DOCSLIB.ORG

'Mame' Resurrects America's Favorite Madcap Aunt

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
'Mame' Resurrects America's Favorite Madcap Aunt ‘Mame’ resurrects America’s favorite madcap aunt By Bob Evans Leawood Stage Company/Ironwood Lo As Auntie Mame proclaims in novel, play and musical, “Life’s a banquet.” To Auntie Mame, every day is a holiday; and she believes one should live life to the fullest, find happiness in each new adventure, challenge your limits, experience new learning, and love with all your heart. The charming story by Patrick Dennis tells of his life with his eccentric aunt after the death of his father. Patrick is left as the charge of his only living relative, Mame Dennis, whom he finds unconventional–to say the least. Patrick becomes the newest and most exciting adventure in Mame’s life as she begins to school him, educate him, and expand his mind from the conservative life he knew to become a well-rounded, free thinking, well educated person who sees life as a daily adventure. Leawood Stage Company/Ironwood Lodge Patrick and his nanny, Agnes Gooch meet Auntie Mame at one of her famous cocktail parties. As Agnes later says, “She’s had 13 cocktail parties in 14 days…She cancelled one because the bootlegger was sick.” Such sets the stage for Mame’s message: Live, live, live. As the story progresses, the mantra of “live, live, live” evolves into a love story of “love, love, love” which is the second message of “Mame.” Jerry Herman’s score, accompanies the story in probably Herman’s best overall score of a musical. Mame’s entrance “It’s Today” sets the tone for the balance of the story. Herman’s score includes: “Open a New Window,” “Mame,”“My Best Girl,” “Bosom Buddies,” “We Need a Little Christmas,” and the most famous “If He Walked into My Life,.” The original novel, Auntie Mame was written by Patrick Dennis, and later adapted as a play by Jerome Lawrence, Robert E. Lee (who also wrote the dramatic “Inherit the Wind”). Leawood Stage Company/Ironwood Lodge The novel encompasses changing times in America because it begins in the Roaring 20s, specifically 1928, continues through The Great Depression and continues to circa 1946. The musical adaptation concludes before WWII. But, in the time span, viewers learn more and more that Auntie Mame’s philosophy and life-lessons never change. In every situation, Mame wins. Mame is the ultimate winner. She’s brash, educated, head-strong, manipulative, and the most devoted family a person could want. Leawood Stage Company/Ironwood Lodge Attend this seldom produced musical comedy and fall in love with Mame Dennis. A sparkling cast brings this seldom seen classic to life. A creative design by directors Seth McClintock and David Shook present “Mame” in-the-round, giving movement to the piece which is a great change and helps the show continue to move with a small cast. The show generally features a huge cast with lots of splashy choreographed dance numbers. To make up for that, this format works very well. Leawood Stage Company/Ironwood Lodge Standout performances in “Mame” are Stasha Case whose timing and comedic delivery carries the show. Without a strong Mame, the show dims. Case’s strong performance gives her co-stars a character to interact and play off. Annette Cook as Mame’s best friend, Vera Charles fits her character like a well-made glove. Her dead pan delivery of lines and Vera’s acid-tonged remarks make audiences laugh whenever she’s on stage. Elaina Smith as Agnes Gooch, Patrick’s nanny/Mame’s secretary possesses a beautiful soprano voice and her “new-life- experience” gives a lot of laughs toward the end of the show. And, what would Auntie Mame be without her nephew Patrick? Two actors share the