Ricky Nelson

Total Page:16

File Type:pdf, Size:1020Kb

Ricky Nelson the National Association for the THE EVENING STAR Town Condemns Advancement of Colored Washington, 0. C., ftiiay, March 13, 1959 A-31 Whisky Fatal to Youth; People. Negro's Home Earlier last week,/the council borough officials or from Mr. attempting to help buyers faced HH HOLLYWOOD PHILADELPHIA. Mar. 13 denied Mr. Raymond a permit! ; Raymond. He bought the house: by racial or religious dlscriml- Drank Fifth on a Bet (AP).—A home and a lot pur- to repair damage caused by fire for 611.500 through an agency | nation. -to the frame building shortly : called I By SHEILAH GRAHAM 9 chased by a Negro in the all- Friends Suburban Hous-i accepted young mqve KANSAS CITY. Mar. 13 (AP>.|| had Lea’s bet Rutledge before he was to in. Arson ing. Inc., of nearby Ardmore. —A 17-year-old youth last he could drink fifth white suburb of have suspected blase, died {that a of by the was In the but It was described as an agency night after making a $lO wager ; liquor less min- been condemned Bor- marshals given "Lover'* Question" in than five ough Council, says the fire have no ‘Clyde * he could drink a fifth of utes. which ruling. Honeymoon in England whisky in less than five min- property is needed for munici- Mr. Barber said in his state- < pal use. There was no comment from McPHATTER utes. the Lea youth i HOLLYWOOD, (NANA). I tells me he found Havana i ment that then!; The action; Jess C. Lea, Jr., Kansas city, 1 opened the bottle and “he took council taken at without waiting for his April 1 i much quieter this year than died a few hours after the in- j an unannounced meeting last "Charlie Brown" date at the Tropicana. Eddie ! last—“but people are going out body I about three-fourths of it down Friday, yester- ‘The cldent. His was found in ! 1 without taking It from his became known Fisher has already established i more at night; they have more the car another youth with day. The two-story home is of 1 mouth." residence in Las Vegas to give i confidence. Under the previous whom he had made the bet. owned by George T. Raymond. COASTIRS him the six weeks required be- i regime, they couldn’t trust the Beeler, acting “He put it down and said Tl Marlon chief of ” 1 head of the Chester branch of 'police.’’ walling pretty good,’ Prince Chorming of Taps fore he can marry Elisabeth!! He found no police at suburban Raytown, feel Mr. Barber ! Taylor. Her trip to England >! for the deposed Batista. added. "Then he smoked a * said police are holding two TOM'W Bunny Briggs to film “Suddenly Sum-! “I am used to doing my youths for cigarette and we talked a little I MAT. 2:30 Last older Investigation. " own writes Gordon "O'Ccuty'i graotait ploy UHDE G : nmor on the Keys mer" will be In the nature of a 1 stunts.” He said Harold L. Barber. 20. and then he killed it.” Mr. Carmody, soim - Star • * honeymoon for the new Mr. and |!<Tarzan> Scott from darkest and James H. Yates. 22, had Barber estimated the time as] Nino Simone Mrs. Fisher. Africa where he is starring in signed statements about the less than five minutes. GARLAND l hit 10-pc. orch I llII ( Funsters at Large The Jayne Mansfleld-Mlekey "Tarzan’s Greatest Adventure." bizarre wager. Mr. Barber and Mr. Yates II 11 1 here really fight. Ftoturtd Enttrtoi nan f * & Hargitay baby is obviously go- j"but I have to Mr. Beeler said Mr.. Yates said they then drove to Ray- ! • Freddie Flo ing to be a giant. At twojAnd If the scene is on the edge and Mr. Barber related they town where they left young Lea Club a drop, they ? Rick Henderson's Orch. months, the male charmer of1 sheer find me . in the car because he was flNoniil W . spot top weighs In 16 pounds -he slippriest on of “groggy.” SVrRS# Waldorf at Bor offita op«n todoy 10 til 9 1 t 1 Week—Opens Todoy it. We long hours, occoptod • Lady Adele Beatty’s date with work seven Mr. Barber found the Lea Phono or dor» for oil pat ft. • Casino -1^ days a week with no youth j j» Featuring: F York supports breaks.’’; Yale Snowballs dead when he Aly Khan In New returned an U. $. 