DOCSLIB.ORG

A Bibliography of Works by and About Gary Snyder

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

GARY SNYDER A Bibliography of Works By and About Gary Snyder Based in part on the Gary Snyder Papers and Other Holdings of the University of California, Davis. Second Edition, Revised and Expanded. 2010. John Sherlock Special Collections Department University of California, Davis 1 TABLE OF CONTENTS THE WORKS OF GARY SNYDER Part A. Books and Pamphlets pp. 3-16 47 citations Part B. Broadsides. pp. 17-40 118 citations Part C. Contributions in Books. pp. 41-87 370 citations Part D. Contributions in Periodicals. pp. 88-166 879 citations Part E. Translations of His Works. pp. 167-183 153 citations Part F. Interviews. pp. 184-195 130 citations Part M. Recordings. pp. 196-205 107 citations WORKS ABOUT GARY SNYDER Works About - Chronological. Part G. List of Works About. pp. 206-278 745 citations Works About - Arranged by Author. Part H. Criticism & Literary Works. pp. 279-318 509 citations Part J. Dissertations and Theses. pp. 319-333 153 citations INDEXES Title Index pp. 334-371 2 Part A. BOOKS AND PAMPLETS. A1. RIPRAP. 1959 A1a. First Edition. 1959. [Ashland, Mass.] : Origins Press, 1959. (printed in Kyoto, Japan). Note: Patterned blue and white paper wrappers. Unpaged. [34] p. Limitation: 500 copies. UCD location/call number: 1. Gary Snyder Papers: Series I, Box 26, Folder 4. 2. Special Collections: PAM 59:15. A1b. “Second Edition” [i.e. First edition, Second printing].. [Ashland, Mass.]: Origin Press, c1959. Note: 1000 copies. Brown patterned paper wrappers. Contents identical to above. UCD location: Gary Snyder Papers: Series I, Box 26, Folder 5. A1c. First German Edition. 1999. Riprap. Translated by Alexander Schmitz. Limitation: 300 copies. Berlin: Stadtlichter Presse, 1999. 99 pp. 20 cm. UCD location/call number: _____ A2. MYTHS & TEXTS. 1960 A2a. First Edition. 1960. New York: Totem Press in association with Corinth Books), 1960. Note: 1100 copies. White wrappers, printed in black. 48 pp. UCD location: Gary Snyder Papers, Series I, Box 25, Folder 4. A2b. New Directions Edition, Hardbound Issue. New York: New Directions, c1978. Limitation: 1000 signed copies. Note: Revised format with a new introduction by the author. Note: The first issue has Snyder's name misspelled on both the book and jacket. UCD location/call number: 1. Gary Snyder Papers, Series I, Box 25, Folder 6. 2. Special Collections: PS3569 N88 M9 1978. A2c. German Edition. 2010. Mythen & Texte. Translated into German by Bernhard Wilder. Wenzendorf Stadlichter-Presse, 2010. Other holdings: Die Deutsche Nationalbibliothek. A3. RYOSEN-AN ZENDO PRACTICES. 1960 First Edition. 1960. Kyoto: The First Zen Institute of America in Japan, 1960. Note: approx. 500 copies. Tan paper wrappers. 12 pp. UCD location: Gary Snyder Papers: Series I, Box 26, Folder 9. --- NOTE: Gary Snyder does not regard this work as part of his bibliography A4. THE WOODEN FISH: Basic Sutras & Gathas Of Rinzai Zen. 1961 First Edition. 1961. Gutetsu Kanetsuki and Gary Snyder. Kyoto]: First Zen Institute of America in Japan, 1961. Description: 56 p. 21 cm. Note: Translation by Snyder. UCD location: Gary Snyder Papers: Series I, Box 27, Folder 6. 3 A5. RIPRAP & COLD MOUNTAIN POEMS. A5a. First Edition. 1965. San Francisco: Four Seasons Foundation, 1965. Description/Limitation:. Brown wrappers. 50 pp. 1000 copies. UCD location/call number: 1. Gary Snyder Papers: Series I, Box 26, Folder 6. 