstein’s Monster, The Monster's Mate, King Kong (referred to only as “It”), Yetch (an ersatz Peter Lorre/Igor hybrid), and Francesca, the buxom red-head secretary. Much of the plot’s comedy is that Felix is so humanly clueless: glasses-wearing, naive, constantly sneezing, he fails to recognize the monsters’ horribleness and manages to avoid their traps mainly by accident and dumb luck. -
Toho Co., Ltd. Agenda
License Sales Sheet October 2018 TOHO CO., LTD. AGENDA 1. About GODZILLA 2. Key Factors 3. Plan & Schedule 4. Merchandising Portfolio Appendix: TOHO at Glance 1. About GODZILLA About GODZILLA | What is GODZILLA? “Godzilla” began as a Jurassic creature evolving from sea reptile to terrestrial beast, awakened by mankind’s thermonuclear tests in the inaugural film. Over time, the franchise itself has evolved, as Godzilla and other creatures appearing in Godzilla films have become a metaphor for social commentary in the real world. The characters are no longer mere entertainment icons but embody emotions and social problems of the times. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 4 About GODZILLA | Filmography Reigning the Kaiju realm for over half a century and prevailing strong --- With its inception in 1954, the GODZILLA movie franchise has brought more than 30 live-action feature films to the world and continues to inspire filmmakers and creators alike. Ishiro Honda’s “GODZILLA”81954), a classic monster movie that is widely regarded as a masterpiece in film, launched a character franchise that expanded over 50 years with 29 titles in total. Warner Bros. and Legendary in 2014 had reintroduced the GODZILLA character to global audience. It contributed to add millennials to GODZILLA fan base as well as regained attention from generations who were familiar with original series. In 2017, the character has made a transition into new media- animated feature. TOHO is producing an animated trilogy to be streamed in over 190 countries on NETFLIX. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 5 Our 360° Business Film Store TV VR/AR Cable Promotion Bluray G DVD Product Exhibition Publishing Event Music 2018 © TOHO CO., LTD. -
Godzilla Music and Soundtracks
Godzilla music and soundtracks Alternate 1954-1975 01 - Akira Ifukube - Main Title (Godzilla; 1954) 02 - Akira Ifukube - Godzilla Comes Ashore (Godzilla; 1954) 03 - Akira Ifukube - End Title (Godzilla; 1954) 04 - Masaru Sato - Main Title (Godzilla Raids Again; 1955) 05 - Masaru Sato - End Title (Godzilla Raids Again; 1955) 06 - Akira Ifukube - Godzilla Rebirth (King Kong vs Godzilla; 1962) 07 - Akira Ifukube - Fumiko Delivery Plan (King Kong vs Godzilla; 1962) 08 - Akira Ifukube - King Kong Transportation Plan (King Kong vs Godzilla; 1962) 09 - Akira Ifukube - King Kong vs Godzilla (King Kong vs Godzilla; 1962) 10 - Akira Ifukube - Sacred Fountain (Mothra vs Godzilla; 1964) 11 - Akira Ifukube - Godzilla and Nagoya (Mothra vs Godzilla; 1964) 12 - Akira Ifukube - Mothra's Departure (Mothra vs Godzilla; 1964) 13 - Akira Ifukube - Kurobe Valley (Ghidorah, the Three-Headed Monster; 1964) 14 - Akira Ifukube - Birth of King Ghidorah (Ghidorah, the Three-Headed Monster; 1964) 15 - Akira Ifukube - Three Great Monsters Assembled (Ghidorah, the Three-Headed Monster; 1964) 16 - Akira Ifukube - Marsh Washigasawa and Lake Miyojin (Invasion of the Astro-Monsters; 1965) 17 - Akira Ifukube - Godzilla on the Lakebed (Invasion of the Astro-Monsters; 1965) 18 - Akira Ifukube - Saucer Appearance (Invasion of the Astro-Monsters; 1965) 19 - Akira Ifukube - Great Monster War March (Invasion of the Astro-Monsters; 1965) 20 - Masaru Sato - Yacht and Storm with Monster (Ebirah, Horror of the Deep; 1966) 21 - Masaru Sato - Flight (Ebirah, Horror of the Deep; 1966) -
Godzilla Un Monstre Et Ses Époques Alain Vézina
