Ravi Shankar
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IME Annual Report 2020-2021 Low Size
Supported by Annual Report 2020-2021 Only in the darkness can “ you see the stars. ― Martin Luther King “ Namaste We have collectively endured one of the defining experiences of our life and times. What started off as a pause in the hustle and bustle of daily life has now become a happening that will forever define the way we see the world. Many of us experienced loss – of loved ones, of time, of precious moments, and of a sense of normalcy. There were days when I questioned everything, and felt the meaninglessness of it all. At the same time, I realized that the future is built one day at a time, by the seemingly small actions we take each day; that, as Martin Luther King said, everything that is done in the world is done by hope. And so, we see ourselves looking back at a most strange year, but one that I am glad to report has been extremely productive for the Indian Music Experience Museum, in our mission to build community through music. The team at IME seamlessly adapted to the online world. We ensured the continuity of music education at the Learning Centre. We unveiled two new online exhibits through an important partnership with Google Art and Culture. Our work in preserving musical traditions achieved an important milestone through the creation of an online archive on the life and works of legendary violinist and composer, Mysore T. Chowdiah, in collaboration with the Shankar Mahadevan Academy. We presented a wide variety of talks, discussions, workshops, showcases, and exhibit walkthroughs online, growing our audience beyond the geographic limitations of in-person events. -
Lyjournal II, No
NCPA lyJournal II, No. 3, September 1984 Cover Page Bagrawat or Oev- Narayan Bhopa with Jantar. (Photo: Vivek Anand) Last Cover Bhopa of Pabuji with Gujari. (Photo: Vivek Anand) Bhopa Kushla Ram in Parh performance, wearing female costume. (Photo: Rupayan Sansthan) Design: Ratnakar Sohoni NATIONAL CENTRE FOR THE PERFORMING ARTS Quarterly Journal Volume XIII Number 3 September 1984 CONTENTS Epics of Rajasthan-Kom;3l Kothari Ravivarma's Patronage of the Performing Arts (Fifth Century A. D.) S. V. Sohoni 20 From Traditional Theatre to Total Theatre Chandrasekhar Kambar 26 Ethnomusicology in the Indian Context-Nazir Ali Jairazbhoy 31 News and Notes 40 Letters to the Editor 42 Book Reviews 45 Record Reviews 54 The contributors to this number include: Komal Kothari, Director, Rupayan Sansthan, Jodhpur, authority on the folklore of Rajasthan. S. V. Sohoni, well-known lndologist, specialising in epigraphy and numismatics. Chandrasekhar Kambar, Kannada poet playwright and folklorist Chairman of the Karnataka State Nataka Academy. Nazir Ali Jairazbhoy, musicologist Professor, Department of Music, University of California, Los Angeles, and author of The Rag -s of North Indian Music. Mrinalini Sarabhai, noted dancer, Director of the Darpana Academy of Performing Arts, .Ahmedabad. Vamanrao H. Deshpande, musicologist and author of Maharashtra's Contribution to Music and Indian Musical Traditions. Farrokh Mehta, well-known stage actor. Ashok Ranade, formerly Head, University Music Centre, University of Bombay, now Associate Director (Research), Archives and Research Centre for Ethnomusicology of the American Institute of Indian Studies (AilS), Pune. Rohini Bhate, well-known Kathak dancer and recipient of the Sangeet Natak Akademi Award for Kathak. Th e views expressed in the Quarterly Journal of the National Centre for the Performmg Arts are those of the authors and do not necessarily conform to the views of the publishers. -
10U/111121 (To Bejilled up by the Candidate by Blue/Black Ball-Point Pen)
Question Booklet No. 10U/111121 (To bejilled up by the candidate by blue/black ball-point pen) Roll No. LI_..L._.L..._L.-..JL--'_....l._....L_.J Roll No. (Write the digits in words) ............................................................................................... .. Serial No. of Answer Sheet .............................................. D~'y and Date ................................................................... ( Signature of Invigilator) INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice oflhe Superintendentllnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Card without its envelope, .\. A separate Answer Sheet b,' given. It !J'hould not he folded or mutilated A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated 4. Write your Roll Number and Serial Number oflhe Answer Sheet by pen in the space prvided above. 5. On the front page ofthe Answer Sheet, write hy pen your Roll Numher in the space provided at the top and hy darkening the circles at the bottom. AI!J'o, wherever applicahle, write the Question Booklet Numher and the Set Numher in appropriate places. 6. No overwriting is allowed in the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. -