role as young and adult Leawood Stage Company/Ironwood Lodge Patrick Dennis. Both Drew Squire and Alec Bridges charm their way through the show with great vocals and line delivery. As each show must have a villain, Mr. Babcock, played by Rod Chapin, serves as a strong villain and adversary to Mame. Chapin’s clashes with Mame make him a memorable piece of the show as he challenges Mame’s eccentricities with his demand for a conservative-minded education for Patrick. “Mame” is fun-filled entertainment. It’s a show focused on relationships and uncompromising love. The feel-good show takes you on a joyride that leaves the audience smiling and humming its tuneful score. Sadly, the show only performs Nov. 1-4 in the Lodge at Ironwoods in Leawood. Leawood Stage Company/Ironwood Lodge The cast is: Stasha Case as Mame Dennis, Drew Squire as young Patrick, Alec Bridges as Patrick, Annette Cook as Vera Charles, Elaina Smith as Agnes Gooch, James Azeltine as Beauregard Jackson Picket Burnside/Mr. Upson, Bill Bergman as Lindsay Woolsey, Frosty White as Louie, Rod chapin as Dwight Babcock, Mother Burnside/Mrs. Upson, Debbie Blinn, Valerie Knott as Gloria Upson, Susan Neu as Beverly Devine/Stage Manager, Matt Runnells as Uncle Jeff/Leading Man/Bishop, Breanna Danielle Swatzel as Madame Branislowski//Sally Cato, Drew Jones Junior Babcock/featured dancer Trudy Hurley as Cousin Fan, Zoe Lepper as Pegeen Riley/Dance Teacher, Camille Breckenridgs as Artist Model/Messenger, Noah Bridges as Peter Dennis/Elevator Boy, Madison Bragg as Featured Dancer, Ryan Stevens as Artist/Featured Dancer; Ensemble: Michael Blinn, Frankin Reitz, Willa Walberg. Leawood Stage Company/Ironwood Lodge The Creative Team is: Directors: Seth McClintock & David Shook, directors, David Shook, vocal music director; Mindy Moritz, choreographer; Susan Mitchell, accompanist; Kenneth Tysick, conductor; Kenneth Tysick, conductor; Ken Tysick, assistant conductor; Dave Powell, technical director; Caroline Jackson, stage manager; Mary Shook, props; Kyle Wood, sound design; Philip Leonard, lighting design; Mary Williams, wardrobe assistant; Annette Cook, costumer; April Bishop, producer. Leawood Stage Company/Ironwood Lodge Special kudos go to Annette Cook as costumer for the show. For this production, Mame changed costumes 19 times–all depicting Mame’s changing life-expansion and experiences. As for the balance of the cast, the costumes were bright, glitzy, and outstandingly selected to match each scene. Choreography also stands out with Mindy Moritz added attention to paring down a huge dance number to fit the confines of Leawood Lodge. Leawood Stage Company/Ironwood Lodge Jerry Herman’s score, bold, brassy, fast requires some special talents. The score is difficult and intricate. Leawood Stage’s orchestra for this production matched the needs of the music perfomance necessary to produce “Mame.” The “Mame” Orchestra: Conductor, Kenneth Tysick; Assistant Conductor, Ken Tysick; Jim Vinkenberg – Flute/Alto/Clarinet; Amanda Personett – Tenor/Soprano; Amy Schwartz – Oboe/English Horn; Kathleen Crilley – Cello; Liz Karre – Bass, Lisa Watkins – Harp; Michael Marsh – Trumpet 1; Jacob Kingsley – Trumpet 2; Ken Tysick – Trombone 1; Dave Lovetere – Trombone 2; Larry Miller – Synthesizer; Keyboard – Susan Mitchell; Johnny Tracy- Percussion. Leawood Stage Company/Ironwood Lodge Performance dates for “Mame”: Thursday, November 1, 7:30 p.m.; Friday, November 2, 7:30 p.m.; Saturday, November 3, 5:59 p.m. with benefit reception until 7 p.m. (special pricing applies); Saturday, November 3, 7:30 p.m.; Sunday, November 4, 2 p.m. Tags: Mame, Leawood Stage Company, Ironwoods Lodge, Kansas City Theatre, Kansas City Performing Arts, Kansas City Arts & Entertainment.
