Copyright © 2020 the President and Fellows of Harvard College

Total Page：16

File Type：pdf, Size：1020Kb

Copyright © 2020 The President and Fellows of Harvard College Blue f lag (Iris versicolor) Model number 609, Rudolf Blaschka, 1896 Harvard University Herbaria Photo by Natalja Kent Model on display at the Harvard Museum of Natural History The Ware Collection of Blaschka Glass Models of Plants Harvardʼs famed “Glass Flowers” were painstakingly created entirely from glass by the artists Leopold and Rudolf Blaschka between 1886 and 1936. Commissioned by Professor George Lincoln Goodale, founder of the Botanical Museum at Harvard, the scientifically accurate collection provided a way for students and the general public to study plant form and function in the 19th century through today. The collection continues to inspire generations of visitors. Model #609, Iris versicolor, or blue flag, is considered one of Rudolf Blaschkaʼs masterpieces. Made in 1896, one year after the death of his father and mentor, Rudolf achieved the vibrant, lifelike color by boldly experimenting and innovating with colored glass and paint. Leaves, stems, and flowers were painted; roots and “dead” foliage at the base were colored with his own formulations of glass enamels. The intricately painted flower petals were likely created with pigment mixed as a glue-based distemper, applied with a fine artistʼs brush. Harvard Museums of Science & Culture (HMSC) is a partnership of four Harvard museums that present captivating programming for all ages and a dynamic array of permanent and changing exhibits. HMSC invites you to connect with Harvard Universityʼs distinctive collections and vital research on human civilizations, biodiversity, and the history of Earth and science. Share your creations with us on social media #ColorOurCollections and #HMSCconnects Continue exploring our museums: HMSC connects! Collection of Historical Scientific Instruments Harvard Museum of the Ancient Near East Harvard Museum of Natural History Peabody Museum of Archaeology & Ethnology Copyright © 2020 The President and Fellows of Harvard College.

Copy Link

Recommended publications

Pflanzen Aus Glas (Plants Made of Glass) 6-18 ©Naturwissenschaftlicher Verein Für Schwaben, Download Unter
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Berichte des naturwiss. Vereins für Schwaben, Augsburg Jahr/Year: 2010 Band/Volume: 114 Autor(en)/Author(s): Mayer Andreas Artikel/Article: Pflanzen aus Glas (Plants made of glass) 6-18 ©Naturwissenschaftlicher Verein für Schwaben, download unter www.biologiezentrum.at Berichte des Naturwissenschaftlichen Vereins für Schwaben 114. Bd. 2010 Andreas Mayer Pflanzen aus Glas (Plants made of glass) Zusammenfassung Die berühmte Harvard Universität besitzt ein angesehenes naturwissenschaftliches Museum das „Harvard Museum of Natural History“, welches jährlich rund 180.000 Besucher aus aller Welt anlockt. Die Hauptattraktion stellt eine einzigartige Sammlung von Pflanzenmodellen aus Glas dar. Prof. George Lincoln Goodale, der erste Direktor des Botanischen Museums von Harvard, wollte in den frühen 80er Jahren des 19. Jahr hunderts permanente Pflanzenmodelle aus Glas. Sie sollten zum einen die Schönheit des Pflanzenreichs in möglichst realistischer Form abbilden und zum anderen das ganze Jahr über zu Unterrichtszwecken genutzt werden. Ihm gelang es die beiden äußerst talentierten deutschen Glaskünstler, die sich bereits durch die Herstellung sehr realistischer Glasmodelle von marinen Invertebraten (wie etwa Quallen und See anemonen) einen Namen gemacht hatten, Leopold und seinen Sohn Rudolf Blaschka zur Herstellung von Pflanzen aus Glas zu überzeugen. Die Modelle wurden in den Jah ren 1886 bis 1936 exklusiv für die Harvard Universität mit damals üblichen Techniken gefertigt. Sie versetzten von da an den Betrachter durch ihre unbeschreibliche Schön heit und Detailtreue in großes Erstaunen. Die Finanzierung dieses Mammutprojekts übernahm Elizabeth C. Ware und ihre Tochter Mary Lee Ware zum Gedenken an Dr.
