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PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
Kert, Larry (1930-1991) Larry Kert and Carol Lawrence Performing on by Craig Kaczorowski the Ed Sullivan Show in 1958
Kert, Larry (1930-1991) Larry Kert and Carol Lawrence performing on by Craig Kaczorowski the Ed Sullivan Show in 1958. Encyclopedia Copyright © 2015, glbtq, Inc. Film still from a YouTube video. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The gay actor and singer Larry Kert originated the lead romantic role of Tony in the landmark 1957 Broadway musical West Side Story. With his expressive, vibrant tenor, he introduced some of the most memorable songs in the Leonard Bernstein-Stephen Sondheim score, including "Maria," "Tonight," and "Something's Coming." In 1970, Kert triumphed again on Broadway in another Sondheim musical, Company, as Robert, a New York bachelor observing the strains and tensions in the marriages of his best friends, as well as struggling to commit emotionally to each of his three girlfriends. Other Broadway shows involving Kert were unfortunately short-lived, and his later career was devoted mainly to cabaret, television, and regional theater. He was born Frederick Lawrence Kert in Los Angeles, California on December 5, 1930 into a comfortably middle-class family. His father was a jeweler and his mother an actress. He had a brother, Morton, and two sisters, Evelyn and the singer later known as Anita Ellis. He initially attended Hollywood High School but transferred to the Hollywood Professional School in Los Angeles. While still in school, Kert performed as an extra and stunt double in several movies, including Lassie Come Home (1943), where he was a stand-in for the film's star Roddy McDowell. After graduation, Kert took some classes at Los Angeles City College but soon dropped out and moved to New York City where he studied with the celebrated acting teacher Sanford Meisner. -
A-Bronx-Tale---Behind-The-Scenes.Pdf
FINDING THE MORAL RUDDER TO NAVIGATE LIFE IS NEVER EASY WHEN YOU’RE YOUNG. THIS IS A BRONX TALE, AND IT’S 1968. CHAZZ PALMINTERI TELLS THE TALE BEHIND THE TALE IN 1960 IN THE BELMONT AVENUE SECTION OF THE BRONX, I was sitting on my front stoop on 187th Street. A car started backing into a parking space and another car tried to sneak in behind him. One man jumped out of a car with a baseball bat, and a fight broke out. Another man came over to protect his friend, pulled out a gun, and shot the man with the bat. I was maybe ten feet from them. The man stared at me and we were bonded for life. In the days following I got to know the man who pulled the trigger, and I became his friend. How was I to know that this incident would shape my life forever? This was the beginning of A Bronx Tale. “I HAVE THE BEST OF BOTH WORLDS. WITH BOB, I HAVE THE AUTHENTICITY OF THE MOVIE. HE IS VERY ARTICULATE WITH THE WAY CERTAIN THINGS LOOK AND WHERE THE TRUTH IS IN THE CHARACTERS. JERRY IS THE REAL MUSICAL-COMEDY GUY. HE KNOWS STAGE MOVEMENT AND ALL THE NUTS-AND-BOLTS STUFF.” CHAZZ PALMINTERI, BOOK “YOU CAN’T HAVE TWO CONDUCTORS CONDUCTING THE ORCHESTRA AT THE SAME TIME—IT WILL DRIVE PEOPLE CRAZY. BUT YOU CAN HAVE TWO CONDUCTORS DISCUSSING WHAT THEY’VE SEEN AND IMPLEMENTING IT IN THE BEST WAY POSSIBLE. WE’VE WORKED OUT A PRETTY GOOD SYSTEM. -
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: the Musical Katherine B
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2016 "Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The Musical Katherine B. Marcus Reker Scripps College Recommended Citation Marcus Reker, Katherine B., ""Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition and Satirical Comedy Through Hope's Eyes in Urinetown: The usicalM " (2016). Scripps Senior Theses. Paper 876. http://scholarship.claremont.edu/scripps_theses/876 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “CAN WE DO A HAPPY MUSICAL NEXT TIME?”: NAVIGATING BRECHTIAN TRADITION AND SATIRICAL COMEDY THROUGH HOPE’S EYES IN URINETOWN: THE MUSICAL BY KATHERINE MARCUS REKER “Nothing is more revolting than when an actor pretends not to notice that he has