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Pflanzen Aus Glas (Plants Made of Glass) 6-18 ©Naturwissenschaftlicher Verein Für Schwaben, Download Unter
ZOBODAT - www.zobodat.at Zoologisch-Botanische Datenbank/Zoological-Botanical Database Digitale Literatur/Digital Literature Zeitschrift/Journal: Berichte des naturwiss. Vereins für Schwaben, Augsburg Jahr/Year: 2010 Band/Volume: 114 Autor(en)/Author(s): Mayer Andreas Artikel/Article: Pflanzen aus Glas (Plants made of glass) 6-18 ©Naturwissenschaftlicher Verein für Schwaben, download unter www.biologiezentrum.at Berichte des Naturwissenschaftlichen Vereins für Schwaben 114. Bd. 2010 Andreas Mayer Pflanzen aus Glas (Plants made of glass) Zusammenfassung Die berühmte Harvard Universität besitzt ein angesehenes naturwissenschaftliches Museum das „Harvard Museum of Natural History“, welches jährlich rund 180.000 Besucher aus aller Welt anlockt. Die Hauptattraktion stellt eine einzigartige Sammlung von Pflanzenmodellen aus Glas dar. Prof. George Lincoln Goodale, der erste Direktor des Botanischen Museums von Harvard, wollte in den frühen 80er Jahren des 19. Jahr hunderts permanente Pflanzenmodelle aus Glas. Sie sollten zum einen die Schönheit des Pflanzenreichs in möglichst realistischer Form abbilden und zum anderen das ganze Jahr über zu Unterrichtszwecken genutzt werden. Ihm gelang es die beiden äußerst talentierten deutschen Glaskünstler, die sich bereits durch die Herstellung sehr realistischer Glasmodelle von marinen Invertebraten (wie etwa Quallen und See anemonen) einen Namen gemacht hatten, Leopold und seinen Sohn Rudolf Blaschka zur Herstellung von Pflanzen aus Glas zu überzeugen. Die Modelle wurden in den Jah ren 1886 bis 1936 exklusiv für die Harvard Universität mit damals üblichen Techniken gefertigt. Sie versetzten von da an den Betrachter durch ihre unbeschreibliche Schön heit und Detailtreue in großes Erstaunen. Die Finanzierung dieses Mammutprojekts übernahm Elizabeth C. Ware und ihre Tochter Mary Lee Ware zum Gedenken an Dr. -
Nature in Glass the Models of Leopold and Rudolf Blaschka
Nature in glass The models of Leopold and Rudolf Blaschka The second half of the nineteenth century was a time in Northern Bohemia, now the Czech Republic. The of great scientific discovery. Throughout the world, Blaschka family, originally from Venice, were skilled new museums were being built and many private workers in decorative glass, and Leopold showed museums were opened to the public. New galleries artistic skill from an early age. When he left school were designed to display the range of known living he spent some time apprenticed as a goldsmith and plants and animals. For many groups of animals this gemcutter, before joining his father’s business was easily done. Birds, mammals, reptiles and even crafting ornaments from metal and glass. For many fish could be skinned and mounted to produce years Leopold continued to produce decorative items reasonably accurate and lifelike representations. and jewellery. Alongside the business, Leopold Insects, with their hard exoskeletons, were dried and maintained an interest in natural history. His son pinned to boards for study or display. But what Rudolf was born on 17 June 1857, and it was around about soft-bodied animals, such as jellyfish and sea this time that Leopold began experimenting with anemones, which were preserved in spirit? Their making artificial glass flowers. He was introduced to colours quickly faded and their shapes became Prince Camille de Rohan, a wealthy amateur distorted as the tissues shrank. The German glass- naturalist, who arranged to supply Leopold with worker and naturalist Leopold Blaschka devised a specimens of orchids from his greenhouses for study. -
Harvard Museums of Science & Culture Coloring Book 2021
