DOCSLIB.ORG

2021 Media Kit Overview

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2021 Media Kit Overview 2021 MEDIA KIT OVERVIEW Classic Sewing celebrates Print and helps activate the Total Distribution 10,000 spirit, individuality, and Frequency 4x creativity in crafting one-of-a-kind garments. Digital We are the authority on Monthly Page Views 108,241 sewing trends, heirloom E-Newsletter Subscribers 67,073 techniques, and designs, featuring projects to delight the most Social discriminating sewist Followers 28,796 alongside creations from top designers. This magazine has something fabulous for all experience levels! INSTAGRAM FACEBOOK Followers 2,326 Followers 11,082 Impressions 73,632 Impressions 240,551 Engagements 4,596 Engagements 24,558 Engagement Rate 6.2% Engagement Rate 10.2% Sources—Print: Publisher’s 2020 Statement of Ownership; Digital and Social: Google Analytics, based on Jan. 2020 to Nov. 2020 data. AUDIENCE Ages 18-27 4% 87% FEMALE Ages 25-34 10% 13% MALE Ages 65+ 38% Ages 35-44 8% Ages 45-54 11% Ages 55-64 29% Sources—Print: Publisher’s 2020 Statement of Ownership; Digital and Social: Google Analytics, based on Nov. 2020 data. 2021 EDITORIAL CALENDAR lassic Sewing magazine was born out of a passion for stitching, both by hand and by machine, and Ceducating readers on the proficiencies needed to master the art of sewing. It is the industry’s leading publication on the many joys and delights of garment construction, machine and hand embroidery, and other needle arts. Classic Sewing magazine is the standard of excellence in sewing. It delights the reader with the endless techniques and design possibilities. With its quarterly frequency, it gives the subscriber time to make projects from the magazine between issues. Classic Sewing follows the seasons in project themes, and the editorial content is focused on that as well. Regardless of the sewing skill level of the readers, there are projects in each issue for everyone. The content is designed to provide education and instruction to the readers. Through the pages of this magazine, with detailed instructions, you can advance your skills at your own pace. It also introduces new fabrics, equipment, and notions in every issue. The magazine comes poly-bagged with a full-size sewing pattern envelope containing paper patterns for several garments in the issue. Plus, there are countless downloads featuring patterns, machine embroidery designs, added technique instruction, and anything that is needed to complete the projects featured. The magazine is filled with designs from the top designers in the sewing industry. Beginning with the Spring Issue, Easter sewing is introduced, followed by the Summer Issue, where casual, fun sewing projects are featured. The back-to-school Fall Issue kicks off the season for cooler months. The sewing year culminates with the Holiday Spring 2021 Christmas Issue, featuring a plethora of holiday fashions, gift ideas, and enjoyable sewing ideas for your home. During the year, the subscriber receives more than $500-worth of Materials Due 1/5 | On Sale 2/23 Materials Due 8/24 | On Sale 10/26 patterns, embroidery designs, smocking plates, and appliqué patterns. Summer Spring 2022 The year 2021 promises to be even more inspirational. Machine sales are increasing, as Materials Due 2/17 | On Sale 4/27 Materials Due 12/20 | On Sale 2/22 new people are entering the sewing world. Classic Sewing will continue to be the leader in the industry going forward, providing projects for these new sewists as well as the Autumn very advanced sewists. Materials Due 5/19 | On Sale 7/27 Editor, Classic Sewing PRINT MARKETING Classic Sewing was crafted to allow readers to slow down, unplug, and escape without distraction. Turning the pages is an experience readers can feel in the weight and texture of the paper in their hands, see in the compelling images and clean design, and bring to life in their next sewing project. Success is due to a loyal, trusting readership confident the publication will deliver every time. Combined with a commitment to a 30/70 ad-to-edit ratio, it creates a targeted, expected environment for advertising. Advertising Rates Digital Editions Cover 2, Page 1 $9,000 All advertisements run on digital Spread $8,000 editions at no additional charge. Full Page $4,000 Option to include a hyperlink 1/2 Page $3,000 to direct readers to advertiser 1/3 Page $2,000 website. 1/4 Page $1,600 Cover 4 $5,000 Business Reply Card, Polybag, and Inserts Ad Specs Pricing available upon request; Trim Size 8.0" x 10.875" all business reply cards must Full Page 8.25" x 11.125" accompany a minimum of a (bleed only) full-page advertisement. 