DOCSLIB.ORG

2020 Jimmy Awards Qualifying Roles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
2020 Jimmy Awards Qualifying Roles 2020 Jimmy Awards Qualifying Roles SHOWS FOR WHICH MORE THAN 6 ROLES ARE ELIGIBLE DUE TO THE ENSEMBLE NATURE OF THE MATERIAL Show Name Actor Actress Olive Ostrovsky, Logainne 25th Annual Putnam County Spelling Leaf Coneybear, Chip Tolentino, William Barfee Shwartzandgrubenierre, Marcy Park, Rona Bee, The Lisa Peretti Gomez Addams, Uncle Fester, Pugsley Morticia Addams, Wednesday Addams, Addams Family, The Addams, Lucas Beineke, Mal Beineke Alice Beineke Woman 1, Woman 2, Woman 3 (cast may Man 1, Man 2, Man 3 (cast may be expanded As Thousands Cheer be expanded to include as many roles as to include as many roles as desired) desired) Kate Monster, Christmas Eve, Gary Avenue Q Princeton, Brian, Rod, Nicky Coleman Michael, Feargal, Billy, Corey Junior, Corey Tiffany, Cyndi, Eileen, Laura, Debbie, Miss Back to the 80's Senior, Mr. Cocker, Featured Male Brannigan Nun, Prioress, The Sweetheart, Wife of Canterbury Tales Chaucer, Clerk, Host, Miller, Squire, Steward Bath Children's Letters to God Ensemble Cast Ensemble Cast First Date Aaron, Man 1, Man 2, Man 3 Casey, Woman 1, Woman 2 Edna Turnblad, Link Larken, Seaweed, Corny Hairspray Tracy Turnblad, Velma, Motormouth Collins Norma Valverde, Heather Stovall, Kelli Hands on a Hardbody JD Drew, Benny Perkins, Greg Wilhote Mangrum In the Heights Usnavi, Benny, Kevin Rosario Vanessa, Nina, Camila, Abuela Claudia Into the Woods Baker, Jack, The Wolf/Cinderella's Prince Baker's Wife, Witch, Cinderella, Little Red Is There Life After High School? Ensemble Ensemble Les Misérables Jean Valjean, Javert, Marius, Thenardier Fantine, Eponine, Cosette Frederick Egerman, Carl Magnus, Henrik Desiree Armfeldt, Madame Armfeldt, Little Night Music, A Egerman Charlotte, Anne Egerman, Petra The Queen Aggravain, Princess Winnifred, Once Upon a Mattress Prince Dauntless, Sir Harry, The Jester, Minstrel Lady Larkin Prom, The Barry Glickman, Trent Oliver, Mr. Hawkins Dee Dee Allen, Angie, Emma, Alyssa Rent Mark Cohen, Roger Davis, Angel, Collins Mimi Marquez, Maureen, Joanne Woman 1, Woman 2, Woman 3 (cast may Man 1, Man 2, Man 3 (cast may be expanded Rodgers & Hart be expanded to include as many roles as to include as many roles as desired) desired) Runaways Ensemble Ensemble Ken, Adrian, Frederick, Victor, Michael Brenda, Pattie, DeLee, B.J. (character Smokey Joe’s Café (character names may be changed to names of names may be changed to names of actors actors in the show) in the show) Gregory, Gregg, Hinton, P.J. (character names Judith, Phyllis, Terri (character names may Sophisticated Ladies may be changed to names of actors in the be changed to names of actors in the show) show) Theory of Relativity, The Paul, Adam, Ryan, Oliver Caroline, Mira, Julie We Will Rock You (and School Edition) Brit, Buddy, Galileo, Khashoggi Killer Queen, Oz, Scaramouche Alice, Chloe, Mrs. Everheart/Queen of Wonderland Jack/White Knight, Caterpillar, El Gato Hearts, Ms. Quizzle/Mad Hatter SHOWS FOR WHICH UP TO 6 ROLES ARE ELIGIBLE Show Name Actor Actress 13 Evan Patrice 1776 Ben Franklin, John Adams, Edward Rutledge Abigail Adams [title of show] (Clean Version) Hunter, Jeff Heidi, Susan 110 in the Shade Bill Starbuck Lizzie Curry 13 Daughters Chun, Mana, Keoki Emmy, Kinau, Malia Ginger Brooks, Geneva Lee Browne, Ann 1940s Radio Hour, The B.J. Gibson, Neal Tilden, Johnny Cantone Collier 35MM Man 1, Man 2, Man 3 Woman 1, Woman 2 42nd Street Julian Marsh, Billy Lawlor Peggy Sawyer, Dorothy Brock Judy Bernly , Doralee Rhodes, Violet 9 to 5 The Musical Franklin Hart, Jr., Joe Newstead, Roz Keith Woman 1, Woman 2, Woman 3, Woman 4, A … My