The Danish Help to Schiller (PDF)
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Kapitler-Af-Købmagergades-Historie.Pdf
Kapitler af K0BMAGERGADES HISTORIE HENRY HELLSSEN Kapitler af K0BMAGERGADES HISTORIE 1850 II.JUNI 1950 L. LEVI SON J UNR. AKTIESELSKAB Indhold Et Vandløb siver mod Stranden. I Rokokomaleren og Olympens Gudeverden . .. 13 Hos Ludvig Holberg i Sukkerbagerens Bod. .. 15 Hans Holck, de fattiges Tolk. .. 19 Enkefru Mozart og hendes Mand. .. 22 Vintappersønnen, Greven af Griffenfeld . .. 3 I Fra Peder Oxe til Thorvald Larsen .......................... 35 Jomfru Thielo og hendes Elsker, Ruslands Gesandt. .. 44 Et Hus med mange Skæbner . .. 5I Johan Herman Wessel og Vintappersvenden .................... 56 H. C. Andersen's Forlægger. • . .. 59 Minder fra den gamle Fabrik . .. 62 L. Levison junr. gennem de 100 Aar .......................... 70 Rundetaam og Trinitatis. .. 77 Peter den Store paa Rundetaam. .. 88 Teatrets Folk passerer forbi i Vrimlen ........................ 94 Herman Bang besøger Københavns Redaktion .................. 100 Et Vandløb siver mod Stranden ABSALON ER IKKE KØBENHAVNS GRUNDLÆGGER. Længe, længe før Valdemar den Store skænkede sin Ungdomsven og Fostbroder Bispen Byen og det halve af Sokkelund Herred, har der ligget et Fiskerleje ved Sundet. Knytlinge Saga nævner første Gang København I043; Norges Konge, Magnus den Gode, havde i et Søslag ved Aarhus overvundet Svend Estridsøn, og denne flygtede med Resten af sin Flaade til Havn. Men Magnus forfulgte ham og slog ham paany. Svend Estridsøn maatte forlade sine Skibe og flygte over Land. Københavns ældste Bebyggelse gaar tilbage til Stenalderen. Man har fundet Re ster af en Boplads fra Egeskovperioden paa Bunden af Frihavnen. Den Gang var Sjælland landfast med Skaane. Da Øresund var dannet, laa der i hvert Fald en Bo plads langs Frederiksberggades Sydside. Mennesket synes at være indvandret til Danmark allerede i Tundratiden, 9000 Aar før vor Tidsregning. -
Patrick Kragelund, Nathanson, Eckersberg's Moses, and Danish
RIHA Journal 0119 | 7 May 2015 Nathanson, Eckersberg's Moses, and Danish Haskalah ('Reformed Judaism')* Patrick Kragelund Peer review and editing managed by: Elisabeth Kofod-Hansen, Danmarks Kunstbibliotek / The Danish National Art Library, Copenhagen Reviewers: Karina Lykke Grand, Kasper Monrad Abstract Among the patrons of the young C. W. Eckersberg (1783-1853), the Jewish merchant M. L. Nathanson (1780-1868) was the most important. A key figure in the process eventually leading to the Danish Jews obtaining complete legal and civic parity (1849), Nathanson can be shown to have pioneered art patronage as a platform for social and cultural integration. His commissions for patriotic "Galleries" (imitating Boydell's British Shakespeare Gallery) and for family portraits illustrate his efforts to give art a new role in this process. Hitherto ignored, so does his commission for a monumental Moses Crossing the Red Sea – a work that in its iconography, as developed by Eckersberg between 1812 and 1817, represents a remarkable fusion of Jewish, Greco-Roman and Christian elements that combined with overt loans from Raphael and Giovanni Donducci gives it a unique place in Eckersberg's oeuvre. Contents Introduction Nathanson and the Danish Art Scene Nathanson and Eckersberg Eckersberg's Moses – an Emblem of Jewish Reform Introduction [1] The bicentenary of Jewish emancipation in Denmark (1814-2014)1 calls for a re- examination of the connection between the foremost of early Dano-Jewish reformers and the painter Christoffer Wilhelm Eckersberg (1783-1853).2 [2] Mendel Levin Nathanson (1780-1868) hailed from the Jewish community in the then Danish free-trade emporium in Altona just outside the German merchant metropolis of Hamburg, from whence, as a poor, semi-literate boy, he came to Copenhagen to work in the firm of his uncle.3 Gifted, self-taught and energetic, Nathanson soon found success and wealth in the burgeoning Baltic trade. -