[Show full text]
Nature in Glass the Models of Leopold and Rudolf Blaschka
Nature in glass The models of Leopold and Rudolf Blaschka The second half of the nineteenth century was a time in Northern Bohemia, now the Czech Republic. The of great scientific discovery. Throughout the world, Blaschka family, originally from Venice, were skilled new museums were being built and many private workers in decorative glass, and Leopold showed museums were opened to the public. New galleries artistic skill from an early age. When he left school were designed to display the range of known living he spent some time apprenticed as a goldsmith and plants and animals. For many groups of animals this gemcutter, before joining his father’s business was easily done. Birds, mammals, reptiles and even crafting ornaments from metal and glass. For many fish could be skinned and mounted to produce years Leopold continued to produce decorative items reasonably accurate and lifelike representations. and jewellery. Alongside the business, Leopold Insects, with their hard exoskeletons, were dried and maintained an interest in natural history. His son pinned to boards for study or display. But what Rudolf was born on 17 June 1857, and it was around about soft-bodied animals, such as jellyfish and sea this time that Leopold began experimenting with anemones, which were preserved in spirit? Their making artificial glass flowers. He was introduced to colours quickly faded and their shapes became Prince Camille de Rohan, a wealthy amateur distorted as the tissues shrank. The German glass- naturalist, who arranged to supply Leopold with worker and naturalist Leopold Blaschka devised a specimens of orchids from his greenhouses for study.
[Show full text]
Harvard Museums of Science & Culture Coloring Book 2021
Day of the Dead candelabra, Peabody Museum of Archaeology & Ethnology. Izucar de Matamoros, Puebla, Mexico. Alfonso Castillo Orta, ca. 1980-1989. PM 993-24-20/27396 #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Devonshire cup coral, Caryophyllia smithii. Museum of Comparative Zoology SC 72. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Astronomical Compendium, Collection of Historical Scientific Instruments, Inventory Number: 7377. Roch Pacquellet, Laon, France, ca. 1567. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Gypsum, oversized crystal, Mineralogical & Geological Museum at Harvard. Naica, State of Chihuahua, Mexico. Collected through the courtesy of the Penõles Company of Mexico. MGMH #117966 #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Coﬃn of Ankh-khonsu, painted wood. Harvard Museum of the Ancient Near East, HMANE 1902.50.9 Dynasty 22, 945–712 BC, Egypt (Thebes), Gift of Theodore M. Davis. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Glass Flowers Bouquet, Harvard University Herbaria. Leopold and Rudolf Blaschka, 1889. The Archives of Rudolf and Leopold Blaschka and the Ware Collection of Blaschka Glass Models of Plants. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Drawing Upon the Collections: Coloring Pages from the Harvard Museums of Science & Culture Peabody Museum of Harvard Museum of Natural History Collection of Historical Archaeology & Ethnology Museum of Comparative Zoology Scientific Instruments Day of the Dead candelabra, Devonshire cup coral, Caryophyllia Astronomical Compendium, Alfonso Castillo Orta, ca.
[Show full text]
Things That Talk
MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2003 PREPRINT 233 Lorraine Daston and Anke te Heesen Things that Talk Table of Contents Introduction 3 The Glass Flowers Lorraine Daston 5 News, Papers, Scissors Anke te Heesen 33 Things that Talk – Table of Contents 57 Introduction These two essays were written as part of a working group of historians of art and science on “Things that Talk”, organized under the auspices of the research project “The Common Languages of Art and Science” (2001-3) at the Max Planck Institute for the History of Science, Berlin (Dept. II). The other members of the working group were Peter Galison (Harvard University, USA), Caroline A. Jones (MIT, USA and Wissenschafts- kolleg zu Berlin, Germany), Joseph Koerner (University College London, UK), Antoine Picon (Ecole des Ponts et Chausées, Paris, France), Joel Snyder (University of Chicago, USA), Simon Schaffer (University of Cambridge, UK), and Norton Wise (UCLA, USA). The group met three times in Berlin to discuss various versions of members’ essays and, more generally, the place of material culture in the history of science and the history of art. The nine essays, including the two that appear here as a preprint, will be published as a volume by Zone Books. A complete table of contents is appended to this preprint. The aim of the research project was to go beyond cases of historical interactions between art and science to investigate tools (e.g. drawing) and challenges (e.g. representation) common to both. In the case of the working group on “Things that Talk”, the departure point was a shared perplexity about how to capture the thingness of things in our respective disciplines.
