DOCSLIB.ORG

An Analysis on Characteristics of Ancient Indonesian Textiles (II) - Focus on the Techniques and the Patterns of the ‘Sacred Cloths’

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
An Analysis on Characteristics of Ancient Indonesian Textiles (II) - Focus on the Techniques and the Patterns of the ‘Sacred Cloths’ Print ISSN 1229-6880 Journal of the Korean Society of Costume Online ISSN 2287-7827 Vol. 66, No. 7 (November 2016) pp. 34-49 http://dx.doi.org/10.7233/jksc.2016.66.7.034 An Analysis on Characteristics of Ancient Indonesian Textiles (II) - Focus on the Techniques and the Patterns of the ‘Sacred Cloths’ - Langi, Kezia-Clarissa․Park, Shinmi⁺ Master Candidate, Dept. of Clothing & Textiles, Andong National University Assistant Professor, Dept. of Clothing & Textiles, Andong National University⁺ (received date: 2016. 5. 31, revised date: 2016. 7. 20, accepted date: 2016. 8. 11) ABSTRACT1) The ancient ‘sacred cloths’ of Indonesia have diverse characteristics. The purpose of this study is to analyze the characteristics of ancient Indonesian textiles, focusing on ‘sacred cloths.’ The re- search is divided into two parts. The first part analyzes the creation period, religious importance, region where the cloths are found, and color of the ‘sacred cloths.’ The second part focuses on the textile-making techniques and the ritual patterns of the ‘sacred cloths.’ This research is the second paper. This research analyzes 225 Indonesian sacred cloth examples chosen for their reli- gious function in ceremony, and reviews 10 books and 8 research papers. Field research was done in the Museum of Bali, the Indonesian Museum of Textiles, and nine weaving production houses in eastern Bali. Indonesian sacred cloths express their cultural philosophy and function through production techniques, colors, techniques, and visual patterns. The ‘sacred cloth’-making techniques are classified as Batik, Prada, and Ikat. The regions that contribute to the textile pro- duction determine what patterns show up on the cloths. Sumatran patterns are philosophical, lav- ish, and prestigious. Bornean patterns are barbaric and prestigious. Balinese patterns are com- plex, decorative, warm, festive, calm, and aristocratic. Javanese patterns are symbolic and repetitive. Celebes patterns are artistic and simple. Nusa Tenggara patterns are symbolic and narrative. The forms shown on the textiles, whether geometric, human and animal, natural ob- jects, or abstract patterns, determine how to classify the varied patterns. As a result, ancient Indonesian sacred cloths characteristics portray Indonesian identity as Bhinneka Tunggal Ika(Unity in Diversity). Key words: ancient indonesian textiles(고대 인도네시아 직물), characteristics(특징), patterns(패턴), sacred cloths(신성직물), techniques(테크닉) This research is a part of the master's thesis Corresponding author: Park, Shinmi, e-mail: [email protected] An Analysis on Characteristics of Ancient Indonesian Textiles (II) Ⅰ. Introduction gion affected the colors, production techniques, and patterns of the sacred cloths. Generally, to This chapter introduce the background in- be worthy of God, the more complex a textile formation, literature review and research proposi- is, the more it is appreciated. tion, and research aim and methodologies of this paper. 2. Literature Review and Research Proposition 1. Background Information A review of current literature shows that pre- Indonesian textiles developed over time. Since vious research examined ancient Indonesian tex- 2500 BC, Indonesia has created basic weaving tiles as one Southeast Asian country as well as by a plaiting technique that were used for daily modern Indonesian textiles. However, this paper storage instead of clothing(Kartiwa, 1987/1993). focuses on ancient Indonesian sacred cloths and However, the Dong Son era in 500 BC marks Indonesia as its own nation. Novellino(2006) the first important change in Indonesian textiles studied the influence of historical context and through cloths depicting distinctive geometric pat- ethnobotanical knowledge on weaving traditions terns, advanced warp techniques used, and their from Southeast Asia, especially in the Dong Son religious functions. Animism, Buddhist-Hinduism, era. The Thailand, Burma, Laos, Cambodia, Vietnam, and Islamic kingdoms influenced ancient Indonesian Peninsula Malaysia, Indonesia, and Philippines textiles, leading to broad textile diversity from regions shared the same natural resources during 500 BC until AD 1800. that period. The research also analyzed Indonesian Textile development was important to regional and Philippine basketry and pottery. inter-island and international trading(Kahdar et Aragon(1990) studied barkcloth production in al, 2010). The Sumatra, Borneo, Java, Celebes, Central Celebes. The people living in tropical re- Nusa Tenggara, and Bali regions participated in gions in the world used the barkcloth technique textile production. to make