DOCSLIB.ORG

Godzilla: Rulers of Earth Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Godzilla: Rulers of Earth Free FREE GODZILLA: RULERS OF EARTH PDF Matt Frank,Chris Mowry | 124 pages | 31 Dec 2013 | Idea & Design Works | 9781613777497 | English | San Diego, United States Godzilla: Rulers of Earth | Gojipedia, the Godzilla Resource and Wiki It is also the first American Godzilla comic series to be published in Japan, where it was licensed by Phase 6. IDW Publishing had announced their next ongoing which started in June offollowing the conclusion of their current run with Godzilla Destoroyah issue Godzilla: Rulers of Earth Godzilla: Legends 1. This wiki. This wiki All wikis. Sign In Don't have an account? Start a Wiki. Trilopod character sheet. Trilopod Alpha concept art by Matt Frank. Trilopod Beta concept art by Matt Frank. Trilopod Beta concept art by Jeff Zornow. Early issue 2 cover, bearing the Godzilla: Ongoing wordmark rather than the Godzilla: Rulers of Earth wordmark. Issue 2 cover, showing Godzilla and Zilla. Issue 3 cover, showing an Aggregate Destoroyah and Steven Woods. Issue 4 cover, showing Destoroyah reaching for Godzilla. Alternate Issue 4 cover, showing GodzillaDestoroyah and Mothra. Issue 5 cover, showing Varan fighting Rodan. Issue 6 cover art by Matt Frank. Issue 6 cover, showing GiganOrgaM. Issue 6 retailer incentive cover, showing GiganOrgaMoguera and Godzilla. Issue 7 retailer incentive cover, showing Jet Jaguar fighting Godzilla. Issue 8 cover art by Matt Frank. Issue 9 cover art by Matt Frank. Issue 9 cover, Godzilla: Rulers of Earth Megalon and King Caesar. Godzilla: Rulers of Earth 10 cover, showing GodzillaSandaand Gaira. Issue 10 retailer incentive cover, showing Sanda and Gaira. Artwork celebrating Valentine's Day by Matt Frank. Artwork celebrating the series' second extension by Jeff Zornow. Artwork celebrating Valentine's Godzilla: Rulers of Earth by Jeff Zornow. Dark Horse. IDW Godzilla: Rulers of Earth. Categories :. Universal Conquest Wiki. Godzilla, King of the Monsters. Gamera: The Guardian of the Universe. Godzilla, Kingdom of Monsters. Godzilla: Gangsters and Goliaths. Godzilla: Legends. Godzilla: Ongoing. Godzilla: The Half-Century War. Godzilla: Rulers of Earth. Godzilla: Cataclysm. Godzilla in Hell. Godzilla: Oblivion. Godzilla: Rage Across Time. Godzilla comics. King Kong comics. Skull Island: The Birth of Kong. Godzilla adaptations. Mechagodzilla II. Godzilla manga. Gamera manga. Godzilla: Rulers of Earth vs. Cinema Shares comics. Godzilla vs. Trendmasters comics. Godzilla King of the Monsters. Project Nemesis. Kong of Skull Island. Godzilla: Rulers of Earthland Wiki | Fandom Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Godzilla: Rulers of Earth Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us Godzilla: Rulers of Earth the problem. Return to Book Page. Preview — Godzilla by Chris Mowry. Matt Frank Illustrations. Dozens of new monsters have risen from the depth and are staking out their own territory, regardless of humanity's political borders! A war of dominance beings Collects issues Get A Copy. Paperbackpages. More Details Original Godzilla: Rulers of Earth. Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Godzillaplease sign up. See 1 question about Godzilla: Rulers of Earth. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your review of Godzilla: Rulers of Earth, Volume 1. Aug 01, Cheese rated it it was ok. A very basic story and nothing to rave about. I kind of read for nostalgic reasons and it was on sale at IDW online. Some new giant kaiju are coming up out of nowhere and the government don't know why. It's up to Godzilla and friends to stop them. View 1 comment. Mar 30, Trike rated it liked it Shelves: graphic-novels-l-comicread-inkaijualien-invasion. This has lots of giant monster action, unlike the disappointing Kong of Skull Island Vol. Chris Mowry is clearly also a fan, and this book reads like a love letter to these movies. I remember while watching Godzilla-2 movie, getting upset for introducing another godzilla-like creature. Now I know it is kind of common theme in these sort of books. In this, we have been introduced with not 1, not 2 but at least 5 huge monsters or kaijus. It is almost laughable for any human being to intervene at this point but since Godzilla is on our side, this is a pretty entertaining book. Notes: While the artist is talented in drawing huge monsters in great detail, he is not the sort of Godzilla: Rulers of Earth I remember while watching Godzilla-2 movie, getting upset for Godzilla: Rulers of Earth another godzilla-like creature. Notes: While the artist is Godzilla: Rulers of Earth