Name Is Alice N/A Woman 5 A Bronx Tale Calogero, Sonny, Lorenzo Jane, Rosina A Gentleman's Guide to Love and Monty, The D'Ysquith Family (if played by the Sibella, Phoebe, Miss Marietta Shingle Murder same person) Adding Machine, The Mr. Zero Daisy Adrift in Macao Mitch, Rick, Tempura Lureena, Corinna Adventures of Pinocchio, The Geppetto, Pinocchio Fairy Adventures of Tom Sawyer, The Tom Sawyer, Huckleberry Finn N/A Aida Radames, Zoser, Mereb Aida, Amneres Ain't Misbehavin' Andre, Ken Nell, Armelia, Charlaine All Night Strut Man 1, Man 2 Woman 1, Woman 2 All Shook Up Chad, Dennis Natalie Heller/Ed, Sylvia, Sandra Allegro Joseph Taylor, Jr., Dr. Joseph Taylor Marjorie Taylor, Jennie Brinker Altar Boyz Matthew, Mark, Luke, Juan, Abraham N/A Amelie Nino Young Amelie, Amelie Amen Corner David, Luke Margaret Alexander American Idiot Johnny, Will, Tunny Whatsername, Heather American Psycho Patrick Jean Animal Crackers Jeffrey T. Spaulding Mary Stewart Anne of Green Gables: The Musical Gilbert, Matthew Anne, Marilla Annie Oliver Warbucks Annie, Miss Hannigan Annie Get Your Gun Frank Butler Annie Oakley Annie Get Your Gun (Revival) Frank Butler, Tommy Annie Oakley, Winnie Anyone Can Whistle N/A Fay Apple, Cora Hoover Hooper Reno Sweeney, Hope Harcourt, Erma Anything Goes Billy Crocker, Moonface, Lord Evelyn Oakleigh (named Bonnie in 1962 version) Applause N/A Eve Harrington, Margo Channing Adam/Flip/Captain Sanjar, Apple Tree, The Eve/Princess Barbara/Ella and Passionella Snake/Balladeer/Narrator As You Like It Jaques, Orlando, Duke Senior Rosalind Aspects of Love Alex Dillingham, George Dillingham Rose Vibert Assassins Balladeer N/A Asylum: The Strange Case of Mary Robert Lincoln Mary Lincoln Lincoln Babes in Arms Val LaMar Billie Smith Babes in Arms (Guare Version) Valentine White Susie Ward Baby Nick Sakarian, Alan McNally, Danny Hooper Arlene McNally, Lizzie Fields, Pam Sakarian Baker’s Wife, The Aimable Castagnet Genevieve Castagnet Ballad of Baby Doe, The Horace Tabor Elizabeth (Baby) Doe, Augusta Tabor Band Geeks Elliot, Jake Laura Bandstand Donny Julia, June Bare Jason, Peter Ivy, Nadia Phineas Taylor Barnum, Tom Thumb, Charity Barnum, Jenny Lind, Joice Barnum Ringmaster/James Bailey Heth/Blues Singer Bat Boy Bat Boy, Dr. Thomas Parker Shelley Parker, Meredith Parker Battle of Boat, The William Miller, Peter "Beagle" Grimble Frances Miller Be More Chill Jeremy Heere, Michael Mell, The Squip, Rich Christine Mary MacGuire, Christine Warner, Beautiful Game, The John Kelly, Father O'Donnell, Thomas Malloy Bernadette Beauty and the Beast Beast, Gaston, Lumiere Belle, Mrs. Potts Seth, Michael Tom (cast may be expanded to Heather, Michelle, Kim (cast may be Beguiled Again: The Songs of Rodgers & include as many roles as desired and expanded to include as many roles as Hart characters may be renamed to refer to current desired and characters may be renamed to actors) refer to current actors) Bella: An American Tall Tale Nathanial Bella, Mama, Aloysius Bells Are Ringing Jeffrey Moss Ella Peterson Bernarda Alba, Angustias, Magdalena, Bernarda Alba N/A Amelia, Martirio, Adela Best Little Whorehouse in Texas, The Sheriff Ed Earl Dodd, Melvin P. Thorp Mona Stangley, Jewel Big Billy, Josh Baskin Susan Big Fish Edward Bloom, Will Bloom Sandra Bloom Big Fish: Twelve Chairs Version Edward Bloom, Will Bloom Sandra Bloom Big River Jim, Huckleberry Finn Mary Jane Billy Elliot Billy, Michael Mrs. Wilkinson Birds of Paradise Andy, Homer, Lawrence Wood Marjorie, Julia BKLYN: The Musical Taylor Collins, Street Singer Brooklyn, Paradice Blood Brothers Narrator, Mickey, Eddie Mrs. Johnstone Bloody Bloody Andrew Jackson Andrew Jackson N/A Bloomer Girl Jeff Calhoun Evalina, Daisy, Serena Girl with