clothing before woven cloths replaced it. Indonesia is a religious country. Textiles in Barkcloths are believed to be the original Indonesia changed from solely utilitarian use to Indonesian clothing(Aragon, 1990). including bearing sacred meanings. Indonesian Anas(2007) examined the Hinggi textiles of textiles are divided into secular cloths and sacred the East Nusa Tenggara from 1970-2000. Tradi- cloths. Secular cloths are for daily wear, while tionally, Indonesian textiles were produced for sacred cloths possess a certain power. Despite religious and local custom demands. However, their contrasting functions, secular cloths and sa- modern textiles are made for economic reasons. cred cloths are both aesthetically exquisite. Anas’ research focused on design characteristics Indonesian textiles follow the journey of a hu- development like shape, style, arrangements, col- man’s life by its existence during important ors, and theme. phase in a man’s life, such as maternity, matri- mony, and mortality. The time period and reli- - 35 - 服飾 第66卷 7號 3. Research Aim and Methodologies “power”, “death”, “life”, “eternity”, “honoring a god or spirit”, and “heaven”. The color purple This research is divided into two parts. Its conveys “royalty”. Yellow represents “sacredness”, main purpose is to analyze the characteristics of blue signifies “the human world”, and green ancient Indonesian textiles and to focus on sa- represent “nobility.”(Langi & Park, 2016, p. 77) cred cloths. The first part of this research ana- Following these findings, this research, the lyzed ancient Indonesian textiles characteristics, second paper, analyzes the characteristics of sa- focusing on the period, religious meaning, region, cred cloths according to their techniques and and color of the sacred cloths. This second part patterns. of the research focuses on the production techni- This paper combines literature review and ques and patterns of the sacred cloths. The tex- field research. The author used research method- tile research shows that varied Indonesia ethnic ology including quantitative research by analyz- group identities have become a one true identity ing 225 Indonesian sacred cloths containing im- of the Archipelago of Indonesia. ages chosen based on their religious function in This paper asks first, what techniques produce ceremony. This paper includes research gleaned the sacred cloths? And second, what are the sa- from reviewing 10 books and eight research cred cloths pattern characteristics? Finally, what papers. Observations were made in the Indonesian are the other characteristics of the sacred cloths? Museum of Textiles and the Museum of Bali. The first paper illustrated the importance of The author conducted field research for over the time period and religion on the ancient 20 days in the eastern part of Bali, including in- Indonesian sacred cloths. It examined, from 500 terviewing weavers and local citizens originating BC until AD 1800, six regions of Indonesia group- from Nusa Penida, Klungkung, Gianyar villages, ed according to their ethnic groups: Sumatra, and the traditional village(Bali Aga) of Tenganan. Borneo, Java, Celebes, Nusa Tenggara, and Bali. These areas are the original producers of Balinese It also showed how different religions left differ- sacred cloths. ent traces on the textiles of different Indonesian regions. The previous research argued the im- Ⅱ. Analysis of the Production portance of religion that converted textiles to a Techniques Used for Ancient religious medium. And it also showed how other Indonesian Textiles cultures influenced ancient Indonesian sacred cloths. Indonesian textile techniques grew from sim- The first paper also analyzed the colors of the ple, functional weaving into displaying surface sacred cloths. The sacred cloths’ range of color and structural designs. The techniques used for developed based on their region, and the varied the sacred cloths are Batik, Prada, and Ikat. color had different meanings: These advanced techniques needed high crafts- Red, for example, can mean “bravery”, “royalty”, manship skills. The art of textile making is im- “earth”, and “youth.” White has the meaning of portant both physically and religiously, and the “purity”, “death”, and “life.” Black can signify - 36 - An Analysis on Characteristics of Ancient Indonesian Textiles (II) <Fig. 1> Canting <Fig. 2> Batik pattern(wax) <Fig. 3> Batik textile (Photographed by (Gillow, & Dawson, 1995, p. 38) (Gillow. & Dawson, 1995, p. 38) Researcher, 2016) <Fig. 4> Prada Making <Fig. 5> Batik with Prada <Fig. 6> Prada (Hauser-Schaublin et al, (Hauser-Schaublin et al, 1991, (Hauser-Schaublin et al, 1991, 1991, p. 54) p. 55) p. 55) weaver appears to breathe life into every thread. difficult pattern-making techniques. It requires a high craftsmanship. The artist needs steady and 1. Batik : a Wax-Resistant Dye soft hand gestures while drawing patterns on the fabric with the canting.