left the level of plain speech and started to sing.” – Bertolt Brecht SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS GIOVANNI ORTEGA ARTHUR HOROWITZ THOMAS LEABHART RONNIE BROSTERMAN APRIL 22, 2016 II ACKNOWLEDGEMENTS This thesis would not be possible without the support of the entire Faculty, Staff, and Community of the Pomona College Department of Theatre and Dance. Thank you to Art, Sherry, Betty, Janet, Gio, Tom, Carolyn, and Joyce for teaching and supporting me throughout this process and my time at Scripps College. Thank you, Art, for convincing me to minor and eventually major in this beautiful subject after taking my first theatre class with you my second year here. -
JOSEPH SCHMIDT Musical Direction By: EMILY BENGELS Choreography By: KRISTIN SARBOUKH
Bernards Township Parks & Recreation and Trilogy Repertory present... 2021 Produced by: JAYE BARRE Directed by: JOSEPH SCHMIDT Musical Direction by: EMILY BENGELS Choreography by: KRISTIN SARBOUKH Book by THOMAS MEEHAN Music by CHARLES STROUSE Lyrics by MARTIN CHARNIN Original Broadway production directed by MARTIN CHARNIN. Based on “Little Orphan Annie.” By permission of Tribune Content Agency, LLC. ANNIE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are supplied by MTI. www.MTIShows.com This production is dedicated to the memory of beloved Trilogy Repertory member Chris Winans who gave of his time and spirit for many years and in many performances. Chris was a valued member of our Trilogy family and will be greatly missed. Summer, 2021 Dear Residents and Friends of the Community, Good evening and welcome to the Bernards Township Department of Parks and Recreation’s 34th season of Plays in the Park. So many of you enjoy and look forward to the plays year after year. I am excited that the Township brings this tradition free to the public for all to enjoy. Bernards Township proudly sponsors this event and substantially subsidizes the budget because we recognize the importance of keeping performing arts alive. It is truly wonderful that these productions are here, under the stars, in Pleasant Valley Park. Bernards Township offers many opportunities to enjoy family outings such as Plays In The Park. You can stay current on all our special events by visiting our website at www.bernards.org. There you will find information on the wide variety of programs we offer. -
A Bronx Tale
A Bronx Tale Synopsis A Bronx Tale, a new musical set in the early 1960s, is based on the autobiographical play written by Chazz Palminteri. It tells the coming-of-age story of Calogero Anello, a young boy from a working class family who finds himself caught between his loving father and a charismatic mob boss. In Act One, Calogero witnesses Sonny, the mob boss, murdering someone right in front of his house on Belmont Avenue; Calogero covers for Sonny when questioned by the NYPD. Calogero’s father, Lorenzo, who is an MTA bus driver, wants to instill a strong sense of right and wrong in his son, but Calogero goes against his father’s wishes. After Sonny is released by the police with no charges against him, he takes Calogero under his wing and helps him get involved with the “glamorous” world of organized crime. Sometime later, Calogero is all grown up and a full prodigy of Sonny, but his father has no idea he has continued to see Sonny. Calogero has also developed a group of Italian- American friends that Sonny thinks is a bad influence over him and encourages Calogero to stick to his schoolwork. Calogero meets an African-American girl, Jane, on Webster Avenue which is a very different side of the Bronx than where Calogero lives. He asks his father for advice on what he should do when he and Jane go on a date. Calogero’s father doesn’t exactly approve of him going out with Jane because he is concerned for his son’s safety, considering the high racial tensions on the time period, but Lorenzo still gives him advice. -
FOR IMMEDIATE RELEASE Press Contact: Kathy Kahn
