Title Rainmaking Rituals: a Comprehensive Study of Two
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Scripture Translations in Kenya
/ / SCRIPTURE TRANSLATIONS IN KENYA by DOUGLAS WANJOHI (WARUTA A thesis submitted in part fulfillment for the Degree of Master of Arts in the University of Nairobi 1975 UNIVERSITY OF NAIROBI LIBRARY Tills thesis is my original work and has not been presented ior a degree in any other University* This thesis has been submitted lor examination with my approval as University supervisor* - 3- SCRIPTURE TRANSLATIONS IN KENYA CONTENTS p. 3 PREFACE p. 4 Chapter I p. 8 GENERAL REASONS FOR THE TRANSLATION OF SCRIPTURES INTO VARIOUS LANGUAGES AND DIALECTS Chapter II p. 13 THE PIONEER TRANSLATORS AND THEIR PROBLEMS Chapter III p . ) L > THE RELATIONSHIP BETWEEN TRANSLATORS AND THE BIBLE SOCIETIES Chapter IV p. 22 A GENERAL SURVEY OF SCRIPTURE TRANSLATIONS IN KENYA Chapter V p. 61 THE DISTRIBUTION OF SCRIPTURES IN KENYA Chapter VI */ p. 64 A STUDY OF FOUR LANGUAGES IN TRANSLATION Chapter VII p. 84 GENERAL RESULTS OF THE TRANSLATIONS CONCLUSIONS p. 87 NOTES p. 9 2 TABLES FOR SCRIPTURE TRANSLATIONS IN AFRICA 1800-1900 p. 98 ABBREVIATIONS p. 104 BIBLIOGRAPHY p . 106 ✓ - 4- Preface + ... This is an attempt to write the story of Scripture translations in Kenya. The story started in 1845 when J.L. Krapf, a German C.M.S. missionary, started his translations of Scriptures into Swahili, Galla and Kamba. The work of translation has since continued to go from strength to strength. There were many problems during the pioneer days. Translators did not know well enough the language into which they were to translate, nor could they get dependable help from their illiterate and semi literate converts. -
Impacts of Colonial Policies and Practices on Kamba Song and Dance up to 1945
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 25, Issue 4, Series. 5 (April. 2020) 18-25 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Impacts of Colonial Policies and Practices on Kamba Song and dance Up To 1945. Kilonzo Josephine Katiti Abstract: Song and dance are powerful cultural medium in any society. This is especially so in countries where other forms of communication and cultural expression, such as written word are not yet fully developed. The history of many developing countries where colonial domination was evidenced indicates that the colonized people were always able to express themselves through song and dance in complete defiance of the oppressor. Song and dance was used not just as a preserver but also a transmitter of history. This paper seeks to assess the impacts of colonial policies and practices on Kamba song and dance up to 1945. Due to the view of the colonizers that the Africans were primitive and barbaric the colonial masters introduced policies which favored them. These policies led to a definite change of the content of Kamba songs sang at that time. In order to accommodate the changes to the environment, culture, political and economic life of the community, several changes were experienced at the time. This paper present the findings from the study that was conducted on the Kamba of eastern Kenya and shows that over time the community evolved dynamic song and dance styles that responded to the changes within their midst. This paper hopes to contribute to scholarship in terms of the key contribution of Kamba song to the historical transformation of society. -
Sacred Spaces, Political Authority, and the Dynamics of Tradition in Mijikenda History