Document généré le 28 sept. 2021 14:29 Séquences La revue de cinéma Godzilla Un monstre et ses époques Alain Vézina Le cinéma à la plage Numéro 291, juillet–août 2014 URI : https://id.erudit.org/iderudit/72128ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer cet article Vézina, A. (2014). Godzilla : un monstre et ses époques. Séquences, (291), 18–19. Tous droits réservés © La revue Séquences Inc., 2014 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ 18 PANORAMIQUE | ÉTUDE Godzilla Un monstre et ses époques Coïncidant avec le 60e anniversaire de Godzilla, l’adaptation américaine de Gareth Edwards offre l’opportunité de jeter un regard rétrospectif sur l’une des franchises les plus célèbres du cinéma. Héros de 28 films, dont certains sont injustement raillés et relégués dans les bas-fonds de la culture kitsch, Godzilla n’en demeure pas moins un révélateur intéressant des hantises d’une nation marquée par les catastrophes, qu’elles soient attribuables à la fatalité ou à la folie des hommes. -
King Kong Free
FREE KING KONG PDF Anthony Browne | 96 pages | 03 Nov 2005 | Random House Children's Publishers UK | 9780552553841 | English | London, United Kingdom King Kong () Reviews - Metacritic We use cookies and other tracking technologies to improve your browsing experience on our site, show personalized content and targeted ads, analyze site traffic, and understand where our audiences come from. To learn more or opt-out, King Kong our Cookie Policy. King Kong towers in Kong: Skull Island. The next time we see him, his enormous figure all but blots out the sun. He stands next to mountains, and seems like he might be of the same species. In his prior screen incarnations, Kong has climbed skyscrapers; this Kong actually is one. InKing Kong was the only game in town. Skull Island has attempted to ward off the most common criticism of that film — the characters are boring — in the most Hollywood fashion possible, which is to say it has more people in it than Godzilla does, for more of its King Kong time. But none of them are as interesting as the big ape. Godzilla King Kong, for better or worse, was animated by a strong, central idea. Skull Island has no such core. The movie fitfully competes with the earlier film for sheer beauty, King Kong lacks a clear objective. Here are three things it badly King Kong. Konguntil the two presumably discover King Kong have more in common than they realized and unite to defeat [insert other giant monster here]. See how he might size up with Godzilla. King Kong pick up dry cleaning. -
Bamcinématek Presents Joe Dante at the Movies, 18 Days of 40 Genre-Busting Films, Aug 5—24
BAMcinématek presents Joe Dante at the Movies, 18 days of 40 genre-busting films, Aug 5—24 “One of the undisputed masters of modern genre cinema.” —Tom Huddleston, Time Out London Dante to appear in person at select screenings Aug 5—Aug 7 The Wall Street Journal is the title sponsor for BAMcinématek and BAM Rose Cinemas. Jul 18, 2016/Brooklyn, NY—From Friday, August 5, through Wednesday, August 24, BAMcinématek presents Joe Dante at the Movies, a sprawling collection of Dante’s essential film and television work along with offbeat favorites hand-picked by the director. Additionally, Dante will appear in person at the August 5 screening of Gremlins (1984), August 6 screening of Matinee (1990), and the August 7 free screening of rarely seen The Movie Orgy (1968). Original and unapologetically entertaining, the films of Joe Dante both celebrate and skewer American culture. Dante got his start working for Roger Corman, and an appreciation for unpretentious, low-budget ingenuity runs throughout his films. The series kicks off with the essential box-office sensation Gremlins (1984—Aug 5, 8 & 20), with Zach Galligan and Phoebe Cates. Billy (Galligan) finds out the hard way what happens when you feed a Mogwai after midnight and mini terrors take over his all-American town. Continuing the necessary viewing is the “uninhibited and uproarious monster bash,” (Michael Sragow, New Yorker) Gremlins 2: The New Batch (1990—Aug 6 & 20). Dante’s sequel to his commercial hit plays like a spoof of the original, with occasional bursts of horror and celebrity cameos. In The Howling (1981), a news anchor finds herself the target of a shape-shifting serial killer in Dante’s take on the werewolf genre. -
Let's Go to the Movies!