Load more

Recommended publications
  • TAR HEEL TALK Winter 2019 Issue No
    TAR HEEL TALK Winter 2019 Issue No. 157 N.C. Library for the Blind and Physically Handicapped FEATURES • Staff Features • Books on Demand • BARD Madness TAR HEEL TALK 1 STAFF FEATURES: JOSH BERKOV What are your duties really enjoy working at NCLBPH? here, and he was right. I am the Collection It’s been a wonderful Management Librarian. experience, even if it I spend my time classi- does take me away fying incoming vol- from my cats every day umes; selecting and or- for 9 hours. dering large-print ti- What does your posi- tles, DVDs, and Braille tion mean to you? materials; administer- I have been a professional li- ing the Library’s Interlibrary brarian since October 2007, Loan program and playing serv- and this is probably the most ant to his two beautiful cats Ty- rewarding position I have had son and Felix. Oh wait, scratch in terms of knowing that the that! work that I do literally helps How long have you been with thousands of North Carolinians NCLBPH? every single day. If it weren’t It’ll be five years in June 2019. for the subject-coding work Five long and torturous years. that I do, a reader who prefers Um, you’re not going to print cozy mysteries might acci- this, are you? dentally be sent a vampire- filled occult mystery, or a read- What made you decide to ap- er who prefers Amish romances ply at NCLBPH? might end up with a spicy ro- I have a friend who worked mance instead. We certainly here years ago, Lyman Clay- can’t have any of that going on! born, who knew that I was What does a service like the looking for a new job.
    [Show full text]
  • Due to Popular Demand Mame Has Been Extended!
    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] FOR IMMEDIATE RELEASE: May 2, 2012 Due to popular demand Mame has been Extended! - Unprecedented attendance spurs one week extension- - Star of Broadway’s Mamma Mia! Louise Pitre, draws fans from across the U.S. and Canada - EAST HADDAM, CONN., MAY 2, 2012: Goodspeed Musicals, the first two time Tony Award-winning theatre in the country, announced today that the tremendously popular Mame will now to play to enthusiastic audiences for 8 additional performances. This joyful and spirited musical comedy has been extended through July 7, 2012. Mame is sponsored by Liberty Bank, Mohegan Sun, and The Shops at Mohegan Sun. “Audiences are falling in love with Auntie Mame and are even coming back a second time with family and friends. We wish we could extend further, but we cannot. Our message to potential visitors? Get your tickets now!” exclaimed Executive Director Michael Price. Performances are Wednesdays at 2 and 7:30 p.m.; Thursdays at 2 and 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 3 and 8 p.m.; and Sundays at 2 p.m. Added performances are: Tuesday, July 3 at 2 and 7:30 p.m.; Wednesday, July 4 at 2 p.m.; Thursday, July 5, at 2 and 7:30 p.m.; Friday, July 6, at 8 p.m.; and Saturday, July 7, at 2 and 6:30 p.m. For a complete schedule and tickets call the Box Office at 860.873.8668, open seven days a week or visit us online at www.goodspeed.org.
    [Show full text]
  • Jerome Lawrence & Robert Edwin Lee Jerry Herman
    Artistic Director Bruce Miller Managing Director Phil Whiteway BOOK BY JEROME LAWRENCE & ROBERT EDWIN LEE MUSIC AND LYRICS BY JERRY HERMAN Based on the novel by PATRICK DENNIS and the play “Auntie Mame” by LAWRENCE & LEE Dance and Musical numbers for the Broadway production staged by ONNA WHITE, and Directed by GENE SAKS Produced for the New York Stage by FRYER, CARR & HARRIS STAGE MANAGEMENT Christi B. Spann* SOUND DESIGN SET DESIGN LIGHT DESIGN COSTUME DESIGN Derek Dumais Ron Keller+ Lynne M. Hartman+ Sue Griffin ASSOCIATE CHOREOGRAPHER Brad Willcuts MUSIC DIRECTOR John Winn DIRECTOR/CHOREOGRAPHER Patti D’Beck^ Season Sponsors: Additional Support provided by: Funding for musicians provided by The Windsor Foundation CAST (in order of appearance) SONGS Young Patrick ���������������������������������������������������������������������������������������������������������Brandon McKinney ACT ONE Agnes ��������������������������������������������������������������������������������������������������������������������������������Audra Honaker St. Bridget ................................................................................................. Young Patrick and Agnes Vera �������������������������������������������������������������������������������������������������������������������Desiree Roots Centéio* It’s Today .............................................................................................................................Mame and All Mame ����������������������������������������������������������������������������������������������������������������������������������Emily
    [Show full text]
  • Saratoga Drama Group Presents
    Saratoga Drama Group presents May - June 2001 Saratoga Drama Group A Very Special Guest: Janis Paige presents As our opening-night guest we are extremely pleased to welcome Miss Janis Paige. Miss Paige starred in the original Broadway production of Mame, taking over the title role from its originator, Angela Lansbury. With an all-encompassing talent that embraces the worlds of stage, movies and television, Miss Paige is equally at home in dramatic, comic and musical roles. Prior to her stage career, she enjoyed wide acclaim Book by for her starring roles in motion pictures, Jerome Lawrence beginning with Hollywood Canteen and and continuing through a four-year tenure as a Robert E. Lee Warner Brothers star. Her introduction to Broadway came purely by accident, when producer Leland Hayward, desperately searching through some 200 applicants for Music and Lyrics by the role of Judy Revere in the Howard Lindsay-Russell Crouse comedy Remains To Jerry Herman Be Seen, was introduced to Miss Paige at the rehearsal hall and within the space of fifteen minutes she came away with the part. She went on to even greater success in Based on the novel by Patrick Dennis the smash hit musical Pajama Game, followed by another hit, Here’s Love. and the play “Auntie Mame” by Between shows she initiated a nightclub career, headlining across the country in major supper clubs including the famous Copacabana in New York. Miss Paige can Lawrence and Lee also claim numerous television appearances including a series, It’s Always Jan, and top variety and dramatic shows.
    [Show full text]
  • STUDY GUIDE Edited by Richard J Roberts, Resident Dramaturg with Contributions by Janet Allen • James Still Russell Metheny • Yao Chen Betsy Cooprider-Bernstein
    streaming May 27 – June 20, 2021 from the OneAmerica Mainstage filmed by WFYI STUDY GUIDE edited by Richard J Roberts, Resident Dramaturg with contributions by Janet Allen • James Still Russell Metheny • Yao Chen Betsy Cooprider-Bernstein Indiana Repertory Theatre 140 West Washington Street Indianapolis, Indiana 46204 Janet Allen, Margot Lacy Eccles Artistic Director Suzanne Sweeney, Managing Director www. irtlive.com SEASON SPONSOR SEASON PARTNER SEASON SUPPORT COMMUNITY CONVERSATIONS EDUCATION SPONSOR PARTNER 2 INDIANA REPERTORY THEATRE THE HOUSE THAT JACK BUILT by James Still Jack is gone, but his family gathers for Thanksgiving. Delicious aromas carry with them painful memories. Flowing wine dislodges hidden resentments. Old stories evoke shared laughter—and silent tears. This award-winning play by the IRT’s own playwright-in-residence returns with all its heart, tenderness, joy, and sorrow, reminding us that we must accept the past before we can embrace the present. STREAMING May 27 – 20, 2021 LENGTH Approximately one hour and 35 minutes, with no intermission AGE RANGE Recommended for grades 10–12 STUDY GUIDE CONTENTS The Story of the Play 3 Artistic Director’s Note 4 Playwright’s Note 6 Playwright’s Biography 7 Designer Notes 8 Standards Alignment Guide 10 Discussion Questions 11 Writing Prompts 12 Activities 13 Resources 14 Glossary 17 COVER ART BY KYLE RAGSDALE FOR INFORMATION ABOUT IRT’S EDUCATION PROGRAMS: [email protected] FOR STREAMING SALES: IRT Ticket Office: 317-635-5252 www.irtlive.com INDIANA REPERTORY THEATRE 3 THE STORY OF THE HOUSE THAT JACK BUILT In The House that Jack Built by IRT playwright-in-residence James Still, Jules is hosting Thanksgiving 2012, as she has done for many years.