Sacred Spaces, Political Authority, and the Dynamics of Tradition in Mijikenda History A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts David P. Bresnahan June 2010 © 2010 David P. Bresnahan. All Rights Reserved. 2 This thesis titled Sacred Spaces, Political Authority, and the Dynamics of Tradition in Mijikenda History by DAVID P. BRESNAHAN has been approved for the Department of History and the College of Arts and Sciences by Nicholas M. Creary Assistant Professor of History Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT BRESNAHAN, DAVID P., M.A., June 2010, History Sacred Spaces, Political Authority, and the Dynamics of Tradition in Mijikenda History (156 pp.) Director of Thesis: Nicholas M. Creary This thesis explores the social, political, and symbolic roles of the Mijikenda kayas in the Coast Province of Kenya. The kayas, which exist today as sacred grove forests, are the original homesteads of the Mijikenda and the organizational units from which the symbolic authority and esoteric knowledge of the Mijikenda elders are derived. As a result, I conceptualize kayas as the physical space of the forests, but also complex networks of political, metaphysical, and symbolic power. While the kaya forests and their associated institutions have often been framed as cultural relics, I use this lens to illustrate how the position of the kayas in Mijikenda life has influenced broader social and political developments. Three main themes are developed: the first theme addresses how the kayas were used in different capacities to create space from the encroachment of colonial rule. -
Race for Distinction a Social History of Private Members' Clubs in Colonial Kenya
Race for Distinction A Social History of Private Members' Clubs in Colonial Kenya Dominique Connan Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, 09 December 2015 European University Institute Department of History and Civilization Race for Distinction A Social History of Private Members' Clubs in Colonial Kenya Dominique Connan Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board Prof. Stephen Smith (EUI Supervisor) Prof. Laura Lee Downs, EUI Prof. Romain Bertrand, Sciences Po Prof. Daniel Branch, Warwick University © Connan, 2015 No part of this thesis may be copied, reproduced or transmitted without prior permission of the author Race for Distinction. A Social History of Private Members’ Clubs in Colonial Kenya This thesis explores the institutional legacy of colonialism through the history of private members clubs in Kenya. In this colony, clubs developed as institutions which were crucial in assimilating Europeans to a race-based, ruling community. Funded and managed by a settler elite of British aristocrats and officers, clubs institutionalized European unity. This was fostered by the rivalry of Asian migrants, whose claims for respectability and equal rights accelerated settlers' cohesion along both political and cultural lines. Thanks to a very bureaucratic apparatus, clubs smoothed European class differences; they fostered a peculiar style of sociability, unique to the colonial context. Clubs were seen by Europeans as institutions which epitomized the virtues of British civilization against native customs. In the mid-1940s, a group of European liberals thought that opening a multi-racial club in Nairobi would expose educated Africans to the refinements of such sociability. -
Mfundo Zoonadi Zenizeni Za Bukhu Lopatulika
MULUNGU 1 MFUNDO ZOONADI ZENIZENI ZA BUKHU LOPATULIKA Maphunziro Owerenga Kuwulura Za Chimwemwe Ndi Mtendere Mu Chikristu Choona Duncan Heaster 2 MULUNGU MFUNDO ZOONADI ZENIZENI ZA BUKHU LOPATULIKA DUNCAN HEASTER MULUNGU 3 Bible Basics English Edition first published 1992 Chichewa Edition published 2005, reprinted 2011 Bible Basics is also available in: Afrikaans, Albanian, Amharic, Arabic, Armenian, Chinese, Estonian, Farsi, French, Georgian, Hebrew, Hungarian, Hindi, Igbo, Italian, Japanese, Kazakh, Korean, Latvian, Lithuanian, Macedonian, Mongolian, North Sotho, Polish, Portuguese, Russian, Serbo-Coat, Slovak, Spanish, Tagalog, Telugu, Turkish, Ukrainian To view available translations on-line see http://www.biblebasicsonline.com http://www.carelinks.net Published by Christadelphian Advancement Trust Company No. 3927037 Reg. Charity No. 1014615 PO Box 3034 South Croydon, Surrey CR2 0ZA ENGLAND Carelinks Publishing, PO Box 152, Menai NSW 2234 AUSTRALIA Duncan Heaster – 2005 4 MULUNGU MULUNGU 5 PHUNZIRO 1: MULUNGU 1 1.1. Mulungu Alipo 1.2 Mawonekedwe A Mulungu 1.3 Dzina La Mulungu Ndi Makhalidwe Ake 1.4 Angelo PHUNZIRO 2: MZIMU WA MULUNGU 39 2.1 Mzimu Wa Mulungu – Tanthawuzo 2.2 Mauziridwe (Mapatsidwe A Mau Ndi Mulungu) 2.3 Mphatso Za Mzimu Woyera 2.4 Kuchotsedwa Kwa Mphatso 2.5 Baibulo Lamulo Lokhalo PHUNZIRO 3 : MALONJEZANO A MULUNGU 115 3.1 Malonjezano A Mulungu Oyamba 3.2 Malonjezano A M‟munda Wa Edeni 3.3 Malonjezano Kwa Nowa 3.4 Malonjezano Kwa Abrahamu 3.5 Malonjezano Kwa Davide PHUNZIRO 4 : MULUNGU NDI IMFA 160 4.1 Uthunthu Wa -