2. Special Collections: PAM 59:2. A5b. New Edition San Francisco: Four Seasons Foundation, 1969. Description/Limitation: Brown wrappers. 62 pp. 5000 copies. UCD location: Gary Snyder Papers: Series I, Box 26, Folder 7. A5c. Grey Fox Press Edition. San Francisco: Grey Fox Press, 1980. Description: 61 pp. UCD location/: Shields Stacks: PS3569 N88 R5 1982. A5d. North Point Press Edition, Hardbound Issue. San Francisco: North Point Press, 1990. Description: 67 pp. UCD location/: Gary Snyder Papers: Series I, Box 26, Folder 8. A5e. Shoemaker & Hoard Edition. Washington, DC: Shoemaker & Hoard, 2004. Description: 67 p. ill. 21 cm. UCD location/: Special Collections - PS3569 N88 R5 2004 A5f. Counterpoint Edition. Washington, D.C.: Counterpoint Press, 2009. Description: 67 pp. 22 cm. UCD location/call number: A6. SIX SECTIONS FROM MOUNTAINS AND RIVERS WITHOUT END. A6a. First Edition. 1965. San Francisco: Four Seasons Foundations, 1965. Description/Limitation: 61 pp. Ochre wrappers. 1000 copies. UCD location/call number: 1. Gary Snyder Papers: Series I, Box 26, Folder 10. 2. Special Collections: PS3569 N88 S49 1965. A6b. First British Edition, (Trade Issue). London: Fulcrum Press, [1967]. Note: Unknown number of copies. UCD location: Gary Snyder Papers: Series I, Box 26, Folder 11. A6c. First British Edition, Deluxe Signed Issue. London: Fulcrum Press, 1967. Description:: Green cloth, white dust-jacket, printed on sage Limitation: 100 numbered & signed copies. Glastonbury paper. 48 pp. UCD location: Special Collections: PS3568 N88 M62 1967B. 4 A7. A RANGE OF POEMS. A7a. First Edition, Trade Edition, First Issue. 1966. London: Fulcrum Press, [1966]. Description/Limitation: Brown cloth, brown dust-jacket. 163 pp. 500 copies UCD location/call number: 1. Gary Snyder Papers: Series I, Box 25, Folder 12. 2. Special Collections: PS3569 N88 A17 1966. A7b. First Edition, Deluxe Signed Edition. London: Fulcrum Press, 1966. Description: Brown cloth, white dust-jacket. Limitation: 50 signed and numbered copies UCD location/call number: A7c. First Edition, Deluxe Issue, Unsigned. Limitation: 50 numbered copies (numbered 51-100). UCD location/call number: A7d. Pirated Edition. [Taiwan: s.n. between 1967 and 1983]. 163 pp. Note: unknown number of copies. Green cloth (issued without dust-jacket). UCD location: Special Collections: PS3569 N88 A17 1967. A8. THE BACK COUNTRY. A8a. First Edition. 1967 London: Fulcrum Press, 1967. Note: Unknown number of copies. Tan cloth, dust-jacket. 112 pp. UCD location/call number: Gary Snyder Papers: Series I, Box 24, Folder 1. A8b. First Edition, Deluxe Signed Issue. London: Fulcrum Press, 1967. Note: 100 signed & numbered copies. UCD location/call number: A8c. First American Edition. New York: New Directions, 1968. Note: 2000 copies. Green cloth, dust-jacket. 128 pp. UCD location/call number: Special Collections: PS3569 N88 B3 A9. THREE WORLDS, THREE REALMS, SIX ROADS. First Edition. 1968. Marlboro, Vt.: Griffin Press, c. 1966 [1968]. Note: 200 copies. Brown wrappers. Unpaged (10 leaves). UCD location/call number: 1. Gary Snyder Papers: Series I, Box 27, Folder 2. 2. Special Collections: A/G 290:11. A10. EARTH HOUSE HOLD: Technical Notes & Queries to Fellow Dharma Revolutionaries. A10a. First Edition. 1969. [New York: New Directions, 1969]. Note: 2500 copies. Yellow cloth, with cream parchment dust-jacket. 143 pp. UCD location/call number: 1. Gary Snyder Papers: Series I, Box 24, Folder 6. 