    [Show full text]
  • Music Man SG Final
    Civil War Study Guide.qxd 9/13/01 10:31 AM Page 3 MUSIC THEATRE INTERNATIONAL MUSIC THEATRE INTERNATIONAL is one of the world’s major dramatic licensing agencies, specializing in Broadway, Off-Broadway and West End musicals. Since its founding in 1952, MTI has been responsible for supplying scripts and musical materials to theatres worldwide and for protecting the rights and legacy of the authors whom it represents. It has been a driving force in cultivating new work and in extending the production life of some of the classics: Guys and Dolls, West Side Story, Fiddler On The Roof, Les Misérables, Annie, Of Thee I Sing, Ain’t Misbehavin’, Damn Yankees, The Music Man, Evita, and the complete musical theatre works of composer/lyricist Stephen Sondheim, among others. Apart from the major Broadway and Off- Broadway shows, MTI is proud to represent youth shows, revues and musicals which began life in regional theatres and have since become worthy additions to the musical theatre canon. MTI shows have been performed by 30,000 amateur and professional theatrical organizations throughout the U.S. and Canada, and in over 60 countries around the world. Whether it’s at a high school in Kansas, by an all-female troupe in Japan or the first production of West Side Story ever staged in Estonia, productions of MTI musicals involve over 10 million people each year. Although we value all our clients, the twelve thousand high schools who perform our shows are of particular importance, for it is at these schools that music and drama educators work to keep theatre alive in their community.
    [Show full text]
  • Goodspeed Announces Cast of the Music Man
    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] TROUBLE Is Coming To Town! GOODSPEED ANNOUNCES CAST OF THE MUSIC MAN ♦♦♦ EXTENDED DUE TO POPULAR DEMAND - NINE PERFORMANCES ADDED Now running April 12 through June 20 at The Goodspeed EAST HADDAM, CONN., MARCH 8, 2019: River City’s about to get the last thing they expected and the very thing they need in The Music Man. Goodspeed Musicals kicks off its 2019 season with the rip- roarin’ dance-filled classic running April 12 – June 20 at The Goodspeed in East Haddam, Conn. [Official Press Opening will be May 1, 2019]. You got trouble in River City! Professor Harold Hill and Marian the Librarian march into their first appearance at Goodspeed in a rousing new production of this great American musical. When huckster Harold promises to save an Iowa town by selling the dream of a boys’ band, Marian is the only skeptic. Until she starts to buy his pitch. Fall in love all over again with “76 Trombones,” “The Wells Fargo Wagon,” “Trouble” and “Till There Was You.” This glorious American classic will have you parading in the streets! The Music Man features book, music and lyrics by Meredith Willson with story by Meredith Willson and Franklin Lacey. This spirited musical will be sponsored by Wells Fargo, Masonicare at Chester Village and The Shops at Mohegan Sun. Edward Watts returns to Goodspeed Musicals as Harold Hill. Previously, Watts performed the role of Trevor Graydon in Thoroughly Modern Millie and Thomas Jefferson in 1776 at The Goodspeed and thrilled audiences at The Terris Theatre in The Girl in the Frame.
    [Show full text]
  • Cabaret John Van Druten
    John Carroll University Carroll Collected Theatre Productions Communication & Theatre Arts 10-31-2003 Cabaret John Van Druten Follow this and additional works at: https://collected.jcu.edu/plays Recommended Citation Van Druten, John, "Cabaret" (2003). Theatre Productions. 143. https://collected.jcu.edu/plays/143 This Book is brought to you for free and open access by the Communication & Theatre Arts at Carroll Collected. It has been accepted for inclusion in Theatre Productions by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. ., ... f / <' . :..:. ,: · ~ ·:.... .. ., Q I~ t , . ;;.-::;.. ..- ..-~ ~-] - ' By John Kander Fred Ebb Joe Masteroff (Music) (Lyrics) (Boot:?) Directed by Dr. Martin Friedman Set Design by Costumer Lighting Designer Keith Nagy Ali Hernan Michael Simons Music Sound Design Choreographer Michael Mazur William J. Amato Ill Tiffany Gates Production Stage Manger LeeAnn Baechle Presented Courtesy of T ams-WitmarR INC. As a l;ourtesy to the Per:iorJDers and those around you: PLEASE REFRAIN FROM USING t:;ELIL PHONES~ W A Tt:;H ALARMS~ PAGERS ~ AND FLASH PHOTOGRAPHY Please Note the EDlergency Exits Marked in Kulas AnditorilLIIl. Should an EDtergency Occu.r, please WALK in an orderly fashion to the Exit nearest yon. f~J\IIi\Itlrr ~IUSH~At NU~Imms ACT I WiiRommen Emcee and Company Welcome to Berlin Emcee So What Fraulein Schneider Mein Herr Sally Bowie~ and Kit Kat Girl~ Tomorrow Belong~ to Me Kit Kat Boy~ and Girl~ Perfectly Marvelou~ Sally Bowie~ and Cliff Brad~haw Two Ladie~ Emcee and Two Girl~ It Couldn't Please Me More Fraulein Ko~t . Em~t Ludwig and Company Maybe Thi~ Time Sally Bowie~ The Money Song Emcee and Kit Kat Giri~ / Boy ~ Tomorrow Belong~ to Me Fraulein Ko~t.