Load more

Recommended publications
  • Hidden Bali Experiences Small-Group Tours That Touch the Heart of Bali
    Hidden Bali Experiences small-group tours that touch the heart of Bali Our Hidden Bali Experiences can be arranged at any time to grant you access to authentic culture that honors tradition and avoids commoditization. Building on more than 20 years of experience of leading culturally sensitive tours in Bali and based on deep relationships with local people and communities, these are intimate 3-day or 4-day tours arranged to fit your travel itineraries and led by expert guides for small groups of 2 to 6 guests. Each experience is themed around a specific aspect of Bali’s heritage, including the Textile Arts, the Festival Cycle, the Performing Arts, and the Natural World. For more information on these Experiences, please visit our website at http://www.threadsoflife.com The Textile Arts Experience The Indonesian archipelago was once the crossroads of the world. For over 3500 years, people have come here seeking fragrant spices, and textiles were the central barter objects in this story of trade, conquest and ancient tradition. An exploration of Bali’s textile art traditions grants us access to this story. Spice trade influences juxtapose with indigenous motifs throughout the archipelago: echoes of Indian trade cloths abound; imagery relates to defining aspects of the local environment; history and genealogy entwine. Uses range from traditional dress, to offerings, to the paraphernalia of marriages and funerals. Our gateway to this world is through the island of Bali, where we steep ourselves in the island’s rich traditions while based at the Umajati Retreat near Ubud. Here we will receive insightful introductions to the local culture, and visit several weavers with which Threads of Life is working to help women create high-quality textiles that balance their desires for sustainable incomes and cultural integrity.
    [Show full text]
  • Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001
    Cloth Without Weaving: Beaten Barkcloth of the Pacific Islands, November 1, 2000-February 18, 2001 Unlike most textiles, which are made of interworked yarns, beaten barkcloth is made of strips of the inner bark of trees such as the paper mulberry, breadfruit, or fig, pounded together into a smooth and supple fabric. It is an ancient craft, practiced in southern China and mainland Southeast Asia over 5,000 years ago. From there, the skill spread to eastern Indonesia and the Pacific Islands. While the technique is also known in South America and Africa, it is most closely associated with the islands of Polynesia. In Polynesia, the making of beaten barkcloth, or tapa, as it is commonly known, is primarily women's work. The technique is essentially the same throughout the Pacific Islands, with many local variations. Bark is stripped from the tree, and the inner bark separated from the outer. The inner bark is then pounded with wooden beaters to spread the fibers into a thin sheet. Large pieces of tapa can be made by overlapping and pounding together several smaller sheets. Women decorate the cloth in many ways, and techniques are often combined. Mallets carved or inlaid with metal or shell designs may impart a subtle texture to the surface. Color may be applied with stamps, stencils, freehand painting, or by rubbing dye into the tapa over a patterned board. Glazes may be brushed onto the finished cloth. Each tapa-producing culture has its own vocabulary of recognized decorative motifs. Many pattern names are drawn from the natural world, and the motifs appear as highly stylized images of local flora and fauna or simple geometric shapes.
