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Printing of Pigments and Special Effects
TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1017 PRINTING OF PIGMENTS AND SPECIAL EFFECTS This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. Copyright 2007, Cotton Incorporated INTRODUCTION Of the print systems used on cotton in the textile industry, pigment printing accounts for as much as seventy percent of the total1. This system requires no pre or post treatment other than drying the fabric. The color gamut is wide, and the sharpness of prints is excellent. Pigments do not react with the cotton fiber and must be adhered to the fabric with a film forming binder, which may detract from the hand of the fabric. However, advances in binder systems have made positive contributions to print performance. Special effects are used in addition to or in combination with pigments to impart a unique look to fabrics. Some of the special effects examined in this bulletin include resist, discharge, and burnout techniques. Alternative pigment types such as thermotropic, phototropic, puff, and plastisol technologies will also be described. PIGMENT PRINTING A textile pigment print system includes the following parameters: • Pigment: A pigment colorant is a colored organic substance that is not readily soluble in most common solvents and imparts coloration to textile substrates only when incorporated with an adequate binder system. • Binder: A pigment binder is the latex polymer resin that forms a three-dimensional film on the surface of the fiber. This film contains the dispersion of textile pigment and will act to adhere the pigment to the surface of the substrate. -
Low Crown Visor High Crown Visor
LOW CROWN VISOR VISOR SPECIFICATIONS • Low Crown (TV1) • Velcro Adjustable Closure Only • Pre-Curved Visor Only FABRIC OPTIONS VISOR 02 • Cotton Twill Black / Texas Orange Cotton Twill • Level Three • Army, Tiger, Snow Camo (TV103): Woven Label w/ Zig-Zag Stitch (Drop • Digital Camo (Available in 7 Colors) #TG149) + Heavy Wash Upgrade • Lightweight Cotton (Oxford or Solid) • Active Heather • Performance Mesh • Performance Wick • ProHex • ProMax • Nylon VISOR 01 VISOR 03 • UV Lite Vegas UV Lite / Black / White Perforated UV Lite Cut & Sew • Level One Red / Navy / White Performance Mesh • Level (TV101): Raised & Flat Embroidery (Drop #TG098) + Double Visor Cut One (TV101): Raised & Flat Embroidery (Drop • Perforated UV Lite & Sew Upgrade (VCS009) #TG112) + Double Panel Cut & Sews Upgrade • Mossy Oak Break-Up Country® (FCS002/FCS003) + Visor Sandwich Upgrade • Mossy Oak Shadow Grass Blades® EMBELLISHMENT LEVELS • Specialty Fabrics (See Page 36) LEVEL ONE (TV101) LEVEL TWO (TV102) • Sport Mesh (Back Panels Only) 1 Front Embroidery Option 1 Front Embroidery Option • Trucker Mesh (Back Panels Only) + 1 Additional Graphic Location LEVEL THREE (TV103) LEVEL FOUR (TV104) ADDITIONAL OPTIONS 1 Front Custom Applique 1 Front Custom Applique • Custom Add-Ons + 1 Additional Graphic Location HIGH CROWN VISOR VISOR SPECIFICATIONS • High Crown (TV3) • Metal Slider Adjustable Closure Only • Pre-Curved Visor Only • Terry Cloth Headband VISOR 05 FABRIC OPTIONS Maroon Performance Mesh • Level One (TV301): Raised Embroidery (Font: Ballpark • Cotton Twill Weiner) -
Bicycle-Body-City: Experiences of Urban Cycling in Copenhagen
Bicycle-Body-City: Experiences of Urban Cycling in Copenhagen Submitted in partial fulfilment of the requirements for the degree of Master of Research (MRES) Lucinda Libershal Casbolt (BA) Department of Anthropology Macquarie University Sydney, Australia Supervised by Dr Christopher Houston Submitted 9 October 2015 Table of Contents Abstract ................................................................................................................................. 4 Statement of Authorship ................................................................................................. 5 Acknowledgements ........................................................................................................... 6 Beginnings ............................................................................................................................ 7 I. Morning Beats .......................................................................................................................... 7 II. Introduction ............................................................................................................................ 9 III. For Context .......................................................................................................................... 17 Part 1: The Bicycle-Body .............................................................................................. 22 I. Annie ....................................................................................................................................... -
KYDEX Notebook Colorpages 8