301 what I stated on her arrival Gordon signs himself. “Bruised to the car a few hours later, . • Vft Woiy/iM ” f Waldorf, Charles I { here—that she not come Actor He should be in London Bring In Police i did 26tth and 0 Sis. N.W. ME. 1-47*0 County Maryland | to this country to purswoo now for four weeks of indoor NEW HAVEIN. Conn.. Mar. | NO. 7-3000 7& T, N.W. Frank Sinatra and it was mere: shooting Wife Vera Miles is 1 13 «AP>. About 300 Yale concidence that they happened Joining him. students had a brief fling last ’/ANJOHNSON | * * * * v to be in Palm Springs and night. It lasted until one of again in Florida at the same Another 80 days of shooting ; flung a snowball at a * l them j | m JB \ I O 81 i» ILjljaIllrUf11111 if " ()u/iy time. for “Spartacus." but things i "jo*- —-n. MONE ** * * seem quieter with Kirk Doug- The students were gathered a aim Reason for the delay j las, Charles Laughton and I near the campus throwing in the marriage of Brigitte Laurence Olivier. They all I snowballs at* motorists, police Bardot and Sascha Dlstel would own percentages—and delays i said. Motorists stopped, police seem to be Jaeqaes Charrter—- add to the cost of the picture, . arrived, and someone beaned' TBSNM.UX ',’, ,U one of Brig's co-stars in “Bab- budgeted at 86.000.000. a cop. What happened The Eight, patrol . ever to cars ette Goes to War." . And Jaifr result: WINELAND THEATERS DBIYEIN THEATEBS Diana Dors will wed comedian Powell’s movie career? Jane ! and paddy wago\s arrived, Films of More Than Routfne Merit Army « any Vegas made millions for Metro with i and at least 21 students were' "AT WAR WITH THE ARMY”—And the is no match anr lIRIVF IH 7100 Indian Hd I>,i r msw-c cn a Dickie Dawson in Las Martin-Jerry C charged peace. for the old Dean Lewis comedy team. , « *J,«» MT when she sings for her supper "Beven Brides for Seven Broth- with breach of IFALSTAFF ? VERHOIIDPPM AIB nothing lm- persons—three ’’AUNTIE MAME”—Roz Russell’s comedy frolic transplanted m tank roii<a.”^s.n«:o2?“ there, this summer. ers,” but done Police said 10 GIUSEPPE VERDI : has. from itage to screen with healthy laughs intact 9 7 on'blojd Alberghetti, portant since. Why? of them policemen were Cut: Alberta. Allen. Anthony. Cun. 2i''vv4r Thri»i“ -camp ~Ji^ Anna Marla who I1 Cuenod. dt Oerlend. dl Gluaeppe. Brynner plays to island, at «:23. • • • • slightly injured “THE BUCCANEER" —Yul Jean LaflUe Vi bicThits:!! managed to look pretty under in the skir- Herbert. Trehy. Word. Charlton Heston’s Andy Jackson in a DeMille-type fable. ••RED 9KIE3 OP MONTANA." I I a hair dryer at Westmore’s, Liliane Montevecehi I mish. Director: Nathaniel Merrill HILLSIDt. drive-in closed Conductor: Paol Call, war "GIGI Leslie Caron. Maurice Chevalier. Louis Jourdan in a 4J(M Maribofo Pa Md. jo s-72M Symnhanv .a. Ti e came out from under to show her Hollywood apartment and National Orchestra lilting, sparkling musical by the “My Fair Lady” team. Tonight ¦ ~~r~ me her engagement ring from sold her before leaving • Miner Auditorium. April ill. l:t at Gala Reopening Jaguar j• . S lid P M : April 11 at S:3O P M “HOUSEBOAT”—Cary Grant, with an assist by Skiphia Loren, laky orani- in houseboat chirk bloom Buddy Bregman. “Isn’t 10' it for New York to begin rehearsals ******Tickets: SIMM). (IJ4. an..mi. sit mi explores some comedy aspects of family life. land^*at*«“aof»"" “THE BUCCANEER” lovely?" admired Anna, flash-; ofl-Broadway | at Talbert Ticket Asenrv »* lU:UU [for the musical. Willard Hotel NA. 8-3373 “THE PERFECT FURLOUGH’’—Janet Leigh and Tony Curtis Uis Good Hop. ing the HPiMauaii*SHICiISTU nlce-sised solitaire' Play With Me." »d tu 1.70/0 _ '"Come Liliane cheerfully unfurl some sturdy old comedy cliches. se aurti noimTiu r»~ 7 every which way. “We get- stars in the French play with r NK RANCH Opera Society “TH . SHEEPMAN ”—Glenn Ford. Mickey Shaughnessy and X DRIVE-IN April r”fN t s“mi married 12.’’ she added. Tom Posten— a regular on the nimh naval m: Shirley MacLaine in a Western with a sense of humor. Technicolor. Old Bionti, a».,, ciimon, Md., AVj uinusssisa * . i( »MSUtset*- . Sophia Loren, who IV went Steve Allen show. Her romance k 1 V¦ a—BIV6WBIMM of Washinuton film, “SOME CAME RUNNING”—The James Jones novel on i4w Po A>. S E c^J‘y pounds 125, Trent LwPteO ms a Street N.W. at. 1-OHM j ,* ’ orant^phiV N from 140 to is with Dr. Bex Ross is still very , l mm Shirley MacLaine’s Oscar-contending performance. nIIihLAND 73)1 * v with tu 4 “HOUSEBOAT” also a blond—for her ourrent much on. and he will be flying \\mm ** “Heller With a Oun’’ at east to see her. , FRANKENSTEIN. * Technicolor. »:»•* j 22, Stanley Warner Theaters SIDNEY LOST THEATERS gV NDEMON*st Paramount. Producer-directoc Elghteen-year-old Jo Mor- SUM.
Recommended publications
  • Our Love Affair with Movies
    OUR LOVE AFFAIR WITH MOVIES A movie producer and Class of ’68 alumnus recalls the cinematic passions of his senior year—and offers some advice on rekindling the romance for today’s audiences. By Robert Cort crush on movies began on a Around the World was a grand spectacle Louis Jourdan as Gaston realizing how damp November night in 1956. that ultimately claimed the Academy much he loved Gigi and pursuing her Dressed in my first suit—itchy Award for Best Picture. Beyond its exotic through Paris singing, “Gigi, what mir- MY and gray—I sat in the backseat locales, it was my first experience of char- acle has made you the way you are?” of our Oldsmobile as my parents crossed acters attempting the impossible. When Before that scene, what I’d observed the Brooklyn Bridge into Manhattan. At David Niven as Phineas Fogg realized about men and women in love was my Mama Leone’s I tasted Parmesan cheese that crossing the International Date Line parents’ marriage, and that didn’t seem for the first time. Then we walked a few had returned him to London on Day 80, something to pine for. blocks to the only theater in the world the communal exuberance was thrilling. Three Best Pictures, three years in a playing the widescreen epic comedy- A year later my brother took me to an- row: the thrill of daring men in the wide, adventure, Around the World in 80 Days. other palace, the Capitol Theater, for The wide, Todd-AO world; the horrors that I was already a regular at Saturday Bridge on the River Kwai.
    [Show full text]
  • TAR HEEL TALK Winter 2019 Issue No
    TAR HEEL TALK Winter 2019 Issue No. 157 N.C. Library for the Blind and Physically Handicapped FEATURES • Staff Features • Books on Demand • BARD Madness TAR HEEL TALK 1 STAFF FEATURES: JOSH BERKOV What are your duties really enjoy working at NCLBPH? here, and he was right. I am the Collection It’s been a wonderful Management Librarian. experience, even if it I spend my time classi- does take me away fying incoming vol- from my cats every day umes; selecting and or- for 9 hours. dering large-print ti- What does your posi- tles, DVDs, and Braille tion mean to you? materials; administer- I have been a professional li- ing the Library’s Interlibrary brarian since October 2007, Loan program and playing serv- and this is probably the most ant to his two beautiful cats Ty- rewarding position I have had son and Felix. Oh wait, scratch in terms of knowing that the that! work that I do literally helps How long have you been with thousands of North Carolinians NCLBPH? every single day. If it weren’t It’ll be five years in June 2019. for the subject-coding work Five long and torturous years. that I do, a reader who prefers Um, you’re not going to print cozy mysteries might acci- this, are you? dentally be sent a vampire- filled occult mystery, or a read- What made you decide to ap- er who prefers Amish romances ply at NCLBPH? might end up with a spicy ro- I have a friend who worked mance instead. We certainly here years ago, Lyman Clay- can’t have any of that going on! born, who knew that I was What does a service like the looking for a new job.