[Show full text]
The Coming Museum of Glass Newglass Review 23
The Coming Museum of Glass NewGlass Review 23 The Corning Museum of Glass Corning, New York 2002 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made between der Voraussetzung ausgewahlt, dass sie zwi- October 1, 2000, and October 1, 2001. schen dem 1. Oktober 2000 und dem 1. Okto- ber 2001 entworfen und gefertig wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Rew'ewkonnen angefordert werden bei: The Corning Museum of Glass Buying Office One Museum Way Corning, New York 14830-2253 Telephone: (607) 974-6821 Fax: (607) 974-7365 E-mail: [email protected] To Our Readers An unsere Leser Since 1985, New Glass Review has been printed by Seit 1985 wird New Glass Review von der Ritterbach Ritterbach Verlag GmbH in Frechen, Germany. This Verlag GmbH in Frechen, Deutschland, gedruckt. Dieser firm also publishes NEUES GLAS/NEW GLASS, a Verlag veroffentlicht seit 1980 auBerdem NEUES GLAS/ quarterly magazine devoted to contemporary glass- NEW GLASS, eine zweisprachige (deutsch/englisch), making. vierteljahrlich erscheinende Zeitschrift, die iiber zeitge- New Glass Review is published annually as part of the nossische Glaskunst weltweit berichtet. April/June issue of NEUES GLAS/NEW GLASS. It is Die New Glass Review wird jedes Jahr als Teil der Mai- also available as an offprint. Both of these publications, ausgabe von NEUES GLAS/NEW GLASS veroffentlicht. as well as subscriptions to New Glass Review, are avail Sie ist aber auch als Sonderdruck erhaltlich.
[Show full text]
Flowers That Know No Season the Cold and Snow Finished Both The
Flowers That Know No Season The cold and snow finished both the camellias that choose this time to bloom in sheer defiance and the roses gamely hanging on way past their time. Grasses are elegantly frosted and red berries abound, but they really aren’t flowers, are they? Serendipitously a friend lent me a copy of “The Glass Flowers at Harvard” thinking I might enjoy writing about flowers that do not fade. Many of you may have visited the Harvard Museum of Natural History, one of the most complete natural history museums in the New England area. The Harvard University Herbaria with about 5.5 million specimens of plants and fungi is surely one of the most comprehensive collections in the world and along with several other diverse collections, bones to stones adding up to over 21 million objects. The Botanical Museum dates back to 1858 when it was founded by Asa Gray and called the Museum of Vegetable Products, so you can see that what was important was useful plants, those eaten or used in medicine. As specimens accumulated it was realized that a dried, faded specimen of what was once a vibrant flower, did not do justice to its beauty, nor were the delicate parts of the original easy to study. In that period, the 1880s, wax and papier-mache were used but they did not last. When the director of the Botanical Museum, Dr. Goodale, saw glass replicas of marine invertebrates in Harvard’s museum of Comparative Zoology, he determined that the consummate skill that produced marine specimens should be channeled into botany.
[Show full text]
LEOPOLD and RUDOLF a Legacy in Glass
Soda Lime Times LEOPOLD AND RUDOLF Blaschka A Legacy in Glass By Darryle Jadaa Blaschka glass model t seems ftting that for an issue titled Beyond Leopold Blaschka was born in 1822 in Bohemia. Beads that I write of something not just beyond At an early age, he showed artistic aptitude and Ibeads but beyond art as well. I am speaking was apprenticed to a gemcutter and goldsmith. of the work of the Blaschkas which encompasses Later, he joined the family business of making both the realms of art and science. Their work has glass ornaments and glass eyes. His family had a been described as “an artistic marvel in the feld of long history of working with glass, dating back to science and a scientifc marvel in the feld of art.” 15th century Venice. His early work in the family It continues to amaze and educate scientists and business consisted of making costume jewelry artists alike. from glass and metal. His son, Rudolf Blaschka, Soda Lime Times Copyright 2016 17 September 2016 All rights reserved Soda Lime Times was born in 1857 and the family moved to Dres- den, Germany in order to provide better education- al opportunities for their son. Once in Germany, Leopold began making glass models of exotic fowers. Prince Camille de Rohan learned of his work and commissioned Leopold to create 100 models of orchids for his personal collection. Gradually as Leopold’s reputation spread, he began a mail order business to sell marine inver- tebrate models. In 1876, Rudolf Blaschka joined the family business and began assisting his father in the creation of marine models.They were very prolifc and produced their models in a produc- tion line, completing many small sections before proceeding to the next aspect of a model.