    [Show full text]
  • 1 SUMMARY the Shibori, Batik and Ikat Techniques Are Known As Resist
    SIMBOL ŞI TEHNICĂ ARHAICĂ-RAPEL ÎN CREAłIA CONTEMPORANĂ BITAY ECATERINA 1 SUMMARY The Shibori, Batik and Ikat techniques are known as resist dyeing techniques. „Shibori” is actually an old name of the Tie-dye technique, a widespread expression in the hippie communities of the 60’s – 70’s period, when this technique had a great success also among the fashion designers, making a spectacular comeback, after a long period of sporadic isolation in certain areas of the world, especially in Japan, Africa and South America. The first textiles found by archaeologists are so old that we may say that world history could be read in the nations’ textiles. The rise of the civilizations and the fall of the empires are woven and printed on the scarves and the shrouds of the great conquests main characters. Archaeological diggings revealed signs of these traditions of 5000 years old. Religion, traditions, myths, superstitions and rituals are closely related to the textiles belonging to many nations of Eastern Asia, Asia Minor, and of the Pacific Islands, their aesthetic value being, more than once, secondary. CHAPTER 1 THE SHIBORI TECHNIQUE The origin of the word “Shibori” is the verb “shiboru” which means to wring, to twist, to press. Even if “shibori” refers to a particular group of resist dyeings, the word’s origin suggests the cloth manipulation process and it can comprise modern methods of dyeing which involve the same type of cloth treatment, possibly without pigments or treatment with pigments applied by using totally different methods than the ancient ones. Shibori can be divided in many ways: according to the areas where it is used, such as Japan, China, India, Africa, Indonesia, South America or according to the details usesd in the technique.
    [Show full text]
  • From the Jungles of Sumatra and the Beaches of Bali to the Surf Breaks of Lombok, Sumba and Sumbawa, Discover the Best of Indonesia
    INDONESIAThe Insiders' Guide From the jungles of Sumatra and the beaches of Bali to the surf breaks of Lombok, Sumba and Sumbawa, discover the best of Indonesia. Welcome! Whether you’re searching for secluded surf breaks, mountainous terrain and rainforest hikes, or looking for a cultural surprise, you’ve come to the right place. Indonesia has more than 18,000 islands to discover, more than 250 religions (only six of which are recognised), thousands of adventure activities, as well as fantastic food. Skip the luxury, packaged tours and make your own way around Indonesia with our Insider’s tips. & Overview Contents MALAYSIA KALIMANTAN SULAWESI Kalimantan Sumatra & SUMATRA WEST PAPUA Jakarta Komodo JAVA Bali Lombok Flores EAST TIMOR West Papua West Contents Overview 2 West Papua 23 10 Unique Experiences A Nomad's Story 27 in Indonesia 3 Central Indonesia Where to Stay 5 Java and Central Indonesia 31 Getting Around 7 Java 32 & Java Indonesian Food 9 Bali 34 Cultural Etiquette 1 1 Nusa & Gili Islands 36 Sustainable Travel 13 Lombok 38 Safety and Scams 15 Sulawesi 40 Visa and Vaccinations 17 Flores and Komodo 42 Insurance Tips Sumatra and Kalimantan 18 Essential Insurance Tips 44 Sumatra 19 Our Contributors & Other Guides 47 Kalimantan 21 Need an Insurance Quote? 48 Cover image: Stocksy/Marko Milovanović Stocksy/Marko image: Cover 2 Take a jungle trek in 10 Unique Experiences Gunung Leuser National in Indonesia Park, Sumatra Go to page 20 iStock/rosieyoung27 iStock/South_agency & Overview Contents Kalimantan Sumatra & Hike to the top of Mt.
    [Show full text]
  • Traditional Culture: a Step Forward for Protection in Indonesia Peter A
    American University Washington College of Law Digital Commons @ American University Washington College of Law Traditional Knowledge and Culture Public Impact 1-1-2009 Traditional Culture: A Step Forward for Protection in Indonesia Peter A. Jaszi American University Washington College of Law, [email protected] Follow this and additional works at: http://digitalcommons.wcl.american.edu/ pijip_trad_knowledge Part of the Intellectual Property Commons Recommended Citation Jaszi, Peter I. Traditional Culture: A Step Forward for Protection in Indonesia - A Research Report. Jakarta, Indonesia: Institute for Press and Development Studies, 2009. This Book is brought to you for free and open access by the Public Impact at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Traditional Knowledge and Culture by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. I. INDONSESIAN TRADITIONAL ARTS – ISSUES ARTICULTED BY ARTISTS AND COMMUNITY LEADERS AND POSSIBLE RESPONSES A. Background of the project The question of whether law can intervene usefully in support of the traditional arts is not a new one. In fact, it is fundamental to the post- colonial legal discourse, which emerged in its own right in the 1970’s, in response to more and more new states taking account of their national resources—including intangible ones. The international discussion that was launched more than 40 years ago continues to this day, with the Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge and Folklore (IGC) of the World Intellectual Property Organization providing much of the leadership.