2. Special Collections: PS3569 N88 E3. 5 A10b. First British Edition. London: Jonathan Cape, [1970]. Note: 1000 copies. Gray cloth, dust-jacket. UCD location: Special Collections: PS3569 N88 E3 1970. A10c. Czech Edition. 2000 Zemedum: technicke poznamky & otazky prp dharmove revolucionare. Praha: DharmaGaia, 2000. UCD location/call number: A10c. First Japanese Edition. [Earth House Hold]. Translated into Japanese by: ______. Tokyo: Shiso-sha Co., Ltd., 1975. 264 pp. 19 cm. UCD location/call number: ____ A10d. First French Edition. Le Retour des Tribus = Earth House Hold. Translated into French by Jacques Francois. [Paris]: C. Bourgois, 1972. 229 pp. 20 cm. UCD location/call number: ____ A10e. First Czech Edition. Zemudum: technicke poznamky & otazky pro dhormove revolucionare. Translated into Czech by Matej Turek. Praha: DharmaGaia, 2000. 245 p. 15 cm. UCD location/call number: A11. REGARDING WAVE. 1969 A11a. First Edition. 1969. Iowa City: Windhover Press (University of Iowa), [1969]. Description: 48 pp. 23 cm. Format: Wine-colored cloth (no dust-jacket), Shogun handmade paper. Limitation: 280 numbered & signed copies. UCD location/call number: Gary Snyder Papers: Series I, Box 26, Folder 1. A11b. New Directions Edition. 1970. New York: New Directions, 1970. Description: 84 pp. 21 cm. blue cloth, dust-jacket. UCD location/call number: 1. Gary Snyder Papers: Series I, Box 26, Folder 2. 2. Special Collections: PS3569 N88 R4 A11c. First British Edition. 1970. London: Fulcrum Press, 1970. Description: 94 p. 22 cm. UCD location/call number: Gary Snyder Papers. Series I, Box 26, Folder 3. A11d. First Canadian Edition. Toronto: McClelland and Stewart, 1970. Limitation: unknown. UCD location/call number: A12. THE BLUE SKY. 1969 A12a. First Edition. 1969. 6 New York: Phoenix Book Shop, 1969. Limitation: 100 numbered and signed copies. Format: Blue wrappers. Unpaged [10 leaves]. UCD location/call number: Special Collections: PS3569 N88 B6. A12b. First Edition, Lettered Copies. New York: Phoenix Book Shop, 1969. Note: 26 lettered copies, signed (hors commerce). UCD location: Gary Snyder Papers: Series I, Box 24, Folder 3. A13. COLD MOUNTAIN POEMS: Twenty-Four Poems by Han-Shan. 1970 A13a. First Edition. 1970. Translated by Gary Snyder. [Portland, Oregon: Press-22, 1970 (c.1965)]. Description: [30] p. 20 x 31 cm. Green wrappers. Limitation: 1000 copies. UCD location/call number: A13b. Second Edition. [Portland, Oregon: Press-22, 1972]. Format: [29] p. Green wrappers. Limitation: 1000 copies. UCD location: Special Collections: A/G 364:22 A13c. Second edition, Hardbound, Numbered and Signed Issue. [Portland, Oregon: Press-22, 1972]. Limitation: 22 numbered and signed copies (not for sale). Format: Hardbound in green printed cloth covers. Unpaged [15 leaves of text]. UCD location/call number: A13d. Schiller Edition. [Santa Barbara]: A. Schiller, 1968. Description: seven pottery tablets. Limitation: 5 copies. UCD location/call number: A14. SIX SECTIONS FROM MOUNTAINS AND RIVERS 1970 WITHOUT END, PLUS ONE. First Edition. 1970. San Francisco: Four Seasons Foundation, 1970. Description: vi, 44 p. 22 cm. blue wrappers. Limitation: 3000 copies. UCD location/call number: 1. Gary Snyder Papers: Series I, Box 26, Folder 12. 2. Special Collections: PS3569 N88 S5. A15. FIRST TIME AROUND. 1971 First Edition.. 1971. [New York: Roaring Fork Press, 1971]. Included in: Aspen: a magazine in a box, no.
Recommended publications