Day of the Dead candelabra, Peabody Museum of Archaeology & Ethnology. Izucar de Matamoros, Puebla, Mexico. Alfonso Castillo Orta, ca. 1980-1989. PM 993-24-20/27396 #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Devonshire cup coral, Caryophyllia smithii. Museum of Comparative Zoology SC 72. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Astronomical Compendium, Collection of Historical Scientific Instruments, Inventory Number: 7377. Roch Pacquellet, Laon, France, ca. 1567. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Gypsum, oversized crystal, Mineralogical & Geological Museum at Harvard. Naica, State of Chihuahua, Mexico. Collected through the courtesy of the Penõles Company of Mexico. MGMH #117966 #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Coffin of Ankh-khonsu, painted wood. Harvard Museum of the Ancient Near East, HMANE 1902.50.9 Dynasty 22, 945–712 BC, Egypt (Thebes), Gift of Theodore M. Davis. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Glass Flowers Bouquet, Harvard University Herbaria. Leopold and Rudolf Blaschka, 1889. The Archives of Rudolf and Leopold Blaschka and the Ware Collection of Blaschka Glass Models of Plants. #ColorOurCollections Copyright © 2020 The President and Fellows of Harvard College Drawing Upon the Collections Drawing Upon the Collections: Coloring Pages from the Harvard Museums of Science & Culture Peabody Museum of Harvard Museum of Natural History Collection of Historical Archaeology & Ethnology Museum of Comparative Zoology Scientific Instruments Day of the Dead candelabra, Devonshire cup coral, Caryophyllia Astronomical Compendium, Alfonso Castillo Orta, ca. -
Harvard and Radcliffe Class of 1964 Fiftieth Reunion May 25–30, 2014
Harvard and Radcliffe Class of 1964 Fiftieth Reunion May 25–30, 2014 PROGRAM GUIDE Contents Dear Classmates and Friends, WELCOME BACK TO HARVARD! Letter to Classmates 1 We hope you have a grand time at our Reunion: Class of 1964 Reunion Committees 2 • catching up with classmates and friends; Fiftieth Reunion Schedule 4 • making new friends and new connections; • enjoying the stimulating programs our committee Additional Schedule Information 9 has planned; A Note on House/Dorm and Affinity Tables For Those Coming Solo to Reunion • joining us for meals (and drinks) together; Presentations and Events • sharing experiences and insights with one another; Symposia • reconnecting with the greatest college in the world. Brief Talks ’64 Special thanks to all the members of our program Attendee Services 19 committee for the work they have done in preparation Reunion Headquarters for the Reunion. They are listed here but will also be Tickets and Name Badges wearing special name tags. Bags and Personal Items Parking and Transportation And special thanks as well to the students who will Gratuities assist us as bellhops, bartenders, and van drivers; to our Library and Museum Privileges wonderful student coordinators; and to those at the Exercise and Athletics Internet Access Alumni Association, particularly Michele Blanc, Phone Directory and Mail Serghino Rene, and Shealan Anderson, without whose Fax assistance this Reunion would not be happening. Security and Emergency Phones Medical Services They are all here to help—just ask if you need anything. Liability for Injury or Loss In the following pages, you will find details of what is Reunion Photographs planned and how you can navigate your way through Lost and Found the Reunion. -
Crimson Commentary
Harvard Varsity Club NEWS & VIEWS of Harvard Sports Volume 47 Issue No. 1 www.varsityclub.harvard.edu September 23, 2004 Football Opens Season With Convincing Win Drenching Rain Did Not Hinder Crimson Attack by Chuck Sullivan Lister might be the only person Director of Athletic Communications under Harvard’s employ who wasn’t necessarily pleased with Saturday’s Jon Lister, whose job, among other result. Under weather conditions that things, is to oversee the maintenance and yielded the potential to level what had caretaking of Harvard’s outdoor playing appeared to be a significant edge in talent fields, could only stand and watch what was for the Crimson as well as create the happening on the Harvard Stadium grass possibility of serious injury, Harvard’s Saturday. skill shone through, and the Crimson After the Crimson’s 35-0 Opening Day came out of the game largely unscathed. win against Holy Cross, Lister