    [Show full text]
  • The Meaning of Spaces in Toraja Traditional House Sisilia Mangopo1*
    Advances in Social Science, Education and Humanities Research, volume 436 1st Borobudur International Symposium on Humanities, Economics and Social Sciences (BIS-HESS 2019) The Meaning of Spaces in Toraja Traditional House Sisilia Mangopo1* 1 Departemen Ilmu Linguistik, Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia, Indonesia *Corresponding author. Email: [email protected] ABSTRACT This paper aims to explain the meaning of spaces in Toraja's traditional house known as Tongkonan. In every society, the spatial codes playing an important role to identify the structural meaning and functions of spaces. Tongkonan consists of three parts; they are the main house, the yard, and the barn. The part that discussed in this study is the yard called tarampak. The choice of tarampak as the source of research data because of its function as the center of ceremonies in Toraja community. The method that is used in this study uses descriptive qualitative. The data analyzed based on Danesi Perron's analysis of public spaces and sacred spaces. The result of the research shows that speech-utterances in rites are used to give function to space. Each part will be interpreted based on the type of ritual held and the speech that contained in the ritual. A type of space in Toraja society does not settle but can change based on the functions given. Keywords: Tongkonan, space, tarampak, ritual In addition to the shape of the building, one part of the 1. INTRODUCTION tongkonan that plays a major role in the life of the Toraja community is the yard called tarampak located in the Tana Toraja is one of a famous tourism destination located middle between banua toraya and alang.
    [Show full text]
  • Pergub DIY Tentang Penggunaan Pakaian Adat Jawa Bagi
    SALINAN GUBERNUR DAERAH ISTIMEWA YOGYAKARTA PERATURAN GUBERNUR DAERAH ISTIMEWA YOGYAKARTA NOMOR 87 TAHUN 2014 TENTANG PENGGUNAAN PAKAIAN TRADISIONAL JAWA YOGYAKARTA BAGI PEGAWAI PADA HARI TERTENTU DI DAERAH ISTIMEWA YOGYAKARTA DENGAN RAHMAT TUHAN YANG MAHA ESA GUBERNUR DAERAH ISTIMEWA YOGYAKARTA, Menimbang : a. bahwa salah satu keistimewaan Daerah Istimewa Yogyakarta sebagaimana ditetapkan dalam Pasal 7 ayat (2) Undang-undang Nomor 13 Tahun 2012 tentang Keistimewaan Daerah Istimewa Yogyakarta adalah urusan kebudayaan yang perlu dilestarikan, dipromosikan antara lain dengan penggunaan Pakaian Tradisional Jawa Yogyakarta; b. bahwa dalam rangka melestarikan, mempromosikan dan mengembangkan kebudayaan salah satunya melalui penggunaan busana tradisional Jawa Yogyakarta, maka perlu mengatur penggunaan Pakaian Tradisional pada hari tertentu di Lingkungan Pemerintah Daerah Daerah Istimewa Yogyakarta; c. bahwa berdasarkan pertimbangan sebagaimana dimaksud dalam huruf a, huruf dan b perlu menetapkan Peraturan Gubernur tentang Penggunaan Pakaian Tradisional Jawa Yogyakarta Bagi Pegawai Pada Hari Tertentu Di Daerah Istimewa Yogyakarta; Mengingat : 1. Pasal 18 ayat (6) Undang-Undang Dasar Negara Republik Indonesia 1945; 2. Undang-Undang Nomor 3 Tahun 1950 tentang Pembentukan Daerah Istimewa Jogjakarta (Berita Negara Republik Indonesia Tahun 1950, Nomor 3) sebagaimana telah diubah terakhir dengan Undang-Undang Nomor 9 Tahun 1955 tentang Perubahan Undang-Undang Nomor 3 Tahun 1950 jo Nomor 19 Tahun 1950 tentang Pembentukan Daerah Istimewa Jogjakarta (Lembaran Negara Republik Indonesia Tahun 1955, Nomor 43, Tambahan Lembaran Negara Republik Indonesia Nomor 827); 3. Undang-Undang Nomor 13 Tahun 2012 tentang Keistimewaan Daerah Istimewa Yogyakarta (Lembaran Negara Republik Indonesia Tahun 2012, Nomor 170, Tambahan Lembaran Negara Republik Indonesia Nomor 5339); 4. Undang-Undang Nomor 5 Tahun 2014 tentang Aparatur Sipil Negara (Lembaran Negara Republik Indonesia Tahun 2014 Nomor 6, Tambahan Lembaran Negara Republik Indonesia Nomor 5494); 5.