Friedrich Schiller - Poems
Classic Poetry Series Friedrich Schiller - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Friedrich Schiller(10 November 1759 – 9 May 1805) Johann Christoph Friedrich von Schiller was a German poet, philosopher, historian, and playwright. During the last seventeen years of his life, Schiller struck up a productive, if complicated, friendship with already famous and influential <a href="http://www.poemhunter.com/johann-wolfgang-von- goethe/">Johann Wolfgang Von Goethe</a>. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works he left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on Xenien, a collection of short satirical poems in which both Schiller and Goethe challenge opponents to their philosophical vision. <b>Life</b> Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg as the only son of military doctor Johann Kaspar Schiller (1733–96), and Elisabeth Dorothea Kodweiß (1732–1802). They also had five daughters. His father was away in the Seven Years' War when Friedrich was born. He was named after king Frederick the Great, but he was called Fritz by nearly everyone. Kaspar Schiller was rarely home during the war, but he did manage to visit the family once in a while. His wife and children also visited him occasionally wherever he happened to be stationed. When the war ended in 1763, Schiller's father became a recruiting officer and was stationed in Schwäbisch Gmünd. The family moved with him. Due to the high cost of living—especially the rent—the family moved to nearby Lorch. -
Larouche in Italy: Take the Lead for Eurasian Development
EIRFeature LaRouche in Italy: Take the Lead for Eurasian Development by Claudio Celani For the second time in a month, Lyndon LaRouche visited Italy, a country where he has high recognition and where, last year, the national Chamber of Deputies approved a resolution calling for a “new world financial architecture” oriented toward productive investment, not speculation—as LaRouche’s proposed New Bretton Woods system specifies. From May 5-8, LaRouche paid a visit to the northern Italian cities of Vicenza and Milan, holding public events and private meetings. In this trip, as in the previous one, LaRouche called on Italian leaders to break with the new “Roman imperial” policy of the Bush Administration, and to join ranks with its European allies in organizing for a Eurasian development policy (see EIR, April 25). Italy plays a special role in the Eurasian project, because of its natural projection into the Mediterranean Sea, toward the Mideast, which is the crossroads between Eurasia and Africa. A special feature of LaRouche’s visit this time was the expansion of the LaRouche Youth Movement to Italy. Vicenza: A High-Export Region On May 5, LaRouche was the main guest speaker at a conference at the Vicenza Chamber of Commerce, organized by EIR and by the International Strategic Politi- cal Economic Institute (ISIES), founded by a group of businessmen from the region. Vicenza represents a singularity known to LaRouche, who was there already in July 2001: A city of 200,000, Vicenza has a high density of small and medium- sized enterprises, and alone exports more than the nation of Greece. -
Energy-Flux Density As the Criterion for Physical Economy by Helga Zepp-Larouche