  • The Quest Motif in Snyder's the Back Country

    LUCI MARÍA COLLIN LA VALLÉ* ? . • THE QUEST MOTIF IN SNYDER'S THE BACK COUNTRY Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentração em Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federal ' do Paraná, para a obtenção do grau de Mestre em Letras. Orientador: Profa. Dra. Sigrid Rénaux CURITIBA 1994 f. ] there are some things we have lost, and we should try perhaps to regain them, because I am not sure that in the kind of world in which we are living and with the kind of scientific thinking we are bound to follow, we can regain these things exactly as if they had never been lost; but we can try to become aware of their existence and their importance. C. Lévi-Strauss ii ACKNOWLEDGMENTS First of all, I would like to acknowledge my American friends Eleanor and Karl Wettlaufer who encouraged my research sending me several books not available here. I am extremely grateful to my sister Mareia, who patiently arranged all the print-outs from the first version to the completion of this work. Thanks are also due to CAPES, for the scholarship which facilitated the development of my studies. Finally, acknowledgment is also given to Dr. Sigrid Rénaux, for her generous commentaries and hëlpful suggestions supervising my research. iii CONTENTS ABSTRACT vi RESUMO vi i OUTLINE OF SNYDER'S LIFE viii 1 INTRODUCTION 01 1.1 Critical Review 04 1.2 Cultural Influences on Snyder's Poetry 12 1.2.1 The Counter cultural Ethos 13 1.2.2 American Writers 20 1.2.3 The Amerindian Tradi tion 33 1.2.4 Oriental Cultures 38 1.3 Conclusion 45 2 INTO THE BACK COUNTRY 56 2.1 Far West 58 2.2 Far East 73 2 .3 Kail 84 2.4 Back 96 3 THE QUEST MOTIF IN THE BACK COUNTRY 110 3.1 The Mythical Approach 110 3.1.1 Literature and Myth 110 3 .1.
  • On Gary Snyder's This Present Moment

    On Gary Snyder's This Present Moment

    ANQ: A Quarterly Journal of Short Articles, Notes and Reviews ISSN: 0895-769X (Print) 1940-3364 (Online) Journal homepage: http://www.tandfonline.com/loi/vanq20 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman To cite this article: Mark Gonnerman (2017) Both Sides Now: On Gary Snyder’s This Present Moment, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 30:2, 88-92, DOI: 10.1080/0895769X.2016.1277128 To link to this article: http://dx.doi.org/10.1080/0895769X.2016.1277128 Published online: 15 Mar 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=vanq20 Download by: [Mark Gonnerman] Date: 20 March 2017, At: 09:02 ANQ: A QUARTERLY JOURNAL OF SHORT ARTICLES, NOTES, AND REVIEWS 2017, VOL. 30, NO. 2, 88–92 http://dx.doi.org/10.1080/0895769X.2016.1277128 Both Sides Now: On Gary Snyder’s This Present Moment Mark Gonnerman William James Center for Consciousness Studies, Palo Alto, California, USA To finish the moment, to find the journey’s end in every step of the road, to live the greatest number of good hours is wisdom. … Since our office is with moments, let us husband them. —Ralph Waldo Emerson, “Experience” (1844) In This Present Moment: New Poems (hereafter cited as TPM), Gary Snyder circles back to and corrals many of the basic themes that have defined his long life as an artivist (activist artist): the Wild, reinhabitation, work, play, myth, ritual, poetics, epistemology, ethics, impermanence, con- noisseurship, and the endless work of cultural transmission and translation.
  • Jack Spicer Papers, 1939-1982, Bulk 1943-1965