1/2 Page (H) 6.875" x 4.625" 1/3 Page (SQ) 4.5" x 4.625" 1/3 Page (V) 2.1875" x 9.375" 1/4 Page 3.375" x 4.625" Frequency pricing and custom-program proposals available upon request. All rates are net. ! ! ! DIGITAL MARKETING From: Classic Sewing Magazine [email protected] From: Classic Sewing Magazine [email protected] From: Classic Sewing Magazine [email protected] Subject: The Perfect Easter Ensemble Subject: Smocked Sharks Bring Big Smiles Subject: Happy Bunnies Date: February 11, 2020 at 3:07 PM Date: April 21, 2020 at 9:15 AM Date: March 16, 2020 at 12:03 PM To: [email protected] To: [email protected] To: [email protected] View this email in your browser View this email in your browser View this email in your browser Dear Sewing Friends, Dear Sewing Friends, Dear Sewing Friends, What could be cuter than two precious bunnies Every little boy loves his sea friends—especially This adorable dress by Kathy Drew with appliqué on a jacket for Easter? The dress alone is a cute little sharks! Picture smocking is so much bunnies will be an Eastertime favorite. I love the wonderful wardrobe piece—and when paired with fun, and this is a wonderful project with which to way Kathy used the same dress fabric for the the jacket, which is piped in the same fabric, it is begin. There are very few color changes, so you bunnies! the perfect ensemble. can enjoy stacking your stitches. Digital placements, written by the editors of Classic Sewing, allow content to travel to meet readers in the right place, through the right Cora’s Dress and The Easter Jacket Smocked Sharks Happy Bunnies platform, at the right moment on Crisp, cool spring weather calls for a cute jacket and dress ensemble, especially Ann Parker has created a wonderful smocking design for little boys—girls too, if they Scampering for the petite carrot, two little bunnies are ready for spring on this when there is a soft pastel bunny peeking around each side. Designed by Beth Dix like sharks. These whimsical, friendly sharks are sure to bring big smiles. The bold precious appliqué machine embroidery design from Kathy Drew! Pictured here on of Primrose Lane, this sweet ensemble is a wonderful choice for your little girl’s green complements the lighter green seersucker and shows off the smocking. This the Sundress and Shorts Set pattern by Creations by Michié, these bunnies will add Easter outfit. This project is featured in our new Spring 2020 issue of Classic Sewing project is a wonderful way to learn picture smocking, as there are very few color the perfect touch to your spring and Easter projects. This project is featured in our their journey. magazine. changes and the motif is repetitive across the panel. The project is featured in the Spring 2020 issue of Classic Sewing magazine. new Summer 2020 issue of Classic Sewing magazine. Leverage our deep expertise in engaging content creation, and get Sew Along With Us! Mark your calendar for the Flower Power Sew-Along sponsored by Classic Sewing magazine and HUSQVARNA® VIKING®! This five-week sew-along will to know our passionate audience launch April 28, 2020. We’ll be making this cute Flower Power top with matching pants or a skirt (or both). This project was designed by Alicia Welcher, assistant [ BLOG POST VIA HOME PAGE ] editor of Classic Sewing. We will also be giving away a HUSQVARNA® VIKING® EPIC™ 980Q sewing machine to one lucky winner. Valued at $9,999, this machine features intuitive, leading-edge features created to help you get from “idea to done” through custom digital and social in less time than ever before. New Leaf and Petal Monogram Sew a Wardrobe of Cute Doll Clothes placements timed to complement Have you seen the new 2020 Classic Sewing Subscribers Monogram? Designed by Sew along with Connie Palmer to create a wardrobe of cute-as-pie 18" doll Helen Catherine Reich and digitized by John Deer, this alphabet is a wonderful garments! This online club features exclusive downloadable patterns and full addition to your machine embroidery collection. The designs include uppercase directions. Sign up today for instant access to all seven projects! letters, coordinating numbers, and a decorative border design. Featuring floral accents, the collection is ideal for monogramming special projects. This monogram your internal marketing campaigns set is free to Classic Sewing magazine subscribers with an active subscription (log in to your account to access). It is also available to purchase separately. From Bernina, a partner of Classic Sewing magazine. and drive web traffic. From Children’s Corner Store, a partner of Classic Sewing magazine. Triple Treat: Organizer Projects Create an organizer pouch in a trio of sizes in this online course with Katie Bartz. This pouch can be made with or without an embroidery machine⁠—either way, it offers a collection of valuable techniques you can transfer to other parts of your sewing. You’ll perfect the creation of welt zipper projects and top zipper insertions with Katie’s simple methods as you create this fully-lined project.