a Date, Lady from the Road, Blues in the Night Man in the Saloon Woman of the World Body Beautiful, The Dave Ann, Marge Bodyguard, The N/A Rachel Marron Bonnie & Clyde Clyde Bonnie Boy Friend, The Tony, Percival Browne Polly, Madame Dubonnet Antipholus of Syracuse, Antipholus of Ephesus, Boys from Syracuse, The Adriana, Luce, Luciana Dromio of Syracuse, Dromio of Ephesus Brain from Planet X, The Fred, The Brain, Zubrick Joyce, Donna, Yoni Bridges of Madison County, The Robert Kincaid, Bud Francesca Brigadoon Tommy Albright, Charlie Dalrymple Fiona MacLaren, Meg Brockie Bright Lights, Big City Jamie, Tad, Michael Amanda, Vicky, Mother Bright Star Billy Cane, Jimmy Ray Dobbs Alice Murphy, Margo Bring It On Randall Campbell, Eva, Danielle Bubbling Brown Sugar Charlie N/A Bullets Over Broadway Cheech, Nick Valenti, David Shayne Ellen, Olive Neal, Helen Sinclair Burnt Part Boys Pete, Jake N/A By Jeeves Bertie Wooster, Jeeves Honoria Glossop By Jupiter Sapiens Hippolyta Rose Alvarez, Kim MacAfee, Mae Peterson Bye Bye Birdie Conrad Birdie, Albert Peterson, Harry MacAfee (only qualifies with additional materials) Cabaret Master of Ceremonies, Clifford Bradshaw Sally Bowles, Fraulein Schneider Calamity Jane Wild Bill Hickok, Francis Fryer Calamity Jane, Katie Brown Call Me Madam Cosmo Constantine, Kenneth Gibson Mrs. Sally Adams Calvin Berger Calvin, Matt Rosanna, Brett Camelot Arthur, Lancelot Guenevere Can-Can Judge Aristide Forestier La Môme Pistache Candide Candide Cunegonde Carmen Jones Joe, Husky Miller Carmen Jones Carnival! Paul Berthalet, Marco the Magnificent Lili, Rosalie Caroline, or Change Caroline, Dotty Noah, Stuart Carousel Billy Bigelow, Enoch Snow Julie Jordan, Carrie Pipperidge, Nettie Carrie: the musical Tommy Ross Sue Snell, Carrie, Margaret White Carl Hanratty, Frank Abagnale Jr., Frank Catch Me If You Can Brenda Strong, Paula Abagnale Abagnale Sr. Catered Affair, A Tom Hurley, Ralph Halloran, Winston Aggie Hurley, Janey Hurley Rum Tum Tugger, Old Deuteronomy, Cats Grizabella Munkustrap Celebration Mr. Rich, Orphan, Potemkin Angel Hedda Hopper, Hannah Chaplin, Oona Chaplin Chaplin, Sydney Chaplin O'Neill Chess Freddie, Anatoly, Molokov Florence Chicago (High School Edition) Billy Flynn, Amos Hart Roxie Hart,
Load more

Recommended publications
  • Five Guys Named Moe Sassy Tributesassy to Louis Jordan,Singer, Songwriter, Bandleader and Rhythm and Blues Pioneer
    AUDIENCE GUIDE 2018 - 2019 | Our 59th Season | Issue 3 Issue | Season 59th Our 2019 | A musical by Clarke Peters Featuring Louis Jordan’s greatest hits Five Guys Named Moe is a jazzy, Ch’ Boogie, Let the Good Times Roll sassy tribute to Louis Jordan, singer, and Is You Is or Is You Ain’t My Baby?. songwriter, bandleader and rhythm and “Audiences love Five Guys because Season Sponsors blues pioneer. Jordan was in his Jordan’s music is joyful and human, heyday in the 1940s and 50s and his and takes you on an emotional new slant on jazz paved the way for rollercoaster from laughter to rock and roll. heartbreak,” said Skylight Stage Five Guys Named Moe was originally Director Malkia Stampley. produced in London's West End, “Five Guys is, of course, all about guys. winning the Laurence Olivier Award for But it is also a true ensemble piece and Best Entertainment; when it moved to the Skylight is proud to support our Broadway in 1992, it was nominated for talented performers with a strong two Tony Awards. creative team of women rocking the The party begins when we meet our show from behind the scenes.” Research/Writing by hero Nomax. He's broke, his girlfriend, Justine Leonard for ENLIGHTEN, The Los Angeles Times called Five Skylight Music Theatre’s Lorraine, has left him and he is Guys Named Moe “A big party with… Education Program listening to the radio at five o'clock in enough high spirits to send a small Edited by Ray Jivoff the morning, drinking away his sorrows.