    Jack Spicer Papers, 1939-1982, Bulk 1943-1965

    http://oac.cdlib.org/findaid/ark:/13030/kt9199r33h No online items Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Finding Aid written by Kevin Killian The Bancroft Library University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu/ © 2007 The Regents of the University of California. All rights reserved. Finding Aid to the Jack Spicer BANC MSS 2004/209 1 Papers, 1939-1982, bulk 1943-1965 Finding Aid to the Jack Spicer Papers, 1939-1982, bulk 1943-1965 Collection Number: BANC MSS 2004/209 The Bancroft Library University of California, Berkeley Berkeley, California Finding Aid Written By: Kevin Killian Date Completed: February 2007 © 2007 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: Jack Spicer papers Date (inclusive): 1939-1982, Date (bulk): bulk 1943-1965 Collection Number: BANC MSS 2004/209 Creator : Spicer, Jack Extent: Number of containers: 32 boxes, 1 oversize boxLinear feet: 12.8 linear ft. Repository: The Bancroft Library Berkeley, California 94720-6000 Abstract: The Jack Spicer Papers, 1939-1982, document Spicer's career as a poet in the San Francisco Bay Area. Included are writings, correspondence, teaching materials, school work, personal papers, and materials relating to the literary magazine J. Spicer's creative works constitute the bulk of the collection and include poetry, plays, essays, short stories, and a novel. Correspondence is also significant, and includes both outgoing and incoming letters to writers such as Robin Blaser, Harold and Dora Dull, Robert Duncan, Lewis Ellingham, Landis Everson, Fran Herndon, Graham Mackintosh, and John Allan Ryan, among others.
  • Senses of Place in the Poetry of Gary Snyder and Derek Walcott

    Senses of Place in the Poetry of Gary Snyder and Derek Walcott

    RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT A thesis presented to the faculty of the Graduate School of Western Carolina University in partial fulfillment of the requirements for the degree of Master of Arts in English. By Jason T. Hertz Director: Dr. Laura Wright Associate Professor of English English Department Committee Members: Dr. Catherine Carter, English Prof. Deidre Elliott, English May 2011 ACKNOWLEDGEMENTS I would like to thank my committee members and director for their assistance and encouragement. I am especially grateful to Professor Laura Wright for being a wise and reliable adviser. I also extend sincere thanks to the following people, without whom this thesis would not have been possible: Mom and Dad, Tristan and Rikki, Michael, and Miranda. I offer my warmest regards and thanks to my extended family for their continued love and support. Above all, I thank my grandmother Lorraine. TABLE OF CONTENTS Abstract . 4 Introduction: Recasting the Castaway as an Island Re-Inhabitant . 6 Chapter One: Regarding Wave and Suwanose-Jima . 18 Chapter Two: O-Mer-Os, Singing the Sea‘s Quiet Culture . 37 Chapter Three: Snyder‘s and Walcott‘s Bioregional Muse . 56 Conclusion . 78 Works Cited . 83 ABSTRACT RE-INHABITING THE ISLANDS: SENSES OF PLACE IN THE POETRY OF GARY SNYDER AND DEREK WALCOTT Jason T. Hertz, M.A. Western Carolina University (May 2011) Director: Dr. Laura Wright Building on the castaway narratives in both Gary Snyder‘s and Derek Walcott‘s poetry, I use Yann Martel‘s novel Life of Pi as a contemporary analogue for reading Snyder‘s Pacific journeys, in Regarding Wave and Turtle Island, and the quests of Omeros’ fisherman protagonist, Achille.
  • Sur Ce Lien Pour Télécharger L'index Publié En Novembre 2020

    Sur Ce Lien Pour Télécharger L'index Publié En Novembre 2020

    1 Index publié en novembre 2020 index mis à jour jusqu’au samedi 24 octobre 2020 Toutes les indications en bleu sont des liens cliquables qui permettent d’ouvrir directement la page souhaitée dans Poezibao Pour circuler plus aisément dans l'index, cliquez sur les lettres ci-dessous A ak, ap, ar |B be, bl, bo, br |C|D|E|F|G|H|I|J|K|L| M|N|O|P|Q|R|S|T|U|V|W|X|Y|Z| A retour haut de page • Constantin Abaluta : bio-bibliographie, extrait 1 • Jacques Abeille, (Note de lecture), Jacques Abeille, "Tombeau pour un amour dans la lumière de sa perte", par Jean-Pascal Dubost • Henri Abril: bio-bibliographie, ext. 1, (Note de lecture), Intime étymon, de Henri Abril, par René Noël, • Abu Nuwas, (Anthologie permanente), Abû Nuwâs • Elliot Ackerman, (Note de lecture) Places and names, d'Elliot Ackerman, par Claude Minière (livre en anglais, USA) • (revue) Action poétique: n° 181, n° 182, n° 183, n° 185, n° 186, n° 188, n° 191/192, rencontre à la BNF pour ses soixante ans • Action Restreinte : n° 9, n° 10 • Serge Adam : le Bistouri mystique (parution) • Fleur Adcock : bio-bibliographie, extrait 1 • Claude Adelen: bio-bibliographie, extraits 1, ext. 2, ext. 3, • Joan Elies Adell: bio-bibliographie, extrait 1 • Adonis : bio-bibliographie, extrait 1, • Etel: Adnan bio-bibliographie, Adnan Etel, (A Paris), extrait 1, (Anthologie permanente) Etel Adnan, "Nuit", (Anthologie permanente) Etel Adnan, Surgir, (Anthologie permanente) Etel Adnan, traductions inédites de Jean-René Lassalle, • Aencrages & co : appel après incendie • Affaire Brice Petit/Jean-Michel Maulpoix : Les faits, deux écrivains face à la justice, une lettre de Jean-Michel Maulpoix, une lettre de Brice Petit, lettre de JM Maulpoix (fin octobre 2005), une lettre de JM Maulpoix (dec.
  • English 233: Tradition and Renewal in American Indian Literature