    [Show full text]
  • A High Country Christmas
    P O Box 96, Newton, Iowa 50208, Phone: 641-792-1230, www.newtontheatre.com A High Country Christmas By Robert Inman Directed by Pam Ratliff & Mary Thompson December 1 & 2, 2017 at 7:30 PM December 3, 2017 at 2:00 PM December 7, 8 & 9, 2017 at 7:30 PM It’s Christmas Eve day during the era of the Great Depression in a rural mountain area where families struggle to keep body and soul together. Miserly Silas McTavish owns and operates a general store—with the help of his long-suffering clerk, Abner Veazey, and Abner’s son, Caleb—where hard bargains are struck and credit is never allowed. As Silas prepares for bed, a mysterious stranger “Guest” appears at the foot of Silas’ bed and commands him to follow on a journey through Christmas past, present and future. Their first stop is Silas’ boyhood home in Scotland, where as a young man he announces to his family that he is going to America, leaving his sweetheart, Fiona, behind. The second stop is Abner Veazey’s home, where his large impoverished family steadfastly maintains Christmas cheer despite Caleb’s worsening condition. Mrs. Walker arrives with her sick infant. The final stop of Silas and the Guest—Christmas future—is a graveyard where a funeral service is underway for Caleb and the Walker infant, whose lives could have been saved by a doctor. The Guest departs after reminding Silas that he has the power to alter Christmas future. Silas awakens on Christmas morning deeply moved by his nightlong journey.
    [Show full text]
  • TUCATDC NOBMINDIN C'nrysler • PLYMOUTH SINCE 1875 OVER 106 Years of SALES & SERVICE LEADERSHIP
    TUCATDC NOBMINDIN C'NRYSLER • PLYMOUTH SINCE 1875 OVER 106 Years OF SALES & SERVICE LEADERSHIP • AUTHORIZED SERVICE FOR On the ALL CHRYSLER BUILT CARS Avenue of Flags • BODY & FENDER REPAIRS • CAR & TRUCK LEASING • QUALITY USED CARS • PARTS HEADQUARTERS CHRYSLER - MOPAR 900 WEST CAPITOL EXPRESSWAY. SAN JOSE. 266-9500 395-3101 LOS GATOS WINCHESTER BLVD. PRESENTS starring KATI E HASSETT produced by EDWARD HAND DIRECTED by DENNIS ROSSOW music director JOHN DOSCHER choreographer GARY DeMATTEI choral director VIVIAN CLARE book by jerome lawrence & robert e. lee music & lyrics by jerry herman Performances: Nov. 12, 18, 19, 25, 26; Dec. 2, 3, 9, 10 Fridays & Saturdays - 8:30 pm Sunday Matinees - Nov. 13, 20, 27; Dec. 4 - 2:30 pm "MAME" is produced by arrangement with and music and dialogue furnished by TAMS-WITMARK MUSIC LIBRARY, INC., 757 3rd Avenue, New York, NY 10017 West Valley Box Office Saratoga Civic Theater % Jean Hutchins 13777 Fruitvale Ave., Saratoga 1411 Redmond Road 741-95081 Hour Before Curtain San Jose, CA 95120 268-3777/358-1896 PLEASE NOTE: By order of the City Council and the Fire Marshall, smoking, refreshments and recording or taking photographs during performances are not permitted. CAST [in order of appearance] Patrick Dennis, younger Ben Varkentine Agnes Gooch Gail Hamilton Vera Charles Marge Hand Marne Dennis Katie Hassett Ralph Devine Ray Donnelly M. Lindsay Woolsey Harold N. Cropp Bishop Rick Frank Ito Roy Shimada Doorman Tom Cotton Elevator Boy Larry Gaffaney Messenger Vicky Hanson Dwight Babcock Charlie Robert Art Model Patricia Elias Dance Teacher Gayle Frank Leading Man Tom Cotton Stage Manager Larry Gaffaney Madame Branislowski Pamela Reeder Gregor Tom Cotton Beauregard J.P.