in drawing huge monsters in great detail, he is not the sort of talented in drawing human faces. While vol 1 is part of KU deal, vol 2 is not. I am invested in the story but would I buy 2? Feb 05, Thomas Salerno rated it it was amazing Shelves: comic-books. I watched these movies over and over on VHS as a kid, Godzilla: Rulers of Earth I still enjoy them to this day. And, of course, the original Gojira remains a cinematic science-fiction masterpiece, and a chilling metaphor for the horrors of nuclear war. For the past several years, giant monsters called kaiju have been appearing across the globe, wreaking havoc in their wake. An international panel of scientists and military personnel have been convened to try and deal with the problem. Meanwhile, unbeknownst to everyone, a sinister race of extraterrestrials has been manipulating the kaiju in a scheme to extirpate humanity and take over the earth. In the second major battle in this volume, a wounded Godzilla teams-up with fan-favorite Mothra and her twin larvae to take on the diabolical crustacean known as Godzilla: Rulers of Earth. Destoroyah is notorious among G-Fans for being one of Godzilla: Rulers of Earth few kaiju capable of killing Godzilla. Attentive readers will also catch several fun Easter eggs for the Toho Kaiju franchise, and for nerd culture in general, scattered throughout the Godzilla: Rulers of Earth. The human characters are very one-dimensional. The dialogue comes across as clunky and stilted, rarely ever reading like natural speech. The attempts at humor are often particularly awkward and not in an intentional way, either. It definitely helps that most of the characters, despite being pretty flat, are not insufferably annoying — which is a plus in any Godzilla story. Without a doubt, he is the BEST artist in the business when it comes to capturing the look and feel of the Toho universe in comic form. His monsters are amazingly expressive; he perfectly captures the personality of each of these titanic characters. This comic is a must-own for Godzilla fans just for the artwork alone! Perhaps the most positive Godzilla: Rulers of Earth that can be made about Godzilla: Rulers of Earth is that it was created by Godzilla fans, for Godzilla fans. I fully intend to read and review the rest of the Godzilla: Rulers of Earth in this series. Stay tuned! Final Score: 4. Jun 01, James DeSantis rated it liked it. This was fun for what it was. I'm about to see the new Godzilla movie so pretty excited! So this is basically Godzilla just taking on most of his big foes. Funny enough the first one Godzilla faces off against is Zilla. Yes, the Godzilla movie everyone hates. And the fight goes in the way we expect. As the story goes on we face other monsters but the biggest threat in this one would be Destroyah. Godzilla and him go head to head, but he might need some help this time. The art is fun and car This was fun for what it was. The art is fun and cartoony and gives a nice overall vibe, especially on the fights. The story, while simple, goes quickly. Watching Godzilla face off against big monsters is what I'm here for, and for the most part, it delivers. The negatives would probably be how simple the story is and sometimes the characters talk too much when really they're trying to say "Godzilla and monster "X" are about to fight". Overall, pretty fun. I'll probably give volume 2 a read. Jul 15, Daniel Dickerson rated it it was amazing. Since Godzilla is my spirit animal, I might be a teeeeny bit biased in my rating of this masterpiece, but like It was so. Straight to the point, no BS, just monster wrestlemania with the human cast as the side piece. Now, humans have always been the main priority in most Godzilla films, contrary to popular belief, BUUUT, with a comic like this The artwork by veteran Godzilla and just incred Since Godzilla is my spirit animal, I might be a teeeeny bit biased in my rating of this masterpiece, but like The artwork by veteran Godzilla and just incredible artist, Matt Frank, dazzles each and every page with his pieces, and does absolute justice to the monsters as the actual characters that they are, and not just mindless rage beasts. As a Godzilla series aficionado, and really just a passionate fan of Godzilla: Rulers of Earth franchise since I was stumbling around watching the old Godzilla: Rulers of Earth Barbara cartoon, this hit home for me and genuinely made me grin and whoop like an excited kid. Were there some issues? Did I care at all about those issues? Give me more of this ASAP, please! Jan 01, Silverscarf rated it really liked it Godzilla: Rulers of Earth comics-and-graphic-novelsbut-it-was-on-sale.