Click here for Full Issue of EIR Volume 48, Number 23, June 4, 2021 II. The Schiller Institute Worldwide Energy-Flux Density as the Criterion for Physical Economy by Helga Zepp-LaRouche The Moscow Academic Economic Forum III, convened May 26-27, 2021 under the title, “Global Transformation of Modern Societies and the Goals of Russian National Development.” Helga Zepp-LaRouche, founder and President of the Schiller Institute, was invited to address a panel at the Financial University of Moscow May 27, as part of that conference. The following is an edited transcript of her remarks, presented under the title given as the headline above. Moderator: Let me introduce the President of the Schiller Institute, Mrs. Helga Zepp-La- Rouche. She is a very well-known public figure MAEF The Third Moscow Academic Economic Forum convened in Moscow, in Europe and in the world. And she decided to May 26-27, 2021. share with us her experience, her vision on some real economics—maybe less “Greenie,” as it may be The pandemic also revealed the fundamental flaws of fashionable to say nowadays, but maybe more “Classi- the privatized health systems in the West, such as the vul- cal.” OK, the place is yours, please, Helga. nerabilities in supply chains for medical equipment due to the outsourcing of production to “cheap labor” coun- Helga Zepp-LaRouche: Thank you very much, tries, as compared to the efficiency of the Chinese model. and I want to thank the organizers of this very important conference for inviting me to speak to you. A Bankrupt World Financial System It is almost one and a half years since the outbreak of But it was the developing countries that have had to the COVID-19 pandemic: What have we learned about pay the highest price, as the neo-liberal system deprived how the different models of governance and econom- them of any health system worth mentioning. -
Political Imagination in German Romanticism John Thomas Gill
Wild Politics : Political Imagination in German Romanticism John Thomas Gill A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Ph.D in the Department of Germanic and Slavic Languages and Literatures in the College of Arts and Sciences. Chapel Hill 2020 Approved by: Gabriel Trop Eric Downing Stefani Engelstein Jakob Norberg Aleksandra Prica i © 2020 John Thomas Gill ALL RIGHTS RESERVED ii ABSTRACT John Gill: Wild Politics : Political Imagination in German Romanticism (Under the direction of Gabriel Trop) The political discourse of German Romanticism is often interpreted reductively: as either entirely revolutionary, reactionary, or indeed apolitical in nature. Breaking with this critical tradition, this dissertation offers a new conceptual framework for political Romanticism called wild politics . I argue that Romantic wild politics generates a sense of possibility that calls into question pragmatic forms of implementing sociopolitical change; it envisions imaginative alternatives to the status quo that exceed the purview of conventional political thinking. Three major fields of the Romantic political imaginary organize this reading: affect, nature, and religion. Chapter 1 examines Novalis’ politics of affect. In his theory of the fairy tale—as opposed to the actual fairy tales he writes—Novalis proposes a political paradigm centered on the aesthetic dimension of love. He imagines a new Prussian state constituted by emotional attachments between the citizen and the monarch. Chapter 2 takes up the “new mythology” in the works of F.W.J. Schelling, Friedrich Schlegel, and Johann Wilhelm Ritter, the comprehensive project of reorienting modern life towards its most transformative potentials. -
1 Schiller and the Young Coleridge
Notes 1 Schiller and the Young Coleridge 1. For the details of Schiller’s career and thought I am drawing on a number of works including Lesley Sharpe, Friedrich Schiller: Drama, Thought and Politics (Cambridge: Cambridge University Press, 1991); Walter Schafarschik, Friedrich Schiller (Stuttgart: Philipp Reclam, 1999); F. J. Lamport, German Classical Drama: Theatre, Humanity, and Nation, 1750–1870 (Cambridge: Cambridge University Press, 1990); and T. J. Reed, The Classical Centre: Goethe and Weimar, 1775–1832 (Oxford: Oxford University Press, 1986), and Schiller- Handbuch, ed. Helmut Koopmann (Stuttgart: Alfred Kröner, 1998). 