    [Show full text]
  • Saratoga Drama Group Presents
    Saratoga Drama Group presents May - June 2001 Saratoga Drama Group A Very Special Guest: Janis Paige presents As our opening-night guest we are extremely pleased to welcome Miss Janis Paige. Miss Paige starred in the original Broadway production of Mame, taking over the title role from its originator, Angela Lansbury. With an all-encompassing talent that embraces the worlds of stage, movies and television, Miss Paige is equally at home in dramatic, comic and musical roles. Prior to her stage career, she enjoyed wide acclaim Book by for her starring roles in motion pictures, Jerome Lawrence beginning with Hollywood Canteen and and continuing through a four-year tenure as a Robert E. Lee Warner Brothers star. Her introduction to Broadway came purely by accident, when producer Leland Hayward, desperately searching through some 200 applicants for Music and Lyrics by the role of Judy Revere in the Howard Lindsay-Russell Crouse comedy Remains To Jerry Herman Be Seen, was introduced to Miss Paige at the rehearsal hall and within the space of fifteen minutes she came away with the part. She went on to even greater success in Based on the novel by Patrick Dennis the smash hit musical Pajama Game, followed by another hit, Here’s Love. and the play “Auntie Mame” by Between shows she initiated a nightclub career, headlining across the country in major supper clubs including the famous Copacabana in New York. Miss Paige can Lawrence and Lee also claim numerous television appearances including a series, It’s Always Jan, and top variety and dramatic shows.
    [Show full text]
  • December 2018
    LearnAboutMoviePosters.com December 2018 EWBANK’S AUCTIONS VINTAGE POSTER AUCTION DECEMBER 14 Ewbank's Auctions will present their Entertainment Memorabilia Auction on December 13 and Vintage Posters Auction on December 14. Star Wars and James Bond movie posters are just some of the highlights of this great auction featuring over 360 lots. See page 3. PART III ENDING TODAY - 12/13 PART IV ENDS 12/16 UPCOMING EVENTS/DEADLINES eMovieposter.com’s December Major Auction - Dec. 9-16 Part IV Dec. 13 Ewbank’s Entertainment & Memorabilia Auction Dec. 14 Ewbank’s Vintage Poster Auction Jan. 17, 2019 Aston’s Entertainment and Memorabilia Auction Feb. 28, 2019 Ewbank’s Entertainment & Memorabilia Auction Feb. 28, 2019 Ewbank’s Movie Props Auction March 1, 2019 Ewbank’s Vintage Poster Auction March 23, 2019 Heritage Auction LAMP’s LAMP POST Film Accessory Newsletter features industry news as well as product and services provided by Sponsors and Dealers of Learn About Movie Posters and the Movie Poster Data Base. To learn more about becoming a LAMP sponsor, click HERE! Add your name to our Newsletter Mailing List HERE! Visit the LAMP POST Archive to see early editions from 2001-PRESENT. The link can be found on the home page nav bar under “General” or click HERE. The LAMPPOST is a publication of LearnAboutMoviePosters.com Telephone: (504) 298-LAMP email: [email protected] Copyright 20178- Learn About Network L.L.C. 2 EWBANK’S AUCTIONS PRESENTS … ENTERTAINMENT & MEMORABILIA AUCTION - DECEMBER 13 & VINTAGE POSTER AUCTION - DECEMBER 14 Ewbank’s Auction will present their Entertainment & Memorabilia Auction on December 13 and their Vintage Poster Auction on December 14.