Load more

Recommended publications
  • Printing of Pigments and Special Effects
    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1017 PRINTING OF PIGMENTS AND SPECIAL EFFECTS This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. Copyright 2007, Cotton Incorporated INTRODUCTION Of the print systems used on cotton in the textile industry, pigment printing accounts for as much as seventy percent of the total1. This system requires no pre or post treatment other than drying the fabric. The color gamut is wide, and the sharpness of prints is excellent. Pigments do not react with the cotton fiber and must be adhered to the fabric with a film forming binder, which may detract from the hand of the fabric. However, advances in binder systems have made positive contributions to print performance. Special effects are used in addition to or in combination with pigments to impart a unique look to fabrics. Some of the special effects examined in this bulletin include resist, discharge, and burnout techniques. Alternative pigment types such as thermotropic, phototropic, puff, and plastisol technologies will also be described. PIGMENT PRINTING A textile pigment print system includes the following parameters: • Pigment: A pigment colorant is a colored organic substance that is not readily soluble in most common solvents and imparts coloration to textile substrates only when incorporated with an adequate binder system. • Binder: A pigment binder is the latex polymer resin that forms a three-dimensional film on the surface of the fiber. This film contains the dispersion of textile pigment and will act to adhere the pigment to the surface of the substrate.
    [Show full text]
  • Low Crown Visor High Crown Visor
    LOW CROWN VISOR VISOR SPECIFICATIONS • Low Crown (TV1) • Velcro Adjustable Closure Only • Pre-Curved Visor Only FABRIC OPTIONS VISOR 02 • Cotton Twill Black / Texas Orange Cotton Twill • Level Three • Army, Tiger, Snow Camo (TV103): Woven Label w/ Zig-Zag Stitch (Drop • Digital Camo (Available in 7 Colors) #TG149) + Heavy Wash Upgrade • Lightweight Cotton (Oxford or Solid) • Active Heather • Performance Mesh • Performance Wick • ProHex • ProMax • Nylon VISOR 01 VISOR 03 • UV Lite Vegas UV Lite / Black / White Perforated UV Lite Cut & Sew • Level One Red / Navy / White Performance Mesh • Level (TV101): Raised & Flat Embroidery (Drop #TG098) + Double Visor Cut One (TV101): Raised & Flat Embroidery (Drop • Perforated UV Lite & Sew Upgrade (VCS009) #TG112) + Double Panel Cut & Sews Upgrade • Mossy Oak Break-Up Country® (FCS002/FCS003) + Visor Sandwich Upgrade • Mossy Oak Shadow Grass Blades® EMBELLISHMENT LEVELS • Specialty Fabrics (See Page 36) LEVEL ONE (TV101) LEVEL TWO (TV102) • Sport Mesh (Back Panels Only) 1 Front Embroidery Option 1 Front Embroidery Option • Trucker Mesh (Back Panels Only) + 1 Additional Graphic Location LEVEL THREE (TV103) LEVEL FOUR (TV104) ADDITIONAL OPTIONS 1 Front Custom Applique 1 Front Custom Applique • Custom Add-Ons + 1 Additional Graphic Location HIGH CROWN VISOR VISOR SPECIFICATIONS • High Crown (TV3) • Metal Slider Adjustable Closure Only • Pre-Curved Visor Only • Terry Cloth Headband VISOR 05 FABRIC OPTIONS Maroon Performance Mesh • Level One (TV301): Raised Embroidery (Font: Ballpark • Cotton Twill Weiner)