JAP130728/3 Let’s go to the movies! Visit some of the spectacular locations used for filmmaking in Japan Lights! Camera! Action! Japan has a long and proud history of filmmaking Not only from local directors such as Yasujirō Ozu; Akira Kurosawa; and Ishirō Honda (who have produced classic movies such as Tokyo Story; Seven Samurai; and Godzilla), but Japan has also been the dramatic setting for Hollywood blockbusters such as The Last Samurai (with Tom Cruise); The Wolverine (with Hugh Jackman); and the soon to be released 47 Ronin (starring Keanu Reeves). Using the silver screen as our inspiration, on this trip we immerse ourselves into the diverse scenery, cultures and traditions of this fascinating land. Trip Duration: 14 Days Grade: Basic Level Accommodation: Traditional Inns (13 nights) Price: TBC Welcome to www.ventureea.com: Venture specialises in small group travel designing activities and itineraries tailored to ensure that you get the most out of your Adventure, Expedition, or Event. Day 1: Australia to Tokyo Having arrived at Narita International Airport, we checkin to our accommodation Shigetsu Ryokan, a comfortable traditional Japanese inn located in Tokyo’s old downtown area. We will get to experience how a typical family lives in the ryokan, sleeping in the traditional style of a futon which the staff will prepare for you each night. Slippers and a yukata (Japanese bathrobe) are provided as is traditional, with the addition of modern conveniences in all the rooms including wifi, airconditioning, private bathroom facilities, minibar, TV and telephone, as well as complimentary Japanese tea. -
A History of Astroworld
East Texas Historical Journal Volume 36 Issue 2 Article 12 10-1998 Judge Roy's Playground: A History of Astroworld Karen Guenther Follow this and additional works at: https://scholarworks.sfasu.edu/ethj Part of the United States History Commons Tell us how this article helped you. Recommended Citation Guenther, Karen (1998) "Judge Roy's Playground: A History of Astroworld," East Texas Historical Journal: Vol. 36 : Iss. 2 , Article 12. Available at: https://scholarworks.sfasu.edu/ethj/vol36/iss2/12 This Article is brought to you for free and open access by the History at SFA ScholarWorks. It has been accepted for inclusion in East Texas Historical Journal by an authorized editor of SFA ScholarWorks. For more information, please contact [email protected]. 58 EAST TEXAS HISTORICAL ASSOCIATION JUDGE ROY'S PLAYGROUND: A HISTORY OF ASTROWORLD by Karen Guenther On June I, 196R, Lt. Governor Preston Smith won the Democratic Party nomination, virtually becoming the next governor of Texas. Robert Kennedy and Eugene McCarthy agreed in a tclevised debate prior to the California primary that Secretary of State Dean Rusk would be replaced if either were elected president. Houston's newspapers, however, also touted on the front page the opening of Judge Roy Hotheinz's theme park, Astroworld. 1 The youngest judge in the county's history and a former mayor of Houston. Hofheinz had achieved fame and fortune through a varicty of business ventures. Earlier in the 1960s he succeeded in bringing major league baseball to Houston and, 'With the assistance of Harris County taxpayers, oversaw the construction of the "eighth wonder of the world," the Astrodome. -
BURGER BULLETIN MARCH 2016 Mary O’Neill, Director Joe Valdivia, Assoc
BURGER BULLETIN MARCH 2016 Mary O’Neill, Director Joe Valdivia, Assoc. Director, Lynn Sossi, Assoc. Director 28865 Carlyle St. Inkster, MI 48141 http://www.gardencityschools.com/BurgerSchool.cfm Phone: 734-729-1830 Fax No. 734-729-1844 Burger Transition Center - Phone: 734-762-8470 Fax No. 734-762-8540 MISSION STATEMENT: Burger School for Students with Autism is committed to maximizing the potential of each student to gain independent and self-fulfillment. Through a collaborative effort, we will work in partnership with students each other, parents, community and local districts to assure that each student has the opportunity to become a happy, he althy, productive and contributing member of society. DATES TO REMEMBER My New School by Aaron Grove by Branson