Library Colours Goal Post Cheerleader Above all else, our new colour palette is designed Pavement Stop Go-Go Mascot to inspire. Populated with the practical solutions 53263 12232 32245 62514 42647 22249 your pursuits demand. You will undoubtedly notice Constant themes, complements, and contrasts within each of the six collections. But there are no rules - pull from the palette as you see fit. Each tab represents a stock colour. Wedding 3AM Wildcard The Chairman Appletini Contact your KYDEX representative Chapel STOCK 42652 22252 42653 32249 for ordering details. 12235 Impulse Railing Ticking Corduroy Linen Flax Seersucker Julep Sugarpuff Old Silver Shade 53235 72946 72940 62518 72939 62515 32247 12236 42649 53234 Repose Parasol Blue Bonnet Teacup Veranda Smoked Bayou Sponge Cake Cotton Porch 22250 42656 32242 53262 42651 53260 12237 62509 53233 Security Wicket Blotter Iron Safe Old Money Wax Seal Bank Note Cash Out 42654 72938 72959 53261 22251 12233 32248 42655 Resolve Fraise Crema Downtown Emerald City After Dark Mostaza Ayers Ocean Riva Bolt 22254 72944 42648 32246 12240 72937 22253 Requiem 32250 42670 32243 Tangents Double Yolk Currant Path Burnt Toast Eiderdown Runway Cumulus Napoleon 22257 12238 72942 72945 62517 72943 62516 42658 ISO 9001 and 14001 Certified 6685 Low St Bloomsburg, PA 17815 USA Cambridge Academy Heather Polo The Cape First Mate Oil Skin Black Watch Phone: 800.325.3133, +1.570.389.5810 Outside the US: +1.570.389.5814 12234 32244 42650 32251 72941 42657 72936 53259 Fax: 800.452.0155, +1.570.387.7786 Tempest www.kydex.com KYDEX® Textures KYDEX® thermoplastics are offered in eight textures. -
African Textiles in the V&A 1852- 2000
Title Producing and Collecting for Empire: African Textiles in the V&A 1852- 2000 Type Thesis URL http://ualresearchonline.arts.ac.uk/6141/ Date 2012 Citation Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum. Creators Stylianou, Nicola Stella Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Producing and Collecting for Empire: African Textiles in the V&A 1852-2000 Nicola Stella Stylianou Submitted to University of the Arts London for PhD Examination October 2012 This is an AHRC funded Collaborative PhD between Research Centre for Transnational Art, Identity and Nation (TrAIN) at UAL and the Victoria and Albert Museum. Volume 1 Abstract Producing and collecting for Empire: African textiles in the V&A 1850-2000 The aim of this project is to examine the African textiles in the Victoria and Albert Museum and how they reflect the historical and cultural relationship between Britain and Africa. As recently as 2009 the V&A’s collecting policy stated ‘Objects are collected from all major artistic traditions … The Museum does not collect historic material from Oceania and Africa south of the Sahara’ (V&A 2012 Appendix 1). Despite this a significant number of Sub-Saharan African textiles have come into the V&A during the museum’s history. The V&A also has a large number of textiles from North Africa, both aspects of the collection are examined. -
B.Des. (Fashion Design)
Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000 -
New Orleans Nostalgia "Civil Suits: a Sucker Born Every Minute" Copyright 2006
NEW O RLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Civil Suits: A Sucker Born Every Minute “There’s a sucker born every minute.” This quote is attributed to P. T. Barnum but was actually made by David Hannum. He and four other investors had purchased a giant fossil man from George Hull, who had engaged in a $30,000 hoax after having had this figure carved from gypsum and buried on a cousin’s property near Cardiff, New York, in 1869. The Cardiff Giant was so popular that Barnum offered $50,000 but Hannum wouldn’t sell. So Barnum had his own fossil man carved by his own artists and called Hannum’s giant a fake. It was then that Hannum made the famous quote referring to Barnum’s giant (not realizing that his was also a fake). A civil suit brought out the truth in court and Hannum lost. Somehow the quote fitted Barnum and stuck. The quote is also apt for the summer season as seersucker suits are seen all around the Crescent City. They are the very essence of civility and gentility. Brooks Brothers (founded 1818) claims that they first introduced this fabric of puckered cotton in America in 1830 in the form of a frock coat. But the company that made the seersucker suit famous was founded in New Orleans in 1909. Joseph Haspel and his brothers created this ubiquitous raiment loved by southern gentlemen (and ladies alike) from an ideal fabric with a most interesting history. In fact, the words sugar and seersucker both come from the same root word. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
Natural Dyed Fabrics – Since 2008! – 100% Water Used in Farming/ Recharging with No Costs