    [Show full text]
  • STUDY GUIDE Edited by Richard J Roberts, Resident Dramaturg with Contributions by Janet Allen • James Still Russell Metheny • Yao Chen Betsy Cooprider-Bernstein
    streaming May 27 – June 20, 2021 from the OneAmerica Mainstage filmed by WFYI STUDY GUIDE edited by Richard J Roberts, Resident Dramaturg with contributions by Janet Allen • James Still Russell Metheny • Yao Chen Betsy Cooprider-Bernstein Indiana Repertory Theatre 140 West Washington Street Indianapolis, Indiana 46204 Janet Allen, Margot Lacy Eccles Artistic Director Suzanne Sweeney, Managing Director www. irtlive.com SEASON SPONSOR SEASON PARTNER SEASON SUPPORT COMMUNITY CONVERSATIONS EDUCATION SPONSOR PARTNER 2 INDIANA REPERTORY THEATRE THE HOUSE THAT JACK BUILT by James Still Jack is gone, but his family gathers for Thanksgiving. Delicious aromas carry with them painful memories. Flowing wine dislodges hidden resentments. Old stories evoke shared laughter—and silent tears. This award-winning play by the IRT’s own playwright-in-residence returns with all its heart, tenderness, joy, and sorrow, reminding us that we must accept the past before we can embrace the present. STREAMING May 27 – 20, 2021 LENGTH Approximately one hour and 35 minutes, with no intermission AGE RANGE Recommended for grades 10–12 STUDY GUIDE CONTENTS The Story of the Play 3 Artistic Director’s Note 4 Playwright’s Note 6 Playwright’s Biography 7 Designer Notes 8 Standards Alignment Guide 10 Discussion Questions 11 Writing Prompts 12 Activities 13 Resources 14 Glossary 17 COVER ART BY KYLE RAGSDALE FOR INFORMATION ABOUT IRT’S EDUCATION PROGRAMS: [email protected] FOR STREAMING SALES: IRT Ticket Office: 317-635-5252 www.irtlive.com INDIANA REPERTORY THEATRE 3 THE STORY OF THE HOUSE THAT JACK BUILT In The House that Jack Built by IRT playwright-in-residence James Still, Jules is hosting Thanksgiving 2012, as she has done for many years.
    [Show full text]
  • MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
    The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953).
    [Show full text]
  • Hitchcock's the Paradine Case (1947)
    1 The Paradine Case Reviewed by Garry Victor Hill Directed by Alfred Hitchcock. Produced by David O. Selznick. Screenplay by David O. Selznick from adaptations by Alfred Hitchcock, Alma Reville and James Bridie. Based on the novel by Robert Hichens. Production design: J. MacMillan 2 Johnson. Cinematography by Lee Garmes. Original Music by Franz Waxman. Edited by Hal C. Kern. Key Costumer: Travis Banton. Cinematic length: 132 minutes. Distributed by Selznick Studio. Cinematic release December 29th 1947: DVD release 2007 edited down to 110 minutes. Television release 94 minutes Check for ratings. Rating 80%. All images are taken from the public domain and wiki derivatives with permission. Cast Gregory Peck as Anthony Keane Ann Todd as Gay Keane Alida Valli as Mrs. Maddalena Paradine Charles Laughton as the Judge, Lord Thomas Horfield Ethel Barrymore as Lady Sophie Horfield Charles Coburn as Sir Simon Flaquer, Joan Tetzel as Judy Flaquer, Louis Jourdan as André Latour, Leo G. Carroll as the counsel for the prosecution Isobel Elsom as the Innkeeper in Cumberland Review Despite having many qualities, this film did not do well on its release, either critically or commercially. The film was initially about the downfall of a great, good and happy man brought down by his figurative blindness when involved in a puzzling law case. However the film changes direction, putting the greater theme into second place. Instead the focus goes onto the murder trial and the legal 3 preparations. At its heart The Paradine Case has a mystery: Did Mrs Paradine poison her blind, aged husband? If she did not, then what happened? Her barrister, Anthony Keane (Gregory Peck) sums up the possibilities succinctly: either he committed suicide, she did it as charged or her husband’s sinister manservant André La Tour (Lois Jordan) murdered him for a bequest - or in an assisted suicide.
    [Show full text]
  • A High Country Christmas
    P O Box 96, Newton, Iowa 50208, Phone: 641-792-1230, www.newtontheatre.com A High Country Christmas By Robert Inman Directed by Pam Ratliff & Mary Thompson December 1 & 2, 2017 at 7:30 PM December 3, 2017 at 2:00 PM December 7, 8 & 9, 2017 at 7:30 PM It’s Christmas Eve day during the era of the Great Depression in a rural mountain area where families struggle to keep body and soul together. Miserly Silas McTavish owns and operates a general store—with the help of his long-suffering clerk, Abner Veazey, and Abner’s son, Caleb—where hard bargains are struck and credit is never allowed. As Silas prepares for bed, a mysterious stranger “Guest” appears at the foot of Silas’ bed and commands him to follow on a journey through Christmas past, present and future. Their first stop is Silas’ boyhood home in Scotland, where as a young man he announces to his family that he is going to America, leaving his sweetheart, Fiona, behind. The second stop is Abner Veazey’s home, where his large impoverished family steadfastly maintains Christmas cheer despite Caleb’s worsening condition. Mrs. Walker arrives with her sick infant. The final stop of Silas and the Guest—Christmas future—is a graveyard where a funeral service is underway for Caleb and the Walker infant, whose lives could have been saved by a doctor. The Guest departs after reminding Silas that he has the power to alter Christmas future. Silas awakens on Christmas morning deeply moved by his nightlong journey.