FOR IMMEDIATE RELEASE Press contact: Kathy Kahn, [email protected], 510-418-8523 Theater contact: Harriet Schlader, [email protected], 510-531-9597 Woodminster Summer Musicals AUGUST 2015 -- CALENDAR INFORMATION WHAT: The Producers PERFORMED BY: Woodminster Summer Musicals by Producers Associates, Inc. WHERE: Woodminster Amphitheater in Joaquin Miller Park, 3300 Joaquin Miller Road, Oakland WHEN: August 7-16, 2015 PERFORMANCES: August 7, 8, 9, 13, 14, 15, 16 - 8 p.m. TICKETS: 510-531-9597, or www.woodminster.com, $28-$59 (Discounts for children, seniors, groups) PREVIEW PERFORMANCE: August 6, 8 p.m., All tickets $18 at the door. (Since it's a rehearsal, the show may be stopped to solve technical problems.) A New Mel Brooks Musical, Book by Mel Brooks and Thomas Meehan, Music and Lyrics by Mel Brooks, Based on the 1968 Film, Original direction and choreography by Susan Stroman, Produced by arrangement with Music Theatre International. Photo caption: Greg Carlson* as Max Bialystock, Melissa Reinerston as Ulla, and John Tichenor* as Leo Bloom. PRESS RELEASE The Producers Opens August 7 at Woodminster Summer Musicals Stage Musical is Adapted from Mel Brooks' Classic Comedy Film July 20, 2015, Oakland, CA -- Producers Associates, Inc. announces that the 2015 season of Woodminster Summer Musicals will continue with The Producers, the hit Broadway musical based on the 1968 Mel Brooks film of the same name. It will run August 7-16 at Woodminster Amphitheater in Oakland's Joaquin Miller Park, located at 3300 Joaquin Miller Road in the Oakland hills. The Producers tells the story of a down-on-his-luck Broadway producer and his nervous accountant, who together come up with a scheme to make a million dollars (each) by producing the worst flop in Broadway history. -
Elton John and Tim Rice's AIDA
Maurer Productions OnStage, Inc. Presents Elton John and Tim Rice’s AIDA Audition Information Auditions Saturday, July 16, 2011 - 9am to 5pm Sunday, July 17, 2011 - 12pm to 5pm First Read-Through Saturday, July 30, 2011 – 1pm to 5pm Performances Dates Nov 18, 19, 25, 26, 2011 at 8pm Nov 19, 20, 26, 27, 2011 at 2pm Auditions by Appointment: Sign up online at www.mponstage.com/registration, or By Email at [email protected], or By Telephone at (609) 882-2292 Producers: John, Diana and Dan Maurer Director: Dan Maurer Musical Director Anthony DiDia Choreographer: Jane Coult Stage Manager: Jeff Cantor Props & Set Dressing: Alycia Bauch-Cantor NOTE: Walk-ins will be seen on a time-available basis. Without an appointment, there may be a long wait to audition. Auditions for Elton John & Tim Rice’s AIDA Index 1. About the Show 2. Available Roles 3. What You Need to Know About the Audition 4. Audition Application 5. Calendar for Conflicts 6. Musical Numbers 7. Audition Monologues 1 Elton John and Tim Rice’s Aida Directed by Dan Maurer Part Broadway musical, part dance spectacular and part rock concert, AIDA is an epic tale about the power and timelessness of love. The show features over twenty roles for singers, dancers, and actors of various races and will be staged by the award winning production team that brought shows like Man of La Mancha and Singin’ in the Rain to Kelsey Theatre. Winner of four Tony Awards when Disney’s Hyperion Theatrical Group first brought it to Broadway, AIDA features music by pop legend Elton John and lyrics by Tim Rice, who wrote the lyrics for hit shows like Jesus Christ Superstar and Evita. -
Hannah Grace Colin Represented by Heyman Talent Height: 57” Weight: 75 Lbs
Hannah Grace Colin Represented by Heyman Talent Height: 57” Weight: 75 lbs. Agent: Kathy Campbell - (502) 589-2540 Eyes: Brown [email protected] Hair: Brunette THEATRE Annie Warbucks July/Dance Capt. Kids of the Arts, Laura Luc School of Rock Katie New Albany Riverstage, Jordan Price Beauty and the Beast Napkin New Albany HS, Amy Harpenau This Way To Broadway - Showbiz Kids Soloist/Ensemble New York City, New York, Thommie Retter Cinderella Kids Jaq DanceWorks Cinderella Young Cinderella New Albany HS, Amy Harpenau School House Rock Jr. Dori DanceWorks Romeo & Juliet Acrobat Louisville Ballet, Alun Jones, Helen Starr Nutcracker in a Nutshell Sheep/Cupcake The Louisville Palace, Denise Gillman LIVE PERFORMANCES Lyrics for Life Soloist/Ensemble Symphony Space NYC, Laura Luc Eden XO - Recording Artist Backup