How We Beat the Great Depression Chapter 1 Finding Paradise on The
How We Beat the Great Depression Chapter 1 Finding Paradise On the southwest corner of the United States there is a place that we called home for thirteen years. Mexico lay to the south, the Pacific Ocean to the west, with the Coronado Islands looming up fourteen miles from shore, and the sleepy little village of Imperial Beach with San Diego and Point Loma in the distance to the north. To the east, San Miguel and the Otay Mountains and the peaks of the Coastal Range made a beautiful, panoramic backdrop to a scene that to me is unforgettable. To the local folk this marshy land was called the "Tiajuana Sloughs" because the Tijuana river, originating in Mexico, ran through the town of Tijuana and across the International Border to the Pacific Ocean. The river flowed when, and if, there was enough rainfall in the mountains during the rainy season. Long after we moved from there, the name of the sloughs was changed to the Tijuana Estuary. A salt works was located there before the big floods in the spring of 1916. Local historians say a fellow by the name of Charles Hatfield caused the flood with his famous rainmaking machine. The city of San Diego hired him to end a long drought, and soon afterward, the rains started to fall. It rained for weeks until almost everything in San Diego was flooded or washed away. By the time we move to the sloughs, the only things left to mark the salt works site were old dikes that bordered the evaporation ponds. -
A Comprehensive Study of Two Kenyan Societies Author(S)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyoto University Research Information Repository Rainmaking Rituals: A Comprehensive Study of Two Kenyan Title Societies Author(s) AKONG'A, Joshua Citation African Study Monographs (1987), 8(2): 71-85 Issue Date 1987-10 URL http://dx.doi.org/10.14989/68028 Right Type Departmental Bulletin Paper Textversion publisher Kyoto University African Study "'tonographs, 8(2): 71-85, October 1987 71 RAINMAKING RITUALS: A COMPARATIVE STUDY OF TWO KENYAN SOCIETIES Joshua AKONG'A Instilute ofAfrican Stlldies. Unh'ersity ofNairobi ABSTRACf A comparative examination of the public rainmaking rituals in Kitui District and the secret rainmaking rituals in Bunyore location of Kakamega District, both in Kenya, reveals that public rituals are more susceptible to rapid social change than those of secret. Secondly. although rainmaking rituals are a response to scarcity or unreliability that are rain fall. such rituals can be found even in the areas of adequate rainfall either because the people once lived in an area of rainfall scarcity or the rainmakers are strangers who came from such areas. Thirdly, the efficacy of rainmaking rituals is based on faith, and due to the involvement of the supernatural, they have socio-psychological implications on the participants. Key Words: Rainmaking; Processions; Magic; Prophesy; Occult. INTRODUCTION Sir James George Frazer who wrote widely on the types and practices of magic, considered rainfall rituals as falling under the purview of magic. This is because the purpose of rainfall rituals is to influence weathercondition~ in order to cause rain or to cause drought either for the general good or destruction ofthe people in the specific society in which there is a belief in man's ability to influence weather conditions. -
Magic in Private and Public Lives of the Ancient Romans