2. Schiller later revised the essay and published it in his Shorter Works in Prose under the title ‘The Stage Considered as a Moral Institution’ (‘Die Schaubühne als eine moralische Anstalt betrachtet’). 3. See David Pugh, ‘“Die Künstler”: Schiller’s Philosophical Programme’, Oxford German Studies, 18/19 (1989–90), 13–22. 4. See J. M. Ellis, Schiller’s ‘Kalliasbriefe’ and the Study of his Aesthetic Theory (The Hague and Paris: Mouton, 1969). 5. See Paul Robinson Sweet, Wilhelm von Humboldt: a Biography, 2 vols (Columbus: Ohio State University Press, 1978–80) and W. H. Bruford, The Ger- man Tradition of Self-Cultivation: ‘Bildung’ from Humboldt to Thomas Mann (Cambridge: Cambridge University Press, 1975), ch. 1; also E. S. Shaffer, ‘Romantic Philosophy and the Organization of the Disciplines: the Found- ing of the Humboldt University of Berlin’, in Romanticism and the Sciences, ed. Andrew Cunningham and Nicholas Jardine (Cambridge: Cambridge University Press, 1990), 38–54. 6. Norbert Oellers, Schiller: Geschichte seiner Wirkung bis zu Goethes Tod, 1805– 1832 (Bonn: Bouvier, 1967). -
Hegel, Tragedy, and Schiller's Wallenstein
An Unrelieved Heart: Hegel, Tragedy, and Schiller’s Wallenstein Lydia Moland In 2007 the maverick German theater director Peter Stein extended his streak of Herculean theatrical accomplishments to include a ten-hour, single-day production of Friedrich Schiller’s Wallenstein. Beyond the appeal of adding this feat to his seven-hour Oresteia and twenty-one-hour Faust, Stein pro- fessed his attraction to the timeliness of Schiller’s trilogy: his aim in produc- ing this classic, he reported, was to explore a text that has exclusively to do with politics and that touches on themes relevant to all of Europe: What political system can guarantee peace and security in Europe? What are the eternal laws of political action; to what extent is the new old and the old new; what is historical necessity and individual failure; This article, and the articles by Jennifer Ratner-Rosenhagen, Joshua Derman, Stefanos Geroulanos, and Martin Woessner, are based on papers that were presented at the workshop “Ideas in Motion,” at the Shelby Cullom Davis Center for Historical Studies, Princeton University, on March 28, 2009. We all wish to express our gratitude to Anson Rabinbach, Daniel Rodgers, and the Davis Center for organizing the workshop and for providing a forum to discuss and publish our research. I would like to thank Babson College’s Faculty Research Fund for its support of my work on this article, including the opportunity to see Wallenstein performed in Berlin in October 2007. My thanks go also to Klaus Brinkmann for his input and to Frederick Beiser for his comments on an earlier draft. -
Litteraturens Klassiker
Lennart Breitholtz Litteraturens klassiker I URVAL Dansk diktning Redigerad av LENNART BREITHOLTZ Ordlista av Leif Leifer Almqvist & Wiksell STOCKHOLM Innehåll (Siffrorna inom parentes hänvisar till numren i Förteckning över använda utgåvor, s. 254) FÖRORD 11 BALLADER Elverskud (i) 13 Elverhej (1) 17 Harpens Kraft (1) 18 Aage og Else (1) 21 Agnete og Havmanden (2) 25 Jomfruen i Linden (2) 27 Valdemar og Tove (1) 29 Dronnihg Dagmars Död (1) 32 Ridder Stigs Fald (2) 35 Ebbe Skammelson (1) 37 Torbens Datter (3) 42 Moens Morgendromme (1) 43 Lave og Jon (1) 46 THOMAS KINGO Hver har sin Skasbne (4) 48 Keed af Verden, og kier ad Himmelen (4) 50 Hierte-Suk (5) 53 HANS ADOLPH BRORSON Ur Troens rare klenodie, Om skabelsen (Op! al den ting) (6) 53 Jeg er en rose i Saron (6) 55 Ur Svane-Sang (Her vil ties, her vil bies) (4) 57 JOHANNES EWALD Rungsteds Lyksaligheder (4) 58 Ur Fiskerne, Romance (Kong Christjan stoed) (7) 60 Romance (Liden Gunver vandrer) (7) 61 JENS BAGGESEN Min anden Skabelse (4) 62 Tordenen paa Toppen af Grimsel (4) 65 