पेटेंट कार्ाालर् Official Journal of the Patent Office
पेटᴂट कार्ाालर् शासकीर् जर्ाल OFFICIAL JOURNAL OF THE PATENT OFFICE नर्र्ामर् सं. 08/2021 शुक्रवार दिर्ांक: 19/02/2021 ISSUE NO. 08/2021 FRIDAY DATE: 19/02/2021 पेटᴂट कार्ाालर् का एक प्रकाशर् PUBLICATION OF THE PATENT OFFICE The Patent Office Journal No. 08/2021 Dated 19/02/2021 8641 INTRODUCTION In view of the recent amendment made in the Patents Act, 1970 by the Patents (Amendment) Act, 2005 effective from 01st January 2005, the Official Journal of The Patent Office is required to be published under the Statute. This Journal is being published on weekly basis on every Friday covering the various proceedings on Patents as required according to the provision of Section 145 of the Patents Act 1970. All the enquiries on this Official Journal and other information as required by the public should be addressed to the Controller General of Patents, Designs & Trade Marks. Suggestions and comments are requested from all quarters so that the content can be enriched. ( Shri Rajendra Ratnoo ) CONTROLLER GENERAL OF PATENTS, DESIGNS & TRADE MARKS 19nd FEBRUARY, 2021 The Patent Office Journal No. 08/2021 Dated 19/02/2021 8642 CONTENTS SUBJECT PAGE NUMBER JURISDICTION : 8644 – 8645 SPECIAL NOTICE : 8646 – 8647 EARLY PUBLICATION (DELHI) : 8648 – 8688 EARLY PUBLICATION (MUMBAI) : 8689 – 8727 EARLY PUBLICATION (CHENNAI) : 8728 – 8822 EARLY PUBLICATION ( KOLKATA) : 8823 – 8828 PUBLICATION AFTER 18 MONTHS (DELHI) : 8829 – 9049 PUBLICATION AFTER 18 MONTHS (MUMBAI) : 9050 – 9180 PUBLICATION AFTER 18 MONTHS (CHENNAI) : 9181 – 9365 PUBLICATION AFTER 18 MONTHS -
1481186712P4M12TEXT.Pdf
PAPER 4 Detail Study Of Kathak, Nautch Girls, Nritta, Nritya, Different Gharana-s, Present Status, Institutions, Artists Module 12 Pioneers Of Kathak 1930-1950 Pioneers are those who show the path not attempted before. They lead us to light to the new ways of doing something. These are people with vision to fulfill a mission and they are given divine support by history and circumstances to do so. Thus, pioneers are people, ordinary in appearance but with special abilities and mind backed by hard work. Once a form that was long forgotten and got known and established as Kathak, many stars of other forms, most notably Bharatanatyam and Kathakali did much to learn and promote Kathak and help it reach national acclaim. In this, Bharatanatyam trained Ram Gopal, Kathakali trained Uday Shankar and pioneers in films like Menaka and Sadhona Bose took this form further and can be called pioneers, in addition to the generation that followed their example. It would not be wrong to call Uday Shankar a cult figure of the early part of the 20th century. He was a showman, a creator of magical spectacles and a dancer par excellence. He was not a trained dancer, so his movements flowed from the heart. He 1 created the Indian ballet scene because nothing like it existed before. Originally a painter, on his museum visits to delve into books, Uday got fascinated with pictures of sculptures of Hindu gods and goddesses in varied poses. He began imitating the poses. Although unfamiliar with dance techniques, the images provided inspiration to translate into dance movement. -
Iimb Digest February 2020 Newsmakers
IIMB DIGEST FEBRUARY 2020 NEWSMAKERS Dr. Balkrishna Doshi, architect of IIMB and Pritzker Architecture Prize awardee, is honoured with Padma Bhushan Dr. Balkrishna Doshi, the architect of the IIMB campus, has been conferred the Padma Bhushan in the year 2020, the third-highest civilian award in the Republic of India given for distinguished service of high order. The Government of India announced the list of awardees on the eve of Republic Day. Read more IIMB’s one-year MBA ranked No.1 in India by Financial Times IIM Bangalore’s one-year full-time MBA programme, the Executive Post Graduate Programme in Management (EPGP), has shot up six places from last year to claim the 27th spot in the Financial Times (FT) Global MBA Rankings 2020. IIMB has bagged the top spot among Indian B-schools in the rankings. Read more Positive Impact Rating 2020: IIM Bangalore Among Top 