Load more

Recommended publications
  • Toho Co., Ltd. Agenda
    License Sales Sheet October 2018 TOHO CO., LTD. AGENDA 1. About GODZILLA 2. Key Factors 3. Plan & Schedule 4. Merchandising Portfolio Appendix: TOHO at Glance 1. About GODZILLA About GODZILLA | What is GODZILLA? “Godzilla” began as a Jurassic creature evolving from sea reptile to terrestrial beast, awakened by mankind’s thermonuclear tests in the inaugural film. Over time, the franchise itself has evolved, as Godzilla and other creatures appearing in Godzilla films have become a metaphor for social commentary in the real world. The characters are no longer mere entertainment icons but embody emotions and social problems of the times. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 4 About GODZILLA | Filmography Reigning the Kaiju realm for over half a century and prevailing strong --- With its inception in 1954, the GODZILLA movie franchise has brought more than 30 live-action feature films to the world and continues to inspire filmmakers and creators alike. Ishiro Honda’s “GODZILLA”81954), a classic monster movie that is widely regarded as a masterpiece in film, launched a character franchise that expanded over 50 years with 29 titles in total. Warner Bros. and Legendary in 2014 had reintroduced the GODZILLA character to global audience. It contributed to add millennials to GODZILLA fan base as well as regained attention from generations who were familiar with original series. In 2017, the character has made a transition into new media- animated feature. TOHO is producing an animated trilogy to be streamed in over 190 countries on NETFLIX. 2018 © TOHO CO., LTD. All rights reserved/ Confidential & Proprietary 5 Our 360° Business Film Store TV VR/AR Cable Promotion Bluray G DVD Product Exhibition Publishing Event Music 2018 © TOHO CO., LTD.
    [Show full text]
  • Godzilla: History's Greatest Monster Online
    lcGsF [Mobile pdf] Godzilla: History's Greatest Monster Online [lcGsF.ebook] Godzilla: History's Greatest Monster Pdf Free Duane Swierczynski audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #989776 in Books 2014-04-29 2014-04-29Ingredients: Example IngredientsOriginal language:EnglishPDF # 1 10.20 x .80 x 6.60l, 1.40 #File Name: 1613779488324 pages | File size: 33.Mb Duane Swierczynski : Godzilla: History's Greatest Monster before purchasing it in order to gage whether or not it would be worth my time, and all praised Godzilla: History's Greatest Monster: 5 of 5 people found the following review helpful. Doesn't Fulfull PotentialBy Le Night Dominator"Godzilla: History's Greatest Monster" was originally published as "Godzilla" for 13 issues. This paperback volume contains all of them, and in full color (unlike the Dark Horse and Marvel Godzilla reprints). If you're a fan of the franchise and want to get into the comics, I recommend that you start elsewhere. I'm not a frequent reader of comic books, but I'll try my best to provide an insight on why this particular series didn't exactly hit the mark.First of all, the characters are largely uninteresting. We follow a group of bounty hunters as they attempt to take down Godzilla's massive friends and foes for billions of dollars. Illegally, I might add. This sounds like a fun idea on paper, but let's get down to the actual people themselves: The protagonist is a man named Boxer, who loses two young children to Godzilla and wants revenge and has a ex-wife as part of his team.