    [Show full text]
  • LEGISLATIVE RESOLUTION Paying Tribute to the Life and Many Accomplish- Ments of Ellie Greenwich, One of the Greatest Songwriters of All Time
    LEGISLATIVE RESOLUTION paying tribute to the life and many accomplish- ments of Ellie Greenwich, one of the greatest songwriters of all time WHEREAS, It is the custom of this Legislative Body to honor and pay tribute to the memory of those individuals whose creative talents contributed to the entertainment and cultural enrichment of the citizens of the State of New York; and WHEREAS, Attendant to such concern, and in full accord with its long- standing traditions, it is the sense of this Legislative Body, repres- enting the people of the State of New York, to pay tribute to the life and many accomplishments of Ellie Greenwich, one of the greatest song- writers of all time, who died on Wednesday, August 26, 2009, at the age of 68; and WHEREAS, Born on October 23, 1940, in Brooklyn, New York, Ellie Green- wich was instrumental in shaping and popularizing the "girl group" sound of the early 1960s that included such acts as the Ronettes, the Shan- gri-Las and the Crystals, becoming, in the process, one of the most respected pop songwriters of the era; and WHEREAS, She met budding songwriter Jeff Barry and, following a release as Ellie Gee And The Jets, the couple formed the Raindrops in 1963; the group enjoyed a US Top 20 hit with "The Kind Of Boy You Can't Forget"; and WHEREAS, Ellie Greenwich and Jeff Barry enjoyed a sustained period of success with a series of notable compositions, including "Do Wah Diddy Diddy" (the Exciters/Manfred Mann), "I Wanna Love Him So Bad" (the Jelly Beans) and "Hanky Panky" (Tommy James And The Shondells); and
    [Show full text]
  • The Heart of Rock and Soul by Dave Marsh
    The Heart of Rock and Soul by Dave Marsh 20 BE MY BABY, The Ronettes Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 116 1963 Billboard: #2 DA DOO RON RON, The Crystals Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 112 1963 Billboard: #3 CHRISTMAS (BABY PLEASE COME HOME), Darlene Love Produced by Phil Spector; written by Phil Spector, Ellie Greenwich, and Jeff Barry Philles 119 1963 Did not make pop charts To hear folks talk, Phil Spector made music out of a solitary vision. But the evidence of his greatest hits insists that he was heavily dependent on a variety of assistance. Which makes sense: Record making is fundamentally collaborative. Spector associates like engineer Larry Levine, arranger Jack Nitzsche, and husband-wife songwriters Jeff Barry and Ellie Greenwich were simply indispensable to his teen-art concoctions. Besides them, every Spector track featured a dozen or more musicians. The constant standouts were' drummer Hal Blaine, one of the most inventive and prolific in rock history, and saxophonist Steve Douglas. Finally, there were vast differences among Spector's complement of singers. An important part of Spector's genius stemmed from his ability to recruit, organize, and provide leadership within such a musical community. Darlene Love (who also recorded for Spector with the Crystals and Bob B. Soxx and the Blue Jeans) ranks just beneath Aretha Franklin among female rock singers, and "Christmas" is her greatest record, though it was never a hit. (The track probably achieved its greatest notice in the mid-eighties, when it was used over the opening credits of Joe Dante's film, Gremlins.) Spector's Wall of Sound, with its continuously thundering horns and strings, never seemed more massive than it does here.