COLLECTANEA PHILOLOGICA XXIII, 2020: 53–72 http://dx.doi.org/10.18778/1733-0319.23.04 Idaliana KACZOR Uniwersytet Łódzki MAGIC IN PRIVATE AND PUBLIC LIVES OF THE ANCIENT ROMANS The Romans practiced magic in their private and public life. Besides magical practices against the property and lives of people, the Romans also used generally known and used protective and healing magic. Sometimes magical practices were used in official religious ceremonies for the safety of the civil and sacral community of the Romans. Keywords: ancient magic practice, homeopathic magic, black magic, ancient Roman religion, Roman religious festivals MAGIE IM PRIVATEN UND ÖFFENTLICHEN LEBEN DER ALTEN RÖMER Die Römer praktizierten Magie in ihrem privaten und öffentlichen Leben. Neben magische Praktik- en gegen das Eigentum und das Leben von Menschen, verwendeten die Römer auch allgemein bekannte und verwendete Schutz- und Heilmagie. Manchmal wurden magische Praktiken in offiziellen religiösen Zeremonien zur Sicherheit der bürgerlichen und sakralen Gemeinschaft der Römer angewendet. Schlüsselwörter: alte magische Praxis, homöopathische Magie, schwarze Magie, alte römi- sche Religion, Römische religiöse Feste Magic, despite our sustained efforts at defining this term, remains a slippery and obscure concept. It is uncertain how magic has been understood and practised in differ- ent cultural contexts and what the difference is (if any) between magical and religious praxis. Similarly, no satisfactory and all-encompassing definition of ‘magic’ exists. It appears that no singular concept of ‘magic’ has ever existed: instead, this polyvalent notion emerged at the crossroads of local custom, religious praxis, superstition, and politics of the day. Individual scholars of magic, positioning themselves as ostensi- bly objective observers (an etic perspective), mostly defined magic in opposition to religion and overemphasised intercultural parallels over differences1. -
The Art of Rainmaking
The Art of Rainmaking C H A P T E R 1 0 talized organization. Thus, the second step of rainmaking is to over- come this resistance. Before we begin, here's a story that illustrates how an entrepre- neur both found out who would buy her product and overcame The Art of resistance to stocking it. A Parisian store once rejected the newest fra- grance of Estee Lauder, the famed purveyor of perfume. In anger, Lauder poured the fragrance all over the floor, and so many cus- Rainmaking tomers asked about it that the store had to carry it. Sometimes when it pours, it rains."' Stop going for the easy buck and start producing something with your life. Create, instead of living off the buying and selling of others. LET ONE HUNDRED FLOWERS BLOSSOM —Carl Fox (in the movie Wall Street) I stole this concept from Mao Tse-tung, although he didn't exactly im- plement it during the Cultural Revolution. In the context of startups, the concept means Sow many seeds. See what takes root and then blossoms. Nurture those markets. GIST Many companies freak out when they notice that unintended flowers have started blossoming. They react by trying to reposition Native American rainmaker is a medicine man who uses their product or service so that the intended customers use it in in- rituals and incantations to make it rain. For startups, a rain- tended ways. This is downright stupid—on a tactical level, take the maker is a person who generates large quantities of busi- money! When flowers are blossoming, your task is to see where and ness. -
Journal of Arts & Humanities
Journal of Arts & Humanities Volume 07, Issue 11, 2018: 58-67 Article Received: 06-09-2018 Accepted: 02-10-2018 Available Online: 23-11-2018 ISSN: 2167-9045 (Print), 2167-9053 (Online) DOI: http://dx.doi.org/10.18533/journal.v7i10.1491 Pioneering a Pop Musical Idiom: Fifty Years of the Benga Lyrics 1 in Kenya Joseph Muleka2 ABSTRACT Since the fifties, Kenya and Democratic Republic of Congo (DRC) have exchanged cultural practices, particularly music and dance styles and dress fashions. This has mainly been through the artistes who have been crisscrossing between the two countries. So, when the Benga musical style developed in the sixties hitting the roof in the seventies and the eighties, contestations began over whether its source was Kenya or DRC. Indeed, it often happens that after a musical style is established in a primary source, it finds accommodation in other