    [Show full text]
  • Ruthless: the Stage Mother of All Musicals
    Audition Packet Ruthless: The Stage Mother of All Musicals Director: Robert Hadaway For the Duluth Playhouse, Robert has directed You Can’t Take It With You (main stage), The Cat and the Hat (Theatre for Young Audiences), and last year’s sold out Calendar Girls in the Underground. In the Atlanta area, his directing credits include shows with Theatre in the Square, The Stage Door Players, Big Top Theatre, Neighborhood Playhouse, as well as with Georgia Perimeter College and Kennesaw State University. He has also been seen performing in many Playhouse productions including Cat on a Hot Tin Roof, Mary Poppins, 42nd Street, Rock of Ages, and others. Audition Information AUDITIONS: September 22, 2018 from 10am – 12pm CALLBACKS: Same day, beginning at 2pm • Please sign up for a 5-minute audition slot by stopping by or calling the Playhouse office: 218-733- 7555 • Auditions will be held at the NorShor Theatre Rehearsal Studios, 211 East Superior St, 3rd floor (skywalk level); If you cannot make these auditions, please contact Robert Lee, the underground’s artistic director, to arrange another time slot at [email protected]. • Read the Script. Available for checkout at Playhouse office ($5 deposit, 3 days) • Bring a picture and resume. Sample picture resumes are available on our website (www.duluthplayhouse.org/auditions). • The Duluth Playhouse and Underground Theatre auditions are open to all actors and actresses, including those who may be auditioning for the first time and professional or Equity actors and actresses. Prepare For Your Audition 1. Please prepare 16-32 bars of one balled and one up-tempo in a classic Broadway style.
    [Show full text]
  • An Interview with Jerome Lawrence and Robert E. Lee
    Studies in American Drama. 1945 - Present. 1992, vol. 7:1: p.3-18. ISSN: 0886-7097 http://www.ohiostatepress.org/ © Ohio State University Press,1992. An Interview with Jerome Lawrence and Robert E. Lee By Nena Couch As one of the great partnerships in theatre, Jerome Lawrence and Robert E. Lee have written some of the longest running and most widely produced plays of this century, many of which have been called contemporary theatre classics. But their proudest accolade is when they are described as "The Thinking-Person's Playwrights." Ironically, since they most often work as a team, Lawrence and Lee have been dedicated, enthusiastic proponents of the individual. This commitment to the "dignity of the individual human mind," [Jerome Lawrence, "The Renaissance Man" (Lecture delivered at The Ohio State University, Columbus, Ohio, 5 May 1969), 2] apparent in their first Broadway success, Look, Ma, I'm Dancin'! in 1948, has continued to their newest play, Whisper in the Mind which premiered on October 5, 1990. Be that individual a delightful and free-thinking Mame (Auntie Mame and Mame) who urges us to discover new things about ourselves and the world, a Drummond (Inherit the Wind) whose balancing of the Bible and Darwin shows us that the open and inquiring mind is our champion against censorship, a Countess Aurelia (Dear World) who proves to us that "one person can change the world," a Supreme Court Justice Dan Snow (First Monday in October) who fights for the light for everyone, or a Thoreau (The Night Thoreau Spent in Jail) who is not afraid to march to a different drummer, Lawrence and Lee have populated stages all over the world with sometimes serious, sometimes witty, but always passionately committed, individuals.
    [Show full text]