    [Show full text]
  • KYDEX Notebook Colorpages 8
    Library Colours Goal Post Cheerleader Above all else, our new colour palette is designed Pavement Stop Go-Go Mascot to inspire. Populated with the practical solutions 53263 12232 32245 62514 42647 22249 your pursuits demand. You will undoubtedly notice Constant themes, complements, and contrasts within each of the six collections. But there are no rules - pull from the palette as you see fit. Each tab represents a stock colour. Wedding 3AM Wildcard The Chairman Appletini Contact your KYDEX representative Chapel STOCK 42652 22252 42653 32249 for ordering details. 12235 Impulse Railing Ticking Corduroy Linen Flax Seersucker Julep Sugarpuff Old Silver Shade 53235 72946 72940 62518 72939 62515 32247 12236 42649 53234 Repose Parasol Blue Bonnet Teacup Veranda Smoked Bayou Sponge Cake Cotton Porch 22250 42656 32242 53262 42651 53260 12237 62509 53233 Security Wicket Blotter Iron Safe Old Money Wax Seal Bank Note Cash Out 42654 72938 72959 53261 22251 12233 32248 42655 Resolve Fraise Crema Downtown Emerald City After Dark Mostaza Ayers Ocean Riva Bolt 22254 72944 42648 32246 12240 72937 22253 Requiem 32250 42670 32243 Tangents Double Yolk Currant Path Burnt Toast Eiderdown Runway Cumulus Napoleon 22257 12238 72942 72945 62517 72943 62516 42658 ISO 9001 and 14001 Certified 6685 Low St Bloomsburg, PA 17815 USA Cambridge Academy Heather Polo The Cape First Mate Oil Skin Black Watch Phone: 800.325.3133, +1.570.389.5810 Outside the US: +1.570.389.5814 12234 32244 42650 32251 72941 42657 72936 53259 Fax: 800.452.0155, +1.570.387.7786 Tempest www.kydex.com KYDEX® Textures KYDEX® thermoplastics are offered in eight textures.
    [Show full text]
  • African Textiles in the V&A 1852- 2000
    Title Producing and Collecting for Empire: African Textiles in the V&A 1852- 2000 Type Thesis URL http://ualresearchonline.arts.ac.uk/6141/ Date 2012 Citation Stylianou, Nicola Stella (2012) Producing and Collecting for Empire: African Textiles in the V&A 1852-2000. PhD thesis, University of the Arts London and the Victoria and Albert Museum. Creators Stylianou, Nicola Stella Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected]. License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Producing and Collecting for Empire: African Textiles in the V&A 1852-2000 Nicola Stella Stylianou Submitted to University of the Arts London for PhD Examination October 2012 This is an AHRC funded Collaborative PhD between Research Centre for Transnational Art, Identity and Nation (TrAIN) at UAL and the Victoria and Albert Museum. Volume 1 Abstract Producing and collecting for Empire: African textiles in the V&A 1850-2000 The aim of this project is to examine the African textiles in the Victoria and Albert Museum and how they reflect the historical and cultural relationship between Britain and Africa. As recently as 2009 the V&A’s collecting policy stated ‘Objects are collected from all major artistic traditions … The Museum does not collect historic material from Oceania and Africa south of the Sahara’ (V&A 2012 Appendix 1). Despite this a significant number of Sub-Saharan African textiles have come into the V&A during the museum’s history. The V&A also has a large number of textiles from North Africa, both aspects of the collection are examined.