30 Global Business Schools In the first edition of Positive Impact Rating, a new rating for Business schools unveiled during the 2020 World Economic Forum meet at Davos, Indian Institute of Management Bangalore (IIMB) has been rated one among nine schools in the ‘Transforming Schools’ category. IIMB has been listed along with schools such as London Business School (UK), Esade Business School (Spain), Eada Business School Barcelona (Spain) and Edhec Business School (France). Read more Prof. Ritwik Banerjee and Prof. Soham Sahoo win the Prof M. J. Manohar Rao Award for Young Researchers by The Indian Econometric Society (TIES) The Indian Econometric Society (TIES) has instituted an award for young scholars in India to commemorate Professor M. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
Bharata Natyam Is a Traditional Female Solo Dance Form in Tamil Nadu, Southeast India
=Wor d of Dance< Asian Dance SECOND EDITION WoD-Asian dummy.indd 1 12/11/09 3:16:42 PM World of Dance African Dance, Second Edition Asian Dance, Second Edition Ballet, Second Edition European Dance: Ireland, Poland, Spain, and Greece, Second Edition Latin and Caribbean Dance Middle Eastern Dance, Second Edition Modern Dance, Second Edition Popular Dance: From Ballroom to Hip-Hop WoD-Asian dummy.indd 2 12/11/09 3:16:43 PM =Wor d of Dance< Asian Dance SECOND EDITION Janet W. Descutner Consulting editor: Elizabeth A. Hanley, Associate Professor Emerita of Kinesiology, Penn State University Foreword by Jacques D’Amboise, Founder of the National Dance Institute WoD-Asian dummy.indd 3 12/11/09 3:16:44 PM World of Dance: Asian Dance, Second Edition Copyright © 2010 by Infobase Publishing All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information, contact: Chelsea House An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Descutner, Janet. Asian dance / by Janet W. Descutner. — 2nd ed. p. cm. — (World of dance) Includes bibliographical references and index. ISBN 978-1-60413-478-0 (hardcover) ISBN 978-1-4381-3078-1 (e-book) 1. Dance—Asia. I. Title. II. Series. GV1689.D47 2010 793.3195—dc22 2009019582 Chelsea House books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
RTI Handbook
PREFACE The Right to Information Act 2005 is a historic legislation in the annals of democracy in India. One of the major objective of this Act is to promote transparency and accountability in the working of every public authority by enabling citizens to access information held by or under the control of public authorities. In pursuance of this Act, the RTI Cell of National Archives of India had brought out the first version of the Handbook in 2006 with a view to provide information about the National Archives of India on the basis of the guidelines issued by DOPT. The revised version of the handbook comprehensively explains the legal provisions and functioning of National Archives of India. I feel happy to present before you the revised and updated version of the handbook as done very meticulously by the RTI Cell. I am thankful to Dr.Meena Gautam, Deputy Director of Archives & Central Public Information Officer and S/Shri Ashok Kaushik, Archivist and Shri Uday Shankar, Assistant Archivist of RTI Cell for assisting in updating the present edition. I trust this updated publication will familiarize the public with the mandate, structure and functioning of the NAI. LOV VERMA JOINT SECRETARY & DGA Dated: 2008 Place: New Delhi Table of Contents S.No. Particulars Page No. ============================================================= 1 . Introduction 1-3 2. Particulars of Organization, Functions & Duties 4-11 3. Powers and Duties of Officers and Employees 12-21 4. Rules, Regulations, Instructions, 22-27 Manual and Records for discharging Functions 5. Particulars of any arrangement that exist for 28-29 consultation with or representation by the members of the Public in relation to the formulation of its policy or implementation thereof 6. -
Tradition and the Individual Dancer