Welcome to The Creative Artisans by HG Group The Creative Artisans by HG Group Future Ready • Has ZDHC (Zero Discharge of Hazardous Chemicals) since start! • Has MADRAS made from windmill energy since start! • Offers GOTS / BCI organic cotton. • Offers GRS ( Global recycle standards) blend with organic in print, madras, digital, rotary print, hand print as buyers needs. • Natural dyed fabrics – since 2008! – 100% Water used in farming/ recharging with no costs, no wastage, no harm to mother earth. • Circularity solutions for long term associations for our partners. • First to offer Zero CARBON foot print fabrics • Our fabrics has LOWEST CARBON foot print as are hand crafted. • We support women artisans and assist them with work, our majority work is doing by Women. • Since 2002, we been a nominated fabric vendor. • Our presence spans across 7 countries and in over 130+ stores worldwide. • We export fabric to China, Hong Kong, Indonesia, The United States of America, United Kingdom, Bangladesh and Sri Lanka https://thecreativeartisans.com/ • We are highly Inspired by Artisanal Textiles. • We proudly serve various Brands including Eileen Fisher, Land’s End, Faherty Brands, Ralph Lauren, Lilly Pulitzer and many others. • At The Creative Artisans, Our Silks, Natural and Organic cotton fabrics and Madras are highly valued and appreciated by our clients https://thecreativeartisans.com/ Embellished Madras Checks Block Print Panel For Wax Print Sheer Natural Dyed Hand Painted Fabric Fabric Fabric Bags Fabric Fabric Fabric Fabric We offer Ikat Shibori Jacquard Embroidery Indigo Handloom Silk Ikat Digital And Screen Fabric Fabric Fabric Fabric Fabric Fabric Fabric Print Fabric https://thecreativeartisans.com/ WOOD BLOCK PRINTED FABRIC https://thecreativeartisans.com/ WOOD BLOCK PRINTED FABRIC Block Printing on textiles refers to the technique by which carved wooden blocks covered with dye are repeatedly pressed along a length of cloth to create patterns. -
2021 Media Kit Overview
2021 MEDIA KIT OVERVIEW Classic Sewing celebrates Print and helps activate the Total Distribution 10,000 spirit, individuality, and Frequency 4x creativity in crafting one-of-a-kind garments. Digital We are the authority on Monthly Page Views 108,241 sewing trends, heirloom E-Newsletter Subscribers 67,073 techniques, and designs, featuring projects to delight the most Social discriminating sewist Followers 28,796 alongside creations from top designers. This magazine has something fabulous for all experience levels! INSTAGRAM FACEBOOK Followers 2,326 Followers 11,082 Impressions 73,632 Impressions 240,551 Engagements 4,596 Engagements 24,558 Engagement Rate 6.2% Engagement Rate 10.2% Sources—Print: Publisher’s 2020 Statement of Ownership; Digital and Social: Google Analytics, based on Jan. 2020 to Nov. 2020 data. AUDIENCE Ages 18-27 4% 87% FEMALE Ages 25-34 10% 13% MALE Ages 65+ 38% Ages 35-44 8% Ages 45-54 11% Ages 55-64 29% Sources—Print: Publisher’s 2020 Statement of Ownership; Digital and Social: Google Analytics, based on Nov. 2020 data. 2021 EDITORIAL CALENDAR lassic Sewing magazine was born out of a passion for stitching, both by hand and by machine, and Ceducating readers on the proficiencies needed to master the art of sewing. It is the industry’s leading publication on the many joys and delights of garment construction, machine and hand embroidery, and other needle arts. Classic Sewing magazine is the standard of excellence in sewing. It delights the reader with the endless techniques and design possibilities. With its quarterly frequency, it gives the subscriber time to make projects from the magazine between issues. -
City of Cyclist 2013.Pdf
CITY OF CYCLISTS - Copenhagen bicycle life MONUMENTAL MOTION Upon visiting new cities we instinctively look upwards, seeking out grand monuments that define the place. Here in the Danish capital, the iconic Little Mermaid statue has caused generations of visitors to utter the same four words: “But she’s so small!” Therein lies the key to understanding Copenhagen. The Little Mermaid isn’t small, you see. She’s life-size. Much like the city that she calls home. If it’s monuments you’re after in Copenhagen, look all around you. Right there at street level. Our greatest monument is motion. It is a massive, constant, rhythmic and life-sized legacy. This never-ending flow of Copenhageners on bicycles has been forty years in the making. In the 1960s, this city was just as car-clogged as anywhere else. Visionary decisions were made and the result can be seen all around you. The vast network of safe, segregated bike lanes crisscrossing the city has encouraged us to choose the bicycle. The people who make up this organic monument are from all walks of life. From every age and wage bracket. We don’t have cyclists in Copen- hagen, we merely have people who happen to ride their bicycles. Cycling in Copenhagen brings us closer to the life of the city and the people who inhabit it. Your fellow citizens are right there next to you, propelling themselves effortlessly through the urban landscape. We are one with our town on our bicycles. 2 MONUMENTAL MOTION MODAL SHARE OF TRIPS IN 2012 HOW MUCH DO COPENHAGENERS CYCLE? 6% 11% 20% 26% 1.27 M 25% 36% 14% Cycled