    [Show full text]
  • B.Des. (Fashion Design)
    Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERITY, LUCKNOW FACULTY OF ARCHITECTURE AND PLANNING B.Des. (Fashion Design) Scheme of Teaching, Examination & Syllabus (Session 2020-21) Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B. DES. (Fashion Design) SCHEME OF TEACHING AND EXAMINATIONS B.Des.: I Semester w.e.f. 2020 -2021 Continuous Exam Teaching Exam & Subject Subject Assessments Examination Marks Time Subject Name Credits Sessional Code Category Hours/ Periods Marks (Hr) L Tu St/P Total T P/V Total BD101 PC Theory of Design-I 2 1 3 3 50 50 50 100 3 BD102 CF Ergonomics 2 1 3 3 50 50 50 100 3 BD103 CF Civilization Culture & Fashion 1 1 2 2 50 50 50 100 3 BD104 PD Communication skills 1 1 2 2 60 40 40 100 3 BD105 CF Sketching 1 2 3 3 60 40 40 100 - BD106 CF Visualization and Representation-I 1 4 5 3 60 40 40 100 - BD107 CF Model Making/ Workshop 1 3 4 3 60 40 40 100 - BD108 CF Basic Design-I 2 6 8 5 50 50 50 100 3 Total Credit’s Total 11 4 15 30 24 800 GRAND TOTAL Notes: A semester contains approximately of 16 working weeks (90 workdays) each. The examinations of all subjects are conducted at the end of the semester. The viva-voce and practical examinations of subjects are jointly conducted by two examiners: one internal and one external. Abbreviations: L = Lectures; Tu = Tutorial; St/P = Studio/Practical; T = Theory; P/V = Practical/Viva-voce, PC = Professional Core; CF = Core Foundation; DE = Departmental Elective; PD = Professional Development; HS = Human Sciences; AC = Applied Compulsory Course; BS = Building Sciences; OE = Other Departmental Elective; PE = Professional Elective Faculty of Architecture and Planning, Integral University, Lucknow INTEGRAL UNIVERSITY, LUCKNOW B.
    [Show full text]
  • A Dictionary of Men's Wear Works by Mr Baker
    LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000
    [Show full text]
  • New Orleans Nostalgia "Civil Suits: a Sucker Born Every Minute" Copyright 2006
    NEW O RLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Civil Suits: A Sucker Born Every Minute “There’s a sucker born every minute.” This quote is attributed to P. T. Barnum but was actually made by David Hannum. He and four other investors had purchased a giant fossil man from George Hull, who had engaged in a $30,000 hoax after having had this figure carved from gypsum and buried on a cousin’s property near Cardiff, New York, in 1869. The Cardiff Giant was so popular that Barnum offered $50,000 but Hannum wouldn’t sell. So Barnum had his own fossil man carved by his own artists and called Hannum’s giant a fake. It was then that Hannum made the famous quote referring to Barnum’s giant (not realizing that his was also a fake). A civil suit brought out the truth in court and Hannum lost. Somehow the quote fitted Barnum and stuck. The quote is also apt for the summer season as seersucker suits are seen all around the Crescent City. They are the very essence of civility and gentility. Brooks Brothers (founded 1818) claims that they first introduced this fabric of puckered cotton in America in 1830 in the form of a frock coat. But the company that made the seersucker suit famous was founded in New Orleans in 1909. Joseph Haspel and his brothers created this ubiquitous raiment loved by southern gentlemen (and ladies alike) from an ideal fabric with a most interesting history. In fact, the words sugar and seersucker both come from the same root word.
    [Show full text]
  • The Textile Museum Thesaurus
    The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy ..................................................................................