Bellamy Mar. 5 Lyman Family Movie; Zootopia , Canton Emagine Theater Hi fellow students of Burger! It has been Mar. 9 Transition Night; O’Leary Auditorium very nice meeting you! My name is Garden City High School Branson Bellamy. I have been living in Mar. 10 Transition Night; Burger Transition Westland for most of my life. I have had Center trouble controlling my emotions in Mar. 20 BASA Autos for Autism Meeting; previous schools, but I have been doing Albert’s on the Alley, 3:00 pm great at Burger. Mar. 25 – 31 Spring Break; No School About four weeks prior to starting Burger, I had mixed feelings. To be more precise, I was as nervous as a mouse in a cat house. At first, I was afraid I was going to get picked on, but that didn’t happen at all. -
Bamcinématek Presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 Tales of Rampaging Beasts and Supernatural Terror
BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, Oct 26—Nov 1 Highlighting 10 tales of rampaging beasts and supernatural terror September 21, 2018/Brooklyn, NY—From Friday, October 26 through Thursday, November 1 BAMcinématek presents Ghosts and Monsters: Postwar Japanese Horror, a series of 10 films showcasing two strands of Japanese horror films that developed after World War II: kaiju monster movies and beautifully stylized ghost stories from Japanese folklore. The series includes three classic kaiju films by director Ishirô Honda, beginning with the granddaddy of all nuclear warfare anxiety films, the original Godzilla (1954—Oct 26). The kaiju creature features continue with Mothra (1961—Oct 27), a psychedelic tale of a gigantic prehistoric and long dormant moth larvae that is inadvertently awakened by island explorers seeking to exploit the irradiated island’s resources and native population. Destroy All Monsters (1968—Nov 1) is the all-star edition of kaiju films, bringing together Godzilla, Rodan, Mothra, and King Ghidorah, as the giants stomp across the globe ending with an epic battle at Mt. Fuji. Also featured in Ghosts and Monsters is Hajime Satô’s Goke, Body Snatcher from Hell (1968—Oct 27), an apocalyptic blend of sci-fi grotesquerie and Vietnam-era social commentary in which one disaster after another befalls the film’s characters. First, they survive a plane crash only to then be attacked by blob-like alien creatures that leave the survivors thirsty for blood. In Nobuo Nakagawa’s Jigoku (1960—Oct 28) a man is sent to the bowels of hell after fleeing the scene of a hit-and-run that kills a yakuza. -
Exterminating the Brute Sexism and Racism in ›King Kong‹ Stefanie Affeldt
Exterminating the Brute Sexism and Racism in ›King Kong‹ Stefanie Affeldt Abstract: Since its fi rst screening in 1933, ›King Kong‹ has been interpreted from a multitude of perspectives. Based on the original movie, this analysis is focussed on the superimposition and conjunction of racism and sexism in the narration and integrates its socio-historical contextualization into the investigation. This makes obvious that the fi lm is far from being a ›Beauty and the Beast‹ fairy tale but launches a double attack on emancipation and self-determination. The movie sac- rifi ces a ›new woman‹ to an old stereotype, the simianized exaggeration of a black man. This is a direct answer to the liberation and civil rights movements of the time, and also one which propagates existing counter-strategies as well. By the sexualisation of the plot, it connects the story to the eugenically shaped racial hys- teria and the politics of lynching. By embedding the story in a history of discovery, it also links the narrative to the history of imperialism and colonial oppression. In view of this twofold threat, it suggests a solution that had already found its literary phrasing: ›Exterminate all the brutes‹. Even though not everyone has seen the movie, the story of ›King Kong‹ is familiar to almost everybody: a giant ape takes possession of a white woman, runs amok in New York City, climbs the Empire State Building, and, after being attacked by airplanes, eventually topples to his death.1 Mind you, the plot of the original 1933 picture has more depth to offer.