    [Show full text]
  • Ishiro Honda: a Life in Film, from Godzilla to Kurosawa by Steve Ryfle
    Ishiro Honda: A Life in Film, from Godzilla to Kurosawa by Steve Ryfle Ebook Ishiro Honda: A Life in Film, from Godzilla to Kurosawa currently available for review only, if you need complete ebook Ishiro Honda: A Life in Film, from Godzilla to Kurosawa please fill out registration form to access in our databases Download here >> Hardcover:::: 336 pages+++Publisher:::: Wesleyan University Press (October 3, 2017)+++Language:::: English+++ISBN-10:::: 0819570877+++ISBN-13:::: 978-0819570871+++Product Dimensions::::7.5 x 1.2 x 10.5 inches++++++ ISBN10 0819570877 ISBN13 978-0819570871 Download here >> Description: Ishiro Honda was arguably the most internationally successful Japanese director of his generation, with an unmatched succession of science fiction films that were commercial hits worldwide. From the atomic allegory of Godzilla and the beguiling charms of Mothra to the tragic mystery of Matango and the disaster and spectacle of Rodan, The Mysterians, King Kong vs. Godzilla, and many others, Honda’s films reflected postwar Japan’s real-life anxieties and incorporated fantastical special effects, a formula that appealed to audiences around the globe and created a popular culture phenomenon that spans generations. Now, in the first full account of this long overlooked director’s life and career, authors Steve Ryfle and Ed Godziszewski shed new light on Honda’s work and the experiences that shaped it—including his days as a reluctant Japanese soldier, witnessing the aftermath of Hiroshima, and his lifelong friendship with Akira Kurosawa. Ishiro Honda: A Life in Film, from Godzilla to Kurosawa features close analysis of Honda’s films (including, for the first time, his rarely seen dramas, comedies, and war films) and draws on previously untapped documents and interviews to explore how creative, economic, and industrial factors impacted his career.
    [Show full text]
  • Science Fiction Films of the 1950S Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected]
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 "Science in skirts": representations of women in science in the "B" science fiction films of the 1950s Bonnie Noonan Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Noonan, Bonnie, ""Science in skirts": representations of women in science in the "B" science fiction films of the 1950s" (2003). LSU Doctoral Dissertations. 3653. https://digitalcommons.lsu.edu/gradschool_dissertations/3653 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. “SCIENCE IN SKIRTS”: REPRESENTATIONS OF WOMEN IN SCIENCE IN THE “B” SCIENCE FICTION FILMS OF THE 1950S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English By Bonnie Noonan B.G.S., University of New Orleans, 1984 M.A., University of New Orleans, 1991 May 2003 Copyright 2003 Bonnie Noonan All rights reserved ii This dissertation is “one small step” for my cousin Timm Madden iii Acknowledgements Thank you to my dissertation director Elsie Michie, who was as demanding as she was supportive. Thank you to my brilliant committee: Carl Freedman, John May, Gerilyn Tandberg, and Sharon Weltman.
    [Show full text]
  • Let's Go to the Movies!
    JAP130728/3 Let’s go to the movies! Visit some of the spectacular locations used for filmmaking in Japan Lights! Camera! Action! Japan has a long and proud history of filmmaking Not only from local directors such as Yasujirō Ozu; Akira Kurosawa; and Ishirō Honda (who have produced classic movies such as Tokyo Story; Seven Samurai; and Godzilla), but Japan has also been the dramatic setting for Hollywood blockbusters such as The Last Samurai (with Tom Cruise); The Wolverine (with Hugh Jackman); and the soon to be released 47 Ronin (starring Keanu Reeves). Using the silver screen as our inspiration, on this trip we immerse ourselves into the diverse scenery, cultures and traditions of this fascinating land. Trip Duration: 14 Days Grade: Basic Level Accommodation: Traditional Inns (13 nights) Price: TBC Welcome to www.ventureea.com: Venture specialises in small group travel ­ designing activities and itineraries tailored to ensure that you get the most out of your Adventure, Expedition, or Event. Day 1: Australia to Tokyo Having arrived at Narita International Airport, we check­in to our accommodation Shigetsu Ryokan, a comfortable traditional Japanese inn located in Tokyo’s old downtown area. We will get to experience how a typical family lives in the ryokan, sleeping in the traditional style of a futon which the staff will prepare for you each night. Slippers and a yukata (Japanese bathrobe) are provided as is traditional, with the addition of modern conveniences in all the rooms including wifi, air­conditioning, private bathroom facilities, minibar, TV and telephone, as well as complimentary Japanese tea.