    [Show full text]
  • TUCATDC NOBMINDIN C'nrysler • PLYMOUTH SINCE 1875 OVER 106 Years of SALES & SERVICE LEADERSHIP
    TUCATDC NOBMINDIN C'NRYSLER • PLYMOUTH SINCE 1875 OVER 106 Years OF SALES & SERVICE LEADERSHIP • AUTHORIZED SERVICE FOR On the ALL CHRYSLER BUILT CARS Avenue of Flags • BODY & FENDER REPAIRS • CAR & TRUCK LEASING • QUALITY USED CARS • PARTS HEADQUARTERS CHRYSLER - MOPAR 900 WEST CAPITOL EXPRESSWAY. SAN JOSE. 266-9500 395-3101 LOS GATOS WINCHESTER BLVD. PRESENTS starring KATI E HASSETT produced by EDWARD HAND DIRECTED by DENNIS ROSSOW music director JOHN DOSCHER choreographer GARY DeMATTEI choral director VIVIAN CLARE book by jerome lawrence & robert e. lee music & lyrics by jerry herman Performances: Nov. 12, 18, 19, 25, 26; Dec. 2, 3, 9, 10 Fridays & Saturdays - 8:30 pm Sunday Matinees - Nov. 13, 20, 27; Dec. 4 - 2:30 pm "MAME" is produced by arrangement with and music and dialogue furnished by TAMS-WITMARK MUSIC LIBRARY, INC., 757 3rd Avenue, New York, NY 10017 West Valley Box Office Saratoga Civic Theater % Jean Hutchins 13777 Fruitvale Ave., Saratoga 1411 Redmond Road 741-95081 Hour Before Curtain San Jose, CA 95120 268-3777/358-1896 PLEASE NOTE: By order of the City Council and the Fire Marshall, smoking, refreshments and recording or taking photographs during performances are not permitted. CAST [in order of appearance] Patrick Dennis, younger Ben Varkentine Agnes Gooch Gail Hamilton Vera Charles Marge Hand Marne Dennis Katie Hassett Ralph Devine Ray Donnelly M. Lindsay Woolsey Harold N. Cropp Bishop Rick Frank Ito Roy Shimada Doorman Tom Cotton Elevator Boy Larry Gaffaney Messenger Vicky Hanson Dwight Babcock Charlie Robert Art Model Patricia Elias Dance Teacher Gayle Frank Leading Man Tom Cotton Stage Manager Larry Gaffaney Madame Branislowski Pamela Reeder Gregor Tom Cotton Beauregard J.P.
    [Show full text]
  • To the Latest 'POP' Eps
    12 RECORD MAIL May 1960 "MUSIC OF THE MAUVE DECADE" "LOVE IS A MANY SPLENDOURED THING" ALEX WELSH and his Band Hollywood Film Music played by Lansdowne Jazz Series VICTOR SILVESTER AND HIS SILVER STRINGS Charleston; Lonesome and sorry; Shim-me-sha-wabble; Don't leave Love is a many splendoured thing; Laura; All of you; That old black me daddy: Nobody's sweetheart; Down among the sheltering palms: magic: Around the world; The song from "Moulin Rouge"; My The black bottom; Tell 'em about me; I cried for you; Mammy o' foolish heart: Theme from "Now Voyager" (Itcan't be wrong): mine; Sleepy time gal; Bye bye blues Columbia 33SXI219 "Moonglow" and theme from "Picnic"; As time goes by; A gal in calico; Sand in my shoes; Theme from "Limelight"; Diane; Good- SONNY ROLLINS AT MUSIC INN night my love Columbia 33SXI230' TEDDY EDWARDS AT FALCON'S LAIR Doxy; Limehouse blues; I'll follow my secret heart; You are too ORIGINAL TV MUSIC FROM "WAGON TRAIN" beautiful; Billie's bounce; A foggy day MGM -C-818 Orchestra conducted by STANLEY WILSON Wagons ho; Jumpin' Jack rabbit; Colleen; Chuck Wooster; Sirocco; My Indian brother; Vivian; Golden west; Tomorrow; Share my fire; Night shadows: Lamento; Closing theme (Wagons ho!) Mercury MMCI4033' VICTOR SILVESTER FILMS Columbia 33SXI230' and Recorded directly from the SOUNDTRACK of "DRUM CRAZY" (THE GENE KRUPA STORY) 6F ti' featuring the DRUMS of GENE KRUPA, with SHOWS ANITA O'DAY and RED NICHOLS Main title; I love my baby; Royal garden blues;Indiana "Jam ILLY DANIELS COLE PORTER'S "CAN -CAN" session"; Spiritual
    [Show full text]
  • American Moviemakers: Directed by Vincente Minnelli