and The Crimson broke the game open in the members of his staff spent about two hours second quarter, emptied the bench in the on the Stadium field, which had been pelted third period, and simply tried to keep the by downpours and shredded by the cleats clock moving in the fourth quarter. It was of 22 200-to-300-pound men for the better pouring, after all. part of three hours. We don’t know for All three units — offense, defense certain what they were talking about, but it and special teams — made measurable likely had something to do with how exactly contributions. The offense reeled off 325 they were going to have that field ready for yards and scored on six of its first 10 play again in three weeks. -
Things That Talk
MAX-PLANCK-INSTITUT FÜR WISSENSCHAFTSGESCHICHTE Max Planck Institute for the History of Science 2003 PREPRINT 233 Lorraine Daston and Anke te Heesen Things that Talk Table of Contents Introduction 3 The Glass Flowers Lorraine Daston 5 News, Papers, Scissors Anke te Heesen 33 Things that Talk – Table of Contents 57 Introduction These two essays were written as part of a working group of historians of art and science on “Things that Talk”, organized under the auspices of the research project “The Common Languages of Art and Science” (2001-3) at the Max Planck Institute for the History of Science, Berlin (Dept. II). The other members of the working group were Peter Galison (Harvard University, USA), Caroline A. Jones (MIT, USA and Wissenschafts- kolleg zu Berlin, Germany), Joseph Koerner (University College London, UK), Antoine Picon (Ecole des Ponts et Chausées, Paris, France), Joel Snyder (University of Chicago, USA), Simon Schaffer (University of Cambridge, UK), and Norton Wise (UCLA, USA). The group met three times in Berlin to discuss various versions of members’ essays and, more generally, the place of material culture in the history of science and the history of art. The nine essays, including the two that appear here as a preprint, will be published as a volume by Zone Books. A complete table of contents is appended to this preprint. The aim of the research project was to go beyond cases of historical interactions between art and science to investigate tools (e.g. drawing) and challenges (e.g. representation) common to both. In the case of the working group on “Things that Talk”, the departure point was a shared perplexity about how to capture the thingness of things in our respective disciplines. -
Guide to Cambridge
JOAN SHORENSTEIN FELLOWS GUIDE TO CAMBRIDGE GUIDE TO CAMBRIDGE: SPRING 2018 1 | P a g e JOAN SHORENSTEIN FELLOWS GUIDE TO CAMBRIDGE Table of Contents NECESSITIES Hotels in the Area………………………………………………………….…………………………..…. 3 Houses of Worship……………………………………………………….……………………….…… 3-4 Dry Cleaning/Shoe Repair/Barber Shops/Salons………………………………………………….... 4-5 Banks/Grocery/Post Office/Drug Stores…….………………………………………………..……...5-6 Harvard Athletic Facilities……... ……………………………………………………….........................6 Libraries…………………………………………………………………………………………….……...7 TV and Radio………………………………………………………………………….…………………..8 GETTING OUT AND ABOUT (And Away) Book Stores………………………………………………………………………………………………. .9 Restaurants………………………………………………………………………………………………. 10 Harvard Cafeterias………………………………………………………………………………………..11 Movie Theaters…………………………………………………………………………………………...12 Museums……………………………………………………………………………………………….13-16 Tours/Sightseeing…………………………………………………………………………...………..17-18 For Kids………………………………………………………………………………………………..19-20 The Arts: Theater/Dance/Music/Ticket Information…………………………………………..…21-25 Day Trips………………………………………………………………………………………………26-27 Spectator Sports…………………………………………………………………………………………..28 Discounts available to Harvard Employees…………………………………………………………….29 2 | P a g e JOAN SHORENSTEIN FELLOWS GUIDE TO CAMBRIDGE HOTELS IN THE AREA THE CHARLES HOTEL One Bennett St. 617-864-1200 This is the hotel where most guests of the Shorenstein Center stay and is the accommodation closest to the Shorenstein Center. DOUBLE TREE SUITES 400 Soliders Field Road, Allston 617-783-0090 -