    [Show full text]
  • Anthropometric Study of Nasal Index of the Bali Aga Population
    ORLI Vol. 49 No. 1 Tahun 2019 Anthropometric study of nasal index of the Bali Aga population Research Report Anthropometric study of nasal index of the Bali Aga population Agus Rudi Asthuta, I Putu Yupindra Pradiptha Department of Otolaryngology Head and Neck Surgery Faculty of Medicine Udayana University/ Sanglah General Hospital Denpasar ABSTRACT Background: Anthropometry is the measurement of human and more inclined to focus on the dimensions of the human body. Nasal indexes can be used to help determine personal identity, especially race, ethnic and gender differences. Purpose: The general objective of this study was to find out the results of nasal index anthropometric studies on Bali Aga populations in Tenganan. Methods: In this study, 20 samples (4 male and 16 female) within age group of 17-30 years old of Bali Aga population in Tenganan Village were measured strictly on Frankfort’s plane with the help of a sliding caliper. Results: The results of nasal anthropometry measurements obtained an average width of the nose of 38.790 mm, the average nose length of 45.490 mm and nasal index measurements obtained an average of 85.6416. Conclusion: Nasal index can be used to help determine personal identity, especially race, ethnic and gender differences. The result of nasal index in Bali Aga population in Tenganan Village is the Platyrrhine nose (wide nose). Keywords: anthropometry, nasal index, Bali Aga ABSTRAK Latar belakang: Antropometri adalah pengukuran manusia dan lebih cenderung terfokus pada dimensi tubuh manusia. Nasal indeks dapat digunakan untuk membantu menentukan identitas personal, terutama perbedaan ras, etnis, dan jenis kelamin.
    [Show full text]
  • Downloaded for Personal Non‐Commercial Research Or Study, Without Prior Permission Or Charge
    Pullen, Lesley S. (2017) Representation of textiles on classical Javanese sculpture. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/26680 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. Representation of Textiles on Classical Javanese Sculpture Volume 2 Appendices Lesley S Pullen Thesis submitted for the degree of PhD 2017 Department of the History of Art and Archaeology SOAS University of London 1 Table of Contents Appendix 1……………………………………………………………………………………..………….4 Catalogue of images and drawings textile patterns Appendix 2……………………………………………………………………..…………………………86 Plates of Drawings and textile patterns Appendix 3………………………………………………………………………………….…………….97 Plates of Comparative Textiles Appendix 4……………………………………….........................................................107 Maps 2 List of Figures Appendix 1……………………………………………………………………………………..………….4
    [Show full text]
  • Download Article (PDF)
    Advances in Engineering Research, volume 192 EduARCHsia & Senvar 2019 International Conference (EduARCHsia 2019) Bali Aga Villages in Kintamani, Inventory of Tangible and Intangible Aspects Ni Made Yudantini Architecture Department Faculty of Engineering, Udayana University Bali, Indonesia [email protected] Abstract— the Indigenous villages in Bali Province is called Sukawana Village. Reuter's research illustrated the rules and Bali Aga, which is interesting to do research in depth to Bali Aga traditions called ulu apad. His research is connected understand the indigenous character of Bali Aga. The Bali Aga to other villages within surrounding the Batur Lake or the villages have their own uniqueness for customs, traditions, Bintang Danu area. Muller’s fieldtrip in 1980s documented 25 culture, and architecture and built environment. These Bali Aga villages in four areas consisting of the center characteristics of the uniqueness in Bali Aga villages are defined mountain, the northern coast of Bali, the center of the southern by the originality of the culture and tradition that are not part of Bali and East Bali. Muller as an anthropologist affected from other culture’s influences. Among eight regencies described her research results through the book that published and one city in Bali Province, Bangli Regency has the highest in 2011 which described the villages were faced on the lack of number of Bali Aga villages, which are about 25 villages. infrastructure, the village’s life depend on dry land causing Kintamani Sub-district is noted to have approximately 19 Bali Aga villages scattered in the foot of Mount Batur, along Lake difficulty in rice production.