    English 233: Tradition and Renewal in American Indian Literature

    ENGLISH 233 Tradition and Renewal in American Indian Literature COURSE DESCRIPTION English 233 is an introduction to North American Indian verbal art. This course is designed to satisfy the General Education literary studies ("FSLT") requirement. FSLT courses are supposed to concentrate on textual interpretation; they are supposed to prompt you to analyze how meaning is (or, at least, may be) constructed by verbal artists and their audiences. Such courses are also supposed to give significant attention to how texts are created and received, to the historical and cultural contexts in which they are created and received, and to the relationship of texts to one another. In this course you will be doing all these things as you study both oral and written texts representative of emerging Native American literary tradition. You will be introduced to three interrelated kinds of "text": oral texts (in the form of videotapes of live traditional storytelling performances), ethnographic texts (in the form of transcriptions of the sorts of verbal artistry covered above), and "literary" texts (poetry and novels) written by Native Americans within the past 30 years that derive much of their authority from oral tradition. The primary focus of the course will be on analyzing the ways that meaning gets constructed in these oral and print texts. Additionally, in order to remain consistent with the objectives of the FSLT requirement, you will be expected to pay attention to some other matters that these particular texts raise and/or illustrate. These other concerns include (a) the shaping influence of various cultural and historical contexts in which representative Native American works are embedded; (b) the various literary techniques Native American writers use to carry storyteller-audience intersubjectivity over into print texts; and (c) the role that language plays as a generative, reality-inducing force in Native American cultural traditions.
  • Of Poets Museletter

    Of Poets Museletter

    Frank Moulton Wisconsin Fellowship founded 1950 Of Poets President MuseletterVice-President Secretary Treasurer Membership Chair Peter Sherrill Cathryn Cofell Roberta Fabiani D.B. Appleton Karla Huston 8605 County Road D 736 W. Prospect Avenue 407 Dale Drive 720 E. Gorham St. #402 1830 W. Glendale Ave. Forestville, WI 54213 Appleton, WI 54914 Burlington, WI 53105 Madison, WI 53703 Appleton, WI 54914 [email protected] [email protected] [email protected] [email protected] [email protected] Summer 2003 www.wfop.org Editor: Christine Falk President’s Message First, thanks to the Mid-Central conference committee for such a wonderful Spring Conference: regional vice-president Joan Johannes and committee members Jeffrey Johannes, Lucy Rose Johns, Casey Martin, Grace Bushman, Barbara Cranford, Mary Lou Judy, Linda Aschbrenner, Phil Hansotia, Kris Rued- Welcome to the following new Clark, Gloria Federwitz, and Bruce Dethlefsen. The organization was excellent, members of the Wisconsin Fellowship the hotel first-rate (and a very respectable room rate, at that!) And the program of Poets that have joined since the inspiring. Spring Museletter issue: In addition to the traditional Friday-night Open Mic, and the Saturday Roll Call Poems, presenters Bill Weise and James Lee livened up the afternoon. Bill Weise Kristin Alberts Brussels blended music, drumming and audience participation in his demonstration on Edward DiMaio Egg Harbor using the spiritual energy inside us to open new creative possibilities. James Lee, Earle Garber Wisconsin Rapids Daniel Greene Smith Madison award-winning Madison poet, recited from his own high-energy works and used Kathleen Grieger Menomonee Falls audience-generated images in a spontaneous performance poem at the end of his Lincoln Hartford New Lisbon presentation.
  • Introduction