1: Tradition and the Individual Dancer History and Innovation in a Classical Form Critical accounts and promotional materials frequently refer to bharata natyam as “ancient.” The dance form’s status as traditional and classical seems to render it fixed, even timeless. A connection to the past appears to be a given for this dance practice. Even on closer examination, a relationship to the past seems integral to the dance form’s identity, its content, and its structure. Present-day bharata natyam choreography draws from the dance practices of earlier decades and centuries. Its movement vocabulary derives from sadir, the solo dance per- formed by temple and court dancers in precolonial and colonial South India. The margam—the concert order that determines when in a program each dance piece appears—was standardized in the nineteenth century by the renowned musician- composers of the Thanjavur Quartet. The roots of bharata natyam extend still further back. For example, the mudras, or hand gestures, used today accord in both shape and meaning with those described in the Natyasastra, a Sanskrit dra- maturgical text, dating from the beginning of the Christian era. Similarly, an arangetram, or initial performance, described in the fifth-century Tamil epic Silappadikaram correlates with that of devadasi practitioners of the nineteenth century, which then established the protocol for twentieth-century debuts. Bharata natyam’s repertoire consists largely of songs written between the sev- enteenth and twentieth centuries. The poems of love and religious devotion that form the basis of the bharata natyam canon emerged from the musical and lit- erary traditions of previous centuries. -
Pandit Ravi Shankar—Tansen of Our Times
Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times by S. Kalidas IND I A INTERNAT I ONAL CENTRE 40, MAX MUELLER MARG , NEW DELH I -110 003 TEL .: 24619431 FAX : 24627751 1 Occ AS I ONAL PUBLicATION 47 Pandit Ravi Shankar—Tansen of our Times The views expressed in this publication are solely those of the author and not of the India International Centre. The Occasional Publication series is published for the India International Centre by Cmde. (Retd.) R. Datta. Designed and produced by FACET Design. Tel.: 91-11-24616720, 24624336. Pandit Ravi Shankar—Tansen of our Times Pandit Ravi Shankar died a few months ago, just short of his 93rd birthday on 7 April. So it is opportune that we remember a man whom I have rather unabashedly called the Tansen of our times. Pandit Ravi Shankar was easily the greatest musician of our times and his death marks not only the transience of time itself, but it also reminds us of the glory that was his life and the immortality of his legacy. In the passing of Robindro Shaunkar Chowdhury, as he was called by his parents, on 11 December in San Diego, California, we cherish the memory of an extraordinary genius whose life and talent spanned almost the whole of the 20th century. It crossed all continents, it connected several genres of human endeavour, it uplifted countless hearts, minds and souls. Very few Indians epitomized Indian culture in the global imagination as this charismatic Bengali Brahmin, Pandit Ravi Shankar. Born in 1920, Ravi Shankar not only straddled two centuries but also impacted many worlds—the East, the West, the North and the South, the old and the new, the traditional and the modern. -
Reg.No. Name 1071310001 RAHUL R 1071310002 APOORVA NIKHIL 1071310003 KALAGOTLA SAI ABHISHEK 1071310005 AMEENA KADERKUTTY 1071310
Branch:CSE, NANO, CHEMICAL Date: 13 & 14th July S.NO Reg.No. Name 1 1071310001 RAHUL R 2 1071310002 APOORVA NIKHIL 3 1071310003 KALAGOTLA SAI ABHISHEK 4 1071310005 AMEENA KADERKUTTY 5 1071310006 CHANDANA S 6 1071310007 VEMULAPALLI NIKHIL KRISHNA 7 1071310008 MADUPURI THEJASWINI 8 1071310009 SAKTHIVEL V S 9 1071310011 V ABHILASH 10 1071310013 GOWTHAM S 11 1071310014 ANTON AKKARA 12 1071310016 SWAMI CHETNA DEVRAJ 13 1071310018 TADIKAMALLA NITHIN 14 1071310019 AMRENDRA KUMAR GUPTA 15 1071310020 R PAVITHRAN 16 1071310021 SEVIN XAVIER JOHN 17 1071310022 VENKATA SUBHASH SRIKARNA 18 1071310023 MANGIPUDI KRISHNA TEJA 19 1071310025 GAYATHRI SREEKUMAR 20 1071310027 KARTHICK R 21 1071310028 M RAMYA 22 1071310029 KEERTHANA G 23 1071310030 PRANAVU JOSEPH J 24 1071310032 PAPATHI S 25 1071310033 AKSHYA K A 26 1071310034 SOVAN GHOSH 27 1071310037 ADITI DATTA 28 1071310039 VAIBHAV SOOD 29 1071310045 REEM ABDUL RAZAK KARIPAKULAM 30 1071310046 PRASANTH S 31 1071310050 VISHNA NAIR 32 1071310051 GOWSIGAN V 33 1071310054 ACHANTA VENKATESH RAO 34 1071310055 REME DAS 35 1071310057 VIKAS JHA 36 1071310060 NIHAL RAO 37 1071310061 GAURAV PUROHIT 38 1071310065 SANJAY B 39 1071310067 RWIDDHI SARKHEL 40 1071310068 VISHNU PRIYAN S 41 1071310069 SAMRAJ A 42 1071310070 PANKAJ KUMAR 43 1071310072 ARUN KUMAR N 44 1071310073 ZAHRA AMAN SHEIKH 45 1071310074 JIJO V OMMEN 46 1071310076 BAIDURJYA BANERJEE 47 1071310077 REEMA BORUAH 48 1071310078 MD SADAKAT ALI Branch:CSE, NANO, CHEMICAL Date: 13 & 14th July S.NO Reg.No. Name 49 1071310083 NANDYALA ROHITH REDDY 50 1071310084