    [Show full text]
  • Natural Dyed Fabrics – Since 2008! – 100% Water Used in Farming/ Recharging with No Costs
    Welcome to The Creative Artisans by HG Group The Creative Artisans by HG Group Future Ready • Has ZDHC (Zero Discharge of Hazardous Chemicals) since start! • Has MADRAS made from windmill energy since start! • Offers GOTS / BCI organic cotton. • Offers GRS ( Global recycle standards) blend with organic in print, madras, digital, rotary print, hand print as buyers needs. • Natural dyed fabrics – since 2008! – 100% Water used in farming/ recharging with no costs, no wastage, no harm to mother earth. • Circularity solutions for long term associations for our partners. • First to offer Zero CARBON foot print fabrics • Our fabrics has LOWEST CARBON foot print as are hand crafted. • We support women artisans and assist them with work, our majority work is doing by Women. • Since 2002, we been a nominated fabric vendor. • Our presence spans across 7 countries and in over 130+ stores worldwide. • We export fabric to China, Hong Kong, Indonesia, The United States of America, United Kingdom, Bangladesh and Sri Lanka https://thecreativeartisans.com/ • We are highly Inspired by Artisanal Textiles. • We proudly serve various Brands including Eileen Fisher, Land’s End, Faherty Brands, Ralph Lauren, Lilly Pulitzer and many others. • At The Creative Artisans, Our Silks, Natural and Organic cotton fabrics and Madras are highly valued and appreciated by our clients https://thecreativeartisans.com/ Embellished Madras Checks Block Print Panel For Wax Print Sheer Natural Dyed Hand Painted Fabric Fabric Fabric Bags Fabric Fabric Fabric Fabric We offer Ikat Shibori Jacquard Embroidery Indigo Handloom Silk Ikat Digital And Screen Fabric Fabric Fabric Fabric Fabric Fabric Fabric Print Fabric https://thecreativeartisans.com/ WOOD BLOCK PRINTED FABRIC https://thecreativeartisans.com/ WOOD BLOCK PRINTED FABRIC Block Printing on textiles refers to the technique by which carved wooden blocks covered with dye are repeatedly pressed along a length of cloth to create patterns.
    [Show full text]
  • Identifying Woven Textiles 1750-1950 Identification
    Identifying Woven Textiles 1750–1950 DATS in partnership with the V&A 1 Identifying Woven Textiles 1750–1950 This information pack has been produced to accompany two one-day workshops taught by Katy Wigley (Director, School of Textiles) and Mary Schoeser (Hon. V&A Senior Research Fellow), held at the V&A Clothworkers’ Centre on 19 April and 17 May 2018. The workshops are produced in collaboration between DATS and the V&A. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying woven textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the wider public and is also intended as a stand-alone guide for basic weave identification. Other workshops / information packs in the series: Identifying Textile Types and Weaves Identifying Printed Textiles in Dress 1740–1890 Identifying Handmade and Machine Lace Identifying Fibres and Fabrics Identifying Handmade Lace Front Cover: Lamy et Giraud, Brocaded silk cannetille (detail), 1878. This Lyonnais firm won a silver gilt medal at the Paris Exposition Universelle with a silk of this design, probably by Eugene Prelle, their chief designer. Its impact partly derives from the textures within the many-coloured brocaded areas and the markedly twilled cannetille ground. Courtesy Francesca Galloway. 2 Identifying Woven Textiles 1750–1950 Table of Contents Page 1. Introduction 4 2. Tips for Dating 4 3.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • Digital Textiles™
    Digital Textiles™ Following is a list of images included in Digital Textiles™. Most images are shown in two magnifications, and more than one example is shown of some, resulting in well over 1500 images in the complete set. So while this list does contain the repetition of multiple examples or magnifications, it should give you a good idea as to the content and coverage of the topic of textiles offered by Digital Textiles™. Volume 1: Natural Fibers PART 1: COTTON AND OTHER SEED HAIR FIBERS Cotton boll Photomicrographs of cotton fiber Photomicrographs of cotton fiber—cross section Picker lap Card sliver Drawn sliver Roving Filling yarn (untreated) Warp yarn (treated) Greige goods Bleached goods Dyed and finished goods Printed and glazed goods Pima cotton Organically colored cotton boll Organically colored cotton sliver Organically colored cotton knit Egyptian cotton organically colored washcloth Certified organically grown cotton t-shirt Organically colored, organically grown cotton So-called “green” cotton Recycled denim pencil and paper Cotton terry cloth Cotton batik Cotton shirting Cotton denim Cotton corduroy Cotton lace “Tussah” cotton Cotton drapery Mercerized cotton upholstery Cotton carpet Coir rug Kapok fiber Milkweed floss Volume 1: Natural Fibers PART 2: FLAX AND OTHER BAST FIBERS, AND MISC. CELLULOSICS Unbleached flax top Photomicrographs of flax fibers Photomicrographs of flax fibers—cross section Bleached flax top Handkerchief linen Linen damask Linen drapery Linen upholstery Ramie sliver Photomicrograph of cotton and ramie
    [Show full text]