    [Show full text]
  • New Textiles Inspired by Ikat - by Christina Maschke Degree Project Master of Fine Arts in Fashion and Textile Design with Specialization in Textile Design
    THE PATTERNED THREAD - new textiles inspired by ikat - by Christina Maschke Degree Project Master of Fine Arts in Fashion and Textile Design with Specialization in Textile Design Title The patterned thread - new textiles inspired by ikat Author Christina Maschke Supervisor Margareta Zetterbloom Opponent Malene Kristiansen Examiner Hanna Landin Report No. 2016.6.05 The Swedish School of Textiles University of Borås Sweden Abstract The work of this MA thesis develops a new ap- proach to hand weaving in which the design pro- cess is led by the technique of resistant dyeing. The process is inspired by the visual properties of traditional ikats. It follows the technical ikat procedure of primary resistant dyeing and sub- sequently weaving. Whithin the research a new way of weaving is explored in which the dyed thread dictates the weaving process and therefore influences the weaving motif. In addition different design variables such as material, binding pattern and finishing are used to push forward the devel- oped concept. The aim of this work is to explore new aesthetic expressions between regular and irregular motifs through the application of design thinking. The result presents an innovative approach in the ikat technique in order to create random distrib- uted patterns and how they can be already influ- enced in the stage of yarn preparation. Keywords: ikat, indigo, resistant dyeing, craft, hand weaving 3 CONTENT 1 INTRODUCTION ....................................................................10 1.1 INTRODUCTION TO THE FIELD ......................................10
    [Show full text]
  • Pathein University Research Journal 2017, Vol. 7, No. 1
    Pathein University Research Journal 2017, Vol. 7, No. 1 2 Pathein University Research Journal 2017, Vol. 7, No. 1 Pathein University Research Journal 2017, Vol. 7, No. 1 3 4 Pathein University Research Journal 2017, Vol. 7, No. 1 စ Pathein University Research Journal 2017, Vol. 7, No. 1 5 6 Pathein University Research Journal 2017, Vol. 7, No. 1 Pathein University Research Journal 2017, Vol. 7, No. 1 7 8 Pathein University Research Journal 2017, Vol. 7, No. 1 Pathein University Research Journal 2017, Vol. 7, No. 1 9 10 Pathein University Research Journal 2017, Vol. 7, No. 1 Spatial Distribution Pattrens of Basic Education Schools in Pathein City Tin Tin Mya1, May Oo Nyo2 Abstract Pathein City is located in Pathein Township, western part of Ayeyarwady Region. The study area is included fifteen wards. This paper emphasizes on the spatial distribution patterns of these schools are analyzed by using appropriate data analysis methods. This study is divided into two types of schools, they are governmental schools and nongovernmental schools. Qualitative and quantitative methods are used to express the spatial distribution patterns of Basic Education Schools in Pathein City. Primary data are obtained from field surveys, informal interview, and open type interview .Secondary data are collected from the offices and departments concerned .Detailed facts are obtained from local authorities and experience persons by open type interview. Key words: spatial distribution patterns, education, schools, primary data ,secondary data Introduction The study area, Pathein City is situated in the Ayeyarwady Region. The study focuses only on the unevenly of spatial distribution patterns of basic education schools in Pathein City .
    [Show full text]