secondary places, which may compete with the originators in appropriating the style, sometimes even becoming more committed to it than the actual primary originators. This then begins to raise debates on the actual origin and/or ownership of the form. In situations where music artistes keep shuttling between the countries or regions like the Kenya and DRC case, the actual origin and/or ownership of a given musical practice can be quite blurred. This is perhaps what could be said about the Benga musical style. This paper attempts to trace the origins of the Benga music to the present in an effort to gain clarity on a debate that has for a long time engaged music pundits and scholars. -
Identities and the Colonial Past in Kenya and Tanzania
Laura-Catalina Althoff University of Leipzig Institute of Ethnology [email protected] Identities and the colonial past in Kenya and Tanzania BA dissertation by Laura-Catalina Althoff published as a CERS working paper on the MGR archive Abstract: The aim of this paper is to explore the relation between the colonial politics of tribalism in Kenya and Tanganyika and the present day ethnic identities and conflicts in the two post- independence nations. Reasons for diverging post-colonial developments can be found in slight differences in the colonial administration, but also and mainly in the different political approaches implemented by Kenyatta and Nyerere. Thus patronage led to an essentialisation and racialisation of ethnicities in Kenya, which can be juxtaposed to an almost “ethnicity-blind” situation in Tanzania, created through the radically egalitarian Ujamaa. The argumentation of this study is, apart from the relevant literature, based on nine interviews conducted in Kenya in July and August 2013. These clearly demonstrate the current ethnic tensions in Kenya, but present alternative narratives as to where these originated from, as the colonial “invention of tradition” is not perceived as such in retrospect. The last section of this paper also considers the most recent developments and detects a renegotiation and convergence of ethnic identifications in Kenya and Tanzania. Contents Introduction 2 1 Overview of definitions, concepts and debates 5 1.1 Identities 5 1.2 Ethnicity 5 1.2.1 Ethnicity and hierarchy 7 1.2.2 Ethnicity -
RITUAL [FIRST EDITION]. Although It Would
RITUAL [FIRST EDITION] 7833 ment religion in its “chastened” (antimetaphysical) Kantian social, or other content (Leach, 1968, p. 524). Thus one form. Since the 1960s, however, there has been a noteworthy could presumably discuss the ritual significance of scientific Ritschl renaissance, which has defended Ritschl before his experimental procedures, for example. For Leach, such be- neoorthodox detractors by eschewing “criticism by catch- havior should be regarded as a form of social communication words,” by relating his total theological program to its imme- or a code of information and analyzed in terms of its “gram- diate historical context, and by taking seriously his claim to mar.” Ritual is treated as a cognitive category. have constructed his system on biblical and Reformation foundations. Only slightly less vast a definition, but one that covers a very different set of phenomena, is implied by the common use of the term ritual to label religion as such, as in “the ritual BIBLIOGRAPHY view of life” or “ritual man in Africa,” the title of an article The only biography of Ritschl is that by his son, Otto, Albrecht by Robert Horton (reprinted in Lessa and Vogt, 1979). Ritschls Leben, 2 vols. (Freiburg im Breisgau, 1892–1896). Many modern theories of religion are in fact primarily theo- Otto Ritschl also edited his father’s Gesammelte Aufsätze, 2 ries of ritual, and study of the literature on either topic would vols. (Freiburg im Breisgau, 1893–1896). There are English provide an introduction to the other. translations of volumes 1 and 3 of Ritschl’s magnum opus: A Critical History of the Christian Doctrine of Justification and Another very broad but commonly encountered usage Reconciliation, translated from the first edition by John S.