Health Impact Assessment of the Harvard Kennedy School Conducted by “Healthy Places” at the Harvard Graduate School of Design
Health Impact Assessment of the Harvard Kennedy School Conducted by “Healthy Places” at the Harvard Graduate School of Design Students: Carly Dickson Peng Dong Erica Fine Lauren Friedrich Margaret Krueger Dana McKinney Jane Philbrick Lilian Taylor Scott Valentine Longfeng Wu Faculty Advisor: Ann Forsyth Teaching Assistant: Yun Fu December 2015 Source: Harvard Kennedy School TABLE OF CONTENTS 01 | Introduction 001 | 02 | Access to Services 017 | 03 | Safety and Security 031 | 04 | Physical Accessibility and Wayfinding 055 | 05 | Ambient Environment 075 | 06 | Ergonomics 103 | 07 | Food 119 | 08 | Green Space 135 | 09 | Mental Health and the Built Environment 153 | 10 | Social Capital 173 | 11 | Aging and Retirement in the Workplace 193 | APPENDICES A | Methods 209 | B | Online Survey 210 | C |Tabling Question Cards 220 | D | Tabling Maps 222 ACKNOWLEDGMENTS 225 Source: Harvard Kennedy School Introduction 01 and Recommendations Jane Philbrick and Dana McKinney Students in the Fall 2015 seminar “Healthy Places,” led by Professor Ann Forsyth at the Harvard Graduate School of Design, conducted a Health Impact Assessment (HIA) of the Harvard Kennedy School (HKS) in collaboration with the Harvard Office of Sustainability. The HIA aligns with forward-looking objectives stated in the recently released “HKS Sustainability Plan: Fiscal Year 2016-20.” Asserting its leadership platform to expand the criteria of sustainability beyond conventional definitions of “greening,” HKS seeks to highlight the overall community’s health and well-being in its sustainability awareness and goals: [The HKS Sustainability Plan] proposes the adoption of a set of strategic recommendations for advancing the well-being of the HKS community over the next five years and supports the development of metrics to continually monitor the assets under the control of HKS. -
The Coming Museum of Glass Newglass Review 23
The Coming Museum of Glass NewGlass Review 23 The Corning Museum of Glass Corning, New York 2002 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made between der Voraussetzung ausgewahlt, dass sie zwi- October 1, 2000, and October 1, 2001. schen dem 1. Oktober 2000 und dem 1. Okto- ber 2001 entworfen und gefertig wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Rew'ewkonnen angefordert werden bei: The Corning Museum of Glass Buying Office One Museum Way Corning, New York 14830-2253 Telephone: (607) 974-6821 Fax: (607) 974-7365 E-mail: [email protected] To Our Readers An unsere Leser Since 1985, New Glass Review has been printed by Seit 1985 wird New Glass Review von der Ritterbach Ritterbach Verlag GmbH in Frechen, Germany. This Verlag GmbH in Frechen, Deutschland, gedruckt. Dieser firm also publishes NEUES GLAS/NEW GLASS, a Verlag veroffentlicht seit 1980 auBerdem NEUES GLAS/ quarterly magazine devoted to contemporary glass- NEW GLASS, eine zweisprachige (deutsch/englisch), making. vierteljahrlich erscheinende Zeitschrift, die iiber zeitge- New Glass Review is published annually as part of the nossische Glaskunst weltweit berichtet. April/June issue of NEUES GLAS/NEW GLASS. It is Die New Glass Review wird jedes Jahr als Teil der Mai- also available as an offprint. Both of these publications, ausgabe von NEUES GLAS/NEW GLASS veroffentlicht. as well as subscriptions to New Glass Review, are avail Sie ist aber auch als Sonderdruck erhaltlich. -
Flowers That Know No Season the Cold and Snow Finished Both The