[Show full text]
Table of Contents
The Proceedings of the Cambridge Historical Society, Volume 35, 1953-1954 TABLE OF CONTENTS OFFICERS...............................................................................................5 OFFICERS, 1905-1955.............................................................................7 PAPERS EARLY HISTORY OF CAMBRIDGE ORNITHOLOGY......................................11 BY LUDLOW GRISCOM THE CAMBRIDGE PLANT CLUB................................................................17 BY LOIS LILLEY HOWE, MARION JESSIE DUNHAM, MRS. ROBERT GOODALE, MARY B. SMITH, AND EDITH SLOAN GRISCOM THE AGASSIZ SCHOOL..........................................................................35 BY EDWARD WALDO FORBES FORTY YEARS IN THE FOGG MUSEUM......................................................57 BY LAURA DUDLEY SAUNDERSON CAMBRIDGEPORT, A BRIEF HISTORY......................................................79 BY JOHN W. WOOD PAGES FROM THE HISTORY OF THE CAMBRIDGE HIGH AND LATIN SCHOOL...............................................91 BY CECIL THAYER DERRY I, TOO, IN ARCADIA..............................................................................111 BY DAVID T. POTTINGER ANNUAL REPORTS.....................................................................................125 MEMBERS...................................................................................................133 THE CAMBRIDGE HISTORICAL SOCIETY PROCEEDINGS FOR THE YEARS 1953-54 LIST OF OFFICERS FOR THESE TWO YEARS President: Hon. Robert Walcott Vice Presidents: Miss
[Show full text]
Harvard Women's Weekend Draft Program
Harvard Women’s Weekend Draft Program: November 4–6, 2016 Friday, November 4 3:00 pm–5:00 pm: Alumnae-led Breakouts and Campus Activities (choose one) • Global Women’s Empowerment Expo: Connect, Recruit, and Inspire Location: TBD Leading women’s empowerment organizations connect with Harvard alumni and students seeking career, internship, mentorship, volunteer, and fundraising opportunities. Hosted by Harvard Alumni for Global Women’s Empowerment, the Harvard Center for Public Interest Careers, Harvard Circle of Women, and HBS Women’s Student Association. • Hits and Misses: Sports Marketing, Gender, and Society Location: Knafel Center, Radcliffe Yard Sports permeates our society. From the inspiring to the infuriating, athletes and teams have a broad reach. This conversation of experts from business, journalism, and academia will look at the extent of such influence and illuminate the connections among sports, marketing, and gender. Speakers will consider how gender affects the ways athletes are represented and how sports are promoted through data analysis, advertising campaigns, and the media. Hosted by the Radcliffe Institute for Advanced Study Welcoming Remarks: Lizabeth Cohen, Dean, Radcliffe Institute for Advanced Study, and Howard Mumford Jones Professor of American Studies, Department of History Speakers: Jessica Gelman AB ’97, CEO of Kraft Analytics Group (KAGR); Daniel Peterson AB ’02, resident scholar in journalism, Lowell House; director of content, AdmitHub; former editor, ESPNBoston.com; Shira Springer AB '97, columnist on women's sports, The Boston Globe; Janet Rich-Edwards AB ’84 (moderator), associate professor of medicine, Harvard Medical School; associate professor in the department of epidemiology, Harvard T.H. Chan School of Public Health, codirector of the science program, Radcliffe Institute.