    Introduction

    Notes Introduction 1. Alexander Wendt, Social Theory of International Politics (Cambridge: Cambridge University Press, 1999), p. 90. 2. Ekkehart Krippendorff, Die Kunst, nicht regiert zu werden: Ethische Politik von Sokrates bis Mozart (Frankfurt: Suhrkamp, 1999), p. 8. 3. See Hans-Georg Gadamer, Truth and Method, second revised version, trans. J. Weinsheimer and D. G. Marshall (New York: Continuum, 1999), p. 52; Terry Eagleton, The Ideology of the Aesthetic (Oxford: Basil Blackwell, 1990), p. 102; Wolfgang Welsch, Ästhetisches Denken (Stuttgart: Reclam, 1993), p. 7. 4. Orhan Pamuk, Other Colors: Essays and a Story, trans. Maureen Freely (New York: Alfred Knopf, 2007), p. 357. 5. Gao Xingjian, The Case for Literature, trans. Mabel Lee (New Haven: Yale University Press, 2007), pp. 38, 78. 6. Ibid., p. 46. 7. Ibid., pp. 54–5. 8. Hans Magnus Enzensberger, Poesie und Politik (Frankfurt: Suhrkamp, 1987/1962), p. 135. 9. Debbie Lisle and Alex Danchev, ‘Art, Politics, Purpose’, forthcoming in Review of International Studies. 10. See, for instance, Chris Brown, “‘Special Circumstances”: Intervention by a Lib- eral Utopia’, Millennium: Journal of International Studies, Vol. 30, No. 3, 2001, pp. 625–33; Fred Halliday, “‘High and Just Proceedings”: Notes Towards an Anthology of the Cold War’, Millennium: Journal of International Studies, Vol. 30, No. 3, 2001, pp. 691–707; Richard Ned Lebow, The Tragic Vision of Poli- tics: Ethics, Interests and Orders (Cambridge: Cambridge University Press, 2003); Steve Smith, ‘Singing our World into Existence: International Relations The- ory and September 11’, International Studies Quarterly, Vol. 48, No. 3, 2004, pp. 499–515. 11. Or so claims one (otherwise very insightful and far-sighted) policy review of the United States’ engagement with North Korea.

  • National Gallery of Art Spring10 Film Washington, DC Landover, MD 20785

    4th Street and Mailing address: Pennsylvania Avenue NW 2000B South Club Drive NATIONAL GALLERY OF ART SPRING10 FILM Washington, DC Landover, MD 20785 A JOURNEY STILL VOICES, THROUGH INNER LIVES: MOVING SPANISH CATALUNYA: THE JOURNALS COMPOSITIONS: EXPERIMENTAL POETRY OF OF ALAIN ASPECTS OF FILM PLACE CAVALIER CHOPIN BEAT MEMORIES de Barcelona), cover calendar page calendar International), page four page three page two The Savage Eye Arrebato The Savage Eye L’arbre deL’arbre les cireres Battle of Wills Tríptico elemental de España SPRING10 details from (Centre de Cultura Contemporania de Barcelona) (Photofest) (Photofest) (InformAction and Philippe Lavalette) Philippe (InformAction and The Savage Eye (Photofest) (Centre de Cultura Contemporania , Thérèse (Photofest), Irène (Pyramid Monuments: Matta-Clark, Graham, Smithson Redmond Entwistle in person Saturday June 19 at 2:00 Film Events A clever and amusing critique of three minimalists, Monuments portrays a problem that emerges in the work of Robert Smithson, Gordon Matta- Clark, and Dan Graham, as each artist retraces his relationship to New Figaros Hochzeit (The Marriage of Figaro) Jersey. “An alle gory for the effects that globalization has had on society Introduction by Harry Silverstein and landscape” — Rotterdam Film Festival. (Redmond Entwistle, 2009, Saturday April 17 at 1:00 16 mm, 30 minutes) The postwar German DEFA studio (Deutsche Film-Aktiengesellschaft) Manhattan in 16 mm produced a series of popular black-and-white opera films in the late 1940s Saturday June 19 at 3:30 at their Potsdam-Babelsberg facility. Mozart’s Figaros Hochzeit, the first of these, featured wonderfully showy sets and costumes. (Georg Wildhagen, A sequence of documentary and experimental shorts, filmed over the past 1949, 35 mm, German with subtitles, 109 minutes) Presented in association twenty years in the now rare 16 mm gauge, observes, lionizes, and languishes with Washington National Opera.
  • James S. Jaffe Rare Books Llc