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Fun Home: a Family
    Fun Home: A Family Tragicomic 0 | © 2020 Hope in Box www.hopeinabox.org About Hope in a Box Hope in a Box is a national 501(c)(3) nonprofit that helps rural educators ensure every LGBTQ+ student feels safe, welcome, and included at school. We donate “Hope in a Box”: boxes of curated books featuring LGBTQ+ characters, detailed curriculum for these books, and professional development and coaching for educators. We believe that, through literature, educators can dispel stereotypes and cultivate empathy. Hope in a Box has worked with hundreds of schools across the country and, ultimately, aims to support every rural school district in the United States. Acknowledgements Special thanks to this guide’s lead author, Dr. Zachary Harvat, a high school English teacher with a PhD focusing on 20th and 21st century English literature. Additional thanks to Sara Mortensen, Josh Thompson, Daniel Tartakovsky, Sidney Hirschman, Channing Smith, and Joe English. Suggested citation: Harvat, Zachary. Curriculum Guide for Fun Home: A Family Tragicomic. New York: Hope in a Box, 2020. For questions or inquiries, email our team at [email protected]. Learn more on our website, www.hopeinabox.org. Terms of use Please note that, by viewing this guide, you agree to our terms and conditions. You are licensed by Hope in a Box, Inc. to use this curriculum guide for non- commercial, educational and personal purposes only. You may download and/or copy this guide for personal or professional use, provided the copies retain all applicable copyright and trademark notices. The license granted for these materials shall be effective until July 1, 2022, unless terminated sooner by Hope in a Box, Inc.
    [Show full text]
  • Happy Birthday!
    THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe.
    [Show full text]
  • April 1 & 3, 2021 Walt Disney Theater
    April 1 & 3, 2021 Walt Disney Theater FAIRWINDS GROWS MY MONEY SO I CAN GROW MY BUSINESS. Get the freedom to go further. Insured by NCUA. OPERA-2646-02/092719 Opera Orlando’s Carmen On the MainStage at Dr. Phillips Center | April 2021 Dear friends, Carmen is finally here! Although many plans have changed over the course of the past year, we have always had our sights set on Carmen, not just because of its incredible music and compelling story but more because of the unique setting and concept of this production in particular - 1960s Haiti. So why transport Carmen and her friends from 1820s Seville to 1960s Haiti? Well, it all just seemed to make sense, for Orando, that is. We have a vibrant and growing Haitian-American community in Central Florida, and Creole is actually the third most commonly spoken language in the state of Florida. Given that Creole derives from French, and given the African- Carribean influences already present in Carmen, setting Carmen in Haiti was a natural fit and a great way for us to celebrate Haitian culture and influence in our own community. We were excited to partner with the Greater Haitian American Chamber of Commerce for this production and connect with Haitian-American artists, choreographers, and academics. Since Carmen is a tale of survival against all odds, we wanted to find a particularly tumultuous time in Haiti’s history to make things extra difficult for our heroine, and setting the work in the 1960s under the despotic rule of Francois Duvalier (aka Papa Doc) certainly raised the stakes.
    [Show full text]
  • Hello! My Baby Student Guide.Pdf
    Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins,
    [Show full text]
  • Leonard Bernstein's MASS
    27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII.