[Show full text]
Echeveria Secunda) Model Number 96, Leopold and Rudolf Blaschka, 1889 Harvard University Herbaria Photo by Natalja Kent
Hens and chickens (Echeveria secunda) Model number 96, Leopold and Rudolf Blaschka, 1889 Harvard University Herbaria Photo by Natalja Kent Model on display at the Harvard Museum of Natural History The Ware Collection of Blaschka Glass Models of Plants Harvardʼs famed “Glass Flowers” were painstakingly created entirely from glass by the artists Leopold and Rudolf Blaschka between 1886 and 1936. Commissioned by Professor George Lincoln Goodale, founder of the Botanical Museum at Harvard, the scientifically accurate collection provided a way for students and the general public to study plant form and function in the 19th century through today. The collection continues to inspire generations of visitors. Succulent plants, including the one featured here, have thickened leaves that retain water in arid climates. This species has a rosette structure that can grow up to six inches wide and produce numerous flowering off-shoots which has influenced its common name of “Hens and chickens.” Harvard Museums of Science & Culture (HMSC) is a partnership of four Harvard museums that present captivating programming for all ages and a dynamic array of permanent and changing exhibits. HMSC invites you to connect with Harvard Universityʼs distinctive collections and vital research on human civilizations, biodiversity, and the history of Earth and science. Share your creations with us on social media #ColorOurCollections and #HMSCconnects Continue exploring our museums: HMSC connects! Collection of Historical Scientific Instruments Harvard Museum of the Ancient Near East Harvard Museum of Natural History Peabody Museum of Archaeology & Ethnology Copyright © 2020 The President and Fellows of Harvard College.
[Show full text]
Harvard Women's Weekend Agenda (As of 11.2.16)
Harvard Women’s Weekend Agenda (as of 11.2.16) Friday, November 4 2:00–3:30 pm: HKS Women’s SIG Discussion Location: HKS Campus, Belfer Building, Bell Hall Join HKS alumnae and students to discuss ways to enhance the professional and personal development of women. The event, which will focus on the realities and challenges women face in their careers, includes a case study workshop followed by a networking session for alumnae and students. This event is organized in cooperation with the HKS Women's Network, a shared interest group (SIG) that is currently in formation. 3:00–5:00 pm: Alumnae-led Breakouts and Campus Activities (choose one) • Global Women’s Empowerment Expo: Connect, Recruit, and Inspire Location: Hives Classrooms, Batten Hall, 125 Western Ave, Allston Leading women’s empowerment organizations connect with Harvard alumni and students seeking career, internship, mentorship, volunteer, and fundraising opportunities. Hosted by Harvard Alumni for Global Women’s Empowerment, the Harvard Center for Public Interest Careers, Harvard Circle of Women, and HBS Women’s Student Association. • Hits and Misses: Sports Marketing, Gender, and Society Location: Knafel Center, Radcliffe Yard Sports permeates our society. From the inspiring to the infuriating, athletes and teams have a broad reach. This conversation of experts from business, journalism, and academia will look at the extent of such influence and illuminate the connections among sports, marketing, and gender. Speakers will consider how gender affects the ways athletes are represented
[Show full text]
The Agassiz Neighborhood Paths a Walk Through History, Culture, and the Arts in the Cambridge Agassiz Neighborhood
The Agassiz Neighborhood Paths A walk through history, culture, and the arts in the cambridge agassiz neighborhood 2013 program of the Agassiz Baldwin Community map, street & tree walk inside The Agassiz Neighborhood Path A walk through history, culture, and the arts in the cambridge agassiz neighborhood Welcome to the Agassiz Neighborhood Path. Our path is designed to delight and enlighten you as you walk. The Mayo Clinic recommends walking as a gentle, low-impact exercise that can lead to a higher level of fitness and health. A routine of walking 5 days a week for 30 minutes can help you lower cholesterol levels and blood pressure, reduce the risk of type 2 diabetes, manage weight and improve your mood.* For your enjoyment we’ve identified 43 historic places and 28 trees. In coming years, we plan to add additional paths with information about different sites and plant life. If you know something we should add or correct, please let us know at agassiz.org or 617–349–6287. Happy walking, Agassiz Baldwin Community Organized by the 2013 Agassiz Baldwin Community Contributors: Judith Elstein, Alice Evans, Cushing Giesey, Andrea Kadomiya, Deborah Lee, Sherry Leffert, Fred Meyer, David Morimoto, Jean Rogers, Phoebe Sinclair, Ann Sitkin, *Read more at www.mayoclinic.com/health/walking/HQ01612 Catherine Weller, and Seddon Wylde Somerville Ave Roseland St. Beacon St MassachusettsAvenue Forest St. Prentiss St. Prentiss St. Garfield St. Eustis St. Beacon St 4 15 Crescent St. 14 16 17 A 5 Sacramento St D E 1 3 B C Carver St. 2 11 6 10 Wendell St Wendell St Gorham St 8 7 Oxford St.
[Show full text]