Da jeg var lille (9) 66 ADAM OEHLENSCHLÄGER Guldhornene (8) 67 Hakon Jarls Ded (8) 72 Ur Sanct Hansaften-Spil, De Kierende (8) 76 Manden ved Kilden (8) 77 En gammel Mand med en Perspektivkasse (10) 79 Ur Langelands-Reise, Morgen-Vandring (8) 83 Ur Jesu Christi gientagne Liv i den aarlige Natur, Christi Födsel (8) 86 Ur Aladdin, Förste Akt (11) 87 Ur Helge, Frode paa Vifils 0e (8) 127 Julegildet (8) 130 Frodes Dod (8) 133 Hiemvee (8) 138 NIKOLAI FREDERIK SEVERIN GRUNDTVIG Strandbakken ved Egel0kke (8) 140 Indskrivten paa Oddens Mindestotte (8) 144 Niels Ebbesen (8) 144 Jule-Sang for christne Born (8) 147 Den signede Dag (8). -
Beethoven by George Alexander Fischer
The Project Gutenberg eBook, Beethoven, by George Alexander Fischer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Beethoven Author: George Alexander Fischer Release Date: February 22, 2005 [eBook #15141] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK BEETHOVEN*** E-text prepared by Juliet Sutherland, Karina Aleksandrova, Ralph Janke, and the Project Gutenberg Online Distributed Proofreading Team Note: Project Gutenberg also has an HTML version of this file which includes sound files and the original illustrations. See 15141-h.htm or 15141-h.zip: (http://www.gutenberg.net/dirs/1/5/1/4/15141/15141-h/15141-h.htm) or (http://www.gutenberg.net/dirs/1/5/1/4/15141/15141-h.zip) Transcriber's Notes: 1. Corrected spelling of Maelzel's invention in one place from 'Panharmonican' to 'Panharmonicon'. 2. In the index, corrected 'Krumpholtz' to 'Krumpholz', 'Origen of the dance' to 'Origin of the dance', and 'Neafe' to 'Neefe'. BEETHOVEN A Character Study together with Wagner's Indebtedness to Beethoven by GEORGE ALEXANDER FISCHER Es kann die Spur von meinen Erdentagen Nicht in Aeonen untergehn. GOETHE. New York Dodd, Mead and Company The Trow Press, New York 1905 [Illustration: BEETHOVEN] TO THE MEMORY OF My father CONTENTS CHAPTER I. Early Promise II. The Morning of Life III. The New Path IV. -
9. Gundolf's Romanticism
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
Reading the Surface: the Danish Gothic of B.S. Ingemann, H.C
Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Marianne Stecher. Chair Jan Sjaavik Marshall Brown Program Authorized to Offer Degree: Scandinavian Studies ©Copyright 2013 Kirstine Marie Kastbjerg Parts of chapter 7 are reprinted by permission of the publishers from “The Aesthetics of Surface: the Danish Gothic 1820-2000,” in Gothic Topographies ed. P.M. Mehtonen and Matti Savolainen (Farnham: Ashgate, 2013), pp. 153–167. Copyright © 2013 University of Washington Abstract Reading the Surface: The Danish Gothic of B.S. Ingemann, H.C. Andersen, Karen Blixen and Beyond Kirstine Marie Kastbjerg Chair of the Supervisory Committee: Professor in Danish Studies Marianne Stecher Department of Scandinavian Studies Despite growing ubiquitous in both the popular and academic mind in recent years, the Gothic has, perhaps not surprisingly, yet to be examined within the notoriously realism-prone literary canon of Denmark. This dissertation fills that void by demonstrating an ongoing negotiation of Gothic conventions in select works by canonical Danish writers such as B.S. Ingemann, Hans Christian Andersen, and Karen Blixen (Isak Dinesen), as well as contemporary writers such as Peter Høeg and Leonora Christina Skov. This examination does not only broaden our understanding of these culturally significant writers and the discourses they write within and against, it also adds to our understanding of the Gothic – an infamously malleable and indefinable literary mode – by redirecting attention to a central feature of the Gothic that has not received much critical attention: the emphasis on excess, spectacle, clichéd conventions, histrionic performances, its hyperbolic rhetorical style, and hyper-visual theatricality.