    American MovieMakers "AMERICAN MOVIEMAKERS: DIRECTED BY VINCENTE MINNELLI December 15, 1989 - January 28, 1990 All films directed by Vincente Minnelli, produced by MGM Studios, and Courtesy of Turner Entertainment, Co., except where otherwise noted. Cabin in the Sky, 1943. With Ethel Waters, Eddie "Rochester" Anderson, Lena Home, Louis Armstrong. 96 minutes. I Pood It, 1943. With Red Skelton, Eleanor Powell, Lena Home. 101 minutes. Meet Me in St. Louis, 1944. With Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer. 113 minutes. The Clock, 1945. With Judy Garland, Robert Walker, James Gleason. 90 minutes. Yolanda and the Thief, 1945. With Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick. 110 minutes Ziegfeld Follies, 1944, released 1946. With Fred Astaire, Judy Garland, Gene Kelly, Lucille Bremer. 110 minutes Undercurrent, 1946. With Katharine Hepburn, Robert Taylor, Robert Mitchum. 116 minutes The Pirate, 1948. With Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper. 102 minutes Madame Bovary, 1949. With Jennifer Jones, James Mason, Van Heflin, Louis Jourdan. 115 minutes Father of the Bride, 1950. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 93 minutes Father's Little Dividend, 1951. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 82 minutes An American in Paris, 1951. With Gene Kelly, Leslie Caron, Oscar Levant, Nina Foch, Georges Guetary. 113 minutes -more- The Museum of Modern Art - 2 - The Bad and the Beautiful, 1953. With Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Gloria Grahame, Gilbert Roland. 118 minutes The Story of Three Loves, 1953. "Mademoiselle" sequence. With Ethel Barrymore, Leslie Caron, Farley Granger, Ricky Nelson, Zsa Zsa Gabor. 122 minutes The Band Wagon, 1953.
    [Show full text]
  • French Film Series to Conclude with Works from Final Period of the Classic Tradition
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART ENTRANCE at 18 W. 54 #42 FOR IMMEDIATE RELEASE FRENCH FILM SERIES TO CONCLUDE WITH WORKS FROM FINAL PERIOD OF THE CLASSIC TRADITION In its final months, REDISCOVERING FRENCH FILM PART II, The Museum of Modern Art's comprehensive survey of French film history, will screen classics from the 1940s and • 50s, then pause to look back at the very beginnings of the long tradition of French filmmaking. The schedule for August begins with a look at the French cinema at the time of the Occupation and features two rare films of the liberation: Le Six Juin a l'Aube, a documentary made by the great feature film director Jean Gremillon, and Rene Clement's La Bataille du Rail. Also scheduled in August are two of the most striking French films noirs of the postwar period, Clouzot's Quai des Qrfevres and Yves All^gret's De'dee d'An vers, Simone Signoret's star-making vehicle. In September, the schedule will focus on the films of the 1950s, during the last flowering of the classic tradition before the tumult of the New Wave. Among the highlights are two film adaptations of Emile Zola's scathing social fiction—Julien Duvivier's Pot-Bouille and Marcel Carne*' s updated Therese Raquin—plus La Marie du Port, a rarely seen Carrie vehicle for France's most durable male star, Jean Gabin. Many of the most prominent French films of the '50s retreated into an acid-tinged nostalgia for the past; such resplendent examples of this tendency as Max Ophuls's La Ronde and Le Plaisir, Rene Clair's Les Grandes Manoeuvres and Les Belles-de-Nuit, and Jean Renoir's French Can-can are scheduled.
    [Show full text]