Dancer Myrtle Beach Conv Ctr, Dejan Tubic Broadway Kids Soloist New Albany HS, Amy Harpenau Dance Maker’s Inc. Dancer/Soloist Myrtle Beach Conv Ctr, Thomas Alexander Clara’s Dream Angel University of Louisville, Chuck Bronson Kellogg’s Tour of Gymnasts Dancer/Gymnast KFC Yum! Center, Louisville, KY VIDEO NYC Tap Technique Dancer Retter Entertainment, Thommie Retter That’s How You Know It’s Christmas Dancer Retter Entertainment, Thommie Retter Shirley Temple on the Dance Floor Dancer Music Works, Becca Retter Jesus Loves You Dancer/Actor Mediak Videos, Junnie Mediak AWARDS & ACCOMPLISHMENTS (partial list - full list available on request) 2017 DanceMakers Inc. (National Scholarship Winner), DanceMakers Inc. Indianapolis Pre-Teen Solo Starmaker runner-up, Adrenaline Performance Dance Crew, Kids Artistic Review (KAR) Cincinnati Junior 2nd Overall solo winner & Junior Dancer of the Year 1st Runner, KAR Biloxi National 4th Overall Solo Winner 2016 Adrenaline Performance Dance Crew, DanceMakers Inc. -
Due to Popular Demand Mame Has Been Extended!
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] FOR IMMEDIATE RELEASE: May 2, 2012 Due to popular demand Mame has been Extended! - Unprecedented attendance spurs one week extension- - Star of Broadway’s Mamma Mia! Louise Pitre, draws fans from across the U.S. and Canada - EAST HADDAM, CONN., MAY 2, 2012: Goodspeed Musicals, the first two time Tony Award-winning theatre in the country, announced today that the tremendously popular Mame will now to play to enthusiastic audiences for 8 additional performances. This joyful and spirited musical comedy has been extended through July 7, 2012. Mame is sponsored by Liberty Bank, Mohegan Sun, and The Shops at Mohegan Sun. “Audiences are falling in love with Auntie Mame and are even coming back a second time with family and friends. We wish we could extend further, but we cannot. Our message to potential visitors? Get your tickets now!” exclaimed Executive Director Michael Price. Performances are Wednesdays at 2 and 7:30 p.m.; Thursdays at 2 and 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 3 and 8 p.m.; and Sundays at 2 p.m. Added performances are: Tuesday, July 3 at 2 and 7:30 p.m.; Wednesday, July 4 at 2 p.m.; Thursday, July 5, at 2 and 7:30 p.m.; Friday, July 6, at 8 p.m.; and Saturday, July 7, at 2 and 6:30 p.m. For a complete schedule and tickets call the Box Office at 860.873.8668, open seven days a week or visit us online at www.goodspeed.org. -
Jerome Lawrence & Robert Edwin Lee Jerry Herman
Artistic Director Bruce Miller Managing Director Phil Whiteway BOOK BY JEROME LAWRENCE & ROBERT EDWIN LEE MUSIC AND LYRICS BY JERRY HERMAN Based on the novel by PATRICK DENNIS and the play “Auntie Mame” by LAWRENCE & LEE Dance and Musical numbers for the Broadway production staged by ONNA WHITE, and Directed by GENE SAKS Produced for the New York Stage by FRYER, CARR & HARRIS STAGE MANAGEMENT Christi B. Spann* SOUND DESIGN SET DESIGN LIGHT DESIGN COSTUME DESIGN Derek Dumais Ron Keller+ Lynne M. Hartman+ Sue Griffin ASSOCIATE CHOREOGRAPHER Brad Willcuts MUSIC DIRECTOR John Winn DIRECTOR/CHOREOGRAPHER Patti D’Beck^ Season Sponsors: Additional Support provided by: Funding for musicians provided by The Windsor Foundation CAST (in order of appearance) SONGS Young Patrick ���������������������������������������������������������������������������������������������������������Brandon McKinney ACT ONE Agnes ��������������������������������������������������������������������������������������������������������������������������������Audra Honaker St. Bridget ................................................................................................. Young Patrick and Agnes Vera �������������������������������������������������������������������������������������������������������������������Desiree Roots Centéio* It’s Today .............................................................................................................................Mame and All Mame ����������������������������������������������������������������������������������������������������������������������������������Emily