    James S. Jaffe Rare Books Llc

    JAMES S. JAFFE RARE BOOKS LLC OCCASIONAL LIST: DECEMBER 2019 P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. AGEE, James. The Morning Watch. 8vo, original printed wrappers. Roma: Botteghe Oscure VI, 1950. First (separate) edition of Agee’s autobiographical first novel, printed for private circulation in its entirety. One of an unrecorded number of offprints from Marguerite Caetani’s distinguished literary journal Botteghe Oscure. Presentation copy, inscribed on the front free endpaper: “to Bob Edwards / with warm good wishes / Jim Agee”. The novel was not published until 1951 when Houghton Mifflin brought it out in the United States. A story of adolescent crisis, based on Agee’s experience at the small Episcopal preparatory school in the mountains of Tennessee called St. Andrew’s, one of whose teachers, Father Flye, became Agee’s life-long friend. Wrappers dust-soiled, small area of discoloration on front free-endpaper, otherwise a very good copy, without the glassine dust jacket. Books inscribed by Agee are rare. $2,500.00 2. [ART] BUTLER, Eugenia, et al. The Book of Lies Project. Volumes I, II & III. Quartos, three original portfolios of 81 works of art, (created out of incised & collaged lead, oil paint on vellum, original pencil drawings, a photograph on platinum paper, polaroid photographs, cyanotypes, ashes of love letters, hand- embroidery, and holograph and mechanically reproduced images and texts), with interleaved translucent sheets noting the artist, loose as issued, inserted in a paper chemise and cardboard folder, or in an individual folder and laid into a clamshell box, accompanied by a spiral bound commentary volume in original printed wrappers printed by Carolee Campbell of the Ninja Press.
  • The Poetry of Gary Snyder 3K'(QJOLVKWKHVLV8QLYHUVLW\RI6RXWK)ORULGD)ORULGD

    The Poetry of Gary Snyder 3K'(QJOLVKWKHVLV8QLYHUVLW\RI6RXWK)ORULGD)ORULGD

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
  • Authorial and Editorial Voices in Translation

    Authorial and Editorial Voices in Translation

    Authorial and Editorial Voices in Translation Wednesday 2nd November 2011 - KUA Auditorium 23.0.49 Michelle Woods: Sense and Censorship: Authors and the Agents of Change In 1969, Milan Kundera sent an angry public denunciation of his English publishers to the Times Literary Supplement, comparing them to the "Moscow censors" who had delayed the publication of his first novel, The Joke, for two years, and who would ban all his work in Czechoslovakia in 1970. Kundera suggested that the substantial cuts to the text, and reworking of the novel's chronology, amounted to a form of market censorship by the editors and publisher. Kundera is well-known for his antipathy to translators, but in fact much of his ire focused on the editing of his translations, performed by people with no knowledge of the language or culture behind his work, and whose bottom line rested on selling a commercially viable product. To what extent can the work of those handling translations - editors, publishers, directors, producers - become a form of censorship? Is is possible, or even helpful, to speak of censorship when looking at the work done to translations, once the actual translation work has been completed? What kind of changes are made to translations before they are published or performed? Is there an ideological context behind those changes even in free and democratic societies? Are form and style a battleground in an increasingly homogenous notion of what good, commercially viable writing is? In this paper, I want to use the examples of two Czech writers: Milan Kundera and Václav Havel, to examine the pressures placed on translators and writers by those other agents (or, as Maria Tymoczko writes, "external constraints").