Flowers That Know No Season The cold and snow finished both the camellias that choose this time to bloom in sheer defiance and the roses gamely hanging on way past their time. Grasses are elegantly frosted and red berries abound, but they really aren’t flowers, are they? Serendipitously a friend lent me a copy of “The Glass Flowers at Harvard” thinking I might enjoy writing about flowers that do not fade. Many of you may have visited the Harvard Museum of Natural History, one of the most complete natural history museums in the New England area. The Harvard University Herbaria with about 5.5 million specimens of plants and fungi is surely one of the most comprehensive collections in the world and along with several other diverse collections, bones to stones adding up to over 21 million objects. The Botanical Museum dates back to 1858 when it was founded by Asa Gray and called the Museum of Vegetable Products, so you can see that what was important was useful plants, those eaten or used in medicine. As specimens accumulated it was realized that a dried, faded specimen of what was once a vibrant flower, did not do justice to its beauty, nor were the delicate parts of the original easy to study. In that period, the 1880s, wax and papier-mache were used but they did not last. When the director of the Botanical Museum, Dr. Goodale, saw glass replicas of marine invertebrates in Harvard’s museum of Comparative Zoology, he determined that the consummate skill that produced marine specimens should be channeled into botany. -
Harvard College Map the Soldiers Field Athletic Area Serves All Harvard Undergrad- (22) the Murr Center Houses State-Of-The-Art Facilities for the Uates
ALLSTON CAMPUS Harvard College Map The Soldiers Field Athletic Area serves all Harvard undergrad- (22) The Murr Center houses state-of-the-art facilities for the uates. The facilities are used by individual students, club and squash and tennis teams as well as the intercollegiate sports intramural teams, as well as the athletes who compete on Harvard’s department’s administration. M T S a S forty-two varsity teams, the largest number offered by any college. (23) O’Donnelln Field is widely regardedO as the lfinest baseball field i U k TH A in E e t K t B S hl e y W T e c s ry R t O H k e a E ic a s n n E C Y ol l x T e L y v n nt o P l e 79 k o l (18) The Lavietes Pavilion opened in 1926 and is the second-old- in all of New England.e It seats 1,600. e O e h b r T r s a Cumnock u E H o H R E R R Fields T T est building used for basketball among Division I schools. It has a (24) The ArtLab is a nearly S 9,000-square-foot building that sup- E Littauer Y E D Kirkland Lowell R E T N S B er N House yls N seating capacityon of 1,636. ports members of the HarvardE community in artistic innovation.House K O Fiel . T d a F P l N M l H Y a (19) The Bright-Landry Hockey Center has a seating capacity of (25) The Harvard John A. -
LEOPOLD and RUDOLF a Legacy in Glass
Soda Lime Times LEOPOLD AND RUDOLF Blaschka A Legacy in Glass By Darryle Jadaa Blaschka glass model t seems ftting that for an issue titled Beyond Leopold Blaschka was born in 1822 in Bohemia. Beads that I write of something not just beyond At an early age, he showed artistic aptitude and Ibeads but beyond art as well. I am speaking was apprenticed to a gemcutter and goldsmith. of the work of the Blaschkas which encompasses Later, he joined the family business of making both the realms of art and science. Their work has glass ornaments and glass eyes. His family had a been described as “an artistic marvel in the feld of long history of working with glass, dating back to science and a scientifc marvel in the feld of art.” 15th century Venice. His early work in the family It continues to amaze and educate scientists and business consisted of making costume jewelry artists alike. from glass and metal. His son, Rudolf Blaschka, Soda Lime Times Copyright 2016 17 September 2016 All rights reserved Soda Lime Times was born in 1857 and the family moved to Dres- den, Germany in order to provide better education- al opportunities for their son. Once in Germany, Leopold began making glass models of exotic fowers. Prince Camille de Rohan learned of his work and commissioned Leopold to create 100 models of orchids for his personal collection. Gradually as Leopold’s reputation spread, he began a mail order business to sell marine inver- tebrate models. In 1876, Rudolf Blaschka joined the family business and began assisting his father in the creation of marine models.They were very prolifc and produced their models in a produc- tion line, completing many small sections before proceeding to the next aspect of a model.