    [Show full text]
  • 1566563531375.Pdf
    Introduction In the year 1954, the United States government performed 6 nuclear weapons tests in and around the Pacific Ocean. However, this is just the official story. The truth of the matter is that the U.S. Government and Monarch, a multinational, cryptozoological research organization, were trying to kill an ancient and terrifying apex predator. A Titan. This titans name is Titanus Gojira, more recognizably called Gojira or Godzilla. ​ ​ Godzilla’s species ruled the Earth hundreds of millions of years ago, when radiation levels on the planet were astronomically higher. The advent and testing of nuclear weapons awoke Godzilla from his hibernation on the bottom of Earth’s sea floor, where he was feeding off of the planets geothermal radiation. Despite being the first titan to awake, Godzilla is not the only titan that exists on Earth. There are countless others that still sleep or dwell in hidden areas around the world. You begin your stay within this world in 2014, just a scant few weeks before Joe and Ford Brody witness the awakening of the titan known as the MUTO. A scant few weeks before Godzilla becomes known to the world. Location San Francisco, California (1) ​ San Francisco is a massive American metropolis with an area of about 231 square miles. It is bustling with a population nearing one million and holds some of America’s most iconic landmarks. However, this could all change very quickly in the coming years. This city will become the site of an incredible battle between Godzilla and the two MUTO in the year 2014, which will cause severe damage to the city as a whole.
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • Unauthorized Use of Images of the Godzilla Character
    SEYFARTH ATTORNEYS LLP 2029 Century Park East, Suite 3500 Los Angeles, California 90067-3021 (310) 277-7200 fax (310) 201-5219 Writer's direct phone (310) 2 0 1 www.seyfarth.com - Writer's e 5 2 4 6 [email protected] m a i l Writer's direct fax (310) 201-5219 April 19, 2011 BRUSELS VI A EXPRESS MAI L Inert Soap, LLC 1625 Ascension Drive San Mateo, CA 34402 Attn: Mr. Tom Ricket Re: F I N G E R Z I L L A Dear Mr. Ricket: SAN FRANCISO We represent Toho Co., Ltd. ("Toho") in intellectual property matters. Toho is the owner of all rights in and to the trademark and service mark GODZILLA and the GODZILLA character. I n addition, the name GODZILLA and the likeness of Toho's GODZILLA character are federally registered trademarks belonging to Toho. Toho is also the owner of the copyright in the SACRAMENTO GODZILLA character as well as in numerous films featuring the GODZILLA character. Through Toho's long, exclusive, and continuous use of the GODZILLA marks in connection with the GODZILLA films and related products and services, the GODZILLA marks are recognized by the consuming public as identifying Toho, its films, and a wide variety of goods and services. Copies of Toho's U.S. Certificates of Registration for GODZILLA and the GODZILLA character are enclosed. It has come to our and our client's attention that Inert Soap has registered the domain name LOS ANGELS FINGERZILLA.COM. This domain name is active and links to a website about and featuring a game developed by Inert Soap for playing on iPhones and iPads named "Fingerzilla." According to the information on the website, "Fingerzilla is a fast-paced, explosive game of utter destruction.
    [Show full text]
  • Creature Double Feature: America’S Encounter with Godzilla, the King of Monsters
    Creature Double Feature: America’s Encounter with Godzilla, the King of Monsters Gus Huiskamp Senior Division Historical Paper Paper Length: 2,020 Words The Godzilla film franchise has long been cherished as a comically odd if not ludicrous ​ ​ cultural icon in the realm of science fiction; however, this representation misses the deep-rooted significance of the original film and reduces the series from high grade, culturally aware cinema to trivial “monster movies.” In the words of William Tsutsui, both an Ivy League scholar and a lifelong Godzilla fan, the original and powerfully meaningful Gojira film1 watched as many of ​ ​ its successors “degenerated into big-time wrestling in seedy latex suits.”2 In spite of its legacy’s deterioration, however, the initial film retains its integrity and significance. Although the altered version of the film had significant financial success in the United States, Toho Company’s Gojira is not widely recognized for its philosophical and cultural significance in this foreign ​ sphere. To a considerable extent, the American encounter with the film has failed due to nativism and prejudice, and in the intercultural exchange the film has lost some of its literary depth, as well as the poignancy in its protest against nuclear proliferation and destructive science in general. When Gojira was released in 1954, the Japanese audience whom it met was still ​ ​ traumatized by the brutal incendiary and atomic attacks of World War II, post-war economic distress, and continuing off-shore nuclear experimentation by the United States. All of these factors contributed to a national “victim” identity as well as a general sense of crisis among the struggling citizens.3 What is also significant of these cultural surroundings is that they were largely caused by an American hand, either directly or indirectly.