    [Show full text]
  • The Wiz Short FINAL
    media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONCLUDES FIFTH SEASON WITH “THE WIZ” July 13-August 25, 2013 Book by William F. Brown Music and lyrics by Charlie Smalls Adapted from The Wonderful Wizard of Oz by L. Frank Baum Berkeley, CA (June 5, 2013) – Berkeley Playhouse closes its fifth season with the Tony Award-winning musical THE WIZ. Kimberly Dooley (Lucky Duck, Seussical, The Musical, Once On This Island) directs and choreographs this soulful re-imagining of L. Frank Baum’s family classic The Wonderful Wizard of Oz, featuring a cast of 46. THE WIZ plays July 13 through August 25 (Press opening: July 13) at the Julia Morgan Theater in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. In THE WIZ, Dorothy gets swept away by a tornado and ends up in the land of Oz. There, she learns that the only way she can get home again is to see the magical Wiz in the Emerald City. Along the way, she meets a Scarecrow made of garbage who wants a brain, a Tin Man who wants a heart, and a Lion who wants courage, and together they set off down the Yellow Brick Road to seek help from the all-powerful Wiz. This stage classic about the power of believing in yourself features such soul-stirring songs as “Home,” “The Feeling We Once Had,” “If You Believe,” “No Bad News,” and “Ease On Down the Road.” THE WIZ opened on Broadway in 1975 and closed in 1979, after four years and 1,672 performances.
    [Show full text]
  • What's the Use of Wondering If He's Good Or Bad?: Carousel and The
    What’s the Use of Wondering if He’s Good or Bad?: Carousel and the Presentation of Domestic Violence in Musicals. Patricia ÁLVAREZ CALDAS Universidad de Santiago de Compostela [email protected] Recibido: 15.09.2012 Aceptado: 30.09.2012 ABSTRACT The analysis of the 1956 film Carousel (Dir. Henry King), which was based on the 1945 play by Rodgers and Hammerstein, provides a suitable example of a musical with explicit allusions to male physical aggression over two women: the wife and the daughter. The issue of domestic violence appears, thus, in a film genre in which serious topics such as these are rarely present. The film provide an opportunity to study how the expectations and the conventions brought up by this genre are capable of shaping and transforming the presentation of Domestic Violence. Because the audience had to sympathise with the protagonists, the plot was arranged to fulfil the conventional pattern of a romantic story inducing audiences forget about the dark themes that are being portrayed on screen. Key words: Domestic violence, film, musical, cultural studies. ¿De qué sirve preocuparse por si es bueno o malo?: Carrusel y la presentación de la violencia doméstica en los musicales. RESUMEN La película Carrusel (dirigida por Henry King en 1956 y basada en la obra de Rodgers y Hammerstein de 1945), nos ofrece un gran ejemplo de un musical que realiza alusiones explícitas a las agresiones que ejerce el protagonista masculino sobre su esposa y su hija. El tema de la violencia doméstica aparece así en un género fílmico en el que este tipo de tratamientos rara vez están presentes.
    [Show full text]
  • Original Title Page from the 1611 King James Bible, by Corneilus Boel. the King James Bible in America Pilgrim, Prophet, President, Preacher
    Original title page from the 1611 King James Bible, by Corneilus Boel. The King James Bible in America Pilgrim, Prophet, President, Preacher John S. Tanner This paper was given on May 14, 2011, at Harris Manchester College at Oxford University as part of “The King James Bible Symposium: The People, the Lan- guage, the Effect,” cosponsored by Harris Manchester College and The Church of Jesus Christ of Latter-day Saints, in celebration of the 400th anniversary of the publication of the King James Bible in 1611. am honored to be invited to speak to you today about that book of books, I the King James Bible, in connection with the quatercentenary of its pub- lication. It is fitting to address this topic here in Oxford, a place that hosted a third of the translators. I have been asked to speak to the influence of the KJB on America, which forms a huge part of the story, for the KJB may have had an even greater impact across the Atlantic than it has had here on this “sceptred isle.”1 Ironically, although we declared our independence politi- cally from a king of England, for hundreds of years we remained deeply dependent on a Bible bearing the name of an English king. The magisterial KJB long reigned as the unrivaled monarch among Bible translations in America. In some respects, it does so still. Introduction: Like the Air Americans Breathe The great Harvard historian of American Puritanism, Perry Miller, once remarked that “the Old Testament is truly so omnipresent in the American culture of 1800 or 1820 that historians have as much difficulty taking cogni- zance of it as of the air people breathed.”2 This is precisely the problem posed BYU Studies 50, no.
    [Show full text]