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]
  • Godzilla Dossier Presse.Pdf
    présente un film de Ryuhei Kitamura avec Don Frye Rei Kikukawa Masahiro Matsuoka 124’ - Japon - 2004 - couleur - Cinémascope - Dolby SRD Sortie nationale le 31 août 2005 Distribution Presse PRETTY PICTURES BOSSA NOVA 100, rue de la Folie Méricourt Michel Burstein 75011 Paris 32, bd Saint Germain Tél: 01 43 14 10 00 75005 Paris Fax: 01 43 14 10 01 Tél: 01 43 26 26 26 [email protected] Fax: 01 43 26 26 36 www.prettypictures.fr [email protected] www.bossa-nova.info Les photos du film et le dossier de presse sont téléchargeables sur le site www.prettypictures.fr Suite à une vague incessante de guerres et à la croissance Masahiro MATSUOKA ...... Soldat Shin’ichi Ôzaki démesurée de la pollution, d’énormes monstres font leur apparition. Rei KIKUKAWA ................ Biologiste moléculaire Miyuki Otonashi Heureusement pour l’humanité, l’Armée Mondiale veille et emploie Akira TAKARADA ............. Secrétaire Général Naotarô Daigo des unités mutantes, la Force M, pour combattre la nouvelle menace. Kane KOSUGI ................. Militaire Katsunori Kazama Lorsque les différentes créatures gigantesques se mettent à attaquer Kazuki KITAMURA ........... Officier de la Planète X simultanément les diverses capitales de la planète, l’Armée Mondiale Maki MIZUNO ................. Présentatrice Anna Otonashi se retrouve soudainement impuissante face à l’énorme invasion. Masami NAGASAWA ....... Fées Shobijin Arrive alors un vaisseau spatial qui stoppe net la menace. À son bord, Don FRYE ....................... Douglas Gordon Capitaine du Gotengo les Xiliens, des extraterrestres humanoïdes venus prévenir la terre Kenji SAHARA ................. Paléontologiste Hachirô Jingûji d’une menace imminente : la collision avec un astéroïde gigantesque Kumi MIZUNO ................. Commandant Akiko Namikawa nommé Gorus.
    [Show full text]
  • By Goji-Anon
    By Goji-anon The year is 1999, the turn of the mellennia. One year ago a monster believed to be Godzilla attacked New York City, although Japanese analysts have doubts. These doubts are justified, as the true Godzilla is soon to begin his rampage once again. This Godzilla is not a hero there to save humanity, but, a constant villain and a threat to all that lives on Earth. That is not to say his only opponents are humans, quite the contrary, the Earth is a lightning rod for strange phenomena. Aliens that can absorb information, genetic or otherwise; prehistoric insects that feed off of energy and grow in power from it, a monster made from the amalgam souls of those who died in the bombings of Hiroshima and Nagasaki. Humanity is under siege from all sides and by forces of unimaginable power. However, humanity is not helpless in this fight. Their advances in science have given them a fighting chance against those who would destroy them. This is the world you enter Jumper. You could be the savior of humanity or their doom. To aid in your efforts Jumper you have been given: +1000 CP. The continuity of this era of Godzilla is convoluted with most of the films being direct sequels to the first film. Due to this you may choose whichever continuity-in the Millennium series- that you please. You will always start a week before the events of the film you’ve chosen. Locations Tokyo, Japan You begin where everything started. The epicenter of most of the goings on when in relation to Kaiju.
    [Show full text]